[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/dressing-horse-riding-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/dressing-horse-riding-wikipedia\/","headline":"Dressing (horse riding) – Wikipedia","name":"Dressing (horse riding) – Wikipedia","description":"For homonymous articles, see training. Dressage competition in 2005 Andalusian horse showing Spanish walking. The dressage is, in riding, an","datePublished":"2020-01-26","dateModified":"2020-01-26","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/41\/Hannoveraner_Dressur_Goethe_3_bestes.jpg\/220px-Hannoveraner_Dressur_Goethe_3_bestes.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/41\/Hannoveraner_Dressur_Goethe_3_bestes.jpg\/220px-Hannoveraner_Dressur_Goethe_3_bestes.jpg","height":"288","width":"220"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/dressing-horse-riding-wikipedia\/","wordCount":2470,"articleBody":"For homonymous articles, see training. Dressage competition in 2005 Andalusian horse showing Spanish walking. The dressage is, in riding, an art defining itself as the staging of the horse-cavalier couple. It comes from the classic riding school, but has evolved over the centuries, influenced by military riding and then sporting. Its shape is different from its ancestor. At the highest level, dressage is an Olympic international sport. Historically, principles such as lightness, relaxation, impulse and love of the horse are considered essential to the damage of “the beautiful horse riding”, in order to raise it in terms of art. The dressage then embodies the stylized representation of the graceful horse movements. The purest form of dressage requires horse and rider for years to be mastered. When a horse is advanced in his formation, he can execute not only the movements of the Grand Prix de Dressage, such as the passage and the Piaffer, but also some “tunes above the ground”. According to Faverot de Kerbrech, the goal of dressage is to make any saddle easy and pleasant to climb, regular in these gaits, docile, frank, and as brilliant as the whole. However, so that it is “easy and pleasant to climb, regular in these gaits”, it must be well balanced, that is to say light by hand and legs, right of shoulders and hips [ first ] . The activity by which the human being teaches the young horse the behaviors he wishes to ask for him (advance, stop, turn …) and the signals by which he asks them (voice, language call, body movements, Hands, legs …) is called the breakage. It is a mistake to think that the change of foot in time appeared at XIX It is Century with F. Baucher: Claude Bourgelat (1712 – 1779) in “Le Nouveau Newcastle” (1744, about a century before Baucher) addresses the case where a horse with “Grand Galop changes side by each time” and criticizes this ” Action of the Amble in the speed of the race \u201d. This proves that this form of gallop was perfectly known to the ancients. The curved is mainly used in equestrian dressing. It is often considered a simple fold of the neckline, however it is not a simple fold. Indeed, it makes it possible to mobilize the entire body of the horse, from the tip of the nose to the hips. The curved just exercises the muscles of the inner posterior and to a lesser extent those of the external posterior: it is therefore necessary to practice this exercise in both hands. The curved can be worked on a volte (a circle), on a serpentine, on an eight numbers, half a volt (a semicircle), etc. That is to say, all the figures of rides which contain one or more curves. In order to be able to make your horse practice the curvation, you have to place aid. Namely hands, legs and of course the body weight of the rider influencing that of his mount.First, the inner hand (that which is directed inwards of the merry -go -round) will be slightly oriented towards the tourniquet, the rein will be tense but it will not be necessary to shoot and it will also be necessary to make small pulsations irregularly on the rein. Second, the outer hand will be on the outer shoulder. Do not shoot the rein. The hands are low.Third, the inner leg will be with the strap (to ask for the horse’s fold at the level of the neck and the horse wraps around the leg).Finally, fourth point, the outer leg will be slightly behind the strap. It will be used to keep the hips of the horse. The curved is the movement of the horse’s spine on a curve: it is therefore an exercise in distributing the weight of the horse of the horse using the aid. Alternate from one look to another, from one exercise to another, from straight lines to curved lines, and vice versa, prevents the horse from routing. These alternations maintain his attention on the alert and help to perfect the transitions. They also avoid progressive excitation which can result from certain exercises such as foot changes or piaffer [ 2 ] . Rummage [ modifier | Modifier and code ] To transport a horse is to get him used to walking straight ahead of him. This is how the exercises in the merry -go -round must start. We can at the start of dressage, have the young horse transported by a foot help that holds him in hand and encourages him [ 2 ] . Daily softenings are necessary for the horse riding sports or school riding. The old horse riding sought softening in the movement of all the parts of the horse. Thus, it made it possible to have its whole and consequently of its balance. Baucher mainly prescribes the direct and indirect flexibility of the jaw, executed on the spot, and the flexions of nape and neck. The lateral mobilizations of two tracks and the conventional exercises alone make it possible to obtain the flexibility of the muscle and joint system of the horse. Place it correct and binding mouth are the evidence of this softening [ 2 ] . There are two breeds mainly known for their ability to execute tunes above the ground: lipizzan and pure Spanish race. Other breeds are known for their skills in high school: Frisian and Lusitanian. Today, the only major classic dressage schools are the black setting in France, the Spanish riding school in Vienna in Austria, the Andalusian Royal School of Equestrian Art in Jerez de la Frontera in Spain and the school Portuguese of equestrian art in Lisbon in Portugal. There are a small number of independent trainers with classic dressage, which strive to keep this branch of equestrian art alive, the best known being Nuno Oliveira and its students. \u2191 Methodical training of the saddle horse by Faverot de Kerbrech edition Jean Michel Place \u2191 A B and C Michel Henriquet et Alain Prevost, Horse riding, an art, a passion , Paris, Seuil, 1972 , 319 p. Bibliography [ modifier | Modifier and code ] Corinne Doucet , Academies of equestrian art in France of ancient regime , Paris, Edilivre, 2007 , 282 p. (ISBN\u00a0 978-2-917135-80-8 , read online ) Maria Franchini and Giuseppe Maresca , The fabulous adventure of the Neapolitan horse: at the origins of equestrian art , Paris, Zulma, 2003 , 108 p. (ISBN\u00a0 978-2-84304-258-4 ) Patrice Franchet d’Esp\u00e8rey , The master’s hand: reflections on equestrian heritage , Paris, Odile Jacob, 2007 , 395 p. (ISBN\u00a0 978-2-7381-2033-5 , read online ) Patrice Franchet d’Esp\u00e8rey and Monique Chatenet ( you. ), Horse riding arts in renaissance Europe: VI It is Symposium of the National Riding School, at the Ch\u00e2teau d’Oiron, October 4 and 5, 2002 , Arles, Actes Sud, 2009 , 446 p. (ISBN\u00a0 978-2-7427-7211-7 , BNF\u00a0 42104218 ) Etienne Saurel , History of horse riding , Stock, 1971 , 445 p. (BNF\u00a0 34564549 ) Related articles [ modifier | Modifier and code ] external links [ modifier | Modifier and code ] "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/dressing-horse-riding-wikipedia\/#breadcrumbitem","name":"Dressing (horse riding) – Wikipedia"}}]}]