[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/joseph-lavergne-chansonnier-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/joseph-lavergne-chansonnier-wikipedia\/","headline":"Joseph Lavergne (Chansonnier) – Wikipedia","name":"Joseph Lavergne (Chansonnier) – Wikipedia","description":"before-content-x4 Joseph Denis Lavergne , born in Paris (old 8 It is arrondissement) January 22, 1820 [ first ] And","datePublished":"2021-02-01","dateModified":"2021-02-01","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":100,"height":100},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/joseph-lavergne-chansonnier-wikipedia\/","wordCount":1507,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4Joseph Denis Lavergne , born in Paris (old 8 It is arrondissement) January 22, 1820 [ first ] And died in Malakoff 31 mars 1889 [ 2 ] is an actor, poet, songwriter and Goguettier fran\u00e7ais.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4After having experienced a certain notoriety, in particular as a songwriter, he is now forgotten by the general public. Louis-Henry Lecomte wrote in October 1880 [ 3 ] : \u201cJoseph Lavergne is a Parisian, thoroughbred. He was born on January 22, 1820, in the middle of Faubourg Saint-Antoine. He first frequented the municipal school, his parents, not fortunate, soon removed him to make him learn a profession. He was then eleven years old and barely knew how to read and write, but he took his party with philosophy and exclaimed, crossing the workshop door: “Bah!” I will always find the opportunity to Get me! \u00bb         (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Although the child was quite small, he was put in hand the gouge and the chisel of the wooden turner. Among the workers were some old goguettes, who sang in chorus the loved refrains of Panard, Gulf\u00e9, Dauphin and Emile Debral. Nourished by their militant or groady verses, the young Lavergne accomplished by singing the races that his apprentice role involved. There remained entire hours on the Place du Temple to listen to the barbarism organ, shot by the famous Baumester, a nomadic singer – from father to son – since 1812. This baumester who bought the authors, for fifty cents per verse, songs That he signed shamelessly, showed with balance to onlookers who surrounded him a sign where this significant epigraph radiated:  Despite jealous, fools and bad guys,  The people with pleasure listen to my songs.  Thanks to some savings on his lunches, the apprentice turner had conquered the good graces of the M\u00e9nestrel by buying him, most of the notebooks in his collection. Equipped with these treasures, he returned to getting angry with intoxication: “I will learn to read and sing for two cents!” \u00bb\u00bb And this desire to know was so well stopped, that it was often surprised to copy the singing repertoire of Baumester.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4-Since you like them so much, so do it, songs … said the loustics of the workshop. – Ah! you laugh ? replied the guy, well, who knows? I may do one day, and maybe too that you will sing them. At that time, lyrical societies, say goguettes , flourished in Paris. Lavergne sets out to frequent them assiduously. Stimulated by the applause that welcomed the songs of Charles Gille, Festeau, Voitelain, Bari\u00e8re, Gustave Leroy and Dal\u00e8s Elder, he began to rhyme some informal couplets. The first who were printed under his name, appeared in a collective collection, entitled: The children of Vaudeville , and in which Sailor, Rabineau, Imbert, Ponsard, Colmance, Eug\u00e8ne Simon, Supernant and Alexandre Gu\u00e9rin collaborated. There are, among other songs from Lavergne, the Example of our predecessors , which we will quote this verse: Master Adam, this king of good drilles, Sang, worked in turn, When one day, thanks to his Ankle , We made him mandate at the court, But, refusing any prerogative, At the Louvre he preferred Nevers; To this man let us pay tribute Because he did not sell his verses. To do well And to know how to please, Let us all follow, young songwriters, The example of our predecessors. Lavergne’s poetic baggage is growing quickly. In 1856, he made up a first volume under this title: The Plebeian Muse . He received, on the subject; From this publication, a number of flattering assessments, including a letter from B\u00e9ranger. ending with this friendly sentence: Courage, sir, sing and sometimes think of those who are too old to sing yet. Lavergne has since published four others, volumes of ” The Plebeian Muse . In 1872, he gathered under the less pretentious title of My daughters , its old and new songs, which make up an in-12 of four hundred pages. The most remarkable are obviously those where Lavergne deals with vulgar or groady subjects. Let’s go ahead, so much the jug in the water, do we content one roughly, another pavilion, is it my rifle? I am not demanding, remain boy, pears cooked in the oven, I am old , and quantity of his song-chansons, sparkle with verve, common sense and gay frank. We meet well, in his collection some works of a higher order, as The crazy people, the burial of B\u00e9ranger, the return of the flowers , but, to tell the truth, the author lacks lyricism; He recognizes him himself by usually standing for popular, patois, even slang songs … Lavergne, in this last genre, committed, in one hundred and four verses, a parody of Mis\u00e9rables. He once addressed a copy to Victor Hugo, with this emotional letter: Master, I take the freedom to send you a copy of my parody on the miserable. Your genius will undoubtedly forgive me for this little playfulness, thinking that there are little birds that trample at the top of the cathedrals, without intended to offend God … The great poet replied: I receive, sir, your spiritual and charming sending. The masure, all dark that she is, has no anger against the nice chirping of the frank sparrow. I applaud you and thank you. Victor Hugo. There are, in the works of Joseph Lavergne, many intimate songs or to proposals; It is that the demon of the theater had seized the coupletier, making him almost impossible for the attendance of lyrical societies, where more general subjects would have caused his muse. After being part of various nomadic troops, Lavergne had come to knock on the door of the ambigu-comic; He stayed there twenty-five years, playing, with as much tact as zeal, number of insignificant roles by themselves, but important from the point of view of the whole. In addition, Lavergne celebrated in verses of successful pieces. The dramatic authors appreciated it at its fair value, witnesses this dedication written by Paul Meurice, on a copy of Teacher : To my colleague Mr. Lavergne, to whom I made a very bad role for his excellent lines. And this other, of a real poet of which we will soon mention the sympathetic memory: In Lavergne, actor of the most useful for directors and authors, and my happy colleague in songs, Thanks. Debit paulvier. Such testimonies console a man of heart not to pick a flowery branch at the tree of success. After the war [ 4 ] , Lavergne withdrew to Malakoff-Vanves, where the nostalgia of the boards made him build a small room, baptized Theater of intimate . There, playing almost always for good works, he compensates for many panes which was once rewarded by distributing first roles. Let us say in finishing that, for three years, Lavergne has been a municipal councilor of his commune; He is, moreover, a member of the local child labor committee for the canton of Villejuif, – essentially free functions. We see that our songwriter ends his career with dignity.       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