Godzilla vs. Hedora -Wikipedia

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『 Godzilla vs. Hedora (Godzilla Tai Hedra) is a Japanese movie produced by Toho, which was released as the main program of the Toho Champion Festival on July 24, 1971 (Showa 46). [13] It is the eleventh work of the Godzilla series [Source 6] 。 Color, cinemascope [Source 7] 。

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The number of spectators is 1.74 million [26] [27] 。

This work was the first Godzilla movie made after Eiji Tsuburaya’s death, and it was a new start of the series. [Source 8] 。 It is the most unique work in the series due to its unique style. [Source 9] , Especially the pros and cons of Godzilla’s flight scene, it boasts cult popularity. [Source 8] 。

As a background of the era, the public problem, which was a major social problem, was launched to the forefront, especially on the topic of “Yokkaichi Complex Factory Smoke” and “Tago no Ura Port Silk Pollution”. [Source 10] [Note 2] 。 The monster Hedra, born from the contaminated sea of ​​Tago’s Ura Port, and Godzilla, the monster king, play. Various backgrounds of the same era, such as psychedelic culture and moratorium of youth, are also included. [Source 11] It is a unique work such as an animation with the theme of pollution. It is also a feature that the SDF appears, rather than a fictitious organization such as a defensive army like a conventional work. [35] 。

In the spring and the summer of the previous year, in the winter of the Toho Champion Festival in the winter, the shortening edited version of the old Godzilla movie was mainly set. This work, which was produced for the summer Koga, has become a new Godzilla movie for the first time in two years since “Godzilla Minla, Gavarara All Monster University.” In the same year, the second monster boom, such as the production of special effects TV programs such as “Space Monkey Gorge”, “Ultraman who came back”, and “Kamen Rider”, was also a part of its popularity. [36] 。

The catch phrase at the time of the release is “Popular monster Hedra who came with a shooting star! [Note 3] 。

Yoshimitsu Sakano, who was in charge of the director of this work, later wrote the plot of the sequel “Godzilla vs. Hodora II”, but did not imagine it because he died in 2017.

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In the United States, it was published in the title of “GODZILLA VS THE SMOG MONSTER” and “GODZILLA vs. Hedorah” in other foreign countries. [6] 。 In the former, the opening is replaced with English lyrics [6] 。

story [ edit ]

In Suruga Bay, where marine pollution progressed and turned reddish -brown, a strange creature similar to tadpoles was found, and a tanker accident with monsters similar to it was occurring offshore. Yano, a marine biologist who brought a strange creature from a fisherman, Gohei, dive in the sea with his son’s research, but Yano was attacked by a mysterious creature on the seabed and was seriously injured in his face. Ken also witnessed a huge geeky creature on the coast.

Gen, who loves Godzilla, thinks, “If you look at the sea full of sludge, Godzilla will get angry.” By the institution, it is “a monster born from the dirty sea” Hedra The mysterious creature named has landed one night in search of soot and gasoline in the industrial area and absorbs smog. Yukio and Miki, who were dancing at the go -go cafe, encountered Hedra, and Godzilla appears there. Godzilla and Hedora fight a fierce battle, but they are not settled. The next day, in a city where the damage caused by the mist sulfate was widespread, Yano reveals terrible ecology from the scattered Hedoral cells, suggesting Hedra’s new abilities from two witnesses.

Hedra was initially thought to land only at night or in rainy weather, but the growing Hedra gained flight ability and appeared in the daytime. Sulfate mist is sprayed at the head of Hedra, and people fall one after another. Godzilla again appears, but he does not reach Hedra and misses it.

Hedra’s damage increases and becomes a serious social problem. Yano comes up with a way to defeat Hedra from Ken’s idea, but Hedra is huge enough to surpass Godzilla and appears at the foot of Mt. Fuji. Godzilla appears three times, and the final battle with Hedra begins.

Hedra crushes Godzilla’s left eye with a sludge bullet to make his right arm white, and the SDF has been damaged, such as being damaged. The current begins to flow when Godzilla emits radioactive flame. Hedra dries due to a 3 million volt high -voltage current, but only the body table is dry, and a smaller headla appears from the body. Godzilla tracks Hedora, who flies and escapes, tracks and crashes with the flight used as a propulsion, pushes it in between the electrode plates again, and dries completely with high -voltage current and radioactive flame. Destroy.

Godzilla quietly returns to the sea, staring at the Self -Defense Forces members who have created the cause of Hedra so far. Lab tells the form of goodbye, saying goodbye.

Thus, it seemed that peace was back, but in some sea, full of sludge, a new Hedra was being born.

Debut [ edit ]

Toru Yano （ Yanotoru ） [38]
Marine biological scholar [38] [39] 。 We are studying the impact on fish due to pollution in Suruga Bay [38] 。
He encounters Hedra during the survey of Suruga Bay and is seriously injured in a mist sulfate, but he pushes forcibly to study Hedra and elucidates his identity and weaknesses. [38] [39] 。
Yano Lab （ Yano Ken ） [38]
2nd grade in elementary school, the son of Yano [38] [39] 。 Godzilla’s fan can also receive that telepathy [38] 。
Toshie Yano （ Yano Toshie ） [38]
Yano’s wife, Ken’s mother, and her sister of Yukio’s sister [38] [Note 4] 。 During the physical education class, the Hedora flight form is exposed to photochemical smogs. [39] 。
Fujinomiya Miki （ Fujinomiya and Miki ） [40]
Angle rubber [Note 5] A singer, Yuko Houuchi’s lover [40] [39] 。 Participating in opposition to pollution [40] [39] 。

  • In the preparation, it was the setting of the daughter of the Fujinomiya Paper Milling Factory, which emits pollution. [Source 12] 。 In the play, Miki’s identity is not clear [44] 。
  • In the bar scene, I wore a body painting -style body suit, but in the preparation, there was a depiction of Paint directly on Miki’s skin. [44] 。
  • In the painting of the body suit, Mari wore only once, and the art club at the University of Tokyo drew a pattern there, but Mari was busy with many song programs. After that, it was said that models with the same body shape as Mari wore and finished. [42] 。 Costumes other than Nikka Pokka and hats at the time of body suit and “1 million go -go” are Mari’s own. [forty six] [42] 。 The opening shortcut was decided by Mari himself because the director Sakano told me that it could appear in a favorite hairstyle. [42] 。
Yukio Mikai （ Yukio Kechuchi ） [47]
Toshie’s younger brother who belongs to the All Japan Youth Federation, his uncle [47] [39] 。 19 years old [47] 。 My hobby is a guitar [47] 。
I’m a minor, but I go in and out of Angliver and drink whiskey [47] 。 Planning “Pollution opposition !! 1 million go -go”, Hedra attacks the venue, bathed in a sludge bullet and turns white. [47] [39] 。
Wu Ping （ Gohei ） [48]
Elderly people running fishing in Fuji City [48] [39] 。 Cooperation with Yano’s pollution research [39] 。

characters [ edit ]

Godzilla
Hedra
Fishman [Note 6]
Humans whose heads have turned into fish, appearing in the hallucinations of Yukio at Go Go Cafe.

  • A rubber mask made of a designed fish that has been carried out by the art staff is made, and 10 people appear on the screen. Initially, Yasuyuki Inoue, a special effects art, was planning to work on the main story, but Naomi Akimori was effectively in charge of the main art art to avoid overwork. [50] 。

Weapon [ edit ]

Fictional [ edit ]

Huge electrode board [Source 13] (Electrode plate [53] ）
Two electrode plates built to dry the headra [39] 。 Originally used for drying the wetland soil in Hokkaido, the SDF was set up at the foot of Mt. The purpose is to generate high temperatures by flowing high -voltage current between the electrode plates, and to evaporate moisture from the body of the hedora. [39] 。 It is set at a height of 40 meters, 60 meters wide, a distance between the cathode and an anode, and a voltage of 3 million volts. [Source 13] 。 The control device is also exposed outdoors.
In the play, the transmission line is destroyed during the battle between Godzilla and Hedra, and it is temporarily silent, but when Hedra enters between the electrode plates, it operates by Godzilla’s radioactive flame, causing heavy damage to Hedra. After that, the repairs were completed when Godzilla tried to escape, and the repair was started immediately, but this time the electronic circuit fuse flies and silence again. Eventually, the Hedra is destroyed and completely defeated as Godzilla continues to start with radioactive flame.
When guiding the headra to enter between the electrode plates, the flashing of the headlights with three jeep and the ultrasonic waves with an ultrasonic generator are used.
Oxygen bomb [39]
Bomb used for attacking Hedra [39] 。 According to scholars in the play, it is presumed that Hedra, which absorbs harmful substances in living things, is harmful to organism. The SDF is developed as a basis, and the helicopter is put out and drops forward.
Although it was used in parallel with the giant electrode plate, it had no effect at all, and bombed during the guidance to the giant electrode plate due to inadequate contact with the ground unit, and the helicopter was shot down by the Hedra rays.

Reality [ edit ]

cast [ edit ]

reference [8] [62] [first] [3] [28] [11]

Non -credit performer [ edit ]

reference: [63]

staff [ edit ]

reference [8] [9] [28] [11]

“Kaise! The sun”
Lyrics -Yoshimitsu Sakano / Composition -Riichiro Manabe / Arrangement -Hiroshi Takada / Song -Keiko Mari with Honey Knights & Moon De Lops

Work explanation [ edit ]

Start of planning [ edit ]

The diversification of entertainment and the rise of television, the “Japanese -style oblique yang,” caused a serious decrease in the number of productions and worsening sales at the Toho headquarters at the time, and “no matter what they do.” In addition, Eiji Tsuburaya, a special skill director who was the face of a Toho special effects movie, died in the early year of the previous year, and most of the main staff resigned or moved to Toho, and the Toho special effects at the time were almost collapsed. 。 The Toho headquarters was dismantling the organization and established the “Video Division” and exploring the survival of the special effects video technology, which was a signboard of Toho. [sixty seven] 。

Under these circumstances, the producer Tomoyuki Tanaka said, “Let’s think about Godzilla again,” the Mitsubishi Future Museum of Japan (1970, hereinafter “Expo”) and “Battle of the Sea of ​​Japan” (1969, coach Seiji Maruyama. ( [Source 15] [Note 12] 。 Sakano was told, “Anything is fine,” so he thought about the planning of this work in the wake of the photochemical smog case (a high school girl in the schoolyard fell in a group). So, is it okay to be a pollution monster? ” [sixty seven] [68] 。

The title in the script for the study was “Godzilla vs. Delon” [43] 。

Production with low budget [ edit ]

After the restructuring of the Toho headquarters, this work was held in a new system by the remaining camps, but the production budget was less than before due to the slump in the head office as described above. [70] [Note 13] 。 Koichi Kawakita recalls this work as “I wondered how to take this budget?”, And in consideration of the production budget called “terminal state” (Kawakudan). [ Need for sources ] As with “All Monster, the All Monster,” the staff will be produced in a single group system without dividing the staff into the main group and the special effects group. [Source 16] 。

For this reason, the special effects group staff of this work was treated as a preparatory group for the main part, and a small -scale formation was adopted by Akkei Nakano and the special art staff. [Note 14] 。 The shooting photographer was Yoichi Manoda, the first time to shoot at the special effects group of the Tsuburaya era, and was the first to shoot the main story. The shooting schedule was preceded by the main shooting, and Kawakita, who moved to the newly established “Video Planning Office”, was the main part of the main part, and when the main part was over, he helped the special effects. The music staff was initially planned to have another person, but Reichiro Manabe was appointed by the recommendation from Kenji Kenji in the music office. [thirty first] 。

Sakano had a meeting with Nakano, “Let’s adopt a video that is not in the previous series.” [55] The whole story is colored with a unique image of the Godzilla series, such as “multi -screening abstract social depictions by multi -screen and animation” and “underwater photography by the director himself”. The fact that the sea of ​​sludge at the beginning is reflected endlessly is based on the intention of directing “pollution”, and Sakano says, “I think that you can finally emphasize it.” The contaminated sea surface was expressed by mixing real fish and various materials into the ninth stage set pool. [thirty first] It was said that the bad smell was terrible because the fish I bought were rotten and then photographed. [55] [75] 。

The budget allocation was concentrated on the video as much as Sakano’s intention to “stick to painting”, and the actors were as small as possible. [71] 。 Except for Akira Yamauchi, who belongs to the theater company folk art, who played the role of Dr. Yano, it was used mainly for newcomers with few performances. Keiko Mari, the role of Miki Fujinomiya, was a singer known for the theme song of the TV drama “Signs V” at the time, and had no acting experience. [45] 。 According to Mari, Mari asked Sakano later, because she was wearing a body suit, she was a slender figure. [45] 。 The infants floating in the sea of ​​sludge are the grandchildren of the lighting staff [Source 17] 。

The set of the main story was only two, “Dr. Yano’s Laboratory” and “Angliver”, and the rest was all location photography. [sixty seven] [17] 。 OHP screens are also used instead of the synthetic screen. [thirty first] The main set material was also diverted to the special effects of the Mitsubishi Future Museum that Toho was in charge of the previous year, and a policy of a thorough ministry budget was adopted. The angle rubber is modeled on the go -go cafe “MUGEN” that existed in Akasaka at the time. [68] This is the place where Sakano often visited location hunting [77] 。 The location was held on the second station of Mt. Fuji for the last scene, but the latter was a place used by the SDF for everyday training. [77] 。

The miniature set of special effects has also become compact [thirty first] [17] 。 The battle in the second half of Fuji was a bitter measure to be a wilderness without a building. [17] 。 In the port set, the Yaren of the “Godzilla Evila Mothra Nankai Nankai” is diverted to the Yaren locomotive of “Gorus Goras” in the factory town. [78] 。 According to Nakano, it was completed with a lot of money, but Tanaka stated that it was a failure because it tasted this. [55] 。 Most of the synthesis is not used, and the depiction of the headla’s eyes shining red was also shot by on -site processing. [70] 。

The production period was only 5 weeks [68] 。 In the last decisive battle scene, Sakano and Nakano say that about 50 cuts will be performed in a set of the eleventh stage of the same special effects of the same special effects. [68] [17] It is said that it progressed at an amazing pace. In addition, Sakano, who is a licensed person in the scuba diving license and led the underwater shooting group in Toho, also dubbed Dr. Yano’s diving scene. [71] [Note 15] 。

The scene where Miki escaped from Hedora by car was taken by renting Ring No. 8, which was before opening. [thirty first] [77] 。 Miki driving a car was what Sakano decided in a hurry, and Mari, who played, was desperate because she had a license. [45] In addition, when it rolled down, there was only one protective mat below. [77] 。

show [ edit ]

At the time of the production, Godzilla’s work was shifting to a movie for young people. [Note 16] In this work, there are many cruel productions such as the description of burning human skin and the depiction of white bones. [70] [4] The story and music are generally dark and heavy on the whole, such as the young man of the main character, Yukio Mouchi, is killed by Hedra in the play. [Note 17] 。 I have not forgotten the service to the audience children, such as flying Godzilla as a hero, but in the last scene, Godzilla gives Godzilla anger. [4] , It has not ended in a good and bad discipline.

It is said that the pollution at that time was a majority in Sakano, who produced this work. The environmental pollution of Yokkaichi and Tago no Ura, which passes through the meeting of the Expo, left a strong impression on Sakano. [17] 。 I have a strong desire to “regain the message that suits the first work” Godzilla “.” [sixty seven] [36] He said, “I want to fight the most popular social evil, not to fight shrimp or something.” [80] 。 At the time of 1971, in the metropolitan areas, light -chemical smog caused children to collapse in a group, and Hedra’s rampage depicted in the play was depicted in reality that overlapped with reality. The music accompanying music was also made with the intention to emphasize the violence of this pollution, but the composer Riichiro Manabe was a quiet personality, and Sakano had a lot of composition. [ Need for sources ] [Note 18] 。

The animation that was adopted in the scene change everywhere was initially requested by Yoshiharu Sakano, but it was refused, and eventually Etsuo Yasui, who worked on a video of the spherical screen at the Mitsubishi Future Museum, was in charge. [Source 19] 。

Sakano writes a script in collaboration with Kaoru Mabuchi, but all the basic concept of the story reflects Sakano’s intentions. [43] [83] Regarding the setting of Hedra, “Growing from a sludge,” he said, “I had the same idea that Godzilla came out of radioactivity.” Sakano read Mabuchi’s first draft and felt it was boring, and he rewrote it alone. [68] 。 When Sakano wrote a boring script, Mabuchi asked Mabuchi that he answered that the rookie director he was in charge of was all useless, so he also skipped this time. [68] 。

In addition, Sakano also writes the lyrics for the theme song “Kaise! The Sun”, but the poem of this song is the image of “Silence Spring” (written by Rachel Carson), which was the text of the anti -pollution movement in the United States at the time. Was taken [Source 20] 。 Manabe, who was in charge of composition, said that there was no trouble because the lyrics were good. [81] 。

The production of this work was influenced by European film writers such as Luis Bunuel and Jean -Luc Godard, and was pointed out by Film critic and columnist Tomohiro Machiyama, a fan of this work. Be [Note 19] 。

According to Nakano, the movie theater at that time used an Arklight -type projector, so the way of reflection changed depending on the projectionian’s skill, and the HD remaster in the later year reproduced the colors intended by Sakano. Says [75] 。

Godzilla’s flight [ edit ]

In this work, when Godzilla follows Hedra, which is a flight form, the scene of “Godzilla flies backwards in the recoil when emitting radioactive flame” was drawn and became a hot topic. [84] However, the shooting schedule has been hindered by this “Godzilla’s flight”. This scene was suggested by the director Sakano and the leader of the special effects team, Nakano, suggesting “the speed of the TV era”. [80] [Note 20] , Producer Tanaka rebounded, saying, “I don’t want to change the settings.” [17] 。 The low -budget production system, including the controversy between Tanaka and Sakano in this scene, has created various conflicts on the site. [Note 21] 。

Tanaka instructed Sakano to ask for teaching from Honda Ino, and Honda decided to watch the rush. [55] 。 Honda advised Tanaka to take a long shot of special effects, and the Sakano side gained help. [55] [Note 22] 。

During this time, Tanaka was hospitalized due to poor physical condition [71] 。 Fortunately, Sakano received the permission of “Godzilla’s flight” from the role of Toho, the director of the promotional, and the director of the photographer, and included it in the play. [Source 21] 。 According to Nakano, this scene was a pros and cons both inside and outside, but it was highly acclaimed in the United States. [eighty six] , The director of the advertising department and the director of the photographer also praised me, “Isn’t it okay to get a sense of speed?” [71] 。 According to Sakano, “I took a picture to connect the front and rear even if I cut it,” but it was no longer possible to change it when Tanaka was discharged, so he saw it in the preview, “Changed Godzilla’s personality. I’m angry that you should have it. ” [Source 22] He did not ask Sakano for a while. In later years, Sakano said that Tanaka had heard that he was furious that he would never supervise the special effects movie! [68] [eighty seven] [Note 23] 。

However, this work, which was completed after these difficulties, recorded a reasonable hit in the summer vacation after receiving an unprecedented “transformation / monster boom”. [22] Therefore, Toho will full -scale the Toho Champion Festival, centered on Godzilla films, based on the concept that Godzilla competes for champions with other monsters. In the following year, the new monster Guigan was characterized by the further heroized Godzilla, and the Earth Attack Order Godzilla vs. Gaigan will be produced.

Akiyoshi Nakano has testified that the evaluation of this work was divided into two at the time of the release, such as the pros and cons of each newspaper, and the criticism of both pros and cons in film magazines. [70] 。

Book published in the United States in 1978 ” 50 worst in the world （ English edition ） ], This work is the only one of the Japanese films, and it is a criticism as “you can show the boring scenes of contaminated sea over and over again” and “one of the worst monster movies in history”. It was done. Director Sakano wrote in his book, saying that it is not a good thing to be happy with this, and that “it is honored to be selected as the” worst “from the history of 100 years of films.” 。

In the book “Godzilla Days”, it is evaluated as “an unknown work that goes through the boundaries between bad and unusual works every scene.” [32] 。

However, over time, satire animation and video expressions that make full use of multi -screen have been attracting attention, and the evaluation has grown as a social satire movie for anti -pollution films. [89] 。

In the “Hidden Godzilla General Election!”, Held in the magazine “Movie Hidden Treasure” (Yosenha) in 2014, this work was third after “King Kong vs. Godzilla” and “Godzilla” (first generation). [22] 。

In an interview in a later year, Nakano was an era when the video expression was escalating at the time, and the illusion that pollution that might destroy humanity needed to be destroyed by himself and Sakano, and this work is cruel. He recalls that it was too much [70] 。

Fan of this work [ edit ]

  • The aforementioned Machiyama also includes this work in his / her best project in the “Movie Hidden Treasure” held in 2017. [90] 。
  • Hiroshi Matsu, a CM director, stated that when he shot Tina Tamaki with the theme of “huge special effects” in a TV program project, he was strongly influenced by this work. [91] 。

Video software [ edit ]

VHS
Released in 1986. Part number TG1167 [first] 、TG4355 [92] [93]
LD
Released in 1996. Part number TLL2068 [first] 、 Tll2485 [93]
DVD
The jewel case version was released on April 28, 2004 [ninety four] 。 Audio commentary is Akiyoshi Nakano [ninety four] 。
It is included in the Tall Case version of “Godzilla DVD Collection III” released on March 28, 2008, and a single -volume version of the toll case was released at the same time.
It is also included in “GODZILLA FINAL BOX” released on April 22, 2005.
On May 14, 2014, a low -priced version for a limited time was released as the “Godzilla 60th Anniversary”.
On June 15, 2016, the Toho DVD masterpiece selection version was released.
BD
Released on July 16, 2014.

Simultaneous release works [ edit ]

50th anniversary commemorative [ edit ]

In 2021, various commemorative goods and commemorative events are being held to commemorate the 50th anniversary of Godzilla vs. Hedora.

  • In commemoration of the 50th anniversary of Hedra in July, the start of “Hedra Fifty” has been decided, commemorative goods using special logo and 50th anniversary figures have been released, and Godzilla Store TV TV TV is July. The distribution of “Special Special End of Hedra” was held. [95] 。
  • At TOHO Cinemas, “Hedra 50” TOHO Cinemas Gift Card has been released at each theater on July 13 to commemorate the 50th anniversary of the release of “Godzilla vs. Hodora”. [96] 。
  • At the Godzilla Store, the “Hedra 50th Anniversary Cap” was released on July 20. [97] 。
  • From July 24 to 25, the “50th Anniversary of Pollution Monster Hedra’s Birthday Festival” will be held at the Kyoto Minami Kaikan, and will be screened in the “Godzilla vs. Hedora” and “Godzilla FINAL WARS”. A talk live and autograph session by Hiroyuki Kawase, the role of Yano Lab, was held. [98] 。
  • “” Godzilla vs. Hodora “released 50th anniversary frame stamp set” was released only on the post office online shop from August 27. [99] 。
  • In the Sunstar Stationery, reservations for “Hedra Desktop Mop” with the motif of the Hedora as a motif, starts on September 7 at the “Sunstar Stormer Store” shop in the Bandai Namco Group’s official mail order site “Premium Bandai”. , Released in December [100] 。
  • To commemorate the 50th anniversary of “Godzilla vs. Hodora”, the “Hedra 50th Anniversary Exhibition” will be held at Shibuya PARCO Gallery X, and psychedelic video works, large art works, and special effects. In addition to exhibits such as Hedora suits, diorama, photos at the time of shooting, the sale of 50th anniversary exhibitions, etc. [101] 。
  • BANDAI SPIRITS has a reservation reception of the super luxurious specification “Hadora 50th Anniversary Special Commemorative Set” that includes the three forms of the growing period of Hedra, the flight period, and the underwater period, and in the Bandai Namco Group official mail order site “Premium Bandai”. It will start on November 26 at the shop “S.H.MONSTERARTS” and will be shipped in June 2022 [41] 。

New special effects “Godzilla vs Hedra” [ edit ]

The new special effects “Godzilla vs Hedra” were released at “Godzilla Fes 2021” held on November 3, 2021, and it was released on YouTube from November 3 to 10 of the same year. [102] 。 Directed by Kazuhiro Nakagawa, the opening and end -roll flow video was by painter Akiko Nakayama. Godzilla and Hedora suits are diverted from Godzilla Final Wars, and more than 50 miniature use more than 50 buildings, including chimney and gas tanks used in the past Godzilla series. [102] 。 The “Fes Godzilla 3 Guigan Former Raid”, which was released at “Godzilla Festival 2022” held on November 3, 2022, is drawn as a continuation of “Godzilla VS Hedra”. [103] 。

Related work [ edit ]

  • Iroha no “I” -Thoto’s case drama drama. The gas tank explosion scene of this work is diverted to the opening title.

Annotation [ edit ]

  1. ^ Depending on the material, it is described as “89 minutes” [14] 。
  2. ^ Some of the special skill director, Akika Nakano, questioned that social issues were handled in monster movies, but said that if they were not solid at the bottom, they would become a real gekemono. [34] 。
  3. ^ In a transformed sheet poster with a mountain seal brewing of a miso maker, “It came out! Bad and strong pollution monsters! Good luck! Omino Yama -chan It has it! “, I was using the company’s mascot” Yama -chan ” [23] 。
  4. ^ In the book “Godzilla Test” Official Text “, it is described as an elementary school teacher. [39] 。
  5. ^ It is a set that reproduces a go -go club called MUGEN in Akasaka, where the director Sakano often played location hunting, and Keiko Mari, the role of Fujinomiya, went to MUGEN. [41] [42] 。
  6. ^ In the book “Godzilla Daiju Word”, the name Fish heads Is described [49] 。
  7. ^ This miniature has been confirmed as of 2014 [sixty one] 。
  8. ^ The opening was not Miki Fujinomiya, but as Keiko Mari at the request of director Sakano. [42] 。
  9. ^ a b c The nameplate of the uniform has the name of the actor who played.
  10. ^ In the book “Godzilla Toho Champion Festival Perfect Foundation” A man shouting to scatter oxygen Is described [11] 。
  11. ^ Underwater shooting is also concurrent.
  12. ^ Koichi Kawakita, assistant director, stated that Sakano was in return for supporting Tanaka at the Expo. [69] 。
  13. ^ Director Yoshimitsu Sakano testifies that “about 100 million yen” [68] 。
  14. ^ Nakano stated that there was no particular discomfort because all the storyboards were doing it herself. [74] 。
  15. ^ Regarding the reasons for the role of Akira Yamauchi as Dr. Yano, the first condition was that the body shape was similar to Sakano acting under the sea. [Source 18] 。
  16. ^ The previous work, “Godzilla Minla, Gavarara All Monster,” was a child’s movie with a child as the main character.
  17. ^ However, there are many anthropomorphic comical movements and black joke -like gags.
  18. ^ On the other hand, Manabe states that there was no particular mention from Sakano. [81] 。
  19. ^ In the all -time best project held in the February 2008 issue of Yoizumi’s “Movie Hidden Treasure”, Machiyama, who put this work in his top 10, commented in this work, “Bunuel and Godard for me!” It pointed out the influence of Bunuel and Godard [ Page number required ] 。
  20. ^ Nakano states, “In the Champion Festival era, I always thought about surprising children by letting monsters take actions that I couldn’t think of.” [34] 。
  21. ^ Kawakita, an assistant director in the main part, stated that this “pollution theme”, which is out of the main stream, was discomfort as an orthodox monster movie. [85] 。
  22. ^ Kawakita testified that the headquarters was canceled due to the budget, and Honda was asked to judge. [69] , Sakano and Nakano have denied this [68] [55] 。
  23. ^ According to Sakano, I was also in charge of the next work [71] Since then, Sakano has been expanding his activities from his special underwater shooting fields to TV documentary shooting, such as “wonderful world trip” and “wild kingdom”.

source [ edit ]

  1. ^ a b c d It is f g h Super latest Godzilla Great Picture Book 1992, PP. 118–119, “Godzilla Movies Full Introduction Godzilla vs.
  2. ^ a b Great Godzilla Picture Book 1995, P. 12, “Godzilla vs. Hedora”
  3. ^ a b c d It is f g Godzilla Days 1998, PP. 126-127, Configuration Kagi Shinichi “23 works and Godzilla movies”
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