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It is located in the children’s and house fairy tales of","datePublished":"2018-11-28","dateModified":"2018-11-28","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":100,"height":100},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/of-esenofen-wikipedia\/","wordCount":2102,"articleBody":"The ironoien is a fairy tale (ATU 425, 425A). It is located in the children’s and house fairy tales of the Brothers Grimm (KHM 127). The title wrote until the second edition The iron oven . A king’s son will enchant an old witch to sit in an iron oven in the forest. After many years, a king’s daughter comes by. He sends her to her who leads her home in silence. To do this, she should come back with a knife, free him and marry him. Instead, they and their father send the beautiful miller daughter, then the even more beautiful pork’s daughter. Both cockets unsuccessfully for 24 hours and then reveal themselves. Under the threat, the princess has to come and free him. He likes her, but she asks to be allowed to go to her father again what he grants to her if she only spoke three words. But because she speaks more, the iron oven is moved away. In her search she comes to an old house with small thick toads. The old toad gives her three needles, three nuts and a level of plow. It overcomes a glass mountain, three cutting swords and tearing water and can be made as a maid in the prince’s castle. She gets permission from his new bride three times to sleep in his chamber in exchange against the beautiful dresses from the three nuts. Twice he only learns from the servants of their nightly whining, so that he does not take the sleeping drink the third time and flees with her. The house with the toads has become a castle with children. They marry and also take the lonely father. Compared to others from Grimm’s collection, the fairy tale contains many more meaningful speeches. The prince in the iron oven asks the girl “Where are you from and where do you want to go?” (see KHM 9). When he says “I dose, it’s day outside” reveal to M\u00fcller and pig shirt daughter “That also dwells me, I mean, I hear my father’s mill rattling” and “I hear my father’s croissants” what he threatens, it “Should everything crumble throughout the empire” If the rights would not come. He says to her “You are mine and I am yours, you are my bride and have redeemed me” (see KHM 67, 94). She only frightens before his marriage proposal, “Dear God, what should I do with the iron oven!” , then in front of the toads, “Oh, where are you going here!” . The toads she finds like the iron oven after nine days repeat his initial question: “Where are you from? Where do you want to go?” . The toad scene in the middle and the end of the magnificent castle are highlighted by rhymed poems. The toad (here Itsche called) calls: “Jungfer green and small, Hutzelbein, Hutzelbein’s dogs, Hutzel back and forth, let’s see who would be outside” and “Jungfer green and small, Hutzelbein, Hutzelbein’s dogs, Hutzel back and forth, bring me the big box” (as in The three feathers ). The many alliterations sound in connection with the content of the instruction. In the deflected final rhyme, the unprecedented becomes even clearer: There was a mouse, the fairy tale was out. (as in Hansel and Gretel , Haans mein igel ) The short, episodically structured story with its abundance of magical objects is a typical Search fairy tale : The heroine finds her groom, loses him through his own mistake and wins him again (cf. The singing jumping lionesser ). It also finds one magical escape over the water, the swords and the Glasberg. In contrast, the tendency towards black and white painting in good and evil is relatively little. When it comes to an iron oven, you think of a heating oven. An abandoned melting oven for ore mining is more realistic in the forest. Grimm’s note to the fairy tale interprets him as an access to the underworld. Iron was first known from the sky through meteorite rock, later iron ore was also melted in stoves. [first] It is therefore of the old idea of \u200b\u200bheavenly origin (see. The Sterntaler ). On the one hand, it also had strength to defend evil. In addition to this male symbolism, the oven stands psychoanalytically for the womb. The prince, locked up there by a witch’s curse, survives many years . The king’s daughter is startled with the hard, hot iron oven, but also in front of the soft, slippery toads. The decision is made more difficult by its strong father binding, which is expressed in the joint attempts at the marriage (and representative of the brides’ speech). In the sentence “Oh, where are you going here!” the meaning of the old “Jungfer green and small” As a frightening picture of your own future. However, their gifts also represent the resource of their newly developed determination. Walnuts have folds ( Grate ), like a toad or old woman ( “Hutelbein” ). Due to their analogue to female genitalia, the nuts are a symbol of the adult woman (cf. KHM 65, 88, 113). The lonely house in the forest, which the princess finds after the iron oven instead of later castle, appears in many grim tales as a witch town, but also access to redemption (e.g. Hansel and Gretel , Jorinde and joringel , The Waldhaus ). she says “Oh, I would be redeemed” . The sentence of the toads “Where do you come from and where do you want to go” Benjamin says to his sister in The twelve brothers when she finds him in the house in the forest. The toad also has an ambivalent meaning. It was compared to the female uterus. [2] [3] It was assumed that she could move in the body and thus cause suffering at different places. She has poison in her skin. Like the snake, she is treasure keeper and hexentier. They appear together ( The three men in the forest , The white and black bride ). At Pentecosts, toads were stabbed with knives, such as the iron oven (cf. The seven Ravens : Cutting off a finger with the knife to open the Glasberg). In stories, the man is usually enclosed in a glass mountain, where the woman has to free him ( The seven Ravens ). Together with the iron swords, the symbolism of the iron oven is repeated again. In the very similar grim tale The raven the prince has to climb a glass mountain on which the bride was mixed by its three times. For Hedwig von Beit, the fairy tale is an unusually complete representation of redemption from the alchemical oven. The princess suspects the power hidden in the unconscious, her devil pact shows her the way to overcome the rapture that the king causes as a prevailing awareness. The amphibious mutation dissolves the separating through opposite symbols. It is the earth-like way to the Chthon-spiritual. [4] Heinz-Peter R\u00f6hr diagnoses a narcissistic personality disorder, for which the hard, distant iron oven is a good picture. [5] Jobst Finke understands the action as an overcoming fear of separation and gaining autonomy. [6] The text is in Grimm’s fairy tale from the 1st edition of the second volume from 1815 (since No. 41) in place 127. The Brothers Grimm heard it in 1813 by Dorothea Viehmann. In your note you compare this narrative ( from two ) with a different from Kassel and one From the Maingegende , which she in the 1st edition of the first volume from 1812 as Prince Schwan or. Hurleburlebutz published. In the former, instead of the toads, the girl meets three old women named the sun, moon and star who hide it from their human -eating men and give him a golden spider wheel, spindle and reel, for which she bought for three nights with her husband on the Glasberg . Grimms compare here u. The singing jumping lionesser and Both K\u00fcnigeskinner . In the other, the king promises his daughter to a white male so that it shows him the way out of the forest. That appears as a fox after eight days. After the king only wants to subordinate two others, he redeems the rights by cutting one of three pigeons off. In the hot, dark iron oven you see the hell or underworld. So they also make a connection to The goosemaid here. She complains to an iron oven, which nobody can hear, a custom that also existed with stones or holes. VGL. in Giambattista Basiles Pentameron III, 3 Total . V, 3 Pinto Smauto . See. From the boy who wanted to learn the witch in Ludwig Bechstein’s new German fairy tale book. Grimm, brothers. Children’s and Household Tales. Complete edition. With 184 illustrations of contemporary artists and an afterword by Heinz R\u00f6lleke. Pp. 600\u2013605. D\u00fcsseldorf and Zurich, 19th edition 1999. (Artemis & Winkler Verlag; Patmos Verlag, ISBN 3-538-06943-3) Grimm, brothers. Children’s and Household Tales. Output last hand with the original notes of the Grimm brothers. With an appendix of all fairy tales and proof of origin published in all requirements, published by Heinz R\u00f6lleke. Volume 3: Original comments, evidence of origin, afterword. Avoided and bibliographically supplemented edition, Stuttgart 1994. pp. 220\u2013224, pp. 493\u2013494. (Reclam-Verlag, ISBN 3-15-003193-1) Alvey, Gerald: iron. In: Encyclopedia of the fairy tale. Volume 3. pp. 1294\u20131300. Berlin, New York, 1979. Ward, Donald: Glasberg. In: Encyclopedia of the fairy tale. Volume 5. pp. 1265\u20131270. Berlin, New York, 1987. Berlioz, Jacques: toad. In: Encyclopedia of the fairy tale. Volume 8. pp. 494\u2013499. Berlin, New York, 1996. Meinel, Gertraud: Nuss. In: Encyclopedia of the fairy tale. Volume 10. pp. 159\u2013164. Berlin, New York, 2002. Toad; Pentecost. In: Dictionary of German folklore. Founded by Oswald A. Erich and Richard Beitl. 3rd edition, newly edited by Richard Beitl with the collaboration of Klaus Beitl. Stuttgart 1974. p. 482; Pp. 642\u2013645. (Alfred Kr\u00f6ner Verlag, ISBN 3-520-12703-2) Uther, Hans-J\u00f6rg: Handbook on the children’s and house fairy tales of the Brothers Grimm. Berlin 2008. p. 278. (de Gruyter; ISBN 978-3-11-019441-8) Scherf, Walter: The fairytale lexicon. First volume A – -K. Pp. 257\u2013261. Munich, 1995. (Verlag C. H. Beck, ISBN 3-406-39911-8) von Beit, Hedwig: contrast and renewal in the fairy tale. Second volume of “Symbolism of the fairy tale”. Second, improved edition, Bern 1956. pp. 121\u2013125. (A. Francke AG, Verlag) R\u00f6hr, Heinz-Peter: Narcissism. The inner prison. (Walter-Verlag, March 1999, ISBN 3530400599) \u2191  Sch\u00fcring, Joachim: Gift of Heaven. In: Adventure Archeology 3\/2007, pp. 24\u201325.  \u2191  Max H\u00f6fler: The victim buttery as a spiked ball. In: Journal of the Association for Folklore 11, 1901, S. 82.  \u2191  Erwin Richter: Influence of Medico-astrological folk thinking on the creation and formation of men’s buttery sacrifice in spiritual healing. In: Sudhoffs archive 42, 1958, pp. 326\u2013349; also in: Folk medicine: problems and research history. Edited by Elfriede Grabner, Darmstadt 1967 (= Paths of research , 63), S. 372\u2013398.  \u2191  von Beit, Hedwig: contrast and renewal in the fairy tale. Second volume of “Symbolism of the fairy tale”. Second, improved edition, Bern 1956. pp. 121\u2013125. (A. Francke AG, Verlag)  \u2191  R\u00f6hr, Heinz-Peter: Narcissus. The inner prison. 8th edition, Munich 2009. (DTV; ISBN 978-3-423-34166-0)  \u2191  Jobst Finke: Dreams, fairy tales, imaginations. Personal psychotherapy and advice with pictures and symbols. Reinhardt, Munich 2013, ISBN 978-3-497-02371-4, pp. 161, 195, 201, 202, 203.  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