[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/the-national-collectionswikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/the-national-collectionswikipedia\/","headline":"The National Collections\u2014Wikipedia","name":"The National Collections\u2014Wikipedia","description":"THE National collections of Dresden ( State art collections in Dresden ) form an exceptional complex composed in total of","datePublished":"2021-05-01","dateModified":"2021-05-01","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/05\/Caesar_van_Everdingen_-_Bachus_en_Ariadne_1660.jpg\/220px-Caesar_van_Everdingen_-_Bachus_en_Ariadne_1660.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/05\/Caesar_van_Everdingen_-_Bachus_en_Ariadne_1660.jpg\/220px-Caesar_van_Everdingen_-_Bachus_en_Ariadne_1660.jpg","height":"199","width":"220"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/the-national-collectionswikipedia\/","wordCount":3084,"articleBody":" THE National collections of Dresden ( State art collections in Dresden ) form an exceptional complex composed in total of eleven museums and a library, located in Dresden in Germany. This set is among the most important museums in the world and offers a unique multitude of its kind.   THE National collections of Dresden are the heirs of the ancient royal collections in the field of art, increased by foundations of XIX It is century like the Museum of Decorative Arts ( Artificial museum ) and the museum of popular arts or ethnology museum ( Museum of ethnology Dresden ). It was the collection of Saxony and Kings of Poland voters who were behind museums. Auguste the fort and his son, the king Auguste III , were both important patrons and art connoisseurs. Their art firms, to which in time an audience sought had already had access, represent until today the heart of artistic treasures, especially with the Gem\u00e4ldegalerie Alte Master And the green vault, national collections of Dresden. Birth of the collection [ modifier | Modifier and code ] In 1560, Duke Auguste I is De Saxe founded the first artistic collection which is installed in the attic of the residence castle, while goldsmiths are kept on the ground floor in a row of rooms called the green vault due to the dominant color. This development at the time of the Renaissance is explained by the immense wealth of Saxony, due to the exploitation of silver mines since the end of XII It is century to which were then added other deposits, including precious stones and marble. Auguste I is particularly encouraged the medal collection, today in the Coin cabinet . Christian I is , successor to Augustus, laid the foundations for a graphic art collection with the acquisition in 1588 of 182 prints and engravings by Albrecht D\u00fcrer. Auguste le Fort: 1694 – 1733 [ modifier | Modifier and code ] With accession to the throne of Augustus II , also king of Poland, Dresden enters his most sumptuous time. According to Voltaire, the Court of Saxony of Augustus the Fort was “the most brilliant in Europe after that of Louis XIV \u00bb [ first ] . Auguste Le Fort was an exceptional collector: paintings, weapons, silverware and goldsmithery parts adorned his Ch\u00e2teau de Dresden. The pieces that were hitherto all stored in the Chamber , became too numerous, and august the fort carried out systematization, by constituting distinctly organized collections, during the three decades of its reign. Auguste II had a particular passion for porcelain, “a porcelain disease”, and it was even under his impetus that the process was developed. But Auguste The Fort was not limited to porcelain: he did not hesitate to go into debt to enrich his treasure of precious stones and art objects, treasure which he planned to expose to the green vault, according to A maturely thoughtful provision. The artists of his time competed in luxury and fantasy to make dazzling pieces which are still preserved for the most part. At the same time, Auguste the fort founded a museum of sculptures (the Sculpture collection ) by the acquisition of two Roman collections. He had the Zwinger palace built on the plans of Matth\u00e4us Daniel P\u00f6ppelmann, who came from Westphalia and at the head of the Directorate of Buildings. P\u00f6ppelmann transforms with the French the dish and longly the green vault into a museum of treasures whose sumptuousness responds to the brilliance of the jewels. He also designs the Ch\u00e2teau de Pillnitz to respond to the king’s desire to have an “oriental house” and has a residence transforms on the Asian taste on the Asian taste of the Elbe opposite to the Zwinger which then takes the name of “Japanese palace \u00bb. Auguste III : 1733 – 1763 [ modifier | Modifier and code ] Auguste III , the son of Auguste Le Fort, continues his father’s work. He travels in Europe and stays in Venice for a long time. Deeply marked by this stay in Italy during his youth and passionate about painting, he decided to buy not only the Sistine Madonna from Rapha\u00ebl in 1754, but also the hundred most beautiful paintings from the Duke of Modena collection in 1745. It is The Count of Br\u00fchl, his Prime Minister, who takes care of the management of the country and art acquisitions. As a reward, the King offers his Prime Minister a terrace overlooking the Elbe’s shore, the Br\u00fchl terrace. The XIX It is century [ modifier | Modifier and code ] Despite the loss of half of its territory for the benefit of Prussia, Saxony continues to be at XIX It is century an important cultural home. Dresden becomes the center of romantic painting around Caspar David Friedrich (1774-1840). During the last two decades of the century, new buildings have been built or renovated on the Br\u00fchl terrace, notably Albertinum, of neo-Renaissance inspiration and then housing the collections of sculptures. The XX It is century [ modifier | Modifier and code ] The royal collections, which have become in the meantime collections of state with the abolition of the monarchy in Saxony in 1918, are the symbol of the dark period that is the second third of XX It is century. His collections are first victims of seizures by the Nazis for the Hitler’s personal museum and the destruction of works from the new masters’ gallery on the grounds that they are the expression of a “degenerate art”. Then, during the night of the 13th at February 14th 1945, the one compared to Florence for the richness of her heritage only becomes a field of ruins under the bombs of the English and the Americans. Fortunately, the collections had been sheltered before, but the buildings like the Zwinger and especially the residence castle are only the shadow of what they were. At the end of the war, it was the Red Army that ampute the collections of their most beautiful jewels, confiscated and taken to Russia. For ten years, these collections were lost forever, but in 1952, the USSR made these treasures. They are then partially exposed to Albertinum and Zwinger, restored by the authorities of the GDR.Thanks to an awareness of the authorities, major reconstruction work has continued since reunification, like the reconstruction of the Frauenkirche . The XXI It is century [ modifier | Modifier and code ]  COUPRTURE TRANSPARENT YOU RESIDENCES The collections are presented in a brand new setting. The collections took advantage of the awareness of the authorities to obtain the reconstruction of their original buildings. Thus, we complete the restoration of the residence castle which now hosts the green vault as a whole, but also other collections like the Turkish office inaugurated in 2010. It saw its interior courtyard crowned with a large glass roof designed by the ‘Architect Peter Kupka, made of transparent cushions in Etfe leaves garnished with compressed air [ 2 ] . But restorations concern all museums. For example, the famous architect Peter Marino completely redesigned the interior design of the porcelain collection, whose new rooms were inaugurated in April 2010. The redeployment of national collections of Dresden is an essential element of the current Renaissance of “Florence of the Elbe \u201d. If the “floods of the century” in 2002, had the appearance of a disaster for Albertinum, they were finally a chance for the building and its collections to reinvent themselves, from the point of view of architecture as that of the route in the museum. In June 2010, on the occasion of the 450th anniversary of the national collections of Dresden, the reopening of Albertinum was celebrated. In 2010, to celebrate the jubilee of the collections, an exhibition The future since 1560 , retracing the course of the collections, was also organized and the Turkish cabinet, formerly department of the Hall of Arms, was inaugurated in its new case. Other renowned temporary exhibitions were organized in various museums that same year, such as the exhibition The young Vermeer . Dresden’s national collections have been directed since 2002 by Professor Martin Roth. Museums are located in different buildings.  The Zwinger is home to the Gem\u00e4ldegalerie Alte Meister (painting of ancient masters painting), the porzellansammlung (porcelain collection), the r\u00fcstkammer (arms room) and the mathematisch-physikalischer lounge (mathematics and physics fair). The residence castle ( Residency clearance ) shelters the green Vault (Green vault), divided into two parts ( Historical green vault And New green vault ), the Copper table cabinet (Collection of prints, drawings and photographs), the Coin cabinet (Cabinet of currencies and medals), the Turkish Cammer (Turkish cabinet) as well as an art library ( Library ). Albertinum, reopened in June 2010, houses the gallery of new masters ( Gallery New Master ) and the Sculpture collection (collection of sculptures), as well as Gerhard Richter Archive (Archives sur Gerhard Richter). The J\u00e4gerhof home to the Saxon folklore museum with its doll theater collection ( Museum of Saxon folk art with puppet theater collection ). Pillnitz castle ( Schloss Pillnitz ) houses the Dresden Decorative Arts Museum ( Artificial museum ). Finally, the national collections of Dresden have a Kunstfonds (art funds), the Josef Hegenbarth archives ( Josef-Hegenbarth archive ) it le hall the exposure lipsiuse building. The national collections of Dresden are closely linked to the national collections of Ethnography of Saxony ( State ethnographic collections of Saxony ). Among the three museums in these collections, there is one located in Dresden, at the Japanese palace ( Japanese palace ): The Dresden ethnography museum ( Museum of ethnology Dresden ). The other two are in Leipzig and Herrnhut. They are called Grassi Museum F\u00fcr V\u00f6lkerkunde Zu Leipzig and V\u00f6lkerkundemuseum herrnhut. The national collections of Dresden were the subject of several exhibitions in France: Dresde or the dream of princes, the painting gallery at XVIII It is century Organized in 2001 at the Dijon Museum of Fine Arts. This exhibition “was looking for, being particularly attentive to the acquisitions made in France, to revive the collection of painting of the Gem\u00e4ldegalerie Alte Master as we could see it at XVII It is A century “according to the Director of the National Collections of Dresden of the time, Sybille Ebert-Schifferer. The Dijon Museum of Fine Arts had highlighted the same year for Saxony by organizing the exhibition: “A porcelain cabinet”, where porcelain of Saxony from Parisian collections were presented, which voluntarily echoed to the Porcelain collection from the Zwinger palace. Splenders of the Saxony Court, Dresden in Versailles , organized in 2006 at the Palace of Versailles, welcomed more than 300,000 visitors. The exhibition brought together the flagships of the national collections of Dresden, coming in particular from the green vault, to “evoke these splendors as well as the exchanges which developed between the court of Saxony and the Court of France, in the very context where they were knotted. \u00bb\u00bb Versailles had already highlighted his privileged relationship with Dresden during the exhibition at the castle in 1997: Louis de Silvestre, a French painter at the court of Dresden . Brochure of the Dresden State Art Collections , published in 2009 Art file  n O 98, outside the serial of The stamp\/object of art , July-August 2003: Dresden, the fabulous collections of the Princes of Saxony Catalog of the exhibition “Splenders of the Salon of Saxony, Dresden in Versailles” , Editions of the national museum meeting, 2006 Catalog of the exhibition “Dresden or the dream of princes, the painting gallery at XVIII It is century ” , Editions of the national museum meeting, 2001 State of the Art since 1560, highlights of the anniversary in 2010 , State art collections in Dresden  "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/the-national-collectionswikipedia\/#breadcrumbitem","name":"The National Collections\u2014Wikipedia"}}]}]