[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/johann-jakob-rotting-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/johann-jakob-rotting-wikipedia\/","headline":"Johann Jakob R\u00f6tting \u2013 Wikipedia","name":"Johann Jakob R\u00f6tting \u2013 Wikipedia","description":"before-content-x4 Paulus window in W\u00e4denswil, 1862 Glass window from 1867 in the Reformed Church in Baar ZG Johann Jakob R\u00f6ttinger","datePublished":"2018-10-28","dateModified":"2018-10-28","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/d\/d3\/Johann_Jakob_R%C3%B6ttinger.jpg\/220px-Johann_Jakob_R%C3%B6ttinger.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/d\/d3\/Johann_Jakob_R%C3%B6ttinger.jpg\/220px-Johann_Jakob_R%C3%B6ttinger.jpg","height":"314","width":"220"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/johann-jakob-rotting-wikipedia\/","wordCount":1671,"articleBody":" (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4 Paulus window in W\u00e4denswil, 1862 Glass window from 1867 in the Reformed Church in Baar ZG Johann Jakob R\u00f6ttinger (Born March 24, 1817 in Nuremberg, \u2020 January 29, 1877 in Zurich) was a Swiss glass painter who established himself in Zurich in 1848 with the opening of his own workshop. (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Johann Jakob R\u00f6ttinger came from a Nuremberg family of craftsmen who had committed himself to the job of the needler. From 1830 he attended the Royal School of Art in Nuremberg, which was then under the direction of the engraver Albert Reindel (1784\u20131853). The young artist completed an apprenticeship as a glass painter at the well-known glass and porcelain painter Franz Joseph Sauterleuer (1793\u20131843) from Weingarten. The apprenticeships enabled him to cooperate in renowned projects, in particular the coat of arms for the tomb chapel Thurn and Taxis in Regensburg and in Lichtenstein Castle. (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4In 1844, R\u00f6ttinger moved his place of residence and work to Zurich in order to start professionally at the glass painter Johann Andreas Hirnschrot (1799\u20131845), who was also from Nuremberg. After his early death, there was an opportunity to take over the Zurich workshop and to establish itself as an independent glass painter in 1848. His business and professional way of working, the good networking with Zurich scientists such as Johann Rudolf Rahn, Ferdinand Keller and, last but not least, the support of his wife Verena Fehr from Ossingen helped the immigrant to success. R\u00f6ttinger received large orders in Stadtkirchen – the Zurich Grossm\u00fcnster (according to designs by Georg Konrad Kellner), [first] the Basel M\u00fcnster, the St. Galler St. Laurenzenkirche, the city church of Glarus, [2] the Reformed City Church of Solothurn – and in numerous Landkirchen – Unter\u00e4geri ZG, Leuggern AG, [3] Kirchdorf AG, W\u00e4denswil ZH, [4] B\u00fcnzen Ag, Nottwil Lu, Glis vs. v. to a. The coat of arms created by R\u00f6ttinger in the town hall in Rapperswil SG, in the cemetery chapel stood NW and for the former cemetery chapel in Schwyz testify to the resumption of the traditional Swiss custom, the coat of arms foundation. The drawing inventory of medieval stained glasses in former Swiss monastery churches, K\u00f6nigsfelden AG and Kappel am Albis ZH, the monastery church Haoterive FR and the Church of Frauenfeld Oberkirch shows the glass painter as an early monument maintenance and restorer.The training of numerous young glass painters from Switzerland and Germany, some of which later opened their own studios, into German and French Switzerland, Alsace and for purchasing glass to Paris and Poland as well as the installation from England for an Anglican Church in the Valais make the workshop under Johann Jakob R\u00f6ttinger appear as a point of crystallization of the cultural transfer and as a cradle of a whole generation of glass. R\u00f6ttinger’s stained glass was committed to the zeitgeist according to historicism and late Nazaric painting. The frequently striking effect of his works is underlined by strong color contrasts, the latter is probably a legacy of the Nuremberg training. He got further suggestions in the Mariahilfkirche in Munich, a figurehead of the stained glass in southern Germany. (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Johann Jakob R\u00f6ttinger died in the middle of working life in 1877 and left seven children; The youngest two and male descendants were still at school. Despite the company that became temporarily necessary, the widow focused on the future, namely the training of its children and the preservation of the property. This made this possible in 1887 – in the year of death Verena R\u00f6ttingers – the reopening of the studio by his sons Jakob Georg R\u00f6ttinger (1862\u20131913) and Heinrich R\u00f6ttinger (1866\u20131948). The estate of the R\u00f6ttinger glass painter has been kept in the Zurich central library since 2008. [5] Heinrich Appenzeller: R\u00f6ttinger, Johann Jakob . In: Carl Brun: Swiss artist lexicon , Volume 2, Frauenfeld 1908, p. 661 ( Digitized ). R\u00f6ttinger, Johann Jakob . In: Hans Vollmer (ed.): General lexicon of the visual artists from antiquity to the present. Founded by Ulrich Thieme and Felix Becker. Band 28 : Ramsden\u2013Rosa . E. A. Seemann, Leipzig 1934, S. 508\u2013509 . Elgin Vaassen: Pictures on glass. Glass painting between 1780 and 1870 . Deutscher Kunstverlag, Munich\/Berlin 1997, ISBN 3-422-06206-8, pp. 48f. Elgin Vaassen: R\u00f6ttinger, Johann Jakob . In: Biographical lexicon of Swiss art , ed. from the Swiss Institute for Art Science, Volume 2, Verlag Neue Z\u00fcrcher Zeitung, Zurich 1998, ISBN 3-85823-673-X, p. 887. Eva-Maria Scheiwiller-Lorber: “… according to the rules and laws of aesthetics and Christian art […]”. Johann Jakob R\u00f6ttinger: A glass painter pioneer in the service of historicism . Peter Lang, Bern u. A. 2014, ISBN 978-3-0343-1518-0 (Dissertation University of Zurich 2012). Eva-Maria Scheiwiller-Lorber: “The teaching Christ”. Study on a central motif in the sacred work of the glass painter Johann Jakob R\u00f6ttinger (1817\u20131877) . In: Journal of Swiss Archaeology and Art History Band 71, 2014, Heft 4, S. 269\u2013286 ( Digitized ). Eva-Maria Scheiwiller-Lorber: R\u00f6ttinger, Johann Jakob . In: General artist lexicon. The visual artists of all time and peoples (Ampent). Before 999, Geryne 2018, 97-325-325-3, 241. \u2191 Ulrich Gerster: The church windows of the Grossm\u00fcnster Zurich. Augusto Giacometti – Sigmar Polke. GSK, Bern 2012, ISBN 978-3-03797-071-3; Regine Abegg, Christine Barraud Wiener, Karl Grunder: The art monuments of the canton of Zurich. New edition, Volume III.I., The city of Zurich III.I. Old town on the right the Limmat. Sacral buildings. GSK, Bern 2007. \u2191 J\u00fcrg Davatz: The city church of Glarus (1861\u20131999). A main work by Ferdinand Stadler and historicism in Switzerland. Edited by the municipality of Glarus and the educational directorate of the canton of Glarus. Glarus 2000. \u2191 J\u00fcrg Andrea Bossardt, Urs N. Kaufmann: The Roman cath. Parish church of St. Peter and Paul Leuggern. GSK, Bern 2012. \u2191 Peter Ziegler: Reformed church W\u00e4denswil. ed. v. d. Evangelical Reformed Church of W\u00e4denswil. W\u00e4denswil 2005. \u2191 Inheritance of the R\u00f6ttinger glass painting studio in the Zurich Central Library . 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