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Caterina Marianna Pareto after-content-x4 Caterina Marianna Pareto (Manzano, February 19, 1812 [first] – Manzano, 15","datePublished":"2017-12-27","dateModified":"2017-12-27","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/e\/e9\/La_scrittrice_Caterina_Percoto.jpg\/220px-La_scrittrice_Caterina_Percoto.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/e\/e9\/La_scrittrice_Caterina_Percoto.jpg\/220px-La_scrittrice_Caterina_Percoto.jpg","height":"292","width":"220"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/caterina-pavia-wikipedia\/","wordCount":3293,"articleBody":" (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, Liberade Libera. Caterina Marianna Pareto (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Caterina Marianna Pareto (Manzano, February 19, 1812 [first] – Manzano, 15 August 1887) was an Italian writer and poet. Caterina Pavia, at the Registry Caterina Marianna [2] , was born in San Lorenzo di Soleschiano (hamlet of the municipality of Manzano, in the province of Udine) in Friuli, daughter of Antonio and Teresa Zaina. His is a noble family of lawyers, artists and men of letters. Caterina was the only child of seven children.At the age of twelve he discovered his passion for the pike and grain fields.Upon the death of his father, in 1821, his family moved to Udine, and she was sent to the educated of Santa Chiara (now educated bird), at school with the nuns. From this period, the strong aversion to the monastic education of women was born in the writer, a theme that Caterina Pavia defended for life. In 1828 he met the first love, a young man of Jewish origin. Precisely for this reason, the relationship was hardly opposed by both the family and the nuns. In 1829, he left the convent for economic reasons. After his return home, he began to devote himself to the family business and the education of the minor brothers assisted by Don Pietro Comelli, formerly “factor” of the accounts Pavia and Pievano of the place. Comelli will soon become spiritual guide and sincere friend. (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Francesco Dall’Ongaro Carlo Tenca The literary career of Caterina Pavia began in 1839, thanks to Don Comelli who secretly sent to the Spark of Trieste the first writing of Caterina: a comment on the translation of Andrea Maffei of some songs of the Messiade by Klopstock. Thus began Caterina’s relationship with the publisher Francesco Dall’Ongaro, who soon became his mentor. Immersed in the Friulian landscapes, supervising work in the fields and the cultivation of silkworms, portrayed in his works the stagnant world of poverty of Friuli, under the Austrian domain. In 1841 they appeared on the Spark The first tales of the Pagto. From the NGORO it makes her known in the Italian literary world. In 1847, after a trip to Vienna, he began the long epistolary contact with Carlo Tenca. But with the First War of Independence, in 1848, his writings became politically more committed, having remained shocked and an eye witness of the so -called “facts of Jalmicco”. Then, in fact, Udine and some Friulian villages had rebelled against the Habsburg domination and the Austrian army intervened heavily by setting fire to entire countries, including Jalmicco Fraction of Palmanova, Visco and Bagnaria Arsa, which precisely added to the name the adjective “Arsa “To remember these events [3] . In this period he wrote stories like The woman of Osoppo It is The wedding crop , which rewritten great success in patriotic environments. (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4In October 1852 his brother Costantino died, leaving her the heavy task of the education of his very young children. [4] In the 1950s, moreover, he began to write in the Friulian language, and after two years of negotiations with the publisher Le Monnier, who feared that the titles in Friulian would annoy the Austrians, in 1863 two volumes of stories came out. Caterina was a collector of tradition and popular narrative, he published in 1863 Stories , a collection of Friulian fairy tales. The last years of the writer’s life were rather suffered, due to his precarious health conditions, but at the same time denied of events and encounters of particular importance. In 1867, for example, he met in Udine, Giuseppe Garibaldi himself. Then he went to Florence, where he attended Francesco’s living room Dalla Igaro coming into contact with the literati and emerging politicians of that period. The following year he refused the appointment to the director of the educated of Santa Chiara (now educated Baracellis) and in 1871 the minister Cesare current appointed her inspector of the Venetian educated. In 1878 and 1883 two collections of his stories were published. Caterina Pavia died on August 15, 1887 [5] In San Lorenzo di Soleschiano and is buried in Udine next to the Friulian poet Pietro Zorutti. G. Zanella, Caterina Pavia and Antonio Trueba, in ID, critical essays, edited by A. Balduino, Vicenza, Neri Pozza, 1990, vol. I, pp. 361-382. Lis cited. Scene carniche , I. Papsch and C. Tip. of the Llyod Austr., Trieste, 1845 Stories , preface by Nicol\u00f2 Tommaseo, Le Monnier, Florence, 1858 Ten tales of Caterina Pavia , Tip. Weis, Trieste, 1865 New tales , Lampugnani, Milan, 1870 Twenty -six old and new stories , Carrara, Milan, 1878 Popular novels edited and unpublished , Carrara, Milan, 1883 Norina’s fumes , Carrara, Milan, 1884 Fifteen new tales. Reading and prize book , Carrara, Milan, 1888 Notes on the co. Caterina Pavia accompanied by some of her unpublished letters , edited by Tiberio Roberti, Typography by Domenico Del Bianco, Udine, 1900 Friuli in 1866. Unpublished letters by Caterina Pavrotto , edited by Tiberio Roberti, Tip. Domenico Del Bianco, Udine, 1901 The Prin Sarasin. Legend , Tip. Domenico Del Bianco, 1901 [in Friulian language, with translation into Italian] The last years of Caterina Pavia. Letters to Abbot Jacopo Bernardi so far unpublished, [and now published by] N. Meneghetti , Tip. Moretti and Pavia, Udine, 1915 Under Austria in Friuli, 1847-1866. Tales for young people, for the people, for soldiers. From the writings of Caterina Pavia , edited by Eugenia Levi, R. Bemporad and son, Florence, 1918 Friulian writings , with a study by Bindo Chiurlo, Libreria Editrice Aquileia, Tolmezzo (Udine), 1928 The year of hunger and other stories , edited by Alberto Spaini, Einaudi, Turin, 1945 The mother -in -law’s album and other stories , Muggiani, Milan, 1945 Pre ‘little , Del Bianco, Udine, 1958 Stories , Volumes I, II, III, edited by G. Mariani, Maestri series, Mep Edizioni Paoline, Pescara, 1963 Short story , Muro Mare – Happy Coars, Hats, 1974 Enrica Varisco Ferrero (edited by), Niccolo Tommaseo and Caterina Pavito protagonists of a literary case, with unpublished pages by Caterina Pavia , Friulian graphic arts, Udine, 1975 Mia aunt’s newspaper , with an introduction by Rossana Caira Lumetti, Bulzoni, Rome, 1984 The humble workers. Letters by Luigia Codemo and Caterina Pavia , edited by Rossana Caira Lumetti, Loffredo, Naples, 1985 Friulian writings , translated, commented and restored by Amedeo Giacomini, linguistic note of Piera Rizzolatti and ten unpublished drawings by Filippo Giuseppini, Friulian philological company, Udine, 1988 Epistolario Caterina Percoto-Carlo Tenca , edited by Ludovica Cantrutti, Del Bianco, Udine, 1990 The great stories , edited by Mirella Lirussi and Pietro Farris, Libraria Editrice agency, Monfalcone, 2011 “Prosis Vantis”, Cultural Aquilee claps – Union Scritors Furls, Udin, 1993 The wedding crop, edited by Salvatore Amato, collective literary alcova 2021 Ines Cesarano, Notes on the life and works of Caterina Pavia, 2 February 1888. Words read to the pupils of the Barbieri Institute on the occasion of the distribution of the prizes, 19 May 1895 , Padua, tip. Soc. Sanavio and Pizzati, 1895; Pietro Bonini, Versi Friulian, and hints on Ermes di Colloredo, Pietro Zorutti and Caterina Pavia , Udine, tip. Domenico del Bianco, 1898; Guido Busico, Caterina Pareto and Francesco Dalla Igaro , Domodossola, tip. Ossolana, 1910; Gianfranco D’aronco, Hidden sentimental life of Caterina Pavroto , Trieste, 1948; Enrica Varisco Ferrero, Niccolo Tommaseo and Caterina Pavito protagonists of a literary case, with unpublished pages by Caterina Pavia , Udine, Friulian graphic arts, 1975; Caterina Pavito a hundred years later , Proceedings of the Study Conference (Manzano), Del Bianco, Udine, 1990; Francesca Italiana, Caterina Pareto and the country narrative of the nineteenth century, dissertation , Ann Arbor, University microfilms international, 1981; Tommaso Scappaticci, The countess and the peasants. Study on Caterina Pavia , Italian scientific editions, Naples, 1997 Ricciarda remembers, “travel writers and costume representation in the Italian nineteenth century”, in AA. Vv., “The image of the newspaper. Costume literature of costume and genre literature between the ‘700 and’ 800”, Naples, Italian scientific editions, 2000. Matilde Dillon Wanke, “Caterina Pavia, the Friulian roots and the Venetian culture”, in AA. Vv., “The identities of the Venezie, 1866-1918: historical, cultural, linguistic borders”, Rome, Antenor, 2002; Gianni Scialino, “Friuli 1866: episodes of the war in three letters by Caterina Pareto”, in AA. VV., “Quintino Sella Regio Extraordinary Commissioner in Friuli 1866”, Udine, Udinese Academy of Sciences and Arts Sciences, 2002; Adriana Chemello, “Caterina Pareto and Ippolito Nievo”, in AA. Vv., “Ippolito Nievo”, Padua, Ejra Editrice, 2006; AA. VV., “Caterina Pavia and the nineteenth century”, Udine, Civic Library “V.Joppi”, 2008; Adriana Chemello, “Caterina Pavia and the education of the woman”, in AA. Vv., “Women at work, yesterday, today, tomorrow”, Padua, Il Poligrafo, 2009; Antonella Iacobbe, “The voices of a woman – writer. Caterina Pavia and the peasant world”, Trento, Uni Service, 2009; Anne Demorieux, “The condition of women in the work of Caterina Percoto”, in AA. Vv., “Woman and feminism in Mediterranean and Arabic literatures”, Nancy, Adra, 2010. Caterina Pavia, in Biographical Dictionary Friulian, Clape Cultural Aquilee, Udine 2007 Per\u00f2to, caterina . are TRECCANI.IT – encyclopedia online , Institute of the Italian Encyclopedia. Bindo Chiurlo, Pavia, Caterina , in Italian Encyclopedia , Institute of the Italian Encyclopedia, 1935. Adriana Chemello, Pavia, Caterina , in Biographical Dictionary of Italians , vol. 82, Institute of the Italian Encyclopedia, 2015. Caterina Pavia , in Biographical dictionary of the Friulians. New Liruti Online , Pio Paschini Institute for the history of the Church in Friuli. Caterina Pavia . are Enciclopediadelondonne.it , Women’s encyclopedia. Works by Caterina Pavia . are Free free . Works by Caterina Pavia . are openMLOL , Horizons Unlimited srl. ( IN ) Works by Caterina Pavia . are Open Library , Internet Archive. ( IN ) Works by Caterina Pavia . are Gutenberg project . Site dedicated to Caterina Pavia with biography and bibliography of the writer . URL accessed on 10 September 2014. Documents on Caterina Pavia . are Liceo Caterina Pavia di Udine . URL consulted on August 28, 2018 (archived by URL Original on 27 August 2017) . 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