[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/song-jaehak-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/song-jaehak-wikipedia\/","headline":"Song Jaehak – Wikipedia","name":"Song Jaehak – Wikipedia","description":"From Wikipedia, the free encyclopedia South Korean poet and dentist Song Jaehak (the romanization preferred by the author according to","datePublished":"2017-10-01","dateModified":"2017-10-01","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/song-jaehak-wikipedia\/","wordCount":1220,"articleBody":"From Wikipedia, the free encyclopedia South Korean poet and dentist Song Jaehak (the romanization preferred by the author according to LTI Korea [first] ) (Hangul \uc1a1\uc7ac\ud559; born 1955) is a South Korean poet and dentist. [2]   Song Jaehak was born in Yeongcheon, South Korea in 1955. He studied dentistry at Kyungpook National University and currently works as a dentist in the city of Daegu. He began writing in his teens when he joined a literary club at his middle school and high school. He continued to write and debuted as a poet when the journal World Literature published his poem Eodueun naljjareul seeoseo (Through the dark date, Brushing Past the Dark Days) in 1986. [3] Song’s poetry was noted for its emphasis on thought over sentiment. It combined clinical observations of objects and the world with the subjectivity of imagination. [4] He published his first poetry collection Eoreum sijip (\uc5bc\uc74c\uc2dc\uc9d1 Ice Poetry Collection) in 1988, followed by PuneBitGwa SSauda (Fighting Blue Light Fighting Blue Light) in 1994, A bag than aae ulgun Manjine (He touches my face He’s touching my face) in 1997, Giekdeul (Memories) in 2001, Jinheukeolgul (Mud Face MUD FACE) in 2005, Naeganchereul eotda (\ub0b4\uac04\uccb4\ub97c \uc5bb\ub2e4 I’ve Acquired the Language of Women) in 2011, Naljjadeul (Date Dates) in 2013, and Geomeunsaek (\uac80\uc740\uc0c9 Black) in 2015. He is the winner of several accolades, including the Kim Daljin Literature Prize, Pyeon-un Literature Award, and Jeon Bonggeon Literary Award. [5] Writing [ edit ] Song’s poetry is known for appealing to the senses, especially by use of imagery and color. [6] Eoreum sijip (\uc5bc\uc74c\uc2dc\uc9d1 Ice Poetry Collection) describes the anguish of worldly relationships and the process of overcoming it. [7] His subsequent poems are a continuation of that theme and explore the essence of life in a measured tone. Following his third poetry collection A bag than aae ulgun Manjine (\uadf8\uac00 \ub0b4 \uc5bc\uad74\uc744 \ub9cc\uc9c0\ub124 He’s Touching My Face), which offers a unique interpretation of color and a sympathetic portrayal of everyday life, Song begins to use more compact language to express his thoughts and intuitions. [8] The judges of the Yi Sang Poetry Award note that Song makes effective use of “synesthesia triggered by visual cues” and that “his symbols are not rhetoric but shed light on truth,” which is why his poetry can be said to “transcend the contradictions of Western modernism.” [9] In addition, literary critic Lee Gwang-ho observes that Song’s poetry brings together bodily senses with the beauty of landscapes, describing him as “a poet who finds passages of the body in images.” [ten] In his 2015 poetry collection, Geomeunsaek (\uac80\uc740\uc0c9 Black), Song probes the nature of the world through the color black, which he uses to represent death. [11] Poetry collections [ edit ] \u300eIce Poetry\u300f Ice Poetry Collection . Moonji, 1988.} \u300eSalesione House\u300f (World History, 1992) { Salesius’ House . SEGYESSA, 1992.} \u300eFight Blue\u300f (Literature and Land, 1994) Fighting Blue Light . Moonji, 1994.} \u300eHe touches my face\u300f (Minumsa, 1996) { He’s Touching My Face . Minumsa, 1996.} \u300eMemory\u300f (World History, 2001) { Memories . SEGYESSA, 2001.} \u300eMud Face\u300f (Central Literature, 2005) { Mud Face . Munye Joongang, 2005.} \u300eGet the Inner Body\u300f (Literary Dongne, 2011) { I’ve Acquired the Language of Women , Munhakdongne, 2011.} \u300eDate\u300f (lyric poetry, 2013) { Dates . Lyric Poetry and Poetics, 2013. } \u300eBlack Color\u300f Black . Moonji, 2015.} Essay collections [ edit ] \u300eThe Secret of Landscape\u300f (Random House Korea, 2006) { The Secret of Scenery . Random House Korea, 2006. } \u300eRoad of Life and Dream, Silk Road\u300f Silk Road: The Road of Life and Dreams . Achim Chaksang, 2013.} Works in Translation [twelfth] [ edit ] 1994: 5th Kim remote literature Prize 2010: 25th Sowol Poetry Award 2011: 25th Geumbok Culture Award (literature category) 2012: 5th Yi Sang Poetry Award 2014: 24th Pyeon-un Literature Award 2016: 2nd Jeon Bonggeon Literary Award. Further reading [ edit ] Kwon, Hyuk-woong, \uff62Sleeping or Dreaming in the World, Summer Summer, 1998. {Kwon, Hyeok-UNG. “HURTING or Dreaming in this World.” Lyric Poetry and Poetics , Summer 1998 Issue. } Lee Hye-won, the depth of sensation, the freedom of imagination, the open poetry, Summer, 2008. {Lee, Hye-Won. “” DEPTH OF SENSES, Freedom of Imagination.” Open Poetics , Summer 2008 Issue. } Song Jae-hak, Yoon Sung-taek, and \uff62\uff62 \uc628 \uc628 \uc628 \uc628 \uc628 \u300e\u300e Summer, 2008. {song, jae-hak and see-taek yun. “The Discord when lyricism intensifies and is about to explodes.” Open Poetics , Summer 2008 Issue. } Hong Yong-hee, \u300eBeing and Transcendence, Pyramid of Light\u300f, \u300eModern City’s Spirit and Sense\u300f, Millennium Beginning, 2010. {Hong, Yong-Hui. “Existence and Transcendence, that pyramid of light.” In The Spirit and Sense of Contemporary Poetry . Poem Sijak, 2010. } Journey, Echo of silent, the landscape of the wool, the poem and world winter, 2012. {Yeo, Jeong. “Silent Echoes: Landscapes of Cries (or the inability to Cry).” Poetry & World , Winter 2012 Issue. } References [ edit ]      "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/song-jaehak-wikipedia\/#breadcrumbitem","name":"Song Jaehak – Wikipedia"}}]}]