Minoru shibuya — Wikipedia

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Minoru shibuya ( Miku Shibuya , Shibuya minoru ? ) , born the and dead the , is a Japanese director.

Minoru shibuya nait lee In Asakusa (Tokyo), he attended the English literature department of Keiō University but left him before graduating [ first ] , [ 2 ] . He joined the shōchiku in 1930 and worked there as assistant director with Yasujirō Ozu, Mikio Naruse, and Heinosuke Gosho, before making his debut behind the camera in 1937 with Madame will not know anything ( Don’t know your wife , Okusama Ni Shirasu Bekarazu ? ) [ 3 ] . He first turns successful modern melodramas, like which is the trademark of Shōchiku [ 4 ] .

In 1943, Minoru Shibuya was called under the flags and was sent to the Chinese front, he returned to Japan only , several months after the end of the Pacific War [ 2 ] . In the 1950s, he asserted himself as an author with satirical comedies on the Japanese manners of the post-war period [ 4 ] . In 1953, he was rewarded for the main director Mainichi prize for No consultations today ( Closed today , Honjitsu kyūshin ? , 1952 ) And Those of today ( Modern , Gendai-jin ? , 1952 ) [ 5 ] , this last film being also presented in competition at the 1953 Cannes Film Festival [ 6 ] .

With Grumpy ( Unreasonable , They can ? , 1961 ) , A good man ( Good people and good days , KōJIt KōJitsu ? , 1961 ) And In drunkard paradise ( Drunken heaven , YOPPPARAI TENGOKU ? , 1962 ) , his careful visual style becomes obvious in his compositions using the Cinemascope format [ 2 ] . In 1965, he turned The radish and the carrot ( Radish and carrots , DAIKON TO NINJIN ? ) , a film tribute to Yasujirō Ozu based on the work notes left by the great filmmaker before his death in [ 2 ] . But as the critic Note Chris Fujiwara, “Shibuya’s films are a thousand miles from those of Ozu: hard, sometimes vehement, imbued with black humor, which tend to distort the human body or push it into the depths of violently modernist compositions ” [ 7 ] . It will be his latest film for the Shōchiku, where he will have made most of his career [ 8 ] .

Minoru Shibuya directs nearly fifty films between 1937 and 1966 [ 8 ] . He “works with the same ease in comedy and melodrama, [and] leaves his mark as an ironic chronicler but compassionate difficulties from the beginning of the post-war period” [ 7 ] .

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He dies as a result of pneumonia at the age of 73 [ 2 ] .

Unless otherwise indicated, French titles are based on the filmography of Minoru Shibuya in the book Japanese cinema de Tadao Sato [ 9 ] .

  • 1937: Madame will not know anything ( Don’t know your wife , Okusama Ni Shirasu Bekarazu ? )
  • 1937: Mom’s marriage proposal ( Mama’s marriage , Mama does not endure ? )
  • 1938: The humming girl who hums ( Hanna Miss , Hanauta ojōsan ? )
  • 1938: The mother and the child ( Mother and child , Haha to be ? )
  • 1938: A woman at home ( Mother at my house , Wagaya Ni Haha Are ? )
  • 1939: South wind ( south wind , Minamikaze ? )
  • 1939: A new family ( New family , ATARASHIKI KAZOKU ? )
  • 1939: Fox ( fox , KitSune ? )
  • 1940: Women’s resolution I ( Care for Women Part 1 Pure Flowers , Josei No Kakugo: JUNJō NO HANA ? ) Corélized with Kenkichi Hara
  • 1940: Women’s resolution II ( Women’s determination Part 2 sacrifice song , Josei NO KAKUGO: GISEI NO UTA ? ) Corélized with Kenkichi Hara
  • 1941: Tokyo customs ( Tokyo customs , Tōkyō no fūzoku ? )
  • 1941: Ten days in a lifetime ( Ten days of life , Tōkakan NO JINSEI ? )
  • 1941: The country of cherry trees ( Country of cherry blossoms , SAKURA NO KUNI ? )
  • 1942: Family ( family , Kazoku ? )
  • 1942: A woman ( る る る る る , Aru onna ? )
  • 1942: The great anger of the specters ( Ghost gets angry , Yūrei ōi Ni Okoru ? )
  • 1943: Enemy aircraft bombings ( Enemy air strike , The blanket kūshū ? ) Corélized with Hiromasa Nomura and Kōzaburō Yoshimura
  • 1943: Watch ( ぢ , Ojisan ? ) Corélized with Kenkichi Hara
  • 1947: Passion ( Emotional inflammation , Joke ? )
  • 1947: The young lady who fled ( The young lady who jumped out , Tobidashita Ojōsan ? )
  • 1948: Conception ( conception , Jutai ? )
  • 1948: The fourth lady ( The fourth lady , YONINME NO SHUKUJO ? )
  • 1949: Vermeilles lips have still not disappeared ( The red lips have not disappeared yet , Beni Imada Kiezu ? )
  • 1949: The true face of the flower ( Real flower face , HANA NO SUGAO ? )
  • 1950: Controversy of first love ( First love quiz , Hatsukoi Mondō ? )
  • 1950: Symbol-Bohu ( Tenya Wanya , Ten’ya Wan’ya ? )
  • 1951: The School of Liberty ( Free school , Jiyū gakkō ? )
  • 1952: No consultations today ( Closed today , Honjitsu kyūshin ? ) [ ten ]
  • 1952: Those of today ( Modern , Gendai-jin ? ) [ 6 ]
  • 1953: Jumble ( Yatsusamotsusa , Yassa Mossa ? )
  • 1954: The medals ( Medal , Kunsho ? )
  • 1955: Bronze Christ ( Bronze Christian , Seidō NO KIRISUTO ? ) [ 11 ]
  • 1956: Traces of women ( After a woman’s feet , Onna NO Ashiato ? )
  • 1957: The Virtuous League ( Righteous school , Seigihaa ? ) [ twelfth ]
  • 1957: The Fous district ( Buraku , Kichigai Buraku ? )
  • 1958: The season of bad women ( Sea of ​​the evil girl , Akujo NO KISETSU ? ) [ 13 ]
  • 1959: Murded love intrigue ( Mogi affair , Kiri Aru Jōji ? )
  • 1960: Banana ( banana , Banana ? )
  • 1961: Grumpy ( Unreasonable , They can ? ) [ 14 ]
  • 1961: A good man ( Good people and good days , KōJIt KōJitsu ? ) [ 15 ]
  • 1962: In drunkard paradise ( Drunken heaven , YOPPPARAI TENGOKU ? ) [ 16 ]
  • 1963: A fortress for both of us ( Fort with only two people , FUTARI DAKE NO TORIDE ? )
  • 1964: A Marilyn from Tokyo ( A woman like Monroe , Monrō no yōNA onna ? )
  • 1965: The radish and the carrot ( Radish and carrots , DAIKON TO NINJIN ? ) [ 17 ]
  • 1966: It is respectable to respect ( Respect if you say comedy , KIGEKI: AOGEBA TōToshi ? )

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Selections [ modifier | Modifier and code ]

  1. ↑ ‘ Shibuya minoru » , NIHON JINMEI Daijiten+Plus , Kōdansha (consulted the )
  2. ↑ A B C D and E (in) ‘ Doctor’s Day Off » , on 43.mostra.org (consulted the )
  3. ↑ ‘ Minoru shibuya » , Moving Image Source , Museum of the Moving Image (consulted the )
  4. ↑ a et b ‘ Discovering Minoru Shibuya, Maison de la Culture du Japon de Paris, from April 27 to May 5, 2011 » , on www.froggydelight.com (consulted the )
  5. ↑ a et b (and) ‘ 7eMainichi film prizes – (1952 年) » , on Mainichi.jp (consulted the )
  6. ↑ A B and C Those of today – Cannes film festival
  7. ↑ a et b Chris Fujiwara , ‘ Finished Business » , Moving Image Source , Museum of the Moving Image, (consulted the )
  8. ↑ a et b (and) ‘ Filmography » , on JMDB (consulted the )
  9. ↑ Tadao Satō ( trad. Japanese), Japanese cinema (volume II) , Paris, editions of the Center Pompidou, , 324 p. (ISBN  2-85850-930-1 ) , p. 281-282
  10. ↑ No consultations today : French title of the film during the retrospective “Discovering Minoru Shibuya” from April 27 to May 5, 2011 at the MCJP
  11. ↑ a et b Bronze Christ – Cannes film festival
  12. ↑ The Virtuous League : French title of the film during the retrospective “Discovering Minoru Shibuya” from April 27 to May 5, 2011 at the MCJP
  13. ↑ The season of bad women : French title of the film during the retrospective “Discovering Minoru Shibuya” from April 27 to May 5, 2011 at the MCJP
  14. ↑ Grumpy : French title of the film during the retrospective “Discovering Minoru Shibuya” from April 27 to May 5, 2011 at the MCJP
  15. ↑ A good man : French title of the film during the retrospective “Discovering Minoru Shibuya” from April 27 to May 5, 2011 at the MCJP
  16. ↑ In drunkard paradise : French title of the film during the retrospective “Discovering Minoru Shibuya” from April 27 to May 5, 2011 at the MCJP
  17. ↑ The radish and the carrot : French title of the film during the retrospective “Discovering Minoru Shibuya” from April 27 to May 5, 2011 at the MCJP

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