[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/nasride-art-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/nasride-art-wikipedia\/","headline":"Nasride art – Wikipedia","name":"Nasride art – Wikipedia","description":"before-content-x4 The Dell’Acequia Court. L’ arte nasride , also called Granada art , constitutes the last stage of Ispano-Musulmana art.","datePublished":"2018-08-27","dateModified":"2018-08-27","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/a\/ae\/Spain_Andalusia_Granada_BW_2015-10-25_15-39-55.jpg\/200px-Spain_Andalusia_Granada_BW_2015-10-25_15-39-55.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/a\/ae\/Spain_Andalusia_Granada_BW_2015-10-25_15-39-55.jpg\/200px-Spain_Andalusia_Granada_BW_2015-10-25_15-39-55.jpg","height":"298","width":"200"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/nasride-art-wikipedia\/","wordCount":2587,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4The Dell’Acequia Court. L’ arte nasride , also called Granada art , constitutes the last stage of Ispano-Musulmana art. He developed from the XIII to the fifteenth century, extending not only to the sultanate of Granada, but also to the Barbaria states and the Christian domains of the Iberian peninsula, contributing to the rise of art Mudjar art.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4The work that for Antonomasia defines the nasrid dynasty (1237-1492) is the Alhambra, Qalaat a iL -Ara , “The Red Castle”, a true synthesis of Islamic Palatine architecture and the new elements of fortifications incorporated into military architecture. It is associated with a library o refreshment garden known as the Generalife o Yannat a il -arif or “vegetable garden of the architect”. At the challenge of the Almohade Empire they arose, in the new small small kingdoms that existing between the thirteenth and fifteenth centuries. The battle of Las Navas de Tolosa, in 1212, opened the path to the south ai Conquerors Christians. In contrast, starting from 1232, the Muslims of Arjona proclaimed Sultan Muhamad Ibn Yusuf Ibn Nasr. Thus a process of territorial reconstruction through which a new kingdom, of the nasrides, whose capital, from 1237, was Granada, was started. The constant Christian pressure reduced the size of the kingdom, until the capitulation of Granada on January 2, 1492. In this way, the last Islamic bastion of Al-Andalus disappeared. L’alhambra.  The same topic in detail: Alhambra .        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4The construction of the Alhambra was started by the founder of the dynasty, Muhammad I, who abandoned the Albayz\u00edn palace and chose this hill to build his residence. The place contained the remains of a small fortification of the 11th century which was transformed into its own Alcazaba . It was equipped with a double enclosure: an external one in a way of Barbacane and another interior reinforced by high towers where a Castrense neighborhood was established with houses, bathrooms and cisterns. Starting the alcazaba, the city’s wall fence developed by providing it with defensive towers, although some of them introduced the novelty of becoming palatine accommodation. Despite the character of these towers, the true Palatine nucleus was the so -called Cuarto Real Viejo of the Alhambra of which the buildings of Le Comares and the Leoni includes. Apart from these residential and protocol dresses, the city was equipped with a congregational mosque, bathrooms, neighborhood for the servants, royal cemetery and workshops. Among the main palatine nuclei, the first emerges on Mexuar (Maswar) or room where the Council of Ministers or Visir met. Its construction is due to Ismail I, and was then renovated by Muhammad V. Despite the great transformations, its rectangular room has four columns in the central part that support a lantern. Other rectangular stays are arranged around this square central space. Nasride capital North of the Mexuar is the courtyard of the Golden room . One of its sides is closed by a large facade called “de Comares” since it is monumental access to said palace. The Palazzo de Comares, built by Yusuf I and renovated by Muhammad V, owes its name to the Arabic term Qamrinki (O Qamariya ) which in the East is used to designate the colored windows. The large facade of Le Comares is located in the courtyard of the Cuarto Dorado. Following the tradition of the Eastern monarchs, he served as a setting for the monarch when he sat in front of them as he granted public hearings to his subjects. But, at the same time, the facade clearly developed its twofold destination, given that one of its doors served as access to the residential area while the other introduced into the courtyard of the building. This large rectangular courtyard, called “arrays” or “alberca”, is articulated around a longitudinal axis whose central part is occupied by a swimming pool. The two largest sides of the rectangle were occupied by four private accommodations, two on each side, for the four legitimate wives of the sultan. The minor sides, porches, welcomed: to the south the accommodation of the hereditary prince while in the north there was the residence of the sultan. The latter was a rectangular room, delimited by an alcova, known as the boat room (“Baraka”, “blessing”). A small corridor parallel to the room led, on the right to a small oratory while on the left a staircase brought to another room located in the throne room. In the mighty tower of Le Comares there was the hall of the throne or the ambassadors whose wood covering was interpreted as the seven skies of the Koranic paradise. In this room the monarch celebrated receptions and solemn acts.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Trasversally to this whole was the Palazzo dei Leoni, built by Muhammad V. of traditional form, it was considered the private residence of the monarch, although recently a function similar to the previous nucleus has been attributed to it. Thus, the Dos Hermanas room would be a Mexuar while the lookout of Lindaraja would be the throne room. Regardless of any of these possible functions, the whole is articulated around a cruise courtyard at the center of which is the source with twelve marble lions from a construction of the 11th century. The four sides of the lion’s patio are porch. The corresponding stays known with the names of: Sala dei Moc\u00e1rabes, the Abracedrajes and the kings open up in the axis of each of these. Nasride Spada (National Archaeological Museum of Spain) Therefore, the whole of the Alhambra and some other buildings such as the royal room of Santa Domenica and the Alc\u00e1zar Genil, both in Granada, the traces of the city of Ronda and the numerous castles allow to establish the general sign of art nasride that does not is that the synthesis of Ispano-Musulmana art. Table of ContentsMilitary architecture [ change | Modifica Wikitesto ] Religious architecture [ change | Modifica Wikitesto ] Civil architecture [ change | Modifica Wikitesto ] Ornaments [ change | Modifica Wikitesto ] Arti decorative [ change | Modifica Wikitesto ] Other forms of art [ change | Modifica Wikitesto ] Military architecture [ change | Modifica Wikitesto ] Military architecture developed the systems generated in the previous era by providing them with greater complexity. Palatine architecture uses two types of organization of courtyards whose precedents are traced to Madinat al-Zahra. It is the mono -media courtyard, an array or alberca courtyard, and the cruise courtyard, the lion’s patio. The stays correspond again to two types: an elongated with extremes used as alcove, and another square surrounded by rooms. Example the Sala della Boat and the Sala de Las Dos Hermanas. Religious architecture [ change | Modifica Wikitesto ] The scarce traces of religious architecture allow you to think of mosques that followed the Almoade model with naves perpendicular to the qibla wall. The only novelty came of the fact of using marble columns when the building had some relevance. As regards the ornamental repertoire, a decorative profusion was used that masked the poverty of the materials used, from the cloaks tiled to the stucco plasters up to the pictorial decoration, such as the one kept in the vault of the Room of the Kings. The characteristic is the cylindrical tree column. Civil architecture [ change | Modifica Wikitesto ] As for civil architecture in Granada there is the testimony of two buildings: the we have fun and the Maristan . The we have fun , called today “Corral del Carb\u00f3n”, was a kind of hotel or Posada intended for the accommodation of foreign merchants and their merchandise, which sometimes specialized in a given product. The Maristan or hospital, then associated with the asylum, was built by Muhammad V and demolished in 1843. Both buildings had a quadrangular structure on two floors around a courtyard with swimming pool. Ornaments [ change | Modifica Wikitesto ] Vase Alhambra type (M.A.N., Madrid) As regards the ornamental repertoire, a profusion of decorative elements was used to disguise the poverty of the materials used. Characteristic of the room of the kings The cylindrical column and the two -bodies capital: one cylindrical decorated with ribbons and another cubic. The favorite arches are semicircular with bands and angles. The wooden roofs sometimes alternate a Moguz In stucco, such as those of the Sala de Las Dos Hermanas or the Sala de Los Abcerencerajes. In the same way, to the usual ornamental, geometric, vegetable and epigraphic motifs, the coat of arms of the tapes is added which will be generalized by Muhammad V. Arti decorative [ change | Modifica Wikitesto ] Similar to the architectural splendor is that acquired by the Suntuaria arts, highlighting the ceramics with metal reflections and the silk fabrics to which bronzes, inlays and weapons can be added. The luxury ceramics, known as “metal reflex” or “golden terracotta”, are characterized by submitting their last cooking to a low fire of oxygen and at a lower temperature. With this procedure, the mixture of silver sulphide and copper used in the decoration came to oxidation producing metal glitter. Cobalt oxide was frequently added that gave rise to a series in blue and golden. With this technique the famous “glasses” or Vases of the Alhambra were made. The tissues, on their part, constitute the last stage of the splendor of the Andalusian silk tissues which will be replaced by the clumsy velvets. They are characterized by their intense colors and the use of reasons identical to those used in architectural decoration. Other forms of art [ change | Modifica Wikitesto ] From the mid -twentieth century [first] Hidden of artifacts in the ambassadors of the Palazzo de Le Comares of the Alhambra, in parts accessible only to the nasrid craftsmen who had participated in the construction. In subsequent restorations of the Mirador of Lindaraja, in the early 21st century, the existence of 80 hidden polychrome designs was documented, made by the craftsmen who had worked on the decoration of the palace. Further and subsequent works showed the existence of multiple drawings, in the temple west of the lion’s patio, understanding, both groups of drawings, human representations “which is forbidden by Islam!” [2] . Starting the nineteenth century, with the revival, Renaissance or “neo” movements, the neo -Soorque arose, which agglute all the Muslim limbs, including the tie, where plaster, tiles are copied, tiles, Moguz And above all, the columns, as we see in the Alhambra palace, the Casino di Murcia, the Kiosco Morisco, the large synagogue of Budapest, the new synagogue of Berlin or the house of crystals.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/nasride-art-wikipedia\/#breadcrumbitem","name":"Nasride art – Wikipedia"}}]}]