[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/the-silence-don-part-3-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/the-silence-don-part-3-wikipedia\/","headline":"The silence Don (part 3) – Wikipedia","name":"The silence Don (part 3) – Wikipedia","description":"before-content-x4 There quiet don (Originaltitel: Quiet Don, Tichi don ) is a Soviet feature film in three parts of Sergei","datePublished":"2017-11-01","dateModified":"2017-11-01","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/de.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/de.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki14\/the-silence-don-part-3-wikipedia\/","wordCount":826,"articleBody":" (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4There quiet don (Originaltitel: Quiet Don, Tichi don ) is a Soviet feature film in three parts of Sergei Gerassimow from 1957 to 1958. The director also wrote the script. It is based on Mikhail Scholochow’s novel of the same name. This article deals with the third part from 1958, which in the Federal Republic of Germany had its premiere in the Federal Republic of Germany on October 10, 1968 in the program of the first German television (ARD). (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4The brother war of the Don Kosaken is at its peak. Death also keeps rich harvest in the village of Tatarsk. Grischa Melechow’s wife Natalja dies from a demolition of pregnancy – she didn’t want to hold Grisha’s child because Grischa found Axinja back to his great love. Pyotr’s wife Darja is death while bathing in the river. Stockmann, the commissioner, is shot by a mutant Cossack. And Grisha’s mother, the old Iljinitschna Melechow, is preparing to die, from Gram about Grisha’s absence and because her daughter Dunjascha still loves Mischa Koschewoi, her brother Pjotr’s murderer. Grischa Melechow himself is around on the battlefields of Russia, sees the foreign occupiers flee in Novorissijsk in March 1920 and joins Semjon Mikhailowitsch Budjonny’s riding army. Finally he returns to Tatarsk and finds Mischa Koschewoi as a brother -in -law and village chair. Axinja, whom he had had sick, also meets in the village on the Don. But again Grischa doesn’t last long at home. Again he has to flee, get into a bunch of insurgent Cossacks, settles down to get Axinja, and finally sits next to her body – the shot of a patrol riding rider, whom he loved above everything, met fatally. Grisha goes back over the ice of Don; His weapons and orders sink into the river. At the entrance to the village, he meets Michatka, his son: for Grisha Melechow, the war and thus his last fight are finally over. [first] The Lexicon of international film draws the following conclusion to all three parts: “Far from all black and white painting, the film avoids almost as much as the novel” The idealization of the victorious Bolsheviks by the unvarnished exposure of the moral and character weaknesses also and especially the communist “(Kindler’s literature Lexikon). The six -hour film staged with huge effort convinces most in the excellent dialogue -free external shots. \u201d [2] The Evangelical film observer : \u201cExcept for the music [\u2026] the third part of Gerassimow’s film epic is more sober, clearer in the statement than the previous two films. The human predominates. [\u2026] All too romantic or symbolic image effects [\u2026] are absorbed by the short, overflowing action that is the rule that are the rule. The actors [\u2026] will not be forgotten so quickly. ” [first] (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4\u201cIn 1955-57 Sergej Gerassimow implemented the monumental cosack novel ‘Der Stille Don’ by Scholochow, an epic-the film ran as a three-part of a total of 336 minutes in the GDR, in the Federal Republic only the 1st part was to the cinemas Brought, part 2 and 3 found their performance on it in the ARD – and extremely ambitious work. Gerassimow’s trilogy describes the fate of a Cossack in strong pictures and fascinating detailed detail during the late phase of the underlying tsarist until the final victory of Bolshevism \u2019. The director avoided striking, pro -COMPOUNISTISTION, but described his protagonist as a hiker between two worlds imposed by the history and their systems. The new system is also not transfigured, in Gerassimov’s epic, weakness in character and amoral as in the novel is not eliminated by the ‘new socialist man’. \u201d \u2191 a b Evangelical film observer, Evangelical Press Association Munich, criticism No. 487\/1968, pp. 490\u2013491. \u2191 Lexicon of international film , Rororo paperback No. 6322 (1988), p. 3606 \u2191 Kay less: The big person lexicon of the film. The actors, directors, cameramen, producers, composers, screenwriters, film chitors, outfitters, costume designers, cutters, sound engineers, makeup artists and special effects designers of the 20th century. Band 3: F – H. Barry Fitzgerald – Ernst Hofbauer. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3, p. 232. 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