Toreutique — Wikipedia

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A wikipedia article, free l’encyclopéi.

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The torus is the art of working metal metal hammering (gold and silver mainly [ first ] , [ 2 ] ) or by engraving, ranging from the simple curvature of the metal to the inscription of detailed patterns engraved or in relief in the chosen metal. This work is done by the use of various tools such as the mass, the hammer, chisels with a bevel retraction or the chisel. We can therefore tend to bring it closer to the goldsmithery.
Toreutics have existed since high antiquity [ 3 ] . It is attested at the Bronze Age and flowered in Mesopotamia and Persia [ 4 ] , although the term was only invented in XIX It is century.

Contemporary masters of Persian torus [ modifier | Modifier and code ]

The work of Master Ibrahim Latkhafi.

The work of Master Bahram Elyasi.
  • Master Bahram Elyasi, who is unique in his work and who has works of art and first-rate masterpieces worldwide, is an Ispahani style engraver. He was called the Farshchian engraver by Bahram Elyasi. A work from the Saadabad collection, a work from the collection of the Tehran Contemporary Art Museum, a work at the War Museum, a work at the Islamic Conference Museum and two of the works called “Polo” are kept at the Museum of Utah state in America.
  • Master Ali Rahimi was one of the famous masters of engraving and has a new style. (His special engraving work includes 10 to 15 different professional characters, linked to a historical period. Chaque character came with his own unique clothes and accessories. As well as images of trees, flowers and chickens in the field of work , hammered on the spherical and the conical surfaces of copper and silver objects. Finally, he died in 1372 and was buried in (Garden Rezvan) in Ispahan.
  • Master Ebrahim Latkhafi was one of the famous and eminent masters of calligraphy and astrolabe in Ispahan, who died on March 20, 2012 and buried in the Artists from the Rezvan Garden in Ispahan.

The Man is the land of the gram of the Bahram El ladiya [ modifier | Modifier and code ]

Bahram Elyasi was born in 1956 in Shahrekord, Iran. It is a leading Iranian calligraph. He painted and miniature on metal surfaces at the age of 15, he started working in the field of engraving with teachers such as Shah Mirza and Reza Gohari Mehr. The result was several major sustainable works until 1398 Ah. Elyasi achieves miniatures with metal brushes on copper, which is unique in its kind. Certains miniature models of the works of Elyasi were created by him and others with the collaboration of Abbas Rostamian .In his works, Elyasi highlights more than anything else the figures and organs in the form of historical facts and various Islamo-Iranian events. Mastery exhibitions abroad include: two in the United Kingdom, one in Switzerland and several in Dubai and on the outskirts of Iran, after which they received various distinctions, and national museums in Iran bought some of their works. The dervishes are at the Saadabad palace and another at the Islamic Conference Museum.

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Work of Persian poets by Master Elyasi [ modifier | Modifier and code ]

Le travail de Maître Elyasi

Master Elyasi’s work

Elyasi, in order to revive the names of educated personalities such as famous Iranian poets and scientists in the context of his art, began to create several different works called “celebrities” in 1992. His first work was completed two years Later, and the construction of his second painting of celebrities, which includes more than 40 different characters and mainly refers to reading poetry and divination among the Iranians, measuring 1 meter long and 70 centimeters wide, was completed in 2006. Received. Five years later, in 2011, she was recognized as the best eastern work of the year during the annual auction Art Fair in Vienna. Also, his first celebrity painting was unveiled for the first time in the 26th craft exhibition, and he announced that he had worked for this work for two years and eight hours a day. This work measures 2 meters and 40 centimeters long and 1 meter 40 centimeters wide. It is made of copper and covered with tin, which includes the figures of Abu Ali Sina, Rumi, Saadi, Khayyam and Ferdowsi. According to Eliassy, ​​this table has five parts. On the right, if you look at the painting, it starts with the image of a hunting ground and ends with the image of a potter after the play of Polo and life in the form of an ellipse, which is a metaphor of the end of life. It’s gray. In the middle of the table, an image of dervishes and dora is engraved around poems of poets.

Buds of the prophets of Bahram Elyasi [ modifier | Modifier and code ]

The new work of the artist Ispahani Maître Bahram Elyasi appointed Ghancheh Anbia was officially unveiled during the 32nd national exhibition of Iranian crafts in Tehran in the presence of Dr. Ali Asghar Monsan, Minister of Cultural Heritage, Tourism and the Arts and crafts. The height of 2 meters and 70 centimeters was created continuously for four years and was prepared in three stages of design, volume manufacturing and engraving. And solidarity between religions and the message common to all divine prophets.

Master Ali Rahimi [ modifier | Modifier and code ]

Master Ebrahim Latkhafi [ modifier | Modifier and code ]

Europe you north [ modifier | Modifier and code ]

THE golden guys are among the oldest torus in northern Europe. The first copies discovered date from the Nordic Iron Age [ 5 ] .

Balkans [ modifier | Modifier and code ]

During archaeological excavations, several torus objects were found in this geographic area, especially in Thrace [ 6 ] .

We can, among other things, count Thracious ornaments dating from the 5th century BC, Discovered in the Davali necropolis [ 6 ] , [ 7 ] .

On other Wikimedia projects:

  1. Aesthetics: Lectures on Fine Art Volume II (Aesthetics) G. W. F. Hegel and T. M. Knox (1998) p. 161
  2. How to Understand Sculpture by Margaret Thomas, Kessinger Publishing, 2005, p. 25
  3. Margaret Thomas, How to Understand Sculpture , Kessinger Publishing, 2005, p. 25-26
  4. I. gershevitch, The Cambridge History of Iran (1985) p. 154
  5. Grégory Cattaneo, GullGubber: the mysterious golden amulets of Scandinavia of the age of migration » , on Academia ,
  6. a et b Liuba Ognenova, « Observations on the Thracians and Illyrian ornaments from the 5th to the 3rd century. av. not. e », First colloquium of Illyrian Studies (Tirana September 15-20, 1972) , ( read online )
  7. Milena Tonkova et Petia Penkova, « Gold ornaments of the Thrace de Duvanli necropolis from the 5th century BC. AD: the case of the Kukova mound », Archeosciences , ( read online )

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