[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/mathias-rauchmiller-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/mathias-rauchmiller-wikipedia\/","headline":"Mathias Rauchmiller – Wikipedia","name":"Mathias Rauchmiller – Wikipedia","description":"Johann Mathias Rauchmiller (also Matthias Rauchmiller or Mathias Rauchm\u00fcller ; * January 11, 1645 in Radolfzell on Lake Constance [first]","datePublished":"2018-10-28","dateModified":"2018-10-28","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/d\/de\/Liebfrauen_Trier_innen_BW_4.JPG\/220px-Liebfrauen_Trier_innen_BW_4.JPG","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/d\/de\/Liebfrauen_Trier_innen_BW_4.JPG\/220px-Liebfrauen_Trier_innen_BW_4.JPG","height":"163","width":"220"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/mathias-rauchmiller-wikipedia\/","wordCount":2037,"articleBody":"Johann Mathias Rauchmiller (also Matthias Rauchmiller or Mathias Rauchm\u00fcller ; * January 11, 1645 in Radolfzell on Lake Constance [first] ; \u2020 February 15, 1686 in Vienna) was a German sculptor, ivory carver, painter and architect.  Tomb for Karl von Metternich It is not known whose pupils were Rauchmiller. For the first time it is detectable in 1669\/71 in Mainz, where he created a crucifix for the cathedral there. Around 1675 he was commissioned to carry out a tomb for Karl von Metternich, which was set up in the Trier Liebfrauenkirche. From 1676 Mathias Rauchmiller was primarily in Vienna. For the years 1677\u20131679 he has been detected in Silesia. According to Rauchmiller’s draft, a mausoleum of the Silesian Piasts for the last Liegnitz piast family was built as a foundation of the Duchess Luise, for which he also created the sculpture work (including the four life -size statues of the ducal family). [2] During these years he was probably also with the interior of the former Princely Hall ( now knight’s hall ) Commissioned by the Ohlau Castle, which was expanded by the Duchess Luise. In 1677 he created an epitaph in the form of a sarcophagus for Adam of Arzat for the Breslau Magdalenkirche. Put the fully plastic figures Honor and Hope and in the niche above the epitaph the Personification of fame shown. The marble epitaph for Octavius \u200b\u200bPestaluzzi created one year later for the same church is only partially preserved.  In 1681, Rauchmiller designed a small plaster model for the Prague Karlsbr\u00fccke of the Nepomukstatue donated by Matthias Gottfried Freiherr von Wunschwitz, which was made by Johann Brokoff according to the plaster model in Southwest Bohemian Ronsperg (at the castle of the baron of Wunschwitz) in wood and poured by Wolf Hieronymus. [3] In the Vienna Dominican Church, he made the nave fresco, and in 1682 he provided the overall design for the Viennese plague column, from which only three angels are preserved. After the death of the painter Carpoforo Tencalla in 1685, Mathias Rauchmiller took over the frescoing of the side aisles and two chapels in the Passau cathedral. This work was completed by Tencalla’s son -in -law Carlo Antonio Bussi after Rauchmiller’s death in 1686. In addition to large sculptures, paintings and ivory carvings, Mathias Rauchmiller also created numerous drawings for theses leaves, which were engraved by the Augsburg engraver Melchior K\u00fcsel and Philipp Kilian. The painting Death of the Sophonisbe and Death of the Cleopatra were engraved by Sandrart by Jacob. Ernst Badst\u00fcbner (ed.): Silesia (= Dehio manual of the art monuments in Poland. Part 1). Deutscher Kunstverlag, Berlin 2005, ISBN 3-422-03109-X, pp. 69, 526, 699 and 1062. Veronika Birke: Mathias Rauchmiller. Life and work. Herder, Vienna 1981, ISBN 3-210-24641-6. Michael Brix (editor): Lower Bavaria (= Handbook of German Art Monuments , Part: Bayern. Volume 2). Deutscher Kunstverlag, Berlin 1988, ISBN 3-422-03007-7, pp. 499 and 505. Adolf Ge\u00dfner: The epitaph of Philipp Erwin von Sch\u00f6nborn. A contribution to Rauchm\u00fcller research . In: Yearbook for the diocese of Mainz , Jg. 3 (1948), S. 75\u201388. Tilman Kossatz:\u00a0 Rauchmiller, Johann Mathias. In: New German biography (Ndb). Volume 21, Duncker & Humblot, Berlin 2003, ISBN 3-428-11202-4, p. 200 f. ( Digitized ). Josef Ringler: Rauchmiller, Matthias . In: Hans Vollmer (ed.): General lexicon of the visual artists from antiquity to the present. Founded by Ulrich Thieme and Felix Becker. Band  28 : Ramsden\u2013Rosa . E. A. Seemann, Leipzig 1934, S.  41 .  Barbara Simon: Rauchmiller, Matthias . In: General artist lexicon. The visual artists of all time and peoples (Ampent). Away 977, Grainter, Greblitre 2018, 97-324-137-67. \u2191  The information in Christian Kundmann: Promptuarium vratislavense ‘He was a Tyrolean, probably goes back to a confusion with his assistant from Tyrol Jakob Auer and Johann Pichler.  \u2191  Andrea Langer, in: Joachim Bahlcke: Silesia and the Silesians . Langen M\u00fcller Verlag, ISBN 3-7844-2781-2, p. 309.  \u2191  Isabel Heitjan: The “miracle” of Johann von Nepomuk in 1744 to Prague. In: B\u00f6rsenblatt for the German Book Trade – Frankfurt edition. No. 89, November 5, 1968 (= Archive for the history of the book system. Band 62), S. 2863\u20132868, here: S. 2867.  \u2191  Christian Scherer: II. The ivory plastic of the baroque period . In: Jean Louis Sponsel (ed.): Ivory plastic since the Renaissance (= Monographs of the arts and crafts . Band  8 ). Hermann Seemann successor, Leipzig 1903, S.  75 ( Textarchiv\u00a0\u2013 Internet Archive ): “[…] who bears the full name ‘Mathias Rauchmiller Fecit’ and the year 1670 […]”   \u2191  Christian Scherer: II. The ivory plastic of the baroque period . In: Jean Louis Sponsel (ed.): Ivory plastic since the Renaissance (= Monographs of the arts and crafts . Band  8 ). Hermann Seemann successor, Leipzig 1903, S.  14 ( Textarchiv\u00a0\u2013 Internet Archive – Bacchusgruppe).   \u2191  Christian Scherer: II. The ivory plastic of the baroque period . In: Jean Louis Sponsel (ed.): Ivory plastic since the Renaissance (= Monographs of the arts and crafts . Band  8 ). Hermann Seemann successor, Leipzig 1903, S.  75 , Figure 62. Apollo and Daphne ( Textarchiv\u00a0\u2013 Internet Archive ).   \u2191  Bavarian National Museum, University of Michigan: Fuhrer through the Bavarian National Museum in Munich . Self -published, Munich 1908, S.  162 ( Textarchiv\u00a0\u2013 Internet Archive ).   \u2191  Christian Scherer: II. The ivory plastic of the baroque period . In: Jean Louis Sponsel (ed.): Ivory plastic since the Renaissance (= Monographs of the arts and crafts . Band  8 ). Hermann Seemann successor, Leipzig 1903, S.  74 and 76 , Figure 61. Nessus, who ran the Dejanira and Figure 63. Christ on the Marter column ( Textarchiv\u00a0\u2013 Internet Archive ).    "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/mathias-rauchmiller-wikipedia\/#breadcrumbitem","name":"Mathias Rauchmiller – Wikipedia"}}]}]