[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/caspar-josef-lizzius-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/caspar-josef-lizzius-wikipedia\/","headline":"Caspar Josef Lizzius \u2013 Wikipedia","name":"Caspar Josef Lizzius \u2013 Wikipedia","description":"Caspar Josef Liizus (* 1760 in Niederwalluf, \u2020 December 5, 1824 in Frankfurt am Main) was a Mainz church musician,","datePublished":"2020-09-28","dateModified":"2020-09-28","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/de.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/de.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/caspar-josef-lizzius-wikipedia\/","wordCount":865,"articleBody":"Caspar Josef Liizus (* 1760 in Niederwalluf, \u2020 December 5, 1824 in Frankfurt am Main) was a Mainz church musician, court secretary, cathedral chapel master, music director, cathedral composer in Mainz at the time of the French Revolution. Caspar Josef Liizus, son of Johann Baptist Liizus (born July 27, 1720 in Rauenthal, Rheingau, \u2020 August 18, 1806 in Niederwalluf) and his second wife Anna Maria Budi (\u2020 1781) was baptized in Niederwalluf on May 15, 1760. As the son of a schoolmaster, he enjoyed a good education. He learned to play the piano and organ. When he was 21, his mother died. 5 years later he married Katharina Aloysia Jung, daughter of the merchant Johann Peter Jung from Mainz. Life in Mainz [ Edit | Edit the source text ] Liizus entered the service of Hugo Freiherr von Geismar gen. Mosbach von Lindenfels as a secretary. He found a supporter of his art in Vicar Tobias Jagemann von St. Alban, uncle of his wife, and mostly played in the service of the Albanskirche. Caspar Josef played numerous services in St. Christof, St. Quintin, St. Ignaz etc., but mainly in the Sebastian chapel, in which he was probably also married. However, these services have stopped since the abolition of the pens and monasteries in 1802. For this, Liizus opened up better activity in the service of the new bishop Joseph Ludwig Colmar, who made him a Kapellmeister. When the Mainz Cathedral was used again for the first time on August 15, 1804, Caspar Josef Liizus led the conductor’s staff. He always played in the cathedral at Christmas, Easter, the White Sunday, Ascension Day and All Saints with 14\u201319 singers and musicians. Moving to Frankfurt am Main [ Edit | Edit the source text ] On April 10, 1809, Liizus waived his civil rights in Mainz and moved to Frankfurt am Main. From 1810 he became there at the Catholic girls’ school there, by the decree of the Minister of Eberstein, organist at the St. Bartholom\u00e4us cathedral and from 1816. The French Mainz became more and more stranger to him and so he applied with his wife Anna Maria Budi and the three children who remained with them (his son Christoph had already married and moved out in 1812) for the Frankfurt civil rights that he did on December 15 Was granted in 1820. In total, the couple had eight children, one of whom died right after the birth and three between 1792 and 1795 during the siege of Mainz in Rauenthal. They were buried in the cathedral cemetery in Mainz. One of Caspar Josef Liizus’ grandson is Bernhard Liizus (1812\u20131870), a revolutionary that was arrested on April 3, 1833 at the Frankfurt Wachensturm, and the portrait of his granddaughter Caroline Liizus (1825\u20131908) hangs in the King Ludwig I’s beauty gallery . In Nymphenburg Castle. [first] On December 5, 1824 at 2 a.m., Caspar Joesef Liizus died in Frankfurt and was buried two days later. When the Corpus Christi procession moved through the Mainz streets on June 16, 1805, Liizus played a musical high in the cathedral and accompanied the procession with “harmony”, i. that is, he conducted a wind chapel that was composed of Oboen, clarinets, basin, forest horns and trombones according to the custom of time. The main thing was Liizus instrumental measurements. In 1797 he bought a fair from Wanhall and one from Father Alexius Molitor. Its style is the contemporary, classic-classicist. In the same style, it will also have played the requiem, the vesper, the rarely occurring complete, the Salve and the Tedeum. The first cathedral band master Adam Werner was looking for this tradition of the new Bischofskirche in 1858 until the Cecilian direction G.B. Webers replaced under Bishop Wilhelm Emmanuel von Ketteler. The Liizus chapel usually consisted of around 11 singers and instrumentalists: two women for soprano and old, two men for tenor and bass; There were also four violins, two basses and an organ player. We do not know whether Liizus conducted himself or played the prime about the prime; Nor did the viola were always occupied. A professional musician was able to play at least two instruments. It was therefore also common for the same musicians to remove “Symphony” when confirmed in St. Ignaz, then “harmony”. The fact that Liizus stood in relationships with the sheet musician Bernhard Schott shows a note from his wife in the “house manual”. \u2191  Inhabitant book in the Aschaffenburg City Archives: Family, Liizus Franz  Adam Gotton: Caspar Josef Liizus . Special print from the Martinus leaf for the Diocese of Mainz, Mainz 1937.  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