George Innes -Wikipedia

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George Ines
George Inness
George Inness.jpg

George Innes, 1890

birth ( 1825-05-01 ) May 1, 1825
アメリカ合衆国の旗United States New York
Dying August 3, 1894 (1894-08-03) (69 years old)
スコットランドの旗Scotland Bridge of Arran
Country of Citizenship アメリカ合衆国の旗united states of america
educate National Academy of Design
Notable achievements Landscape painting
Masterpiece Lacawana Valley, Autumn Oaks, Cats Kill Mountains, Monk, Etra, October, Mont Claire’s early autumn, forest day
Move and move Hudson River, Barbizon, Tonalism
Awarded 1889 Paris Expo Medal
Aid Ogden Hagati
Inspired
Artist 		Emanuel Saveden Boli

George Ines (English: George Inness, May 1, 1825 -August 3, 1894) is an American painter in the 19th century influenced by Hudson River, Barbizon, and Sweden Borg. Called “Father of American landscape painting” [first] [2] [3] 。

Youth [ edit ]

George Innes was born in New York, New York, as the fifth child of his 13 brothers, John William Ines and his mother, Clarissa Baldwin, in 1825. [4] When he was 5 years old, the family moved to New Arc, New Jersey [5] 。

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In 1839, he studied painting for several months under John Jesse Barker, a skeptical painter [4] After that, he worked as a plate of New York map among teens. Meanwhile, the French landscape painter Regis François Jinoo was the attention and he studied with him.

Ines also participated in a class of the National Academy of Design throughout the middle of the 1840s, studying Hudson River painter Thomas Call and Asher Brown Durand, and later, “If they can connect them. .. I will try it. ” [5] 。

In 1844, he exhibited his first work at an exhibition of the National Academy of Design and opened his atelier in New York in 1848. [4] 。 She married Delia Miller in 1849, but she died a few months later, married Elizabeth Abigail Heart the following year, and later had six children. [5] 。

Initial career [ edit ]

He traveled in Europe for the first time for the first time to study painting with the support of Ogden Hagati, a patron in 1851. In Rome, he was a painter, and he borrowed an atelier in a room above William Page, which introduced Swedenborg to artists, Claude Loran and Nicola Pssan. [4] I learned about the landscape painting.

I visited Paris on my second trip to Europe in the early 1850s, and was strongly influenced by the French Barbizon landscape paintings that emphasized “gentle brush, dark color tones, and atmosphere”, and soon after returning to Japan He became a leader, and further developed into his own painting. On January 5, 1854 during the trip, his son, George Innes, and a junior who later became a person/landscape painter in Paris were born.

In the mid -1850s, Ines was outsourced from the Delaware Racka and Western Railway (DLWRR) to record paintings to record the company’s progress in the early US industry.

It is one of his masterpieces in the work around 1855. Lacawana valley Is a work depicting DLWRR’s first circular garage in Scranton, Pennsylvania [6] This is a fusion of technology and unexploded nature landscapes in the canvas.

Eventually, Ines, who likes the idyllic and rural landscape, avoids the scenery of the industry, and deeply examines the fantastic landscape born from his visual memory inspired by a specific place. I started to produce many masterpieces drawn in the atelier [6] 。

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Mature period [ edit ]

Ines moved to Medfield, Massachusetts in 1860, and moved to Boston from 1862 to 1863, and later became a painter. Charles Dolmon Robinson Worked as an art teacher [7] 。

He moved to Eagleswood, New Jersey in 1864. In the spring of 1870, he moved to Rome, Italy, and went on a journey to Chibori, Alberano and Benis. [4] 。

In 1878, he returned to New York and set up an atelier in the New York University Building, participated in the Paris Expo in the same year, and published art criticism in New York IBning Post and Harper New Monsley Magazine. [4] 。

“Autumn Oaks” (1878, Metropolitan Museum of Art), which depicts the scenery of the native country, such as the scenery of the native country, “Cats Kill Mountains” (1870, the Chicago Museum of Art), especially Italy, especially Italy. In the “Monk” (1873, Adison Gallery Brewery) and “Etra” (Milwaukee Museum, Milwear Key Museum), which were inspired by the French landscape, the sky where the clouds were standing and the sky seemed to fall. Panoramic again Beautiful like a picture In addition to the tendency to draw landscape paintings, the composition, the accuracy of the drawings, and the emotional use of the color, Ines is positioned as the most successful landscape painter in the United States. [8] 。

Eventually, inz’s view of art, “Everything in nature is doing mutual communication with spiritual things, and receives a” inflow “from God because it is continuously exists.”・ The influence of Savedenbori’s theology is recognized. His thoughts also have the influence of Saveden Bolly’s followers William James. In particular, he is inspired by James’s idea of ​​”how to shake the viewpoint of people who face nature with the” awareness of thinking “as” the flow of thoughts “.

In 1884, a large -scale Ines’ retrospective exhibition hosted by the American Art Association (American Art Association) was praised by the United States with enthusiastic cheers. [4] 。 Furthermore, he received an international reputation at the Paris World Expo in 1889. [4] 。

Later years [ edit ]

After Ines settled in Mont Claire, New Jersey in 1885 [9] , Especially, “October”, a mysterious element such as “abstract form”, “soft edge” and “excessive color” that appeared in his art in the last 10 years of life (1886 , Los Angeles County Museum of Art), “Mont Claire’s First Autumn” in the sky and the earth with “profound and dramatic” (1888, Montertclia Museum of Art, “Mori no Ki no Enrollment” (1891, 1891, Kokoran Museum of Art) is characterized by [5] 。 However, these paintings are gradually distinguished from the same empathy called Luminist by gradually unique, continuous, and more intense. [5] 。 In a published interview, Ines states: “The true use of art is to foster the artist’s own spiritual nature.” [ten] However, his permanent interest in his spiritual and emotional consideration is scientific research on colors. [6] ,math [5] It did not eliminate studying structural approaches to composition and composition. “Poetry dignity is not obtained by the truth or escape from nature … Poetry is a real vision.” [6] 。

August 3, 1894 Ines died in Bridge of Arran, Scotland [4] , 69 years old. According to his son, he shouted, “My God! [5] 。

Ines’s funeral was sponsored by the National Academy of Design, and a commemorative exhibition was held in Fine Arts Building in New York.

gallery [ edit ]

  • 早朝のターポンスプリングス, 1892年, 油彩

    Early morning turban spring , 1892, oil color

  • 夏の風景, 1894年
  • メッドフィールドの楡の老木, 油彩

    Meadfield’s Yu no Kiwaki , Oil -colored

  • 森の池, 油彩
  1. ^ ” George Inness, the Famous American Tonalist Painter ”. August 11, 2012 Browsing.
  2. ^ ” Montclair Art Museum (MAM) Announces George Inness. Private Treasures ”. Montclair Art Museum. August 11, 2012 Browsing.
  3. ^ ” MAM and Adult School of Montclair – George Inness After Hours Tour ”. The Jersey Tomato Press. August 11, 2012 Browsing.
  4. ^ a b c d It is f g h i Roberts, Norma J., ed. (1988), The American Collections , Columbus Museum of Art, p. 6, ISBN 0-8109-1811-0 .
  5. ^ a b c d It is f g Bell, Adrienne Baxter (2003), George Inness and the Visionary Landscape , George Braziller, Inc., p. 151, ISBN 0-8076-1525-0 .
  6. ^ a b c d Cikovsky, Nicolai: George Inness , Harper & Row, Publishers, Inc., 1985. In Cikovsky’s estimation, ” This painting is undoubtably not only the finest of Inness’ early paintings; it is also one of the finest he ever painted.”
  7. ^ Harper, Franklin (1913). Who’s who on the Pacific Coast: a biographical compilation of notable living contemporaries west of the Rocky Mountains (Public domain ed.). Harper Pub. Co.. pp. 483–
  8. ^ In 1899, several years after Inness’ death, a small landscape, Gray, Lowery Day , 1877, sold for over $10,000. Cikovsky, page 142, 1985.
  9. ^ “Montclair Art Museum Gallery Will Be Dedicated to Works by George Inness” , Montclair Art Museum. Accessed 2012-08-11. “George Inness settled in Montclair, New Jersey in 1885, living and working there until his death in 1894.”
  10. ^ “A Painter on Painting”, Harper’s New Monthly Magazine 56 , page 461. February 1878.

Reference information [ edit ]

Related matters [ edit ]

External link [ edit ]

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