[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/fred-elizald-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/fred-elizald-wikipedia\/","headline":"Fred Elizald \u2013 Wikipedia","name":"Fred Elizald \u2013 Wikipedia","description":"before-content-x4 Frederick \u201eFred\u201c Elizalde (* December 12, 1907 in Manila as Federico Elizalde ; \u2020 January 16, 1979 ibid) was","datePublished":"2017-11-27","dateModified":"2017-11-27","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/de.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/de.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/fred-elizald-wikipedia\/","wordCount":1144,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4Frederick \u201eFred\u201c Elizalde (* December 12, 1907 in Manila as Federico Elizalde ; \u2020 January 16, 1979 ibid) was a Filipino jazz pianist, arranger, composer, orchestra manager and radio manager. He is considered one of the pioneers of the British jazz of the 1920s and worked with Adrian Rollini.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4As a child of a wealthy Spanish -born plantation owner, Elizalde was born in the Philippines, who composed a first menuett at the age of four. He studied music at the Madrid Conservatory at Bartolom\u00e9 P\u00e9rez Casas and then continued his studies at St. Joseph’s College in London. In 1925 he moved to Stanford University, where he was supposed to study law, but in the summer of 1926 the Stanford University Band and took lessons at Ernest Bloch. In the same year he moved to Cambridge, where he with his brother Manuel [first] In 1927 a first own band founded that consisted of Cambridge students who Fifty ramblers . [2] In the same year, Elizalde was invited to put together an orchestra in the ballroom of the Savoy Hotels should play. He telegraphed after New York and committed Adrian Rollini and other American musicians such as the old saxophonist Bobby Davis and the trumpeter Chelsea Quealey. The appearances of the Savoy Orpheans , later Fred Elizalde and his Anglo-American Band [3] were also broadcast on the BBC radio station; Her “Hot Music” aroused the unwillingness of many listeners. Among the young musicians in the English jazz scene, the band provided Rollini, which existed from 1928 to 1929, [4] However, for attention; Elizalde’s musical views on jazz also influenced Edgar Jackson, the initiator of the music magazine Melody Maker . [5] The New York Style The American-British band around Rollini and Elizalde shaped the further development of jazz in England for years until the 1940s; The New Orleans Jazz and the Chicago Style had no or hardly any influence on the British jazz scene by 1940. [6] After he got out of the Savoy Orpheans Around 1930 Elizalde stayed in England for a while and recorded some records. In the mid -1930s he studied in Spain with Manuel de Falla [7] And then worked as a composer and orchestra manager in the field of classical music. During this time he took his birth name again Federico Elizalde at. From 1935 to 1937 he kept in Spain, where he was the opera Pajara Pesa wrote and then fought in 1936 on the Francos side in the Spanish Civil War until he was wounded in 1937. Elizalde left Spain and lived in the Philippines until the end of the 1930s. During the Second World War he lived in Paris and composed there. A violin concert. In 1946 he moved to Santa Monica in California for a while. In the same year he performed his piano concert in London; In 1950 the London Symphony Orchestra recorded its violin concert with Christian Ferras as a soloist. During the 1950s he conducted that Manila Symphony Orchestra , to briefly lead the orchestra of the Japanese radio company NHK at the beginning of the 1960s. As a sports shooter, he was part of the Filipino team at the Asiade in 1954, which won several gold medals. During this time, Elizalde also led the national radio station Manila Broadcasting Corporation who belonged to him with his brothers; He conducted his last concert in 1974. [8] Carlo Bohl\u00e4nder u. A.: Jazzf\u00fchrer claims , Stuttgart, Reclam, 1991 John Chilton: Who’s Who of British Jazz , Continuum International Publishing Group 2004, ISBN 0826472346 Charles Fox: Jazz in England. Aus: That\u2019s Jazz . Exhibition catalog, Darmstadt, 1988 Mark White: The Observers\u2019s Book of Jazz . London, Warner, 1978 \u2191  Manuel “Liz” Elizalde, tenor saxophone; See White, p. 105; Another brother was the politician Joaqu\u00edn Miguel Elizalde  \u2191  The members of the Ramblers were amateurs and are unknown today; Only the tenor saxophonist Marice Allom, who was later to become a well-known cricket player, and the guitarist and banjo player George Monkhouse, later find an industrialist known in England; See White, p. 107  \u2191  In addition, there were more youthful British musicians, the trumpeter Norman Payne, the old saxophonist Harry Hayes and the tenor saxophonist Rex Owen; See Mark White; P. 45 f.  \u2191  Because of the dispute over the music direction of the band (“Too Much Jazz”) with hotel management and the BBC, she was finally fired in July 1929. A three -week commitment in the Londoner followed Palladium , which was not very successful, and in June 1929 a concert in Shepherd\u2019s Bush Pavillon . In 1930 Elizalde left the group; See White, p. 107  \u2191  Jackson’s musical views (in particular his preference for “white” jazz towards the unpolished, “black” jazz) were decisive for the taste of many British jazz musicians and the reception of US jazz for decades; See Ch. Fox, jazz in England  \u2191  This changed first with the Jazz-Revival To traditionalists like Spike Hughes, who is his musical ideas from Red Nichols and the Original Memphis Five related, cf. White, p. 46  \u2191  The information on his studies of studies is contradictory; According to Carlo Bohl\u00e4nder Jazzf\u00fchrer claims He studied composition at Maurice Ravel during this time in Paris; See Bohl\u00e4nder, p. 108  \u2191  Fred Elizalde, influential musician and band leader ( Memento from March 5, 2008 in Internet Archive )        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/fred-elizald-wikipedia\/#breadcrumbitem","name":"Fred Elizald \u2013 Wikipedia"}}]}]