[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/max-hayslette-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki19\/max-hayslette-wikipedia\/","headline":"Max Hayslette – Wikipedia","name":"Max Hayslette – Wikipedia","description":"before-content-x4 From Wikipedia, the free encyclopedia “Max at 90” self-portrait by Max Hayslette (2019), original work held by the Main","datePublished":"2014-04-10","dateModified":"2014-04-10","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki19\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/1\/1b\/Max_at_90_cropped.jpg\/220px-Max_at_90_cropped.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/1\/1b\/Max_at_90_cropped.jpg\/220px-Max_at_90_cropped.jpg","height":"327","width":"220"},"url":"https:\/\/wiki.edu.vn\/en\/wiki19\/max-hayslette-wikipedia\/","wordCount":1279,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopedia  “Max at 90” self-portrait by Max Hayslette (2019), original work held by the Main Downtown Library at West Virginia University, Morgantown.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Max Hayslette (born Maxwell Hayslette; June 11, 1929[1]) is an American painter, exhibit designer and graphic artist. He is best known for his landscape and abstract paintings which have been broadly marketed throughout the United States, and internationally, in the form of limited-edition serigraph and giclee prints.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Career and education[edit]Born in Rupert, West Virginia, Hayslette showed artistic ability early in life and began exhibiting his work at venues including the Allied Artists of West Virginia and West Virginia Women’s Club art exhibits when he was still in high school.[2]  Graduating as valedictorian of his class in 1948,[3] he studied for two years at the American Academy of Art in Chicago and subsequently attended classes at the Art Institute of Chicago where his teachers included Egon Weiner and Alexander Archipenko.[4] In 1952, he began working for Kenneth Olson Design in Chicago. Except for a period of military service in 1953-1954, he remained with Olson until relocating in Seattle in 1961.[5]Hayslette joined Martin Berg and Associates, interior and exhibit designers, in Seattle in 1962. His assignments during the next decade included developing major exhibits for industrial clients including Boeing, Mitsubishi and Georgia-Pacific, and designing pavilions for four World\u2019s Fairs.[6]  Winning acclaim for his State of Alaska pavilions at both the 1962 Seattle, and 1964 New York World\u2019s Fairs, Hayslette\u2019s Australia Pavilion at the 1974 Spokane World\u2019s Fair was singled out by the New York Times as the Fair\u2019s  \u201cmost successful\u201d exhibit in reflecting the event\u2019s environmentally friendly theme. [7]In 1973, Hayslette founded Olympus Graphics. The Seattle-based company produced affordable, large-scale (up to 8 feet in length) limited-edition serigraphs featuring artwork by Hayslette for corporate and hotel interior decoration. Olympus Graphics developed a nationwide clientele before being acquired, and renamed Grand Image, by Larry Winn in 1984.[8]While Hayslette continued to create original artwork for Grand Image, he focused increasingly on pursuing his own painting interests in the ensuing years. Equally conversant in realism and abstraction, his work has since been featured in dozens of solo shows at galleries in the states of Washington, California, North Carolina and West Virginia, and at institutions including the Bainbridge Island Museum of Art and West Virginia University.[9] The latter institution holds an extensive collection of Hayslette\u2019s work as well as personal papers documenting his long and diverse career.[10]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4References[edit]^ See Max Hayslette oral history conducted by Steven Lantz, November 23, 2013, regarding variance between family and government records relating to Hayslette’s birthdate. Max Hayslette Archives, West Virginia and Regional History Center, West Virginia University. ^ \u201cAllied Artists Prize-Winning Exhibit Opens Today,\u201d Charleston Gazette, April 18, 1948; \u201cTwo Young Artists Have Exhibits at Woman\u2019s Club Meet,\u201d 1948 news clipping in Max Hayslette Archives. Numerous additional clippings in Max Hayslette Archives. ^  News clipping, Max Hayslette Archives, West Virginia and Regional History Center, West Virginia University^ \u201cMaxwell Hayslette to Enroll in Academy of Art in Chicago\u201d Charleston Gazette, September 5, 1950. Max Hayslette Archives. ^ Hayslette Archives; Lantz^ \u201cExhibit Specialists Build 600 Panel Exhibit\u2026,\u201d Screen Process Magazine, November, 1967. \u201cExhibit of the Month; Squares Really Sing,\u201d Display World, January 1969; Lantz. ^ \u201cExpo \u201974: Merging Marx and Macy\u2019s,\u201d New York Times, July 14, 1974, 397. ^ \u201cGrand Image Releases New Giclees by Hayslette,\u201d Art Business News, September 2001, 29. Max Hayslette; Paintings and Prints, Seattle: Grand Image Galleries, 2005, 56 pp. Lantz.^ \u201cLate Modernist Max Hayslette Bares Soul on Bainbridge,\u201d Kitsap Daily News, June 8, 2010;\u201cHayslette Painting auctioned as Fundraiser,\u201d Beckley Herald Register, December 19 2010;\u201cThe Emotion of Place; International Artist Returns to Roots,\u201d WV South Magazine, February\/March, VI, 2011, 51-53;\u201cYou Can Go Home Again; Local Painter Celebrated,\u201d Kitsap Week, April 22, 2011, 10;\u201cArtist has History with Rainelle,\u201d West Virginia Daily News (Lewisburg, WV),\u201d February 7, 2011, 6;\u201cThe Rugged Coast, Local Artist Max Hayslette Turns His Focus to Northwest Sights,\u201d Kitsap Daily News, April 4, 2014.^ “Collection: Max Hayslette, Artist, Papers and Artwork | West Virginia University Archivesspace”.External links[edit]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki19\/max-hayslette-wikipedia\/#breadcrumbitem","name":"Max Hayslette – Wikipedia"}}]}]