Pintories of caravaggio – Wikipedia, free encyclopedia

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Caravaggio’s popularity caused that, when he died, many apocryphal works were made as his works. This has often happening over time, but Italian scholars do not usually give them authentic. It is also difficult to distinguish works made by Caravaggio from copies made to posterity, which has caused many collectors not to trust Caravaggio’s works, sometimes because they consider them copies or reproductions.

The dentist [ To edit ]

The dentist , apocryphal painting attributed to Caravaggio.

The first time that the authenticity of the work in question was discussed was in 1992 and Gash raises it again in 1998. One of the arguments given in his favor is based on the form of the figures, typical of Caravaggio. Another is that the “caravaggists” wrote a lot about this picture, then having a variety of appointments about the work. In addition, the style is typical of the Caravaggio stage in Malta (1607-1609). But on the opposite side, it has never been mentioned in the Caravaggio genre paint catalog, of which very few survive our day. Belllori never mentions her in her work (1672), which is about the paintings of Caravaggio. Thus, its authenticity has never been officially declared. [ first ] ​

John the baptist (Public art collection, basilea) [ To edit ]

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Despite having many Caravaggio’s own style brands – the shadows, the Baptist is isolated from the rest of the composition – is not accepted as true. The roses and the lamb that surrounds Juan represent his sacrifice, very common in the Italian. However, the approach to Protestant iconography makes the Bautista of Basel, do not take authentic.

Lifting nature with flowers and fruits [ To edit ]

In his first works, Caravaggio was defined as “flower and fruits painter”, and in this work certain features of the first stage of Italian are appreciated. His resemblance to Child with a fruit basket It is undeniable, but several scholars refuse to catalog it as authentic. It is preserved in the Wadsworth Athenaeum, Hartford, United States of America. [ 2 ] ​

See also [ To edit ]

References [ To edit ]

Bibliography used [ To edit ]

  • C Alive , Maurizio, Caravaggio , Art Dossier 1986, Giunti Editori (1986) (ISBN No Available)
  • C Approaches , Patricia, Painting teachers , Spes Editorial, ISBN 84-8332-597-7.
  • F RIEDLAENDER , Walter, Caravaggio Studies , Princeton, [[Princeton University | Princeton University Press]], 1955.
  • G ASH , John, Caravaggio , Chaucer Press, (2004) ISBN 1-904449-22-0)
  • G Iorgi , Rosa, Caravaggio, Master of light and dark – his life in paintings , Dorling kindersley (1999) isbn 978-0-7894-4138-6
  • K AND , Peter, Caravaggio – The Painter of Blood and Darkness , Gunther Edition, (Roma – 2004)
  • L Afbert, , Gilles, Caravaggio , Bags, (2000) ISBN 978-3-8228-6305-3
  • L Angdon , Helen, Caravaggio, A Life , Farrar, Straus and Giroux, 1999 (original edition in the United Kingdom, 1998) ISBN 978-0-374-11894-5
  • M Because , Alfred, The Italian Followers of Caravaggio , [[Harvard University | Harvard University Press]] (1967) (ISBN not available)
  • P Gloss , Catherine, Caravaggio , Phaidon (1998) ISBN 978-0-7148-3966-0
  • R Obb , Peter, M , Duffy & Sngrove, in the 2003 Corregy edition (Conistral Edition, 1998) ISBN 978-1-87631-7
  • S PIKE , John, Caravaggio (Includes Paints catalog in CD-ROM), ABbeville Press, New York (2001) ISBN 978-0-7892-0639-8
  • T Riad T UR , Juan Ramon, Caravaggio , Editions, Editions, Isbn 84-305-3645-0

external links [ To edit ]

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