[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/herrliche-tatis-wikipedia-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/herrliche-tatis-wikipedia-wikipedia\/","headline":"Herrliche Tatis – Wikipedia Wikipedia","name":"Herrliche Tatis – Wikipedia Wikipedia","description":"before-content-x4 Tatis wonderful times (Original title: Playtime ) is a French-Italian feature film by the director and actor Jacques Tati","datePublished":"2021-04-01","dateModified":"2021-04-01","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/de.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/de.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/herrliche-tatis-wikipedia-wikipedia\/","wordCount":1179,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4Tatis wonderful times (Original title: Playtime ) is a French-Italian feature film by the director and actor Jacques Tati from 1967. In German-speaking countries he is also among the titles Playtime – Tatis wonderful times and PlayTime ran.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4The film takes place in a Paris, which seems to be futuristic for the 1960s, which only seems to consist of uniform glass and steel structures, without trees or green areas. The Eiffel Tower or Sacr\u00e9-C\u0153ur de Montmartre can only be seen as a reflection in the window for a few seconds. The film character Monsieur Hulot – as shown in his other films by Jacques Tati himself – is looking for a Monsieur Giffard. He visits him in his office, but through a variety of misfortune they are constantly missing. Hulot’s path always crosses with a US bus travel group that visits Paris and is only led around in this high-rise world, which could not only stand anywhere else, but also really, as can be seen in a travel agency based on the advertising photographs : Every travel destination advertises with the same high -rise photo, which is only prettied up by some tourist set pieces. The modern world is like interchangeability. Modernism criticism is a recurring feature of the films Tatis, in Playtime But she celebrates a climax. Above all, the impersonality, conformity and sterility of modernity is criticized, for example at the beginning when a chrome -shimmering building is like a hospital and can only be identified as an airport later. The monotony of the rooms steered the concentration on inevitable noises. In uniformity, it is above all the tones caused by humans that dissolve the desired futurism of architecture through the inherent comedy. It can be seen at a furniture exhibition that modernity will finally help this problem. The first company is already advertising with a material that no longer causes noise. Even angry door snaps remains unheard.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Human speech is also a mostly incomprehensible sound in the film that is mixed in the most diverse languages, but also reflects personality. The understanding of language is also unimportant for the action, since movement and pantomimal expressions of the sense are clear anyway. The criticism of modernity appears less apocalyptic due to the ironicization and due to the susceptibility to pit susceptibility to the technology, but all the more apt. Humanity also regains small corners of commonality and individuality in this uniformity. In the final picture, the expression of modernity, the automobile mobility, comes into a roundabout that is like a carousel ride that never ends. Compared to the previous film Mein uncle (1958), Tati strengthens his criticism of Anglicism or the criticism that everything modern, new, English names must have, the new, modern restaurant is called “Royal Garden”, the Glace ( Ice cream ) \u201eIce Cream\u201c, die Pharmacie ( Pharmacy ) “Drugstore” or the Fromage ( Cheese ) Now “Cheese”, which leaves two older women at a loss. Jacques Tati had her own backdrop city built for this film. However, the costs for this were so high that the film could not import these expenses despite great reviews. Today counts Playtime To the classics.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4\u201cA world theater shaped by melancholic warmth organizes like a cinematic ballet that does not need history, but only needs movements and encounters as an initial ignition. A sometimes somewhat more frequent, but always intelligently entertaining fun of high aesthetic charm. \u201d \u201cPlaytime can be compared to nothing that could already be seen in the cinema. A film from another planet where other films are made. ” \u201cThe [\u2026] film by Jacques Tati takes sterile phenomena of civilization to strange effects in satirical overemphasis. A masterpiece in the thought of the staging and the personal style of the various leitmotifs. Recommended from 14. ” Tatis wonderful times . Universum-Film, Munich 2005. (only DVD) Playtime – Tatis wonderful times . Arthaus (Studiocanal), Leipzig 2015 (DVD and Blu-ray, contain an interview with Jacques Tati, a fil-analysis by St\u00e9phane Goudet and scenes with audio comment). Francis Lemarque, James Campbell: Play Time. Extracts from the film’s soundtrack . On: Extracts from Jacques Tati’s films. . Philips\/Polygram S.L.S.N. Sound carrier no. 836 983-2-extracts (suite) from the original recording of film music Playtime Story (Original title: Playtime Story ). French television documentary by Fran\u00e7ois Ede from 2002, 33 minutes Jonathan Rosenbaum: Tati\u2019s Democracy: An Interview and Introduction (Initial release: Movie how 9, 3 (1973), S. 36\u201341). Fran\u00e7ois Ede, St\u00e9phane Goudet: “Playtime”. A film by Jacques Tati . Cahiers du Cin\u00e9ma, Paris 2002, ISBN 2-86642-333-X. Michael Glasmeier, Heike Klippel (ed.): “Play Time”. Film interdisciplinary. A film and eight perspectives . Lit Verlag, M\u00fcnster 2002, ISBN 3-8258-8375-2 (media-worlds; 5). Nina Mayrhofer: Life in Tativille . In: Die Tageszeitung (taz) of November 2, 2002. Winfried Nerdinger (ed.) Katrin Fischer (transl.): The city of the Monsieur Hulot. Jacques Tatis look at the modern architecture . Architecture Museum Munich, Munich 2004, 45 pages, ISBN 3-9809263-1-1 (catalog of the exhibition of the same name in the Architecture Museum of Munich in the Pinakothek der Moderne from February 19 to May 2, 2004). \u2191  Tatis wonderful times. In: Lexicon of international film. Movie service, accessed on February 18, 2017 .   \u2191  Evangelical Press Association Munich, criticism No. 386\/1968.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/herrliche-tatis-wikipedia-wikipedia\/#breadcrumbitem","name":"Herrliche Tatis – Wikipedia Wikipedia"}}]}]