[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/blue-skies-lied-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/blue-skies-lied-wikipedia\/","headline":"Blue Skies (Lied) \u2013 Wikipedia","name":"Blue Skies (Lied) \u2013 Wikipedia","description":"before-content-x4 Blue Skies is a jazz standard that composed by Irving Berlin in 1926 and in 1927 by Ben Selvins","datePublished":"2021-09-23","dateModified":"2021-09-23","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/de\/thumb\/2\/25\/Paul_Whiteman_-_Blue_Skies1.jpg\/220px-Paul_Whiteman_-_Blue_Skies1.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/de\/thumb\/2\/25\/Paul_Whiteman_-_Blue_Skies1.jpg\/220px-Paul_Whiteman_-_Blue_Skies1.jpg","height":"220","width":"220"},"video":[null,null,null],"url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/blue-skies-lied-wikipedia\/","wordCount":2046,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4Blue Skies is a jazz standard that composed by Irving Berlin in 1926 and in 1927 by Ben Selvins Knickerbockers was made a tophit.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Blue Skies originally comes from Vaudeville star Belle Belle (Bella Becker). She was not satisfied with the title This Funny World , which the famous author team Richard Rodgers and Lorenz Hart as a solon number for you in the weighing field production Betsy had planned. Without contacting Rodgers\/Hart, Baker’s success composer and music publisher Irving Berlin was asked by Baker whether he was a title as a solo for Betsy could leave. This was about Blue Skies , which he spontaneously wrote at home with Belle Baker on December 16, 1926. The 32-bar song is set up in the Aaba song form. The song plays with the ambiguity of the English word Blue : “Blue Days” are “sad days” on the one hand, on the other hand the “Blue Sky” is the bright blue sky-also musical. “The A part begins in a hidden electric minor with Line Clich\u00e9 and opens in the middle to the G major: the blue sky breaks.” While the melody of the A part “sluggishly on 14 tones in 8 clocks Limited, the pace in the B part seems to double. 36 syllables in eighth runs phrased, the slumping of jazzy lightness suggests: freshly in love one seems to stroll through the streets. \u201d [first] Producer Florence Ziegfeld interpolated the title in the total work of Rodgers\/Hart Betsy . The actual Betsy -Autors were very angry with the title incorporated into their entire work. It was already 12 days after his composition Blue Skies At the opening show of Betsy in New Yorks New Amsterdam Theater On December 28, 1926, the outstanding song of the performance, because in the evening 24 encores were requested by the audience. [2]        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4The copyright was released on January 14, 1927 in Irving Berlin’s own music publisher. Belle Baker only has the song with the only 39 performances of Betsy sung, at the last performance Irving Berlin was added from the audience; [3] However, the musical itself was no success. [4] Baker did not take the title on record. Al Jolson sang the song as one of a total of nine pieces in one of the first sound films, The Jazz-Singer , who premiered on October 6, 1927.  Paul Whiteman & Orchestra \u2013 Blue Skies (1939)         (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Mel Powell & Orchestra \u2013 Blue Skies (1942) In 1927, record shots followed, and seven versions, including that of Ben Selvin and his orchestra, which is here under the pseudonym Knickerbockers was active. Selvin’s recording was created on January 15, 1927 and after publication in April 1927 reached first place in the hit parade, where she stayed for 2 weeks. This version with singer Charles Kaley remained the most successful version of the title. Other American cover versions 1927 George Olsen and His Music (1927, #2) Vincent Lopez and His Orchestra (Singer Frank Munn, 1927, # 9) Johnny Marvin and Ed Smalle (1927, #9) Harry Richman (1927, #13) Vaughn de Leath (1927, Gesang, # 15) These versions also came to the American charts. [2] In August 1927, singer Al Bowlly played the first European recording of the song in Berlin with pianist Edgar Adeler [5] . In Europe, the song was also made by Josephine Baker in 1927 [6] and Fritz Kreisler [7] listed. In Berlin, the author of the author Fritz Rotter and Otto Stransky sealed a German text on Berlin’s melody, which was published by the Alberti publisher, Berlin. The Tenor Serge Abranowicz, born in Polish, sang the song with the title “One kissed me” in April 1928, accompanied by Paul Godwin and his jazz orchestra, for the “Gramophon”. [8] Under this title, Fred Bird also recorded the song at Homocord with his \u201cSalon Symphony Jazzband\u201d. [9] The orchestras of Dajos B\u00e9la also played instrumental [ten] and Marek Weber [11] One, the latter in an editing that Friedrich Hollaender had obtained. On April 4, 1939, Paul Whiteman and his orchestra recorded a version in the USA, in February 1942 a version of Mel Powell & His Orchestra was created; Both missed the hit parade. Further cover versions were created by Moon Mullican (1939), Slim Gaillard (1940\u20131942) and the orchestra Tommy Dorsey (with Frank Sinatra) (1941). With his version, which was created on May 14, 1945, Benny Goodman came up to 9th place on the American charts, Count Basie with his recording of October 9, 1945 after publication in September 1946. On October 16, 1946, a musical film with Bing Crosby\/Fred Astaire equal title came into the US cinemas, which also contained the song (German film title: Blue is the sky ). Willie Nelson recorded the title on December 12, 1977 under Booker T. Jones production directing and hereby after publication in June 1978 for a week for one week on the country charts. [twelfth] In 2022 there were a total of 514 versions of Blue Skies inventory. [13] The pianist Kris Bowers received for his version, in the soundtrack of Don Shirley Filmmbiography Green Book – a special friendship It was used to have a grammy nomination in the best instrumental or a cappella arrangement category. [14] Since the early 1940s at the latest, the song in the repertoire of the jazz bands has been very common: in addition to the recordings of Goodman, Basie, Dorsey and Slim Gaillard, the versions of Ella Fitzgerald (1958) are [15] Harry James, Duke Ellington or Louis Armstrong. In 1952 Dizzy Gillespie and Joe Carroll changed the naive text. But it took \u201cuntil the eighties before the song could be heard. Stan Getz played him in 1982 as a floating mid-tempo ballad, Cassandra Wilson sang him as bleak in 1988 as if he were only out of blues and despair in minor. ” [first] Ken Bloom: The American Songbook \u2013 The Singers, the Songwriters, and the Songs \u2013 100 Years of American Popular Music \u2013 The Stories of the Creators and Performers . New York City, Black Dog & Leventhal, 2005, ISBN 1-57912-448-8) Hans-J\u00fcrgen scale (HRSG.): Jazz standards. The encyclopedia. 3rd, revised edition. B\u00e4renreiter, Kassel, etc. 2004, ISBN 3-7618-1414-3. \u2191 a b  Hans-J\u00fcrgen scale, Jazz-Standards, 2004, S. 72F.  \u2191 a b  Songportr\u00e4t Blue Skies (JazzWandards.com)  \u2191  Ken Bloom, The American Songbook , S. 188.  \u2191  Betsy 1926  \u2191  Homocord 4-2386 (matr. M 19372), im material A6 10. 27.WG. Bowlly-disciography  \u2191  Odeon 166.042 (matr. KI 1247) to listen to youtube  \u2191  His Master\u2019s Voice Da 880 \/ 7-7966 (Matr. A 38 215), Rec. 1927 to listen to youtube  \u2191  Gr. 21 273 \/ B 42 641 (Mx.?) One kissed me (Blue Skies), Fox Trot from Berlin, Rotter & Stransky, listening to youtube  \u2191  Homocord 4-2426 (M 19487-2) Fred Bird The Salon Symphonie Jazzband.  \u2191  Odeon a 45 163 \/ O-2178 a (BE 5868) Blue Skies. Foxtrot (Irving Berlin): Tanz-Orchester B\u00e9la Dajos, 1927  \u2191  His Master’s Voice on 871 \/ Electrola e.G. 634 \/ 8-40206 (Matr. BwR 1067-II) Blue Skies. Fox Trot (I. Berlin, Ed. V. F. Holl\u00e4nder): Marek Weber and his orchestra. See music archive of the DNB  \u2191  For more information on this recording, see Roland, Tom: The Billboard Book Of Number One Country Hits . New York City \/ New York: Billboard Books; London: Guinness Publishing Ltd., 1991, S. 218f  \u2191  Secondhands Blue Skies  \u2191  62nd Annual GRAMMY Awards (2019) \u2013 Nominations: Best Arrangement, Instrumental or A Cappella: Blue Skies. Grammy Awards, December 1, 2019, accessed on December 21, 2019 (English).   \u2191  With this version it will be on her verve album Sings the Irving Berlin Songbook Accompanied by Paul Weston Orchestra; Solist is Sweets Edison.        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