[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/a-woman-without-love-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/a-woman-without-love-wikipedia\/","headline":"A woman without love – Wikipedia","name":"A woman without love – Wikipedia","description":"A wikipedia article, free l’encyclop\u00e9i. A woman without love ( A woman without love ) is a Mexican film made","datePublished":"2017-10-02","dateModified":"2017-10-02","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/f\/fc\/Flag_of_Mexico.svg\/20px-Flag_of_Mexico.svg.png","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/f\/fc\/Flag_of_Mexico.svg\/20px-Flag_of_Mexico.svg.png","height":"11","width":"20"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/a-woman-without-love-wikipedia\/","wordCount":2154,"articleBody":"A wikipedia article, free l’encyclop\u00e9i. A woman without love ( A woman without love ) is a Mexican film made in 1951 by Luis Bu\u00f1uel and released in 1952. The film is freely adapted from the novel Pierre and John de Guy de Maupassant, published in 1888.   The beautiful and young Rosario, from a modest environment, is married to Don Carlos Montero, a wealthy antique dealer. When the latter learns that his son, Carlitos, has just committed a flight, he punishes it severely. Cloistered in his room, the boy is running away. He is soon collected by an adult, the engineer Julio Mistral, who brings him back to the fold. Julio then became the Rosario lover. From their affair is born a child, Miguel, whose mother hides the identity to the rest of the family. Don Carlos then undergoes heart failure. Rosario interprets this event as a sign of fate and therefore refuses to follow Julio. Years later, Miguel and Carlitos become enemy brothers after Julio, who died in a distant country, bequeathed his property to his legitimate son. Ridden by jealousy and suspicion, Carlitos finally discovers the truth. After the death of the antique dealer, Rosario declares to her sons that she experienced a loveless life To ensure their happiness. Finally reconciled, Miguel and Carlitos follow, separately, the course of a new existence while their mother is now alone … Movie title : A woman without love Original title : A woman without love Alternative title: When children judge us ( When children judge us ) Realization: Luis Bu\u00f1uel Assistant-director: Mario Llorca Scenario and adaptation: Jaime Salvador and Rodolfo Usigli, from the novel Pierre and John Guy the Mapusant, EDITIONS OLDIENTORK, PARISH, 1888, 277 P. Technical cutting: Luis Bu\u00f1uel Director of photography: Ra\u00fal Martinez Solares Cameraman: Cirilo Rodriguez Format: black and white, 35 mm Sound engineer: Rodolfo Benitez Montage son\u00a0: Antonio Bustos Musique: Ra\u00fal Lavista Montage: Jos\u00e9 Bustos Artistic direction: Gunther Gerszo Makeup: Ana Guerrero Producer: Sergio Kogan Production Soci\u00e9t\u00e9: International cinematographic Distribution company  Mexico \u00a0: Columbia Pictures Filming: from April 16 to May 1951 (20 days) in Mexico City, in Bosque de Chapultepec (Mexico) as well as in the Studios Clasa (Mexico) Native country :  Mexico Original language: Spanish Duration: 90 minutes Exit : July 31, 1952 to mexico Rosario Granados: Rosario Montero, a married woman without love Julio Villareal: Don Carlos Montero, an antique dealer her authoritarian husband Tito Junco: Julio Mistral, a beautiful engineer whose Rosario falls in love Jaime Calpe: Carlit\u00f3s Montero, the little boy of Rosario and Don Carlos Joaqu\u00edn CORDERO: Carlos (formerly Carlit\u00f3s) Adult Montero, the eldest doctor who would like to open his own clinic Xavier Loya: Miguel Montero, his younger brother Elda Peralta: Luisa, La Bonne Des Montero Eva Calvo: Rita, a nurse, the mistress Miguel Monzano: the doctor – as well as, not credited Luis Bu\u00f1uel assured that A woman without love had been his worst film. \u201cI had to turn it in twenty days and with fewer means. I put Wyler as a challenge to make a film in such conditions \u201d , he declared [ first ] . But, by adapting this novel, where Guy de Maupassant “Having his main character led to his main character, Pierre Roland, a kind of police investigation into the imposture of all births” [ 2 ] , the Spanish director caressed, no doubt, great hopes. The same, perhaps, that Maupassant in The novel , test linked to the fate of Pierre and John : “Instead of machining an adventure and unrolling it in order to make it interesting until the outcome […] (the novelist) will show […] how the spirits change under the influence of the surrounding circumstances, sometimes How is feelings and passions developing, […] how we fight in all circles, how to fight bourgeois interests, money interests, family interests […] \u201d [ 3 ] . With A woman without love , Bu\u00f1uel will be satisfied with a melodrama. “Excellent, however” , esteem Bill Krohn who adds: \u201cThe director transported history to modern Mexico, to persistent patriarchal customs, where to make an unfaithful woman her heroine is considerably more subversive than in France. \u00bb\u00bb [ 4 ] Charles Tesson also notes, as in Maupassant, the presence of genealogical obsession in the work of Bu\u00f1uel. Don Quintin l’amer , film preceding this one, evoked a character questioning his fatherhood and repudiating his daughter. A woman without love Extend this perspective by staging two brothers with different fathers. In the Spanish director, heroin is, however, Rosario. “As Bu\u00f1uel films it, she becomes a heroine of Dreyer, the Loveless one combined very well with the Love is everything of Gertrud \u00bb , comments Charles Tesson, describing the final scene of the film. “There is in this epilogue of A woman without love Something funeral. The woman takes out the photo (that of Julio, her lover) from the box in the same way that we dig up a corpse, as if she could finally live in the open with him \u201d , he says [ 5 ] . Sequence that Bill Krohn portrays in this way: “The final plan showing Rosario knitting by the fireside and with a photo of her lover posed on his coat is nonetheless worthy of a director of Hollywood melodramas that Bu\u00f1uel admired a lot, Frank Borzage” [ 6 ] . \u2191 Tomas P\u00e9rez Turrent, Jos\u00e9 de la Colina: Conversations with Luis Bu\u00f1uel , Small library of the Cinema Cahiers, Paris, 2008.  \u2191 Georges Belle: Such a son, which father? , preface to Pierre and John , \u00c9ditions France Loisirs, Paris, 1993.  \u2191 G. de Maupassant: The novel (1887).  \u2191 Bill Krohn: Luis Bu\u00f1uel, a chimera , Paul Duncan (ed.), Bags, 2005.  \u2191 Charles Tesson: Luis Bu\u00f1uel , \u00c9ditions de l’\u00c9toile, Cahiers du Cin\u00e9ma, Paris, 1995.  \u2191 Bill Krohn: op. cited .  Audiovisual resources :  Tall ball  (1880)  Bel-Ami  (1885)  Other adaptations The little Ellie  (1924, Russian mute) Pierre and John  (1924, French mute) This Morin pig  (1924, French mute) Yvette  (1927, French mute) This Morin pig  (1932, French) Madame Husson’s rose  (1932, French) Pierre and John  (1943, French) Campaign  (1946, French) Madame Husson’s rose  (1950, French) Pleasure  (1952, French) Three women  (1952, French) Une femme sans amour (1952, Mexican) The roundup is for this evening  (1954, French) The terror of the ladies  (1956, French) Male Female  (1966, French) Stimulants  (1967, Swedish) Fly  (1968, French) History of a farm girl  (1973, French) Pierre and John  (1973, French) Madame Baptiste  (1974, French) Father Amable  (1975, French) First snow  (1976, French) The wardrobe  (1979, French) Mount-Oriol  (1980, French) Strong as death  (1982, French) Little Roque  (1986, French) An afternoon in the park  (1997, French) Adornment  (2006, French) Chez Maupassant  (2007, French) A life  (2004, French) Madame Husson’s rose  (2008, French) Three words passing  (2016, French) A life  (2016, French)   "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/a-woman-without-love-wikipedia\/#breadcrumbitem","name":"A woman without love – Wikipedia"}}]}]