[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/antonio-cifrondi-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/antonio-cifrondi-wikipedia\/","headline":"Antonio Cifrondi – Wikipedia","name":"Antonio Cifrondi – Wikipedia","description":"Antonio Cifrondi Antonio Cifrondi , also mentioned as Anthony Zifrondi (Clusone, 11 June 1656 – Brescia, 31 October 1730), was","datePublished":"2017-07-29","dateModified":"2017-07-29","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/7\/73\/ACifrondi_autoritratto.JPG\/220px-ACifrondi_autoritratto.JPG","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/7\/73\/ACifrondi_autoritratto.JPG\/220px-ACifrondi_autoritratto.JPG","height":"289","width":"220"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/antonio-cifrondi-wikipedia\/","wordCount":2840,"articleBody":"Antonio Cifrondi Antonio Cifrondi , also mentioned as Anthony Zifrondi (Clusone, 11 June 1656 – Brescia, 31 October 1730), was an Italian painter. Universal flood (from Pietro Liberi) 1690 ca., private collection Born in 1656 in Clusone, in Val Seriana in the province of Bergamo, he painted a large number of works alternating the sacred to the profane, with a late Baroque style. First -born son of Carlo, Edile and Elisabetta Spinelli, [first] He demonstrated a marked propensity for drawing and fine arts since the early years, so much so that writings of the time they quote that “[…] He showed since the boy spirit and very great ingenuity and all the day he was snapped figures now on the walls now on the cards […]” ( Francesco Tassi – 1793 ) It was started in the pictorial arts by a local artist, such by the Negro who, however, because of his limits, proved to be inadequate for the growth of the boy. The qualitative leap took place in 1671, when, thanks to the flavor of a scholarship (paid by the Fanzago Foundation), he was able to move, little more than fifteen years old, to Bologna. According to the sources, in the Emilian capital he attended Marcantonio Franceschini’s shop, but more likely his main references were masters such as Annibale Carracci, Guido Reni, Guercino. .After a few years he matured his intention of traveling in order to increase his wealth of experience. He visited Rome and Venice. Accompanied by his brother Ventura, his helper and aspiring painter, on the road to reach the French capital spent some time in the cities of Turin, where he carried out some orders of which there is nothing left, and of Grenoble, in which he performed some paintings with a religious background at The great Chartreuse. The French stay, he had to prove profitable. According to some testimonies, the painter carried out several works that brought him great admiration. By attending the Parisian court he had the opportunity to establish a relationship of mutual esteem with the Duke of Harcourt, his patron, and with the painter Charles Le Brun. However, there is no certain documentation of this stay in France.A little more than thirty years old, he returned to his native Clusone, where he began to perform a large number of works throughout the Bergamo area, most of religious background, the first of which there is a certain documentation. At this period the two are given Photos a the Gallery of the Tadini Academy, in one of which must be recognized Self -portrait, in the other (perhaps) that of his brother Ventura. The acquired fame allowed him to obtain an increasing number of orders, so much so that he must move his residence several times in order to always be present on the site. From about 1701 he was a guest of the convent of Santo Spirito di Bergamo, returning with the execution of a large amount of paintings (about fifty), from the church to the rooms of the convent itself. His stay lasted ten years, after which he moved to different places, depending on the request. Among the numerous changes of significant residence is the period in which he stayed in Rosciate, where from 1712 to 1716 he adorned Villa Zanchi with frescoes and works of great thickness.His pilgrimage led him to spend the last years of his life in the city of Brescia, where he died in 1730, at the age of 74. He was buried in the local church of the saints Faustino and Giovita, even if today there is no trace of his remains. Passage on the Red Sea , church of San Giorgio, Nese of Alzano Lombardo, Bergamo Scenes of the Passion of Christ (sacristies of the Basilica of San Martino, Alzano Lombardo) His works are placed in the different areas of sacred, historical, gender and portraiture painting. A peculiarity of his modus operandi was the speed of execution, made possible thanks to the naturalness and ease with which he performed the works. This allowed him the execution of a large number of paintings, scattered in the provinces of Bergamo and Brescia. The first works that document Cifrondi’s activity date back to the year 1687 with the altarpiece of the Sanctuary of the Madonna del Frassino di Oneta. Of 1689 are works such as: the Escape to Egypt and the Transit of St. Joseph , placed in the church of Cerete. From that moment it is a succession of orders in the Bergamo area: in the last decade of the seventeenth century noteworthy are the Fall of Simon Mago (1691) in Trescore Balneario, but above all the frescoes of the ceilings of the sacristies of Alzano Lombardo depicting the Scenes of the Passion of Christ , during whose execution he had the opportunity to confront and tighten friendship with other Bergamo artists, including Andrea Fantoni. Works of that period are reported in the parish church of Cenate above (the Meeting of Leone and Attila It is All Saints ); of Cerete (the Pentecost , l’ Adoration of the Magi and the Martyrdom of San Vincenzo ); of Novezio fraction of Cerete ( the Annunciation It is Sant’Anna with the Virgin girl ); of ninth of Vilminore (the Nativity of the Virgin ) and Sant’Alessandro della Croce in Bergamo (Martyrdom of Sant’Alessandro); The “Emmaus dinner” of Cortenuova. At the beginning of the eighteenth century he worked in the convent of Santo Spirito, located in the Orobic capital where, in change of hospitality, he completed more than fifty paintings. Of these only five hosted in the counter -faces of the church, including the four evangelists while the others have been brought to other places, including the sanctuary of the Blessed Virgin of the fields in Stezzano. At those years the Last Supper (1701), kept in the parish church of Nese, the decoration of the ceiling of the basilica of Clusone and the San Sebastiano commissioned for the church of Sant’Agostino in Piacenza. The artist performed six large canvases for the church of San Giacomo di Gromo, exhibited on the sides of the presbytery in stucco frames depicting the martyrdom of the two saints owners: San Giacomo and San Vincenzo. [2] The painter reached a remarkable notoriety, so much so that it becomes among the most requested in the area.His fame grew further with the execution of numerous works in the Villa Zanchi by Rosciate: this was enriched with numerous cycles of paintings concerning mythological, historical scenes, but also portraits and sacred images. In the second half of the twentieth century, these works began a diaspora that brought them to different places. During the last years of his life, the works in the Chiese of Brescia are significant, where he moved, guest of the Bargnani family first, and the convent of San Faustino then. One preserves a Deposition .Clusone preserves 32 works by the artist, some placed in the churches, others in private and public collections [3] . Fundamental contributions to the knowledge of the painter are the catalog of the exhibition set up taken by the Art Tempo Museum of Clusone (15 April-3 September 2023) with Essays and Cards by Enrico De Pascale, Francesco Nezosi, Federica Nurchis, Luca Brignoli and Angelo Loda and the Cifterdian itinerary set up by the Municipality of Clusone which reports the presence of all the works of the author that can be visited in the localities of the Val Seriana, Lovere, Bergamo and Brescia. ^  Paolo Dal Poggetto, The Bergamo painters from the XIII nineteenth century, the eighteenth century i , Polygraphics Bolis Bergamo, 1982, p. 359-365.  ^  Parish of Gromo, The Church of Gromo, Fede Arte History , List of graphic institute, 2004.  ^  Nicola Morali Tita Terzi, Cluson , Ferrari Edizioni, 1975, p. 90.  Bortolo Belotti, The excellent Bergamo, first volume , 1978 Luciano Rags, Antonio Cifrondi in Brescia and young Ceruti , 1982 Domenico Sedini, Antonio Cifrondi , online catalog Artgate  Filed On May 16, 2016 in the Internet Archive. of the Cariplo Foundation, 2010, CC-BY-SA. Paolo Dal Poggetto, The Bergamo painters from the XIII nineteenth century, the eighteenth century i , Polygraphics Bolis Bergamo, 1982, p. 359-365. Enrico de Pascale, Painting and truth. The human comedy in the art of Antonio Cifrondi , Quaderni del Mat, Arte Tempo Museum, Clusone 2009 Marco Bombardieri, On the beginning of Antonio Cifrondi to Cenate below , The Bergamo magazine, September 2019, p. 36-41. Enrico De Pascale, Luca Brignoli (edited by), Antonio Cifrondi “Fantastic Pittor” , exhibition catalog, Clusone, Mat, April 15 – September 3, 2023, Lubrina Bramani Editore, Bergamo 2023  Encryption, Antonio . are TRECCANI.IT – encyclopedia online , Institute of the Italian Encyclopedia.   Cifr\u00f3ni, Ant\u00f3nio . are sape.it , De Agostini.  Paolo Dal Poggetto, Cifrondi, Antonio , in Biographical Dictionary of Italians , vol. 25, Institute of the Italian Encyclopedia, 1981.  ( IN ) Works by Antonio Cifrondi . are Open Library , Internet Archive.  "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/antonio-cifrondi-wikipedia\/#breadcrumbitem","name":"Antonio Cifrondi – Wikipedia"}}]}]