[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/hispanic-guano-cultural-center-wikipedia-free-encyclopedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/hispanic-guano-cultural-center-wikipedia-free-encyclopedia\/","headline":"Hispanic-Guano Cultural Center – Wikipedia, free encyclopedia","name":"Hispanic-Guano Cultural Center – Wikipedia, free encyclopedia","description":"before-content-x4 He Hispano-Guinean Cultural Center It was a public law entity created under the Cultural Cooperation Agreement [ first ]","datePublished":"2020-01-29","dateModified":"2020-01-29","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":100,"height":100},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/hispanic-guano-cultural-center-wikipedia-free-encyclopedia\/","wordCount":4090,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4He Hispano-Guinean Cultural Center It was a public law entity created under the Cultural Cooperation Agreement [ first ] Between equatorial guinea and Spain, [ 2 ] According to which \u00abit undertakes to promote and grant facilities to the citizens of both parties for the creation in the territory of the other of cultural centers or establishments aimed at strengthening human, spiritual and cultural relations between the two peoples (.. .) And as a first phase of its application, the Spanish government expresses its purpose of establishing a Spanish -Guinean cultural center \u00bb. Founded [ 3 ] In 1982, its main headquarters was in the city of Malabo, in the building of the missing Secondary Education Board (Cardinal Cisneros Institute of Santa Isabel, former General Mola Street). In October 2003, after two decades of operation, the Binational Board of Trustees that the institution governed and took over the Cultural Center of Spain in Malabo and the Cultural Center of Spain in Bata of the Spanish Agency for International Cooperation, integrating both centers the centers Network of cultural centers of Spanish cooperation in Africa. [ 4 ] \u200bIt was directed among others by Germ\u00e1n de Granda (1981-1983), Juli\u00e1n Donado Vara (1983-1985), Carlos Guerrero Carranza [ 5 ] (1985-1987), Jesus Christ Riquelme Pomares, Esteban D\u00edaz-Maroto Mart\u00ednez, Ignacio S\u00e1nchez (1992-1996), Jos\u00e9 Luis M\u00e1rquez Oca\u00f1a [ 6 ] (1998) And Enrique Le\u00f3n Chac\u00f3n, so as donato Nongo-Ingygo (1985-1992) and Ciriaco Bokesa nap as a deputy principal.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Both (Deputy Director and Director “for Ibero -American Affairs”) were appointed by a Binational Board of Trustees, whose constitution [ 7 ] On October 12, 1981, it was the first mixed management exercise of the Network of Cultural Centers of Spanish Cooperation. Table of ContentsActivities [ To edit ] Publications [ To edit ] See also [ To edit ] external links [ To edit ] References [ To edit ] Activities [ To edit ] Are internal regulations established (art.2\u00ba) as its purposes:        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4to. The development of the cultural life of Ecuatrial Guinea with special attention to the study, research and dissemination of their own cultural values. b. The development in equatorial guinea of \u200b\u200bthe values \u200b\u200bof the Hispanic culture, as an essential part of the personality of the P\u00e1is. c. The dissemination of universal cultural values. During its existence it was one of the main Ecuatoguinean cultural entities and determined promoter of \u00abthe organization of conferences or cycles of dissemination and study of the respective cultures, of manifestations or artistic or literary activities, of libraries, discos or collections of audiovisual material, of trips, projection of cinematographic tapes, theatrical performances, musical auditions or folkloric exhibitions of art and popular dances, of sports competitions, as well as any other similar activity and purpose \u00bb. [ 8 ] \u200b        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4For its beginnings a cultural agenda whose general lines responded to the recommendations [ 9 ] Of the Hispanic-African Culture Congress held in Bata in 1984. [ ten ] \u200b From the beginning it was endowed with training and creation classrooms in different disciplines, including theater and performing arts with Marcelo Ndong, Eva Alcaide painting, audiovisuals with “Pepe Spilber” (Jos\u00e9 Hern\u00e1ndez Moralejo), size with Fernando Nguema, Ceram\u00e1s, Radio, Radio, writing… The Cultural Center also organized various activities such as recitals, literary competitions, exhibitions and courses of Fang, Bubi and Spanish languages \u200b\u200bamong other events. He had its own radio station Radio Africa 2000, with Rafi de la Torreo as a driver, and a dynamic radio education program, called Centro Africa of Permanent Education of Adults with Central Headquarters in Bata and Subcentral in Malabo, [ 11 ] Quarterly called Africa 2000 And the monthly magazine The backyard . Its editorial, editions of the Hispanic-Guinean Cultural Center is dedicated to Ecuadoguinean writers, both consecrated and young promises. His Hispanic music festival allowed local musicians to identify and consolidate, which, like the duo of the daughters of the sun, could transcend borders. Thus proposals arise that manage to internationalize as “Malabo Strit Band” [ twelfth ] mb, con David owono (guitarras), Pepe Dougan (Tetclados), Alex Ikot (Bater\u00eda) y La Cantante Minepi. The center also had a sports pavilion, headquarters among others from the cultural CD football team in which Camilo Nvo began under the direction of Rocky Marciano Bueriberi and housed until the creation of the UNGE to the associated center of the UNED in Malabo. Its ability to radiate culture throughout the country multiplied through a dense network of community and teleclub spaces in rural areas, as well as the associated center of the UNED in Bata and the University’s support centers in the island and continental zone : \u00abIt was organized, from the modest average of the cultural center, an important cultural extension work throughout the country, both on the island of Bioko and in the continental part, creating libraries and film clubs in several locations such as Rebola, Lubb\u00e1, Lubb\u00e1, Lubb\u00e1, Basakato, Baneyu, all on the island of Bioko. In the continental part, with the invaluable collaboration of the UNED, which already had a center in Bata, libraries were opened in Niefang, Mbini, Kogo and Ebebiy\u00edn \u00bb. [ 13 ] In the continental zone in addition to the UNED (in 1991 he had 7 sub -currencies), he relied on the General Consulate, Spanish College, Manuel Iradier Association in Kogo and some of the religious entities in the area. Publications [ To edit ] \u00abThe AECI and its CCH-G They became the editorial of both literary and rehearsal books; These were printed well in Spain (with ISBN ), Good in equatorial Guinea (offset and without ISBN). Among the former we find Dreams in my jungle (poetic anthology) by Juan Balboa Boneke (1987, and with ISBN) or with ISBN) The reunion: the return of the exile by the same author (1985, printed in Spain and without ISBN), etc. Among the seconds stand out NIFANG’s pastor [ 14 ] (1996) and Footprints underground [ 15 ] (1998), both by Joaqu\u00edn Mbom\u00edo Bacheng; You foam you (1987), de Ciaco Bokesa Napo; Poetic album (1996), by Jer\u00f3nimo Rope Bomab\u00e1; Delusions (1991), by Mar\u00eda Nsu\u00e9 Ang\u00fce; Adj\u00e1-Adj\u00e1 and other stories (1994), by Maximilian Nkogo Esono, etc \u00bb. [ 16 ] \u200b Among the published titles are, in narrative “The faithful friend” (1987) by Ana Lourdes Sohora, “AF\u00c9N, La Cabrita Reina” (1989) and “The last lesson of the venerable Emaga Ela” (1991) of Antimo Esono Nogo, “Boot-Chiba” (1990) by Pedro Cristino Buer\u00edberi; in poetry he can point out “Shouts of freedom and hope” (1987) of Anacleto Ol\u00f3 Mibuy, “Delus” (1991) and “Tales of the old Noa” (1999) by Mar\u00eda Nsu\u00e9 Ang\u00fce. In the field of essay he has also published various works, such as the “The Bub language course” (1991, Isbn 84-7232608-X) by Justo Bolekia. Other recognized authors of “Editions of the Hispanic Cultural Center” They are Maximiliano Nkogo ( “Adj\u00e1-Adj\u00e1 and other stories” ), rightly f\u00e9n\u00e9. “Kalab\u00f3 and Termes” ashes ” ), Juan Tom\u00e1s \u00c1vila Laurel and Jer\u00f3nimo Rope. At the close of the Guinean Hispanic Cultural Center, its library [ 17 ] Composed of 12,000 volumes was reallocated to the National Equatorial Guinea Library. Coinciding with the 40 years of Spanish-Guinean cooperation programs, the AECID library, together with the libraries of the current cultural centers of Spain in Bata and Malabo generated the Equatorial Guinea Digital Fund Portal , with books, exhibition catalogs, newspapers, magazines, maps, sound records and photographs of the agency’s institutional publications (especially those of the missing Hispanic-Guinean cultural center) as well as the old background of the Hispanic library. See also [ To edit ] external links [ To edit ] References [ To edit ] \u2191  Cultural Cooperation Professor in Santa Isabel (1969) – Wikisource” . Es.wikisource.org . Retrieved on December 29, 2021 .   \u2191  Agreement signed in Santa Isabel on October 12, 1969.  \u2191  \u00abThis week, two reading rooms with Spanish newspapers and magazines have been opened, with some books of the forty thousand that will house the Library of the Hispanic-Guinean Cultural Center. Germ\u00e1n de Granda, director of the center, has told EFE that they have preferred to start the activities of the center, although the conditioning works have not yet ended. The center will have an auditorium, with projections and about 150 capacity seats, a room with television apparatus with video and giant screen, a general reading room, another for newspapers and magazines and one for young people (which It will be equipped with about eight thousand comics), two exhibition rooms and a cafeteria. \u00bb \u00abVirtual Historical Press Library> Diario de Burgos: Notices and News: Year XCI Number …\u00bb . prenshistorica.mu.es . Retrieved on August 6, 2018 .   \u2191  Order AEX\/3454\/2002, of October 30, which created the cultural centers of the Spanish Agency for International Cooperation, in the permanent diplomatic missions of Spain in the Republic of Chile, in the Republic of Equatorial Guinea, in the Republic of El Salvador and in the Oriental Republic of Uruguay, as well as in the General Consulate of Spain in Bata.  \u2191  Migmun (November 16, 1997). “Malabo’s night” . Arturo P\u00e9rez-Reverte articles . Retrieved on January 6, 2018 .   \u2191  \u00abTangier from the ICU: Africa in the work of Antonio Lozano> Blog Africa Vive\u00bb . Blog.Africavive.es . Retrieved on January 6, 2018 .   \u2191  The Rector Board of the Guinean Hispanic Cultural Center is constituted in compliance with the provisions of article 2g of the Friendship and Cooperation between Spain and Equatorial Guinea of \u200b\u200b1980.  \u2191  Article 2 of the Cultural Cooperation Agreement between Equatorial and Spain, signed in Santa Isabel on October 12, 1969  \u2191  Ministry of Information, Tourism and Culture, ed. (1985). “Exhibit”. Final Report of the First Hispanic-African International Congress of Culture . Malabo: Guinea editions.   \u2191  Otabela, Joseph-D\u00e9sir\u00e9; Onomo-Abena, Sosth\u00e8ne (February 16, 2009). Two of aesthetic and commitment. The work of donate Nongo-bidego . Editorial UNED. ISBN\u00a09788436258257 . Retrieved on December 6, 2017 .   \u2191  Agreement of August 12, 1982 between Spain, the Republic of Equatorial Guinea and the Ibero -American Education Office for the installation of a permanent adult education system by radio in Equatorial Guinea, signed in Madrid. “Reading these magazines is essential to know the short stories and poems by authors such as Trinidad Morgades, M\u00aa Caridad Riloha, Mercedes Jora, Edita Roka Eteba or Irene Evita Ika, whose texts suffer from a lower diffusion.” Ortega Santos, Alvaro (2019). Digital Library AECID, ed. Guinea Digital . Aecid.   \u2191  \u00abMalabo Strit Band Grab en axis\u00bb . www.nubenega.com . Filed from the original March 29, 2015 . Retrieved on December 6, 2017 .   \u2191  Otabela, Joseph-D\u00e9sir\u00e9; Onomo-Abena, Sosth\u00e8ne (February 16, 2009). Two of aesthetic and commitment. The work of donate Nongo-bidego . Editorial UNED. ISBN\u00a0978-84-362-5825-7 . Retrieved on December 6, 2021 .   \u2191  Joaqu\u00edn, Mbom\u00edo Bacheng, (2016). The pastor of Niefang [fragment] . Retrieved on December 6, 2017 .   \u2191  Joaqu\u00edn, Mbom\u00edo Bacheng, (2016). Footprints underground [Fragment] . Retrieved on December 6, 2017 .   \u2191  \u201cThe Editorial Guinea – Ibero-American Publishing Editorials (XIX-XIX-XITSS) . www.cervantesvirtual.com . Retrieved on December 6, 2017 .   \u2191  Certificate of the C.C.H.G.G.DE inventory. Ministry of Information, Tourism and Culture, signed on February 14, 2003.           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