Year
|
Film
|
Winners/Nominees
|
2000 |
Scooby-Doo and the Alien Invaders |
Tim Gedemer (supervising sound editor), Cecil Broughton (supervising foley editor), Kerry Iverson (supervising dialogue editor), Rick Hinson (sound editor), Stuart Ablaza (foley editor), Jim Hearn (dialogue editor)
|
An American Tail: The Mystery of the Night Monster |
Burton Weinstein (supervising sound editor); Scott Kolden (sound editor); Michael C. Gutierrez (foley editor); Geoff McNiel, Michelle C. Stein (dialogue editors); Jay Keiser (adr editor)
|
The Little Mermaid II: Return to the Sea |
David E. Stone (supervising sound editor), Vanessa Theme Ament (supervising foley editor), Mary Andrews (supervising adr editor), Donald Flick (sound editor)
|
Pilgrim |
Mark Beck (supervising sound editor), Virginia Storey (supervising foley editor), Jonas Kuhnemann (supervising dialogue editor/supervising adr editor)
|
Road Rage |
Mark Beck (supervising sound editor); Virginia Storey (supervising foley editor); Katherine Fitzgerald (supervising dialogue editor); Scot Marshall (supervising adr editor); Robert Carli, Steven Toepell (sound editors)
|
Stonebrook |
David Bondelevitch (supervising sound editor/supervising dialogue editor); Greg Back (supervising foley editor); Laurence A. Ellis (supervising adr editor); Barry Keys, Scott Spencer, Joseph Zappala, Donald P. Zappala (sound editors)
|
Tribulation |
Steve Munro (supervising sound editor); Virginia Storey (supervising foley editor); Ray Campbell (supervising dialogue editor); Tim Roberts (supervising adr editor); Colin Baxter, Ken Cade (sound editors); David Drainie Taylor (dialogue editor)
|
Turbulence 2: Fear of Flying |
Dorian Cheah, Paula Fairfield (supervising sound editors); Robert Jackson (supervising dialogue editor/supervising adr editor); Sarah Smith (sound editor/foley editor); Benjamin L. Cook, Craig Jurkiewicz, David Mann, Michael Mullane, Carla Murray, Anne Slack (sound editors); David Grant, Steve Scoville (dialogue editors); Jed M. Dodge, Jason George (adr editors)
|
2001 [1] |
Best Sound Editing – Direct to Video
|
A Texas Funeral |
William Dotson (supervising sound editor); Harry Cohen (sound designer/sound effects editor); Pembrooke Andrews (supervising foley editor); Cathie Speakman (supervising dialogue/adr editor); Jeff K. Brunello, Rebecca Hanck, Jeffrey R. Whitcher (sound effects editors); Frederick H. Stahly (dialogue editor)
|
Apocalypse IV: Judgment |
Steven Toepell (supervising sound editor); Steve Hammond, Virginia Storey (supervising foley editors); Wayne Swingle (supervising dialogue/ adr editor)
|
Manhattan Steamroller: The Christmas Angel |
Victor Iorillo, Doug Kent (supervising sound editors); Michael Babcock, John Edwards-Younger, Jeff Sawyer (sound effects editors); Larry Goeb (adr editor)
|
Mannheim Steamroller: Fresh Aire 8 |
Victor Iorillo (supervising sound editor), Michael Babcock (sound editor), Larry Goeb (adr editor)
|
Road to Redemption |
Mathew Waters (supervising sound editor); Thomas Jones (supervising adr editor); Benjamin L. Cook, Michael Mullane, Johanna Turner (sound effects editors); Robert Getty, Michael Hertlein (dialogue editors); Alec St. John (foley editor)
|
Scooby-Doo and the Cyber Chase |
Cecil Broughton, Tim Gedemer (supervising sound editor); Eileen Horta (supervising foley editor); Mark Keatts (supervising dialogue editor); Rick Hinson, Glenn Oyabe, Dave Rowe (sound editors)
|
Tremors 3: Back to Perfection |
Joseph Zappala (supervising sound editor), Barry Keys (supervising foley editor), George R. Groves Jr. (supervising dialogue editor/sound effects editor), Scott Bernstein (supervising adr editor), Greg Back (sound effects editor), James Christopher (dialogue editor)
|
2002 [2][3] |
The Adventures of Tom Thumb and Thumbelina |
Timothy J. Borquez (supervising sound editor/re-recording mixer), Thomas Syslo (supervising sound editor), Eric Freeman (supervising dialogue editor), Eileen Horta (supervising adr editor)
|
Cowboy Up |
Patrick Dodd, John C. Stuver (supervising sound editors); Christopher Emerson, Michael Jonascu, Michael Payne (sound effects editors); Francesca Estevez (dialogue editor); Anne Laing (adr editor); David Bondelevitch, Daniel DiPrima (music editors)
|
Deceived |
Mark Shnuriwsky (supervising sound editor), Steve Hammond (supervising foley editor), Janice Ierulli (supervising dialogue editor), Robert Warchol (sound editor), Gary Koftinoff (music editor)
|
Larryboy: The Cartoon Adventures- Fly By Might and Angry Eyebrows |
Scott Pinkerton (supervising sound/dialogue editor/adr/music editor), Thomas Chan (supervising sound/music editor)
|
Left Behind II: Tribulation Force |
Tom Bjelic (supervising sound editor), Virginia Storey (supervising foley editor), Brandon Walker (supervising dialogue editor), Gary Koftinoff (music editor)
|
Rock My World |
Mark Beck (supervising sound editor), Steve Hammond (supervising foley editor), Jonas Kuhnemann (supervising dialogue editor), Wayne Swingle (supervising adr editor), Mara Ladico (sound editor), Jonathan Goldsmith (music editor)
|
The Skulls II |
Nelson Ferreira (supervising sound editor); Rob Bertola, Tony Currie, Tim Isle (sound editors)
|
Storm Watch |
Patrick M. Griffith (supervising sound editor/foley/dialogue/adr editor), Timothy Pearson (supervising foley editor), Stephen M. Galvin (supervising dialogue/adr editor), Steve McCarty (sound editor)
|
2003 [4][5][6] |
Best Sound Editing in Direct to Video
|
Bionicle: Mask of Light |
Timothy J. Borquez (supervising sound editor/music editor); Roy Braverman (supervising sound editor); Matt Brown (supervising dialogue editor); Jason Freedman, Eric Freeman, Morgan Gerhard, Gordon Hookailo, Jeff Hutchins, Brian F. Mars, Paul Menichini, Daisuke Sawa, Thomas Syslo (sound editors)
|
101 Dalmatians II: Patch’s London Adventure |
Donald J. Malouf (supervising sound editor); Dan Yale (supervising foley editor); Thomas Whiting (supervising dialogue/adr editor); G.W. Brown, Adam Kopald, Todd Toon (sound editors); Dominick Certo (music editor)
|
Imaginext: Fortress of the Dragon |
|
Inspector Gadget 2 |
Vic Kaspar (sound designer/supervising dialogue/adr editor); Stefan Kluka (supervising foley editor); John Kincade (supervising adr editor); Julius Chan, Liam Egan, Mark Franken (sound effects editors); Matt Connolly (dialogue editor); Simon Leadley, Tim Ryan (music editors)
|
Left Behind II: Tribulation Force |
Tom Bjelic (supervising sound editor), Virginia Storey (supervising foley editor), Brandon Walker (supervising dialogue editor), Gary Koftinoff (music editor)
|
Stitch! The Movie |
Otis Van Osten (sound designer), Jody Thomas (supervising foley editor); Jason Oliver (supervising dialogue/adr editor); Ron Salaises, Kenneth Young (sound effects editors); Dominick Certo (music/scoring editor)
|
Timequest |
Mark Beck (supervising sound editor); Steve Hammond (supervising foley editor); Jonas Kuhnemann (supervising dialogue editor); Danielle McBride, David Moffat (sound editors); Daniel Peter Kolton (music editor)
|
Unconditional Love |
Avram D. Gold (supervising sound/dialogue/adr editor); Richard L. Anderson (supervising sound editor); Jim Weidman (supervising music editor); Elliott Koretz, George Simpson, David A. Whittaker (sound effects editors); Rick Mitchell (foley editor); Donald J. Malouf (dialogue editor); Barbara McDermott, David Olson, Joe E. Rand (music editors)
|
Under Heavy Fire |
|
2004 [7][8] |
Bionicle 2: Legends of Metru Nui |
Timothy J. Borquez (supervising sound/music editor); Roy Braverman (supervising sound editor); Eric Freeman (supervising dialogue editor); Doug Andham (supervising adr editor); Michael Geisler, Gordon Hookailo, Mark Howlett, Jeff Hutchins, Marc Mailand, Brian F. Mars, Paul Menichini, Daisuke Sawa, Thomas Syslo (sound effects editors); Jason Freedman (foley editor)
|
The Chronicles of Riddick: Dark Fury |
Scott Martin Gershin, Glynna Grimala (supervising sound editors); Bryan Bowen, Bryan Celano, Lisle Engle, Tom Ozanich, Steve Tushar, Peter Zinda (sound editors)
|
Hollywood North |
Nelson Ferreira (supervising sound/dialogue/adr editor), Kevin Banks (supervising sound/music/sound effects editor), Craig Henighan (sound effects editor)
|
The Lion King 1½ |
Ronald Eng (supervising sound editor); Willard Overstreet (supervising foley editor); Tammy Fearing (supervising dialogue/adr editor); Doug Jackson, Chuck Michael, Steve Tushar (sound editors); Dominick Certo (music editor)
|
Mickey’s Twice Upon a Christmas |
Donald J. Malouf (supervising sound editor); Dan Yale (supervising foley editor); Thomas Whiting (supervising dialogue/adr editor); Todd Toon (sound effects editor); Charles W. Ritter (foley editor); G.W. Brown, Devon Heffley Curry, Lisa J. Levine (dialogue editors); Tammy Fearing (adr editor); Dominick Certo (music editor)
|
The Skulls III |
Nelson Ferreira (supervising sound/dialogue/adr editor), Rob Bertola (supervising sound/adr editor), Mike Welker (adr editor), Kevin Banks (music editor)
|
2005 [9][10][11] |
Ark |
Mike Draghi (supervising sound editor); Stephen P. Robinson (sound designer); Ernie Sheesley (supervising foley editor); Gordon Suffield (supervising dialogue editor); Kyle Clausen, Mike Garcia (sound editors); Steven A. Saltzman (music editor); Adam DeCoster, Paige Pollack (foley artists)
|
The Batman vs. Dracula |
Timothy J. Borquez, Thomas Syslo (supervising sound editors); Tony Orozco (supervising foley editor); Mark Keatts (supervising dialogue editor); Kelly Ann Foley (supervising adr editor); Doug Andham, Daniel Ben-Shimon, Keith Dickens, Ron Ruzicka, Daisuke Sawa (sound editors); Mike Garcia, Mark Keefer, Chuck Smith (dialogue editors); Johs Wu (music editor); Sean Rowe (foley artist)
|
Bionicle 3: Web of Shadows |
Timothy J. Borquez (supervising sound/music editor); Thomas Syslo (supervising sound editor); Tony Orozco (supervising foley editor); Eric Freeman (supervising dialogue editor); Robert Crew (supervising adr editor); Roy Braverman (sound effects editor); Doug Andham, Keith Dickens, Jason Freedman, Mark Howlett, Jeff Hutchins, Daisuke Sawa, Greg Schorer (sound editors); Brian F. Mars (dialogue editor); Sean Rowe (foley artist)
|
Control |
Jack Levy (supervising sound editor), Daniel Colman (sound designer), Vince Balunas (supervising dialogue editor), Chris Boyett (supervising adr editor), Chris McGeary (music editor), Doug Madick (foley artist)
|
Cypher |
Stephen Barden, Craig Henighan (supervising sound editors); Joe Bracciale (dialogue editor); Jill Purdy (adr editor); Tom Kramer (music editor)
|
Left Behind: World at War |
Mark Beck (supervising sound editor), Virginia Storey (supervising foley editor/artist), Fred Brennan (supervising dialogue editor), Richard Calistan (supervising adr editor), Dan Sexton (sound editor), Gary Chang (music editor)
|
Nothing |
Stephen Barden, Craig Henighan (supervising sound editors); Jill Purdy (dialogue editor); Kevin Banks (music editor); John Sievert (foley artist)
|
2006 [12][13][14] |
Best Sound Editing in a Direct to Video Project
|
The Fox and the Hound 2 |
Donald J. Malouf (supervising sound editor); Dan Yale (supervising foley editor); Thomas Whiting (supervising dialogue/adr editor); Charles W. Ritter (sound effects/dialogue editor); Todd Toon (sound effects editor); Tanya Noel Hill, Charles Martin Inouye (music editors)
|
Connors’ War |
Mark Lanza (supervising sound editor); Vic Radulich (supervising dialogue editor); Michael Mullane (sound effects editor); James Bairian, Louis Castle (music editors)
|
Leroy & Stitch |
Melinda Dilger, Otis Van Osten (supervising sound editors); Trevor Sperry (supervising foley editor); Jason Oliver (supervising dialogue/adr editor); Wes Otis, Jeff Shiffman (sound effects editors); Michael Tavera (music editor)
|
Three and a Half |
Mark Beck (supervising sound editor), Steve Hammond (supervising foley editor), Jonas Kuhnemann (supervising dialogue editor), Richard Calistan (supervising adr editor), Bill Halliday (music editor)
|
Ultimate Avengers: The Movie |
Clive H. Mizumoto, Ron Salaises (supervising sound editors); John Brengman (supervising foley editor); Mike Garcia (supervising dialogue editor); Mike Draghi (sound effects/dialogue/music editor); Kyle Clausen, Timothy A. Cleveland, Paul J. Diller, Stephen P. Robinson, Kenneth Young (sound effects editors); Mark Ryan (music editor)
|
Ultimate Avengers 2: Rise of the Panther |
Mike Draghi, Stephen P. Robinson (supervising sound editors); David Ball (supervising foley editor); Mike Garcia (supervising dialogue editor); Kyle Clausen, Mark Lanza (sound effects editors); David W. Barr (adr editor); Mark Ryan (music editor)
|
2007 [15] |
Best Sound Editing – Direct to Video
|
Return to House on Haunted Hill |
Bill R. Dean (supervising sound editor); Dane Davis (sound designer); Christopher Alba (supervising foley editor); Stephanie Brown (supervising dialogue editor); Bobbi Banks (supervising adr editor); Drew Yerys (sound editor); Angela Hackner, Paul Hackner, Andrew Twite, Greg Ward (dialogue editors); Richard Adrian, Greg Hedgepath (sound design)
|
Superman: Doomsday |
Robert Hargreaves (supervising sound editor/designer/foley artist); Mark Keatts (supervising sound editor/sound designer); Mike Garcia, Mark Keefer (dialogue editors); Christine H. Luethje (music editor); John Hegedes (foley recordist)
|
Amazing Journey: The Story of The Who |
Bill R. Dean (supervising sound editor); Steve Nelson (supervising foley editor); Paul Hackner (supervising dialogue editor); Greg Hedgepath, James Morioka, Anthony Roza, Drew Yerys (sound editor); Stephanie Brown (dialogue editor); Paul Crowder (music editor)
|
The Invincible Iron Man |
Mike Draghi, Stephen P. Robinson (supervising sound editors/sound designers); David Ball (supervising foley editor); Mike Garcia (supervising dialogue editor); Kyle Clausen, Stuart Provine, Tim Walston (sound editors); Mark Ryan (music editor)
|
The Veteran |
Mark Shnuriwsky (supervising sound editor/sound designer); Joe Mancuso (supervising dialogue editor); Richard Calistan (supervising adr editor); Mark Beck, Kevin Howard, Dan Sexton (sound effects editors); Alastair Gray, Rob Hegedus, Jonas Kuhnemann (dialogue editors); Eric Cadesky, Nick Dyer (music editors)
|
2008 [16][17][18] |
Batman: Gotham Knight |
Robert Hargreaves (supervising sound editor/designer/sound effects editor/foley artist); Mark Keatts (supervising dialogue editor); Kelly Ann Foley, Mike Garcia, Mark Keefer (dialogue editors); Christine H. Luethje (music editor)
|
Futurama: Bender’s Game |
Travis Powers (supervising sound editor), Paul D. Calder (supervising dialogue editor), Scott Schirle (music editor)
|
Get Smart’s Bruce and Lloyd: Out of Control |
Gregory M. Gerlich (supervising sound/adr editor); Sandy Berman (sound designer); David M. Cowan (supervising dialogue editor); Stuart Calderon, Timothy A. Cleveland, Paul J. Diller (sound effects editors); Jeremy J. Gordon (adr editor); Robb Boyd (music editor); Shelley Roden, Jody Thomas (foley artists),
|
Justice League: The New Frontier |
Timothy J. Borquez, Thomas Syslo (supervising sound editors); Mark Keatts (supervising dialogue/adr editor); Doug Andham, Keith Dickens, Eric Freeman, Tony Orozco, Daisuke Sawa (sound effects editors); Kelly Ann Foley, Mike Garcia, Mark Keefer (dialogue editors); Kevin Manthei (music editor); Diane Greco, Sean Rowe (foley artists)
|
Weirdsville |
Mark Gingras (supervising sound editor), Steve Hammond (supervising foley editor), Allan Fung (supervising dialogue editor), John Rowley (music editor)
|
2009 [19][20][21] |
Family Guy: Something, Something, Something, Dark Side |
Bob Newlan (supervising sound editor); Andrew Ellerd (sound designer); Brian Nichols (sound effects editor); Patrick S. Clark, Mark Eklund (dialogue editor); Stan Jones, Douglas M. Lackey (music editors); Dale W. Perry (foley artist),
|
B.O.B.’s Big Break |
John Marquis (supervising sound editor); Jonathan Klein (supervising foley editor); P.K. Hooker (sound effects editor); Adam Milo Smalley (music editor); Alyson Dee Moore, John Roesch (foley artists)
|
Caprica: Pilot |
Daniel Colman (supervising sound/designer); Jack Levy (supervising sound editor); Sam C. Lewis (supervising foley editor); Vince Balunas (supervising dialogue/adr editor); Jeff K. Brunello (foley editor); Michael Baber (music editor); Doug Madick, Richard Partlow (foley artists)
|
Exit Speed |
George Haddad (supervising sound/dialogue/foley editor); David Barbee, Bradley C. Katona (sound designers/effects editors); Hugh Murphy (supervising foley editor); Edmund J. Lachmann (supervising adr editor/, dialogue/adr editor); David Baldwin (sound effects editor); Charlie Kolander (dialogue editor); Giorgio Bertuccelli (music editor); Zane D. Bruce, Joseph T. Sabella (foley artists)
|
Lionelville: Destination Adventure |
Rick Hinson (supervising sound editor); Jeffrey Kettle (supervising foley editor); William Hinson (sound effects editor); Sanaa Kelley, Cynthia Merrill (foley artists)
|
Tinker Bell and the Lost Treasure |
Donald J. Malouf (supervising sound/designer); Dan Yale (supervising foley editor); Thomas Whiting (supervising dialogue/adr editor); Randy Babajtis (sound effects editor); Eliza Pollack Zebert (dialogue editor); Dominick Certo (music editor); John T. Cucci, Dan O’Connell (foley artists)
|
Wrong Turn 3: Left for Dead |
Trip Brock, Peter D. Lago (supervising sound editors); Steven Avila (sound designer); Alexander Pugh (sound effects editor); Brian S.M. Wroth (dialogue editor); Ginger Geary (foley artist)
|
Recent Comments