[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki11\/symphony-in-e-flat-eberl-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki11\/symphony-in-e-flat-eberl-wikipedia\/","headline":"Symphony in E-flat (Eberl) – Wikipedia","name":"Symphony in E-flat (Eberl) – Wikipedia","description":"before-content-x4 From Wikipedia, the free encyclopedia after-content-x4 Symphony by Anton Eberl The Symphony in E-flat Major, Opus 33 by the","datePublished":"2018-03-23","dateModified":"2018-03-23","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki11\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki11\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki11\/symphony-in-e-flat-eberl-wikipedia\/","wordCount":2152,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopedia       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Symphony by Anton EberlThe Symphony in E-flat Major, Opus 33 by the Viennese composer Anton Eberl (1765-1807) was written during the course of 1803. The premiere took place in Vienna, Austria on January 6, 1804. Also, at the same concert Eberl premiered his Piano Concerto in E-flat, Op. 40, and his Concerto for Two Pianos in B-flat, Op. 45.[1] It is classical in style. The performance time is about 30 minutes. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. The work was dedicated by Eberl to Prince Lobkowitz, or Le Prince Regnant De Lobkowitz.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Table of ContentsMovements[edit]Early Performances and Reviews[edit]Comparisons to Premiere of Beethoven’s Eroica Symphony[edit]More Reviews of Eberl’s Symphony[edit]Discography[edit]References[edit]External links[edit]Movements[edit]Andante sostenuto, 34 – Allegro con fuoco e vivace, 22 in E flat majorAndante con moto, 24 in C minorMenuetto e Trio, 34 in E flatFinale: Vivace assai, 24 in E flat majorEarly Performances and Reviews[edit]The Viennese correspondent for the Allgemeine Musikzeitung (AMZ) wrote that this first performance \u201cwas extraordinarily well conceived, full of incisive and new ideas.\u201d Historisches Taschenbuch mit besonderer R\u00fccksicht auf die \u00d6sterreichischen Staaten (\u2018Historical Pocketbook with Special Focus on the Austrian States\u2019) states: “Among the great instrumental compositions of this year, the first place belongs to the symphonies and concerti of Eberl [… who] had in a great concert at the beginning of 1804 for the first time stepped before the public with large compositions. Brilliance, fire, affect and knowledge of instruments already distinguished the first symphony in E flat advantageously.”Comparisons to Premiere of Beethoven’s Eroica Symphony[edit]It was performed again a year later on January 20, 1805, at a semi-public Sunday concert organized by the Viennese banker Joseph W\u00fcrth, in direct competition with the first performance of Beethoven\u2019s Eroica Symphony (his Symphony No.3 in the same key of E\u266d major, Op. 55), a critic for the AMZ observed that the Eberl symphony was “extraordinarily pleasing, and really it has so much that was beautiful and powerful\u201d and the symphony was \u201chandled with so much genius and art, that it would be difficult for it ever to fail if it had been well rehearsed.[2] It turned out exceptionally well, full of sharply profiled and new ideas. May this symphony soon be published and widely disseminated, and Mr. Eberl continue to devote his talents to this genre.” However, the same reviewer, who professed to be a strong advocate of Beethoven, criticized Beethoven\u2019s Eroica, finding in it \u201ctoo much that was shrill and bizarre, which makes an overview extremely difficult and thus unity almost is entirely lost.\u201d In the first completely public performance of the Eroica on April 7, 1805 the reviewer stated the Eroica contained \u201cvery daring ideas… and was very powerfully carried out\u201d but he also noted the \u201cinordinate length and extreme difficulty of execution.\u201d He continued: \u201cThere is no lack of striking and beautiful passages in which the force and talent of the author are obvious; but on the other hand the work seems often to lose itself in utter confusion. \u2026 The Symphony would gain immensely if Beethoven would decide to shorten it and introduce into the whole more light, clarity and unity… There were very few people who liked the symphony.\u201d The performance of the Eroica was close to one hour in length, whereas the Eberl symphony was about 30 minutes long.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4More Reviews of Eberl’s Symphony[edit]On April 10, 1806, Eberl’s Op. 33 Symphony was performed in Leipzig at the Gewandhaus. A review in the AMZ reported that the “great symphony is a multifaceted, brilliant, especially well-sounding fiery instrumental piece, and was received by the whole auditorium with great applause”. It was performed again in Leipzig on December 4, 1806, and it earned renewed praise: \u201cEberl’s Symphony in E-flat pleases us ever more by repeated hearings, and it must be heard often until one is a master over it, and can completely appreciate it…It is full of fire, luster, and wealth of invention. It makes a very strong impression. We do not doubt at all that this symphony , where it is well performed, will achieve respect and lively effect, and also bring real honor to Mr. Eberl.”[3]Discography[edit]Various works by composers Dall’Abaco, Locatelli, Cannabich, Carl Stamitz, Fils, Fr\u00e4nzl, Johann Vanhal, Leopold Kozeluch and Anton Eberl by Concerto K\u00f6ln (Orchestra) Teldec 2564698899 [4](6 CD) (One CD contains three Symphonies by Eberl)References[edit]^ Beach, David; Mak, Su Yin Susanna (2016). Explorations in Schenkerian Analysis. ISBN\u00a09781580465595.^ Two Quintets: Grand Quintetto for Clarinet or Violin, Violas, Violoncello, and Piano, Op. 41; Quintuor Brillant for Oboe, Violin, Viola, Violoncello, and Piano, Op. 48. A-R Editions. January 2013. ISBN\u00a09780895797704.^ Beach, David; Mak, Su Yin Susanna (2016). Explorations in Schenkerian Analysis. ISBN\u00a09781580465595.^ “Dall’Abaco \/ Locatelli \/ Cannabich \/ Vanhal \/ Kozeluch \/ Eberl: Concerto Koln”. Amazon.External links[edit]     (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki11\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki11\/symphony-in-e-flat-eberl-wikipedia\/#breadcrumbitem","name":"Symphony in E-flat (Eberl) – Wikipedia"}}]}]