[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/virgin-at-the-chardonneret-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/virgin-at-the-chardonneret-wikipedia\/","headline":"Virgin at the Chardonneret – Wikipedia","name":"Virgin at the Chardonneret – Wikipedia","description":"before-content-x4 A wikipedia article, free l’encyclop\u00e9i. after-content-x4 The Virgin at the Chardonneret is a recurring theme of Christian iconography, which","datePublished":"2018-10-11","dateModified":"2018-10-11","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/c\/c5\/Madonna_del_cardellino_dopo_il_restauro.jpg\/300px-Madonna_del_cardellino_dopo_il_restauro.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/c\/c5\/Madonna_del_cardellino_dopo_il_restauro.jpg\/300px-Madonna_del_cardellino_dopo_il_restauro.jpg","height":"419","width":"300"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/virgin-at-the-chardonneret-wikipedia\/","wordCount":6362,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4A wikipedia article, free l’encyclop\u00e9i.         (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4The Virgin at the Chardonneret is a recurring theme of Christian iconography, which appeared in French Gothic statuary XIII It is century [ first ] , and which has experienced an immense fortune in the Italian painting of Trecento and the Renaissance. Its most frequent representation constitutes in a variation of the traditional motif of the Virgin and Child: Jesus, seated on the lap of Mary, holds in one of his hands an elegant throat ( Carduelis carduelis ), recognizable by his cheeks and at the top of his scarlet red skull.        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4The Chardonneret generally announces symbolically the future sacrifice of Christ during the passion [ 2 ] : the thorny thistle which he feeds, and which reads transparently in his name – at least in Latin, in Italian ( goldfinch ) and in French – indeed evokes the crown of thorns, while the red spots of his head refer to the shed blood. No less than 486 devotion works, 254 different artists, including 214 Italians [ 3 ] , are known for having taken up this pattern. The most famous of them is probably The Virgin with the goldfinch From Rapha\u00ebl (Florence, Offices Museum), whose catering was completed in 2008.   Table of Contents       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4In French statuary [ modifier | Modifier and code ] In Italian painting of Trecento [ modifier | Modifier and code ] And Europe Central [ modifier | Modifier and code ] In Germanic painting, international Gothic at the Renaissance [ modifier | Modifier and code ] In Italian painting of late Gothic and the Renaissance [ modifier | Modifier and code ] After the Renaissance [ modifier | Modifier and code ] See as well [ modifier | Modifier and code ] Bibliography [ modifier | Modifier and code ] Related articles [ modifier | Modifier and code ] external links [ modifier | Modifier and code ] In French statuary [ modifier | Modifier and code ] The theme of Virgin at the Chardonneret would come from French Gothic sculpture. In Italian painting of Trecento [ modifier | Modifier and code ] The theme is then established in the Italian painting of Trecento. And Europe Central [ modifier | Modifier and code ] It spreads in the territory of Central Europe. Title Year Dimensions (cm) Technique Conservation place Would Pays Illus. Madone de Vivan ( de Veve\u0159\u00ed ) [ twelfth ] before 1350   Sainte-Agn\u00e8s convent, national gallery Prague Czech Republic  Madone de fears [ 13 ] , [ 14 ] Around 1340 94 \u00d7 84 Tempera and gilding on maple panel Pinacot\u00e8que du Monastery de Strahov Prague Czech Republic  Madone de Zbraslav  Around 1350 89 \u00d7 60  Sainte-Agn\u00e8s convent, national gallery Prague Czech Republic  Madone you must ( Madonna ) [ 15 ] before 1350   Saint-Agn\u00e8s convent, national gallery Prague Czech Republic  Virgin and child , said Madone at Chardonneret [ 16 ] around 1450 67 \u00d7 57.5 Wood, gilding and semi-precious stretch Parish church of the very holy Virgin D\u0119be (because of kalisz) Pologs  Madone said from Rome  Around 1450-1460   Saint-Agn\u00e8s convent, national gallery Prague Czech Republic  In Germanic painting, international Gothic at the Renaissance [ modifier | Modifier and code ] Bird representations accompany Virgins in the garden enclosed in Germanic painting. The goldfinch is then accompanied by other species. In Italian painting of late Gothic and the Renaissance [ modifier | Modifier and code ] Artist Title Year Dimensions (cm) Technique Museum Would Pays Illus. Biagio by Antonio Tucci Virgin and child with angels and saints [ 18 ] first re half of XV It is century   Hermitage Museum Saint PETERSBOURG Russia  Pseudo Pier Francesco Fiorentino Virgin and child with a goldfinch [ 19 ] 2 It is half of XV It is century 68 \u00d7 50 Tempera on wooden panel private collection    Francesco D’Antonio da Viterbo Our Lady of the Carnellino [ 20 ]    civic Museum Viterbe Italy  Anonymous Virgin and child with a goldfinch  around 1450 77 \u00d7 51 Tempera on wooden panel private collection    Between Filippo Lippi Adoration with Saint John the Baptist Child and Saint Bernard [ 21 ] Around 1459 129.5 \u00d7 118.5  Painting gallery Berlin Germany  Master of the Nativity of Castello The Virgin and the Children with the goldfinch [ 22 ] Around 1455-1460 79.5 \u00d7 50.7 oil paint, or templera on poplar panel Louvre Museum Paris France  Master of the Nativity of Castello The Virgin and the Child [ 23 ] around 1460 58.5 \u00d7 37 Starter and gold on wooden panel Museum of Fine Arts Montreal Canada  Master of the Nativity of Castello (allocated to) The Virgin and the Children with the goldfinch  second half of XV It is century 61 \u00d7 44,7 Starter and gold on wooden panel Tessing Museum Le Mans France  Liberal from Verona Our Lady of the Carnellino [ 24 ] 2 It is half of XV It is century  sign Mus\u00e9e de Castelvecchio Verona Italy  Piero della Francesca The Nativity [ 25 ] Around 1460-1475 124 \u00d7 123 Tempera and gold on wood National Gallery London United Kingdom  P\u00e9rugin or Painting (attribute to) Our Lady of the Carnellino [ 26 ] Fine you XV It is century round oil on canvas Saint John parish Cantiano Italy  Ercole de ‘Roberti The Virgin and the Child surrounded by saints and the Blessed Peter Damien [ 27 ] 1481 323 \u00d7 240  Pinacot\u00e8que de Brera Milan Italy  Carlo Crivelli Virgin and child [ 28 ] around 1480 36.5 \u00d7 23.5 Tempera and gold on wood Metropolitan Museum of Art New York UNITED STATES  Crynni antonio brenfaffio [ 29 ] Madone Litta  Around 1490 42 \u00d7 33 Transposed wood stretch on canvas Hermitage Museum Saint PETERSBOURG Russia  Raphael La Madone Solly  Between 1500 and 1504 52 \u00d7 38 oil on wood Painting gallery Berlin Germany  Raphael Saint John the Baptist, the Blessed Virgin and Jesus Child it The Virgin with the goldfinch [ 30 ] Between 1505 and 1506 107 \u00d7 77 oil on wood Office Gallery Florence Italy  Alvise Vivarini Virgin adored the sleeping Jesus Jesus in the throat  around 1500 first  Redeemer church Venice Italy  Michelangelo Tondo Taddei  Between 1504 and 1507 106.8 (diameter) marble bas-relief Royal Academy of Arts London United Kingdom  Lorenzo Costa Virgin and child holding a throat [ thirty first ] Fine you XV It is century-beginning of XVI It is century 39 \u00d7 30.5 Wooden panel oil private collection    Ludovico Brea Polyptych [ 32 ]        Ludovico Brea Polyptych [ 33 ] Between 1520 and 1523 248 \u00d7 210  Saint-Pierre collegiate Six-Fours France  Michele Cavaro Our Lady of the Carnellino [ 34 ] Between 1549 and 1567 173 \u00d7 120  Bonaria Notre-Dame Basilica [ 35 ] Cagliari Italy  After the Renaissance [ modifier | Modifier and code ] See as well [ modifier | Modifier and code ] The \u00c9glise de la Madonna del Cardellino (Madone au Chardonneret), Borgo San Lorenzo, Italie. Bust of the child Jesus playing with a bird, XIV It is century. R\u00e9table de Grabow, 1375-1383. \u2191 (pl) Micha\u0142 Walicki, \u00abOn the issues of the Painting of the Wielkopolska Painting of the mid-15th century (1440-1475)\u00bb, Dans Id. , Gold , Warsaw, 1965, p. 73, quoted by Anna Maria Migdal, Regina celi images of the Virgin and the worship of relics , Doctoral thesis, Lyon-II University, 2010, p. 173  \u2191 Cartel of the Master of the Nativity of Castello, The Virgin and the Children with the goldfinch . Notice n O 1202 , Atlas base, Louvre museum  \u2191 (in) Herbert Friedmann, The symbolic goldfinch , 1946  \u2191 Around the exhibition “Virgins \u00e0 l’Enfant”  \u2191 Cartel on the website of the Ministry of Culture  \u2191 Dampierre-Saint-Nicolas Source\u00a0: [first]  \u2191 Cartel on the website of the Ministry of Culture  \u2191 Cartel of the work on joconde base  \u2191 The work on joconde base  \u2191 The work on joconde base  \u2191 The work on the Museum official website  \u2191 Reproduction on Flickr.fr  \u2191 Reproduction on the Strahov cloister site  \u2191 (in) Barbara Drake Boehm, Jiri Fajt, Prague\u00a0: The Crown of Bohemia, 1347-1437 , 2005, Yale University Press, p.170-171 (cat. 37) read online . Page consulted on February 25, 2013  \u2191 Reproduction on Flickr.fr  \u2191 Madone at Chardonneret  \u2191 Cartel and Reproduction on the site of the RMN photographic agency  \u2191 The work visible on Flickr.com  \u2191 Pseudo Pier Francesco Fiorentino  \u2191 Brochure du civic museum , p. 27  \u2191 http:\/\/cetadnet.cef.fr\/meditation_saint-bernard.html  \u2191 Notice n O 1202 , Atlas base, Louvre museum  \u2191 “Tables recently acquired by the Montreal Museum of Fine Arts” , The Tribune of Art , April 17, 2008  \u2191 The work on wga.com  \u2191 The table on the National Gallery National website  \u2191 The table on the Saint Jean de Cantiano parish site  \u2191 This vast composition, intended for the Santa-Maria-In-Porto church in Ravenna, is a Sacred conversation . The Virgin and the Child appear on a throne between Saint Anne, mother of Mary, and Saint Elisabeth, mother of Saint John the Baptist. The characters are placed in front of a Small temple In Baldaquin, adorned with panels representing various evangelical scenes relating to the childhood of Christ. On the left, entirely dressed in red, Saint Anne offers the child Jesus a goldfinch (symbol of passion) while at the right, Saint Elisabeth is kneeling. Below, we can see the Bishop Saint Augustine on the left, the greatest theologian in the Catholic Church, and on the right, Blessed Peter Damien.  \u2191 The table on the Metropolitan Museum of Art  \u2191 According to a preparatory drawing by Leonardo da Vinci  \u2191 The parish church Sainte-Foy de Sainte-Foy-Saint-Sulpice has a copy of the table of Rapha\u00ebl, carried out in 1893. See the cartel on the Palissy base  \u2191 Cartel of the work on artnet.fr  \u2191 [2]  \u2191 We find Saint John the Baptist, dressed in Beast Skin, Saint-Pierre, the Virgin and the Child playing with a Chardonneret, Saint Honorat, Saint Beno\u00eet, then Christ between Saint Martin, Saint Victor, Saint S\u00e9bastien and Saint Marguerite  \u2191 The work on the Sardegnadigallibrary site  \u2191 Painting located in the third chapel to the right of the basilica  \u2191 Statuette visible on Flickr.com  \u2191 The table on the National Gallery National website  \u2191 Tajan catalog , sale of October 25, 2002, n O 113  \u2191 Latribunedelart.com: The Virgin and Child in Throbbed on a Cherry  \u2191 Formerly in the J.S. Johnson collection, after being presented at the Heim gallery in London during the summer of 1974  \u2191 [3]  \u2191 Complete notice on the joconde base  \u2191 Cartel of the work on the Site Officiel de la Nga  Bibliography [ modifier | Modifier and code ] Anna Maria Almond , Regina celi images of the Virgin and the cult of relics: Polish reliquary paintings in medieval times , Lumi\u00e8re Lyon 2 University, coll. “Doctoral thesis of languages, history and civilization of ancient worlds”, 2010 ( read online ) , F. The Virgin in the goldfinch (in) Herbert Friedmann , The symbolic goldfinch\u00a0: Its history and significance in European devotional art , New York, Pantheon Books, coll. \u00a0\u00ab\u00a0The Bollingen Series, VII\u00a0\u00bb, 1946 , 254 p.  (ISBN\u00a0 978-0-691-09830-2-2 ) Related articles [ modifier | Modifier and code ] external links [ modifier | Modifier and code ]        (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki32\/virgin-at-the-chardonneret-wikipedia\/#breadcrumbitem","name":"Virgin at the Chardonneret – Wikipedia"}}]}]