[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/a-bee-in-the-rain-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/a-bee-in-the-rain-wikipedia\/","headline":"A bee in the rain – Wikipedia","name":"A bee in the rain – Wikipedia","description":"A bee in the rain (German “A bee in the rain”) is a black and white film by the director","datePublished":"2018-10-01","dateModified":"2018-10-01","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/4a\/Pictogram_voting_info.svg\/15px-Pictogram_voting_info.svg.png","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/4a\/Pictogram_voting_info.svg\/15px-Pictogram_voting_info.svg.png","height":"15","width":"15"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/a-bee-in-the-rain-wikipedia\/","wordCount":1213,"articleBody":"A bee in the rain (German “A bee in the rain”) is a black and white film by the director Fernando Lopes from 1972. He is the film adaptation of the neo -Nalanistic novel by Carlos de Oliveira from 1953 and is one of the main works of the new Portuguese film, the Novo Cinema . The marriage of a couple of the Landbourgeoisie in her manor house, characterized by jealousy, loneliness and humiliation, is the focus of the film. The sometimes laboriously oppressed and sometimes dramatically breaking entanglements of feelings, dependencies and a subordinate, old hierarchy are shown, based on the couple, but also their subordinates. Less a told story with tension, the film is rather a steadily deeper, more and more details, which is more and more detailed. [first] [2] The film was created in collaboration with the author [3] And uses the neorealistic template only in terms of content and not faithfully and comprehensively. The film itself is also not a native work. On the contrary, his film language is characterized by abstraction. This shows scenes that remain silent or are accompanied by a strange tone, scenes with different tones are repeated or they end in still images. The viewer recognizes from the interaction of the pictures with the tones, which sometimes convey the inner emotional world and sometimes the external events, gradually the reasons and the nature of the conflicts. The long, observing settings leave space for reflection. They let the pictures come to the fullest and allow the observer to better understand the people and their actions. The aesthetics of the haunting images and attitudes are based on poetry and painting. The mood of the film is depressed, with all the calm and talented fatefulness of the people, there are repeated breaks of verbal and physical violence, sometimes dramatic. On the one hand, the film shows the past lifestyle of the manor house and the surrounding poverty of the working, on the other hand the decadent aristocracy and its inability to detach themselves from their traditional hierarchies and to find human interaction. Film criticism recognized a criticism of the Portugal of the repressive Estado Novo regime, which closes a new, more human society and adheres to traditional conditions. The modernism that falls into the bridle and caught in the bridle and caught in the colonial war and its own history propaganda, the repressively ruled Portugal cannot reconcile its traditional external rules and the inner emotional worlds and current needs. The cut, the precisely drawn contours of the black and white images and the pointed tone were mentioned by the criticism as the means of this film to impart these relationships in spite of the censorship. The acting achievements of the two main actors, Laura Soveral and Jo\u00e3o Guedes were also emphasized, which also clearly present the problem of inadequate interpersonal communication and their consequences. [4] [5] [6] The film is still an exceptionally successful example of film art in Portugal. [7] \u2191 las.utoronto.ca \u2191 Alcides Murtinheira, Igor Metzeltin: History of Portuguese cinema. Praesens Verlag, Vienna 2010, p. 99 f. \u2191 Bonus material of the film edition of the film, Lusomundo 2002. \u2191 Alcides Murtinheira, Igor Metzeltin: History of Portuguese cinema. Praesens Verlag, Vienna 2010, p. 99 f. \u2191 Amorderdicao.pt ( Memento of the Originals from April 18, 2012 in Internet Archive ) Info: The archive link has been used automatically and not yet checked. Please check original and archive link according to the instructions and then remove this note. @first @2 Template: Webachiv\/Iabot\/www.amordeperdicao.pt \u2191 Jorge Leit\u00e3o Ramos: Portuguese Cinema Dictionary 1962\u20131988. Editorial Path, Lissabon 1989, S. 20. \u2191 dclatinfilm.org ( Memento of the Originals from October 21, 2009 in Internet Archive ) Info: The archive link has been used automatically and not yet checked. Please check original and archive link according to the instructions and then remove this note. @first @2 Template: Webachiv\/Iabot\/www.dcllatinfilm.org "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/a-bee-in-the-rain-wikipedia\/#breadcrumbitem","name":"A bee in the rain – Wikipedia"}}]}]