[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/marianus-konigsperger-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki19\/marianus-konigsperger-wikipedia\/","headline":"Marianus K\u00f6nigsperger – Wikipedia","name":"Marianus K\u00f6nigsperger – Wikipedia","description":"From Wikipedia, the free encyclopedia Marianus K\u00f6nigsperger (also called Johann Erhard K\u00f6nigsberger) born 2 December 1708 in Roding (Oberpfalz); and","datePublished":"2015-01-16","dateModified":"2015-01-16","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki19\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki19\/marianus-konigsperger-wikipedia\/","about":["Wiki"],"wordCount":1352,"articleBody":"From Wikipedia, the free encyclopediaMarianus K\u00f6nigsperger (also called Johann Erhard K\u00f6nigsberger) born 2 December 1708 in Roding (Oberpfalz); and died 9 October 1769 in the Pr\u00fcfening Abbey at Regensburg) was a German composer, organist and Catholic Monk of the Benedictine Order.[1][2]Vocal music33 Cantilenae sacrae for voices, 2 Violins and Organ op. 1, Lotter, Augsburg 173310 Missae solemnes and 2 Missae pastoritiae such as 1 Veni Sancte Spiritus op. 1, Lang, Regensburg 17408 Offertories op. 2, Lang, Regensburg 17416 Miserere and 2 Stabat mater op. 3, Klaffschenkel, Augsburg 17436 Missae op. 4, Lotter, Augsburg 17434 Vespern and 4 marianische Antiphonen op. 5, Klaffschenkel, Augsburg 17436 Missae rurales and 2 Requiem for 2 Voices and Basso continuo, other Strings and Instruments ad libitum op. 6, Klaffschenkel, Augsburg 17446 solenne Litaneien op. 7, Klaffschenkel, Augsburg 174417 Offertorien op. 8, Lotter, Augsburg 17446 Missae solemniores and 1 Te Deum op. 10, Klaffschenkel, Augsburg 17476 Stabat Mater op. 11, Lotter, Augsburg 17484 Stationen zum Fest Corporis Christi, 8 Hymnen, 1 Offertorium, 1 Aria de passione and 1 Te Deum op. 12, Lotter, Augsburg 174817 Vesperpsalmen, 1 Magnificat and 4 marianische Antiphonen for 2 Voices and Basso continuo, other voices and Instruments ad libitum op. 13, Lotter, Augsburg 1749 (2. Auflage 1755)3 Vesperpsalmen and 4 marianische Antiphonen op. 14, Lotter, Augsburg 17506 Missae solemniores and 1 Veni Sancte Spiritus op. 15, Lotter, Augsburg 17506 solenne Litaneien op. 17, Lotter, Augsburg 17536 rurale Litaneien and 4 Arien for 2 Voices and Basso continuo, other Voices and Instruments ad libitum op. 19, Lotter, Augsburg 17552 Requiem and 2 Libera op. 20, Lotter, Augsburg 17566 Missae solemnes op. 21, Schmid, Regensburg 176010 Kantaten op. 22, Lotter, Augsburg 17635 Missae solemnes and 1 Requiem op. 23, Lotter, Augsburg 17642 Vespern and 4 marianische Antiphonen op. 24, Lotter, Augsburg 17672 Missae, 2 Offertorien and 1 Te Deum op. 25, Lotter, Augsburg 17671 Offertorium without opus number, Lotter, Augsburg 17561 Offertorium duplicis textus (\u00bbPater noster \/ Benedictus sancta trinitas\u00ab) without opus number, Lotter, Augsburg 17571 Missa pastoritia for 4 Voices, 2 Violins, 2 Trumpets and Violoncello without opus number, Lotter, Augsburg 1769Vespern and 4 Antiphonen in C, F, G and C, without opus number and without year.3 Vespern and 4 Antiphonen in C, G, F and C, without opus number and without year.1 Alma redemptoris mater D-Dur1 Ave Regina for Bass Voice, 2 Violins, 2 Horns and double Bass continuo1 Credidi C-Dur1 Cum invocarem1 Litaniae C-Dur1 Lythania C-DurLythaniae solennes C-DurLitaniae C-Dur1 Messe F-Dur for Sopran, Alt ad libitum, Bass Voice and Organ1 Messe g-Moll for Soprano, Alt, Bass ad libitum and Organ1 Missa pastoritia D-Dur1 Salve Regina D-DurWorks for the theaterBellisarius, die von dem Neyd verfinsterte Welt-Ehr, Amberg 1736Libertas in Captivitate, Amberg 1736Inconstantia Humani Favoris, Amberg 1736Lumen Fidei, Amberg 1736Gering-Sch\u00e4tzung der Marianischen Versamblung, mit ungl\u00fcckseligem Tod bestrafet, Amberg 1736Virtus in pueris adulta, Amberg Mai 1736Maria, eine sichere Zuflucht-Statt der S\u00fcnder, Amberg 1737Sanctus Laurentius Justinianus, Amberg 1737Mater Sanctae Spei, Amberg 1737Fabula Saturnalitia, Amberg 1737Codrus Atheniensium Rex amoris victima, Amberg 1737Mira Amoris Metamorphosis, Amberg 1737Rodericus De Spina ex Rosa, Amberg 1737Alphonsus suimet victor. Das ist Glorreicher Sieg Alphonsi \u00fcber sich selbst, Dillingen 4. September 1737Gloriosa filii in Parentem pietas, Amberg 1738Filialis amor Deiparae, Ingolstadt 18. Mai 1738Mater gratiae, Ingolstadt 11. Januar 1739S. Rainerius noxii pudoris victor, Ingolstadt 10. Mai 1739Dem Leben eines b\u00f6sen Sodalis gem\u00e4\u00dfer Tod, 1739Mater gratiae, M\u00fcnchen 10. November 1743Alphonsus Magnus Se ipso major, undatedS. Rainerius sacrilegi pudoris victor, M\u00fcnchen 1745Abraham sich zweymal schlachtend, undatedPriflinga in anniversaria solennitate, 1761Salomon rex sapientia a Deo collata, 1763Instrumental Music12 Sonates concertantes for solo Violin, 2 Violins, Viola and Double Bass continuo op. 9, Klaffschenkel, Augsburg 174510 Symphoniae for Strings and obligatto Organ, 2 Trompets and Drums ad libitum op. 16, 17516 Konzerte and 2 Pastorellen for Organ und obligatto Strings, 2 Trumpets or Horns ad libitum op. 18, 1754Praeambulum cum fuga primi, secundi, tertii, quarti toni for Organ, 1755Praeambulum cum fuga sexti, septimi, octavi toni for Organ, 1756Praeambulum cum fuga primi (-octavi) toni, 1756Finger-Streit oder Clavier-\u00dcbung durch ein Praeambulum und Fugen, so mit scharfen, harten und weichen Tonen vermengt, 1760Der wohl-unterwiesene Clavier-Sch\u00fcler, 1755, 2. Auflage 1761, 3. Auflage 1772.Literature[edit]M. A. Radice: The Nature of the Style Galant: Evidence from the Repertoire, in: Musical Quarterly Nr. 83, 1999, Edition 4, pages 607\u2013647References[edit]^ {Hermann Ullrich: K\u00f6nigsperger, Marianus OSB. In Ludwig Finscher (ed.): Die Musik in Geschichte und Gegenwart. Zweite Ausgabe, Personenteil, Band 10 (Kemp \u2013 Lert). B\u00e4renreiter\/Metzler, Kassel u. a. 2003, ISBN\u00a03-7618-1120-9, Sp. 498\u2013499}^ {The New Grove Dictionary of Music and Musicians, published by Stanley Sadie, 2nd Edition, Band 13, McMillan Publishers, London 2001, ISBN\u00a00-333-60800-3}External links[edit]  "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/marianus-konigsperger-wikipedia\/#breadcrumbitem","name":"Marianus K\u00f6nigsperger – Wikipedia"}}]}]