[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/castel-disma-wikipedia-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/castel-disma-wikipedia-wikipedia\/","headline":"Castel Disma – Wikipedia Wikipedia","name":"Castel Disma – Wikipedia Wikipedia","description":"The village of Ama The Ama Castle It is located in Ama, in the municipality of Gaiole in Chianti, in","datePublished":"2021-11-26","dateModified":"2021-11-26","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b3\/OBorgoElicottero2.jpg\/310px-OBorgoElicottero2.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b3\/OBorgoElicottero2.jpg\/310px-OBorgoElicottero2.jpg","height":"207","width":"310"},"url":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/castel-disma-wikipedia-wikipedia\/","wordCount":1508,"articleBody":"The village of Ama The Ama Castle It is located in Ama, in the municipality of Gaiole in Chianti, in the province of Siena. The toponym and the findings trace the settlement in the locality of Ama Ai Etruschi. The first mention of the place dates back to the 10th century, when a paper document recalls its donation (fictitious, linked only to creation a formal legal protection of the places) by the Marquis Ugo of Tuscany to the Badia of Poggio Marturi. On that occasion, he remembers a “farmhouse”, which meant a small fortified village equipped with an elegant residence, houses for servants and peasants, and a chapel. By the end of the twelfth century the village had to have transformed into a real castle, as evidenced by a document dated 13 December 1219, for the needs of controlling the border of the Florentine territory, between the fortifications of Lecchi and San Polo. This link with Florence, and not with Siena, was also reiterated by religious care, being the chapel under the diocese of Fiesole. In those years AMA was owned by the Cacchiano family, vassals of the Ricasoli: always in the document of 1219 the families are remembered for the sale of the castle at Badia di Coltibuono for 80 Sienese lire. The Firidolfi were later feudal lord and during the fifteenth century he was repeatedly attacked and also destroyed by the Aragonese, in the framework of the endless conflicts between Florentines and Sienese. The reconstruction of the fort only took place in peacetime, when Siena had now fallen into the hands of the doctors. Between the eighteenth and eighteenth centuries, now every military function was lost, the remains of the castle were adapted to form two villas, the Pianigiani and the Ricucci. In 1706 Valerio Pianigiani refounded the faces, dedicating it to the Madonna del Carmine. In those years he also strongly developing viticulture, so much so that in 1773 the Grand Duke Pietro Leopoldo, visiting Ama, sentenced, in his “report on the government of Tuscany”: “The vineyards of Ama are well exposed, sunny, all held well and as gardens: this part is the most fertile and the most renowned of Chianti” . Vineyard La Casuccia in November In 1863 Villa and Cappella passed to the noble Pietro Bonci Casucci, husband of the last Pianigiani heir, and in 1979 the complex was purchased by four families who ceded to the charm of the place, challenged the goal of bringing AMA back to the ancient glories. Sebasti, Tradico, Carini and Cavanna, these are the names of the four friends who started to create what to date is considered one of the most important companies in Italy, they committed, with investments and renovations, to return to the place the size it deserved . In September 1982, just close to the harvest, a young Florentine entertained as an oenologist: Marco Pallanti. Marco Pallanti was awarded the title of winemaker of the year in 2003 by the Gambero Rosso wines guidance. In 2004 the company received the business and culture prize, promoted by Confindustria, Ice, Development Italy and the Municipality of Palermo, for the “Best Curriculum of Investment in Culture” and a year later, in 2005, the company was declared the Better than the year. It was for two subsequent mandates, from 2006 to 2012, president of the Chianti Classico wine Consortium. In 2014 another important international prize came: the “San Lorenzo” wine 2010, with 95\/100 points, was elected sixth in the world in the Top100 by the well -known magazine Wine Spectator, decreeing it first among the Italian wines of that year. The facade of the eighteenth -century Villa Ricucci The terrace of Villa Pianigiani and “Il Ristoro” The complex consists of several aggregate buildings which, although arose in different eras, have in common the use of stone as a building material. The village, with its houses of medieval origin, develops along the axis of the main, almost protected street, to the two extremes from two villas. The main villa, already Ricucci, is the only one that has preserved almost unaltered the original eighteenth -century characters, while completely renewed in vaguely neoclassical forms is Villa Pianigiani. Villa Ricucci shows a front overlooking a garden and consisting of a seventeenth -century double staircase leading to the portal on the main floor; The sides open the symmetrical windows framed of stone and arranged on four axes, for a total of three levels including the ground. Below the scale, a second crooked portal leads to the service rooms that were on the ground floor. There was also a loggia, then hidden by a restoration. Of particular interest are the three small chapels, one named after the Holy Virgin of Carmine, at the Villa Pianigiani, the second, along the main street, dedicated to San Lorenzo and the third, named in San Venazio, in the garden of Villa Riccucci. The two chapels located in the gardens of the villas also host two situ installations by great artists of contemporary art: “Aima” by Anish Kapoor, in the chapel of Villa Pianigiani; “Confession of Zero” by Hiroshi Sugimoto, in that of Villa Ricucci. The garden on the south side is modest, with bosso hedges that create geometric flower beds, although enriched by a superb view of the Chianti countryside. In 1999, for the passion of Lorenza Sebasti and Marco Pallanti, the project “Castello di Ama for contemporary art” was inaugurated, with the support and friendship of the continuous gallery of San Gimignano. In addition to the aforementioned Kapoor and Sugimoto, Louise Bourgeois are present, with a job (“Topiary”) in a stone tank placed in the aging cellar of Villa Pianigiani; Michelangelo Pistoletto, who was the initiator of the project with his own “The Tree of Ama: multiplication and division of the mirror”; Kendell Geers, with “Revolution\/Love” placed, in the aging cellar, right in the face of the barrels containing “the apartment”; Giulio Paolini, with “paradigm”; Chen Zhen, who is represented by the posthumous work “La Lumi\u00e8re Int\u00e9rieur du Corps Humain” among the barriques of the cellar; Carlos Garaicoa, Cuban artist who represented the difficulty of political separation with his “Yo No Quiero Ver Mas a Mis Vecinos”; Daniel Buren, whose work “On the vineyards: points of view” has become the symbol image of the Castle of Ama; Nedko Solakov, who has revisited two rooms of the eighteenth -century Villa Ricucci through his lens with his “Amadoodles”; Cristina Iglesias, with her “Towards the Ground” installation immersed in nature; Ilya & Emilia Kabakov, with “The Observer”; Pascale Marthine Tayou, who brought the colors of his Cameroon with his “Le Chemin du Bonheur”. Ovid Guaita, The villas of Tuscany , Rome, New Compton Editori, 1997.  "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/all2en\/wiki42\/castel-disma-wikipedia-wikipedia\/#breadcrumbitem","name":"Castel Disma – Wikipedia Wikipedia"}}]}]