Manfred Heyl – Wikipedia

Manfred Heyl (Born December 26, 1908 in Friedberg/Oberhessen, † January 3, 2001 in Worms) was a German composer.

Manfred Karl Johannes Heyl was born in Friedberg/Oberhessen as the son of the student councilor Karl Heyl (1892–1970) and his wife Friderike born Jordan (1883–1973) and grew up in Worms. He received first piano lessons from his father, later he was instructed by the local music teacher and organist Lutz Heinemann (1901–1992) in organ and piano playing. In 1930 Heyl went to Mannheim and studied composition with Friedrich Eckart and piano at Willy Rehberg at the local music college. In 1933 he returned to his hometown as a freelance composer and private music teacher. In 1940 Heyl was drafted into Norway for military service and later caught French captivity. From 1946 he lived in Worms and worked as a teacher at the youth music school. When Manfred Heyl died in Worms at the age of 92, he left out an extensive compositional oeuvre, almost all genres of instrumental and vocal music.

The composer’s estate is located in the Worms City Archives.

With opus number [ Edit | Edit the source text ]

• Op. 1: Three songs according to poems by Walther von der Vogelweide
• Op. 2: Concerto Grosso in the old style for flute, violin, harpsichord and string orchestra (1931)
• Op. 3: Varization suite in the old style for harpsichord
• Op. 4: Suite 1932 for chamber orchestra
• op. 5: cheerful people. Six songs according to pictures by Ludwig Richter
• Op. 6: Two songs for high voice (Otto Ernst)
• Op. 7: Marienlied and moonlight for cello and piano
• on. 8: CLIANCE CARD IN E-MEALL
• Op. 9: Festive foreplay for large orchestras (1937)
• Op. 10: Spanish dance piece for flute and piano (1936)
• Op. 11: Oh, I all loved you (Wiener Song)
• Op. 12: Two songs for medium -sized female voice (Eichendorff, Hebbel)
• Op. 14: Songs (Weinheber, Rilke)
• Op. 15: Songs (Rilke, Morgenstern, Karl Bröger)
• op. 16: dusk (Goethe) for male choir and orchestra
• Op. 17: Thoughts on the night electricity (Kurt Kluge). Song for singing and chamber orchestra
• Op. 18: Burleske for piano (1945)
• Op. 19: In the Temple of Buddha. Music for a dance mime (Buddha and the Demon) (1946, UA 1946 Langres, Dir.: Rolf Kleinert)
• Op. 20: The night watchman in love. Singspiel (1934)
• up. 21: Leader (Georg Herwegh)
• Op. 23: Symphonic foreplay for orchestra (1947)
• op. 24: human celebration for baritone and orchestra
• Op. 25: The Weber (Heine) for choir and large orchestra (1948)
• Op. 26: Quintet C major for flute, oboe, clarinet, horn and bassoon (1950)
• op. 28: shepherds for love flute and piano
• Op. 29: Dance towards the beautiful May. Singing and movement game for the youth (1948)
• Op. 30: Requiem (Hebbel) for male choir and wind player (1950)
• Op. 31: in the fairytale garden. Suite for piano (1950)
• Op. 32: Songs in German and French (Duette) (Mallarmé, Fritz Usinger, Verlaine, Dehmel)
• Op. 33: Small game music for string orchestra (1951) [also as a game music for chamber orchestra]
• Op. 34: Two three -part women’s choirs
• Op. 35: Contrapunctic variations for flute, oboe and bassoon (1951)
• Op. 36: Two songs (Uhland)
• op. 37: six children’s songs for 2 choral voices
• on. 38: Cantate Light has to become again For soprano solo and mixed choir (1952)
• op. 39: chicken song (the five chickens) for children’s choir
• Op. 40: Nerocition (Goethe) for singing and piano
• op. 41: dusk and big after -work for male choir and orchestra
• Op. 42: Craftsman song for choir a cappella
• Op. 43: From the field for men’s choir
• op. 44: concert for bassoon and orchestra (1949)
• Op. 45: The Perchtholsdorfer wedding. overture
• Op. 46: A small wedding music for flute, oboe, violin, cello and piano
• Op. 48: Sonatine for old block flute and piano
• Op. 49: Pantomime [new version of op. 19]
• Op. 50: Prelecessary for the consecration of the new (festival) house (1961)
• Op. 51: Shadow pictures for old block flute and cello
• Op. 53: Quartet in F (Lydish) for recorder
• Op. 54: From the life of a small pants mash for various instruments [fragment]
• op. 55: grotesque dance for 9 instruments and bassoon
• Op. 56: among Indians, trappers and cowboys. School opera
• Op. 57: Concertant suite for flute, clarinet, bassoon and stringer
• Op. 58: Rhapsodic imagination for piano and orchestra
• Op. 61: Colloquium (Colloquium) for five recorders
• Op. 61 b: figures. 4 pieces for 4 recorder
• Op. 62: Improvisations for 4 woodwinds
• Op. 63: Variskic suite. Brass quintet
• Op. 64: The embarrassing mistake of the pharmacy provisor Mickett. Comic opera (after Julchen by Wilhelm Busch)
• Op. 65: Supplements to Spain for piano
• op. 67: impressions from the south of France for large orchestras
• Op. 68: Nights at the Rio de la Plata for orchestra (concert tango)
• Op. 69: Hermenaion for flute, clarinet, horn, bassoon and piano
• Op. 71: The lonely Christ (Morgenstern) for singing and piano
• Op. 72: Two songs (Morgenstern)
• Op. 73: Fantasy sonata (ghost sonata) for piano
• Op. 74: Mourning music on the death of a Spanish grandeur (Don Juan d’ Austria)
• Op. 75: five impressions In Memoriam Ingeborg Bachmann For oboe d’amore and orchestra
• Op. 77: Variations in Blue for Piano
• on. 78: Trio The horse For violin, cello and piano
• on. 80: Tartuffs. Chamberperoper (moleque) (1984)
• Op. 81: Three songs according to poems by Ingeborg Bachmann
• Op. 82: Strindberg. Dramatic-musical experiment
• op. 83: Extemporal and little escape small für sopranblockflöte Solo
• Op. 85: Arcadian suite for two old block flutes and piano
• Op. 86: Sonata Piccola for soprano flute and piano
• Op. 88: Concert for piano and orchestra
• Op. 90: Roman impressions for oboe d’amore and organ
• op. 92: concert for flute and orchestra in the old style
• op. 94: 5 pieces for flute and harp
• Op. 95: Dithyrambos for baritone and orchestra
• Op. 96: Adagio (Hesse) for women’s voice and harp (1990)
• op. 98: reflections. Symphonic studies for large orchestras and concert harness
• Op. 106: A festive day in the country (new table music)
• op. 108: organic quintet (light) for flute, oboe, clarinet, horn and bassoon
• Op. 108: autumn thoughts for high men’s voice and harp (1991)
• Op. 157: Remain, man! for orchestra [processing and expansion of op. 57]
• op. 175: seven impressions In Memoriam Ingeborg Bachmann for oboe d’amore and large orchestra [extension of op. 75]
• Op. 188: Kaleidoscope ’88 for viola, cello and double bass

Without opus number (alphabetical) [ Edit | Edit the source text ]

• 2. Piano sonata Carneval
• Peasant dance for orchestra
• Chaotic for 2 instruments
• Dante. Great opera (1934-1936)
• The chalk circle. Opera in 5 files (Klabund) (1946–1971)
• The lump as a philosopher. Posse with music (Ernst Elias Niebergall)
• The process of the shadow donkey. Opera (Christoph Martin Wieland) (1962–1966)
• The bear wedding. Schuloper (1995–1996) (Eva Becker)
• Indian legend (Sakuntala) for orchestra
• Intermezzo from the opera The chalk circle for orchestras
• Jung Olaf (Ernst von Wildenbruch). Melodrama, speaker and piano
• Cantata (Max Reuschle)
• Small prelude and joint for accordion solo
• Marienlied for cello and piano
• Odenwald Bauernpolka for accordion quartet
• Spanish dance piece for flute and piano
• Jungle night and dance the negro for piano
• Variations over A bi-, Ba-, Butzelmann For soprano flute (s) and piano
• Foreplay for the opera The chalk circle (Concert version)
• Two songs (Goethe, Eichendorff) for singing voice, flute and piano

Scraps [ Edit | Edit the source text ]

• Op. 54: From the life of a small pants blind for different instruments
• The violinist of Schwäbisch Gmünd. Opera fragment (Karl Heyl)
• The Japanese subject. Music [sic!]
• Diogenes. Opernfragment (Hubert Fuchs)
• Opera fragment without title

• Heyl, Manfred . In: Kürschner’s German musician calendar 1954 . Walter de Gruyter & Co, Berlin 1954, Sp. 491.
• Ursula General: The composer Manfred Heyl , Mainz 1985 [Written housework as part of the state examination for music school teachers and self -employed teachers].
• Fritz Reuter: Manfred Heyl (1908–2001) – A contemporary composer and his works, in: Der Wormsgau 23 (2004), pp. 166–185.