[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki14\/francois-regnault-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki14\/francois-regnault-wikipedia\/","headline":"Fran\u00e7ois Regnault &#8211; Wikipedia","name":"Fran\u00e7ois Regnault &#8211; Wikipedia","description":"before-content-x4 From Wikipedia, the free encyclopedia after-content-x4 Fran\u00e7ois Regnault (French:\u00a0[\u0281\u0259\u0272o]; born 1938)[1] is a French philosopher, playwright and dramaturg. Also","datePublished":"2016-05-06","dateModified":"2016-05-06","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki14\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki14\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/44a4cee54c4c053e967fe3e7d054edd4?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki14\/francois-regnault-wikipedia\/","wordCount":1210,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopedia       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Fran\u00e7ois Regnault (French:\u00a0[\u0281\u0259\u0272o]; born 1938)[1] is a French philosopher, playwright and dramaturg. Also a university instructor and teacher, Regnault was ma\u00eetre de conf\u00e9rences at Paris VIII before his retirement. Among his various writings he is the author, with Jean-Claude Milner, of the seminal Dire le vers and of Conf\u00e9rences d&#8217;esth\u00e9tique lacanienne.[2]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Table of ContentsStudies[edit]Psychoanalysis[edit]Theater[edit]Select bibliography[edit]In English translation[edit]References[edit]External links[edit]Studies[edit]Regnault studied philosophy at the Lyc\u00e9e Louis-Le-Grand, and then the Ecole Normale Sup\u00e9rieure (ENS) beginning in 1962[3] where he attended the seminars of Louis Althusser.Psychoanalysis[edit]At ENS, he attended the seminars of Jacques Lacan and was a member of the editorial board of Cahiers pour l&#8217;Analyse beginning with its inception in 1966.[3] Regnault taught at the Lyc\u00e9e de Reims from 1964\u201370, where he became a close friend of another philosopher and playwright, Alain Badiou.  In 1970, Regnault joined the Department of Philosophy (headed by Michel Foucault) at the then newly founded University of Paris VIII (Vincennes). In 1974, he moved to Paris VIII&#8217;s Department of Psychoanalysis.[3]Since the early 1970s Regnault&#8217;s work expanded to include, alongside philosophy and psychoanalysis, a practical involvement in theatre.[3] Coming from a family with theatrical connections,[3] he has sustained an interest in the theatre, including many translations. In 1973 he translated Tankred Dorst\u2019s Toller (1968) for Patrice Ch\u00e9reau.[3] Later, he translated among other well-known works: Henrik Ibsen\u2019s Peer Gynt and J.M. Synge\u2019s Playboy of the Western World.[3] But never drifting far from his initial interest in Lacan, Regnault joined the editorial board of Ornicar? in 1975 and began to publish articles there (and elsewhere) on Lacanian psychoanalysis and aesthetics.[3]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Theater[edit]Working as a theorist, dramaturg, and playwright, Regnault also co-directed the Th\u00e9\u00e2tre de la Commune at Aubervilliers from 1991 to 1997, and from 1994 to 2001 he taught diction at the Conservatoire National d\u2019Art dramatique in Paris.[3] As a brief explanation of his work and life, Regnault says in a short autobiographical note[4] that whether he is writing on psychoanalysis or working in theatrical aesthetics, it is a double field which shares the subject: Lacan&#8217;s teaching and the love of theater.[1]Select bibliography[edit]\u2018Qu\u2019est-ce qu\u2019une coupure \u00e9pist\u00e9mologique?\u2019, lecture of 26 February 1968 for Louis Althusser\u2019s \u2018Philosophy Course for Scientists\u2019. Notes on the lecture were published as \u2018D\u00e9finitions\u2019, in Michel P\u00eacheux and Michel Fichant, Sur l\u2019histoire des sciences. Paris: Maspero, 1969.\u2018Meditations sur la Somme\u2019. Ornicar? 2 (March 1975).\u2018Le sujet de la science et la fantasme du monde\u2019. Ornicar? 5 (winter 1975).\u2018Dickens, le th\u00e9\u00e2tre et la psychanalyse\u2019. Ornicar? 17\/18 (spring 1979).\u2018Entretiens sur les mariages, la sexualit\u00e9, et les trois fonctions\u2019. Roundtable with Claude Dum\u00e9zil, Jo\u00ebl Grisward, Alain Grosrichard, Jacques-Alain Miller and Jean-Claude Milner. Ornicar? 19 (autumn 1979).\u2018Syst\u00e8me formel d\u2019Hitchcock\u2019. Cahiers du cin\u00e9ma, \u2018Hitchcock\u2019, hors-s\u00e9rie 8 (1980).\u2018De deux dieux\u2019. Ornicar? 24 (1981).\u2018Usages et m\u00e9susages de Lacan\u2019. Ornicar? 36 (1986).Dire le vers, with Jean-Claude Milner. Paris: Seuil, 1987; Verdier, 2008.Conf\u00e9rences d\u2019esth\u00e9tique lacanienne. Paris: Agalma, 1997.\u2018Vos paroles m\u2019ont frapp\u00e9\u2019. Ornicar? 49 (1998).\u2018Du comme \u00e7a au just so\u2019. Ornicar? 49 (1998).L\u2019Une des trois unit\u00e9s. Paris: Isele, 1999.Th\u00e9\u00e2tre-\u00c9quinoxes. Paris: Actes Sud, 2001.Th\u00e9\u00e2tre-Solstices. Paris: Actes Sud, 2002.Notre objet a. Paris: Verdier, 2003.\u2018Le Marx de Lacan\u2019 [2005]. Compte-rendu of a seminar at the \u00c9cole de la cause freudienne. In Lettre mensuelle de l\u2019ECF 242, online at[5]&#8216;Presentation&#8217; (c. 2008), on line at[6]In English translation[edit]\u2018Lacan and Experience\u2019. In Lacan and the Human Sciences, ed. Alexandre Leupin. Lincoln &#038; London: University of Nebraska, 1991.\u2018The Name-of-the-Father\u2019. In Reading Seminar XI: Lacan\u2019s Four Fundamental Concepts of Psychoanalysis, ed. Richard Feldstein, Maire Jaanus, &#038; Bruce Fink. Albany: SUNY, 1995.\u2018Art after Lacan\u2019, trans. B.P. Fulks &#038; J. Jauregui. lacanian ink 19 (2002).\u2018Ethics and the Theatre\u2019, trans. B.P. Fulks &#038; J. Jauregui. lacanian ink 21 (2003).\u2018Saintliness and Sainthood\u2019, trans. P. Bradley. lacanian ink 33 (2009).&#8216;I Was Struck by What You Said&#8230;&#8217;, trans. A. Price. Hurly-Burly 6 (2011).References[edit]External links[edit]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki14\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki14\/francois-regnault-wikipedia\/#breadcrumbitem","name":"Fran\u00e7ois Regnault &#8211; Wikipedia"}}]}]