[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki10\/bird-on-money-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki10\/bird-on-money-wikipedia\/","headline":"Bird on Money – Wikipedia","name":"Bird on Money – Wikipedia","description":"From Wikipedia, the free encyclopedia 1981 painting by Jean-Michel Basquiat Bird on Money is a painting created by American artist","datePublished":"2022-03-28","dateModified":"2022-03-28","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki10\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki10\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki10\/bird-on-money-wikipedia\/","wordCount":2588,"articleBody":"From Wikipedia, the free encyclopedia1981 painting by Jean-Michel BasquiatBird on Money is a painting created by American artist Jean-Michel Basquiat in 1981. It is a tribute to jazz musician Charlie Parker, who was nicknamed “Bird.” The painting was acquired in 1981 and is housed in the Rubell Family Collection.[1] In 2020, New York rock band the Strokes used the artwork as the cover for their studio album The New Abnormal.[2]Analysis[edit]Bird on Money was executed in 1981, the year in which he made the transition from a street artist to an established gallery artist. The painting is a tribute to jazz saxophonist Charlie Parker, a leading figure in the development of bebop.[3] In 1985, Basquiat told The New York Times Magazine: “Since I was seventeen I thought I might be a star. I’d think about all my heroes, Charlie Parker, Jimi Hendrix\u2026 I had a romantic feeling about how these people became famous.”[4] Basquiat like Parker struggled with heroin addiction.[5] He also paid homage to Parker in the paintings Charles the First (1982) and CPRKR (1982).[6]Jazz music was a common theme in Basquiat’s art and he often painted to jazz music.[7] Basquiat referenced jazz musicians and recordings in over thirty of his paintings, including Discography I (1983), Horn Players (1983), Arm and Hammer II (1984), and King Zulu (1986).[8] Music journalist Tom Terrell wrote in the liner notes of the compilation album Basquiat Salutes Jazz (2005): “As Parker’s bebop transcended jazz to influence musical and nonmusical pop culture worldwide, so did Basquiat’s legacy impact on hip-hop and Euro-pop, Indie film and post-electric Miles jazz. Both men were absolute Zen masters of trans-cultural improvisation.”[9]Bird on Money depicts a black and blue yardbird in reference to Parker’s nickname. Parker acquired the nickname “Yardbird” early in his career, which was later shortened to “Bird.”[10] Awash in repeated symbols and arrows, the painting invokes death with the drawing of Brooklyn’s Green-Wood Cemetery, where Basquiat would be laid to rest in 1988.[11] Basquiat, whose mother was Puerto Rican, often incorporated Spanish words into his works such as “PARA MORIR” (in order to die) across from the drawing of Green-Wood Cemetery.[8]See also[edit]References[edit]^ “Jean-Michel Basquiat”. Rubell Museum. Archived from the original on 2021-03-02. Retrieved 2021-05-12.^ Campbell, Erica (April 13, 2021). “8 Albums With the Most Amazing Artwork”. Architectural Digest. Archived from the original on 2021-04-13. Retrieved 2021-05-13.^ Whitehead, Kevin (August 28, 2020). “Charlie Parker, Born 100 Years Ago, Made Jazz Complexities Sound Deceptively Easy”. NPR.org. Archived from the original on 2020-08-30. Retrieved 2021-02-01.^ McGuigan, Cathleen (February 10, 1985). “New Art, New Money”. The New York Times. ISSN\u00a00362-4331. Retrieved 2021-02-01.{{cite news}}: CS1 maint: url-status (link)^ Steel, Rebecca (January 19, 2018). “The Art of Jean-Michel Basquiat: Legacy of a Cultural Icon”. Culture Trip. Archived from the original on 2014-07-01. Retrieved 2021-02-01.^ Fu, Eddie (April 10, 2020). “Here’s The Basquiat Painting That Inspired The Strokes’ ‘The New Abnormal’ Cover Art”. Genius. Archived from the original on 2020-04-11. Retrieved 2021-05-13.^ Eshun, Ekow (September 22, 2017). “Bowie, Bach and Bebop: How Music Powered Basquiat”. The New York Times. ISSN\u00a00362-4331. Retrieved 2021-02-01.{{cite news}}: CS1 maint: url-status (link)^ a b Saggese, Jordana Moore (2014-05-30). Reading Basquiat: Exploring Ambivalence in American Art. Univ of California Press. pp.\u00a055, 85. ISBN\u00a0978-0-520-27624-6.^ McNally, Owen (December 29, 2005). “New Disc Reflects Art and Influences of Basquiat”. The Hartford Courant. Archived from the original on 2021-07-08. Retrieved 2021-02-01.^ “How Charlie “YardBird” Parker got his nickname | American Masters | PBS”. American Masters. 2020-08-27. Retrieved 2021-05-13.^ Saggese, Jordana Moore (2021-03-02). The Jean-Michel Basquiat Reader: Writings, Interviews, and Critical Responses. Univ of California Press. p.\u00a0312. ISBN\u00a0978-0-520-30515-1."},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki10\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki10\/bird-on-money-wikipedia\/#breadcrumbitem","name":"Bird on Money – Wikipedia"}}]}]