[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/hans-christian-von-dadelsen-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki19\/hans-christian-von-dadelsen-wikipedia\/","headline":"Hans-Christian von Dadelsen – Wikipedia","name":"Hans-Christian von Dadelsen – Wikipedia","description":"From Wikipedia, the free encyclopedia German composer Hans-Christian von Dadelsen (born 4 December 1948) is a German composer and music","datePublished":"2018-10-22","dateModified":"2018-10-22","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki19\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki19\/hans-christian-von-dadelsen-wikipedia\/","about":["Wiki"],"wordCount":1356,"articleBody":"From Wikipedia, the free encyclopediaGerman composerHans-Christian von Dadelsen (born 4 December 1948) is a German composer and music writer.He is the son of the musicologist Georg von Dadelsen[1] and the journalist Dorothee von Dadelsen.Born in Berlin, von Dadelsen spent his childhood in T\u00fcbingen and Hamburg, where he studied at the Hamburg Musikhochschule after graduating from high school.[2] He studied composition and music theory with Diether de la Motte and Gy\u00f6rgy Ligeti[3] as well as music education with Hermann Rauhe. At the Darmstadt Holiday Courses in 1972, in a lecture entitled ‘Tendenzen zu einer neuartigen Tonalit\u00e4t’ (Tendencies towards a New Tonality), he suggested a thorough turnaround of modernism, also pointing to “Pop Art” and new “Romanticism”, thus also initiating a number of misunderstood and by many other composers taken up changes in the stylistics of the 1970s (“Neuromanticism”). As a composer, he himself took up influences from Pop Art and American stylistics at an early stage and distinguished himself above all in the field of polyrhythmic. Inventions and iridescent harmonic concepts.From 1980 onwards Dadelsen gradually developed a consistently polyrhythmic style (“flexible beats”) together with the composer Babette Koblenz. A series of works for orchestra, music theatre and chamber ensemble as well as conceptual solo works (“Rhythmische Studien”) were created. As an author, Dadelsen has published numerous essays in the field of cultural philosophy as well as analyses and studies on rhythm theory and studies on the work of Bob Dylan, Steve Reich, Gy\u00f6rgy Ligeti and Wilhelm Killmayer. In 1986\u201394, he worked as a lecturer at the Darmstadt Summer Courses. In 1998\u20132004 followed the direction and conception of the Hamburg chamber music festival “P0P \u2013 Pur oder Plus”; In 1999 together with Manfred Reichert he led the conception and direction of the Karlsruhe Bob Dylan Festival “Beethoven listens to Bob Dylan”. Among his awards are the Berliner Kunstpreis in the music category and the Villa Massimo (1979) as well as the scholarship of the Internationales K\u00fcnstlerhaus Villa Concordia\u00a0[de] (1998) in Bamberg.From 2007 until his retirement in 2014, von Dadelsen worked as a music teacher at the Hegau-Gymnasium Singen, where he also led the Big Band.[4] Von Dadelsen lived in Wendland in Clenze.[5]Among his awards are the Berliner Kunstpreis in the music category and the Villa Massimo (1979) as well as the scholarship of the Internationales K\u00fcnstlerhaus Villa Concordia\u00a0[de] (1998) in Bamberg.1979\tRom Preis Villa Massimo[6]1979\tBerliner Kunstpreis (Sparte Musik)1979\tPreis der J\u00fcrgen-Ponto-Stiftung[7]1981\tKunstpreis der Steinbrenner-Stiftung1998\tVilla Concordia-Stipendium[8]Vocal musicWithout-Out Songs for mixed choir (1980)Chagall for mixed choir (2005)Stage musicIkarus (after Garc\u00eda M\u00e1rquez; with Babette Koblenz; 1989; 1990 Munich)Cinema, Musiktheater \/ Videooper; with B. Koblenz (1999\/2001; 2002 Karlsruhe)Instrumental musicI. Orchestra workZwischenr\u00e4ume for grand orchestra (1972\/73)Plastik-Melancholie for grand orchestra (1975\/76)Sentimental Journey for chamber orchestra or 10 instruments (1978)Salto Mortale for String orchestra and Revolver (1979)Fuga Revuelta for chamber orchestra or 17 instrument. (1991)Eau for chamber orchestra (2002\/03)II. Pieces for Ensemble27 Geschichten, wie sie auch unter blauem Himmel passieren k\u00f6nnen for 5 Instruments. (1973)Made in Germany for 6 instruments. (197Just Birds Flying in an Airplane for 7 instruments (1981)Kamel for 9 instruments. (1988) \u25ab Esel for S, B u. 11 Instruments.(1989)Zebra  f\u00fcr 11 Instr. (1992) \u25ab suburb, subterranean for Mez and 5 instruments. (2001)III. Chamber musicSelbstbildnis im Supermarkt for viol. and piano. (1975\/77)First Trumpet for viol. and piano. (1983\/86)Duo for viol. and trumpet. (1989)Karakoram for String quartet (1994)Wests\u00fcdwest for Alto saxophone and piano. (1996)Blowin\u2019 for String quartet (1999)IV. Solo piecesDrei Klavierst\u00fccke (1969)Klavierst\u00fccke I \u2013II (1979, 1990)Studien f\u00fcr Viol. (1988, 1993)Nordnordost for Altsax. (1994)Audio playsBlowing through the letters for Akk, Kl, Str. Qu. and tape (1999)Von der Wirklichkeit hinter den Grenzen (with Manfred Reichert), for Akk., Kl, Str. Qu. and tape (2007)Publications[edit]Was macht Dionysos im Matriarchat? Essay zum aktuellen Komponieren (in Neue Zeitschrift f\u00fcr Musik, 1\/1979)Eine neue Stufe rhythmischer Wechselwirkungen (in \u00c4sthetik und Komposition, Mainz 1994)Entropie und Systemsprung im musikalischen Organismus (in \u00c4sthetik und Selbst-organisation, Berlin 1993)Rhythmische Wechselwirkungskr\u00e4fte \u2013 Musikalische Indizien der Chaostheorie?(in Arbeitsprozesse in Physik und Musik, Berlin 1993)Bob (D)ylan oder die Umkehr von Bab-Ylon (in MELOS, Heft 4\/1984)Einstein, Dylan und der Gesang der Synagoge (in der Kulturzeitschrift \u201edu\u201c, Mai 2001)Maskierter Kult und demaskierte Kultur. Steve Reich: Tehillim (in MELOS, Heft 1\/1987)Diesseits und jenseits von Raum und Zeit: Steve Reichs \u201eDifferent Trains\u201c (in Nachgedachte Musik der Gegenwart I, 1995, Wolke-Verlag)\u00dcber die musikalischen Konturen der Entfernung (zu \u201eLontano\u201c in Melos\/NZ, 3\/1976); Vom Pathos des Individuellen und seiner Demaskierung (zu \u201eSan Francisco Polyphony\u201c, 1977, Wergo)Entgrenzung und Besinnung statt Bekr\u00e4nzung und Bestimmung\u2014Wilhelm Killmayers H\u00f6lderlin-Zyklus (in \u201eWilhelm Killmayer\u201c ed. by K\u00fcnste 11 November 1998), ver\u00f6ffentl. in Jahrbuch der Bayerischen Akademie 1998 und andere.References[edit]External links[edit]  "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/hans-christian-von-dadelsen-wikipedia\/#breadcrumbitem","name":"Hans-Christian von Dadelsen – Wikipedia"}}]}]