Virgin at the Chardonneret – Wikipedia
A wikipedia article, free l’encyclopéi.
The Virgin at the Chardonneret is a recurring theme of Christian iconography, which appeared in French Gothic statuary XIII It is century [ first ] , and which has experienced an immense fortune in the Italian painting of Trecento and the Renaissance.
Its most frequent representation constitutes in a variation of the traditional motif of the Virgin and Child: Jesus, seated on the lap of Mary, holds in one of his hands an elegant throat ( Carduelis carduelis ), recognizable by his cheeks and at the top of his scarlet red skull.
The Chardonneret generally announces symbolically the future sacrifice of Christ during the passion [ 2 ] : the thorny thistle which he feeds, and which reads transparently in his name – at least in Latin, in Italian ( goldfinch ) and in French – indeed evokes the crown of thorns, while the red spots of his head refer to the shed blood.
No less than 486 devotion works, 254 different artists, including 214 Italians [ 3 ] , are known for having taken up this pattern. The most famous of them is probably The Virgin with the goldfinch From Raphaël (Florence, Offices Museum), whose catering was completed in 2008.
In French statuary [ modifier | Modifier and code ]
The theme of Virgin at the Chardonneret would come from French Gothic sculpture.
In Italian painting of Trecento [ modifier | Modifier and code ]
The theme is then established in the Italian painting of Trecento.
And Europe Central [ modifier | Modifier and code ]
It spreads in the territory of Central Europe.
Title | Year | Dimensions (cm) | Technique | Conservation place | Would | Pays | Illus. |
---|---|---|---|---|---|---|---|
Madone de Vivan ( de Veveří ) [ twelfth ] | before 1350 | Sainte-Agnès convent, national gallery | Prague | Czech Republic | |||
Madone de fears [ 13 ] , [ 14 ] | Around 1340 | 94 × 84 | Tempera and gilding on maple panel | Pinacotèque du Monastery de Strahov | Prague | Czech Republic | |
Madone de Zbraslav | Around 1350 | 89 × 60 | Sainte-Agnès convent, national gallery | Prague | Czech Republic | ||
Madone you must ( Madonna ) [ 15 ] | before 1350 | Saint-Agnès convent, national gallery | Prague | Czech Republic | |||
Virgin and child , said Madone at Chardonneret [ 16 ] | around 1450 | 67 × 57.5 | Wood, gilding and semi-precious stretch | Parish church of the very holy Virgin | Dębe (because of kalisz) | Pologs | |
Madone said from Rome | Around 1450-1460 | Saint-Agnès convent, national gallery | Prague | Czech Republic |
In Germanic painting, international Gothic at the Renaissance [ modifier | Modifier and code ]
Bird representations accompany Virgins in the garden enclosed in Germanic painting. The goldfinch is then accompanied by other species.
In Italian painting of late Gothic and the Renaissance [ modifier | Modifier and code ]
Artist | Title | Year | Dimensions (cm) | Technique | Museum | Would | Pays | Illus. |
---|---|---|---|---|---|---|---|---|
Biagio by Antonio Tucci | Virgin and child with angels and saints [ 18 ] | first re half of XV It is century | Hermitage Museum | Saint PETERSBOURG | Russia | |||
Pseudo Pier Francesco Fiorentino | Virgin and child with a goldfinch [ 19 ] | 2 It is half of XV It is century | 68 × 50 | Tempera on wooden panel | private collection | |||
Francesco D’Antonio da Viterbo | Our Lady of the Carnellino [ 20 ] | civic Museum | Viterbe | Italy | ||||
Anonymous | Virgin and child with a goldfinch | around 1450 | 77 × 51 | Tempera on wooden panel | private collection | |||
Between Filippo Lippi | Adoration with Saint John the Baptist Child and Saint Bernard [ 21 ] | Around 1459 | 129.5 × 118.5 | Painting gallery | Berlin | Germany | ||
Master of the Nativity of Castello | The Virgin and the Children with the goldfinch [ 22 ] | Around 1455-1460 | 79.5 × 50.7 | oil paint, or templera on poplar panel | Louvre Museum | Paris | France | |
Master of the Nativity of Castello | The Virgin and the Child [ 23 ] | around 1460 | 58.5 × 37 | Starter and gold on wooden panel | Museum of Fine Arts | Montreal | Canada | |
Master of the Nativity of Castello (allocated to) | The Virgin and the Children with the goldfinch | second half of XV It is century | 61 × 44,7 | Starter and gold on wooden panel | Tessing Museum | Le Mans | France | |
Liberal from Verona | Our Lady of the Carnellino [ 24 ] | 2 It is half of XV It is century | sign | Musée de Castelvecchio | Verona | Italy | ||
Piero della Francesca | The Nativity [ 25 ] | Around 1460-1475 | 124 × 123 | Tempera and gold on wood | National Gallery | London | United Kingdom | |
Pérugin or Painting (attribute to) | Our Lady of the Carnellino [ 26 ] | Fine you XV It is century | round | oil on canvas | Saint John parish | Cantiano | Italy | |
Ercole de ‘Roberti | The Virgin and the Child surrounded by saints and the Blessed Peter Damien [ 27 ] | 1481 | 323 × 240 | Pinacotèque de Brera | Milan | Italy | ||
Carlo Crivelli | Virgin and child [ 28 ] | around 1480 | 36.5 × 23.5 | Tempera and gold on wood | Metropolitan Museum of Art | New York | UNITED STATES | |
Crynni antonio brenfaffio [ 29 ] | Madone Litta | Around 1490 | 42 × 33 | Transposed wood stretch on canvas | Hermitage Museum | Saint PETERSBOURG | Russia | |
Raphael | La Madone Solly | Between 1500 and 1504 | 52 × 38 | oil on wood | Painting gallery | Berlin | Germany | |
Raphael | Saint John the Baptist, the Blessed Virgin and Jesus Child it The Virgin with the goldfinch [ 30 ] | Between 1505 and 1506 | 107 × 77 | oil on wood | Office Gallery | Florence | Italy | |
Alvise Vivarini | Virgin adored the sleeping Jesus Jesus in the throat | around 1500 | first | Redeemer church | Venice | Italy | ||
Michelangelo | Tondo Taddei | Between 1504 and 1507 | 106.8 (diameter) | marble bas-relief | Royal Academy of Arts | London | United Kingdom | |
Lorenzo Costa | Virgin and child holding a throat [ thirty first ] | Fine you XV It is century-beginning of XVI It is century | 39 × 30.5 | Wooden panel oil | private collection | |||
Ludovico Brea | Polyptych [ 32 ] | |||||||
Ludovico Brea | Polyptych [ 33 ] | Between 1520 and 1523 | 248 × 210 | Saint-Pierre collegiate | Six-Fours | France | ||
Michele Cavaro | Our Lady of the Carnellino [ 34 ] | Between 1549 and 1567 | 173 × 120 | Bonaria Notre-Dame Basilica [ 35 ] | Cagliari | Italy |
After the Renaissance [ modifier | Modifier and code ]
See as well [ modifier | Modifier and code ]
- The Église de la Madonna del Cardellino (Madone au Chardonneret), Borgo San Lorenzo, Italie.
- Bust of the child Jesus playing with a bird, XIV It is century.
-
Rétable de Grabow, 1375-1383.
- (pl) Michał Walicki, «On the issues of the Painting of the Wielkopolska Painting of the mid-15th century (1440-1475)», Dans Id. , Gold , Warsaw, 1965, p. 73, quoted by Anna Maria Migdal, Regina celi images of the Virgin and the worship of relics , Doctoral thesis, Lyon-II University, 2010, p. 173
- Cartel of the Master of the Nativity of Castello, The Virgin and the Children with the goldfinch . Notice n O 1202 , Atlas base, Louvre museum
- (in) Herbert Friedmann, The symbolic goldfinch , 1946
- Around the exhibition “Virgins à l’Enfant”
- Cartel on the website of the Ministry of Culture
- Dampierre-Saint-Nicolas Source : [first]
- Cartel on the website of the Ministry of Culture
- Cartel of the work on joconde base
- The work on joconde base
- The work on joconde base
- The work on the Museum official website
- Reproduction on Flickr.fr
- Reproduction on the Strahov cloister site
- (in) Barbara Drake Boehm, Jiri Fajt, Prague : The Crown of Bohemia, 1347-1437 , 2005, Yale University Press, p.170-171 (cat. 37) read online . Page consulted on February 25, 2013
- Reproduction on Flickr.fr
- Madone at Chardonneret
- Cartel and Reproduction on the site of the RMN photographic agency
- The work visible on Flickr.com
- Pseudo Pier Francesco Fiorentino
- Brochure du civic museum , p. 27
- http://cetadnet.cef.fr/meditation_saint-bernard.html
- Notice n O 1202 , Atlas base, Louvre museum
- “Tables recently acquired by the Montreal Museum of Fine Arts” , The Tribune of Art , April 17, 2008
- The work on wga.com
- The table on the National Gallery National website
- The table on the Saint Jean de Cantiano parish site
- This vast composition, intended for the Santa-Maria-In-Porto church in Ravenna, is a Sacred conversation . The Virgin and the Child appear on a throne between Saint Anne, mother of Mary, and Saint Elisabeth, mother of Saint John the Baptist. The characters are placed in front of a Small temple In Baldaquin, adorned with panels representing various evangelical scenes relating to the childhood of Christ. On the left, entirely dressed in red, Saint Anne offers the child Jesus a goldfinch (symbol of passion) while at the right, Saint Elisabeth is kneeling. Below, we can see the Bishop Saint Augustine on the left, the greatest theologian in the Catholic Church, and on the right, Blessed Peter Damien.
- The table on the Metropolitan Museum of Art
- According to a preparatory drawing by Leonardo da Vinci
- The parish church Sainte-Foy de Sainte-Foy-Saint-Sulpice has a copy of the table of Raphaël, carried out in 1893. See the cartel on the Palissy base
- Cartel of the work on artnet.fr
- [2]
- We find Saint John the Baptist, dressed in Beast Skin, Saint-Pierre, the Virgin and the Child playing with a Chardonneret, Saint Honorat, Saint Benoît, then Christ between Saint Martin, Saint Victor, Saint Sébastien and Saint Marguerite
- The work on the Sardegnadigallibrary site
- Painting located in the third chapel to the right of the basilica
- Statuette visible on Flickr.com
- The table on the National Gallery National website
- Tajan catalog , sale of October 25, 2002, n O 113
- Latribunedelart.com: The Virgin and Child in Throbbed on a Cherry
- Formerly in the J.S. Johnson collection, after being presented at the Heim gallery in London during the summer of 1974
- [3]
- Complete notice on the joconde base
- Cartel of the work on the Site Officiel de la Nga
Bibliography [ modifier | Modifier and code ]
- Anna Maria Almond , Regina celi images of the Virgin and the cult of relics: Polish reliquary paintings in medieval times , Lumière Lyon 2 University, coll. “Doctoral thesis of languages, history and civilization of ancient worlds”, ( read online ) , F. The Virgin in the goldfinch
- (in) Herbert Friedmann , The symbolic goldfinch : Its history and significance in European devotional art , New York, Pantheon Books, coll. « The Bollingen Series, VII », , 254 p. (ISBN 978-0-691-09830-2-2 )
Related articles [ modifier | Modifier and code ]
external links [ modifier | Modifier and code ]
Recent Comments