Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media

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Year Film Winners/Nominees 2000 Scooby-Doo and the Alien Invaders Tim Gedemer (supervising sound editor), Cecil Broughton (supervising foley editor), Kerry Iverson (supervising dialogue editor), Rick Hinson (sound editor), Stuart Ablaza (foley editor), Jim Hearn (dialogue editor) An American Tail: The Mystery of the Night Monster Burton Weinstein (supervising sound editor); Scott Kolden (sound editor); Michael C. Gutierrez (foley editor); Geoff McNiel, Michelle C. Stein (dialogue editors); Jay Keiser (adr editor) The Little Mermaid II: Return to the Sea David E. Stone (supervising sound editor), Vanessa Theme Ament (supervising foley editor), Mary Andrews (supervising adr editor), Donald Flick (sound editor) Pilgrim Mark Beck (supervising sound editor), Virginia Storey (supervising foley editor), Jonas Kuhnemann (supervising dialogue editor/supervising adr editor) Road Rage Mark Beck (supervising sound editor); Virginia Storey (supervising foley editor); Katherine Fitzgerald (supervising dialogue editor); Scot Marshall (supervising adr editor); Robert Carli, Steven Toepell (sound editors) Stonebrook David Bondelevitch (supervising sound editor/supervising dialogue editor); Greg Back (supervising foley editor); Laurence A. Ellis (supervising adr editor); Barry Keys, Scott Spencer, Joseph Zappala, Donald P. Zappala (sound editors) Tribulation Steve Munro (supervising sound editor); Virginia Storey (supervising foley editor); Ray Campbell (supervising dialogue editor); Tim Roberts (supervising adr editor); Colin Baxter, Ken Cade (sound editors); David Drainie Taylor (dialogue editor) Turbulence 2: Fear of Flying Dorian Cheah, Paula Fairfield (supervising sound editors); Robert Jackson (supervising dialogue editor/supervising adr editor); Sarah Smith (sound editor/foley editor); Benjamin L. Cook, Craig Jurkiewicz, David Mann, Michael Mullane, Carla Murray, Anne Slack (sound editors); David Grant, Steve Scoville (dialogue editors); Jed M. Dodge, Jason George (adr editors) 2001
[1] Best Sound Editing – Direct to Video A Texas Funeral William Dotson (supervising sound editor); Harry Cohen (sound designer/sound effects editor); Pembrooke Andrews (supervising foley editor); Cathie Speakman (supervising dialogue/adr editor); Jeff K. Brunello, Rebecca Hanck, Jeffrey R. Whitcher (sound effects editors); Frederick H. Stahly (dialogue editor) Apocalypse IV: Judgment Steven Toepell (supervising sound editor); Steve Hammond, Virginia Storey (supervising foley editors); Wayne Swingle (supervising dialogue/ adr editor) Manhattan Steamroller: The Christmas Angel Victor Iorillo, Doug Kent (supervising sound editors); Michael Babcock, John Edwards-Younger, Jeff Sawyer (sound effects editors); Larry Goeb (adr editor) Mannheim Steamroller: Fresh Aire 8 Victor Iorillo (supervising sound editor), Michael Babcock (sound editor), Larry Goeb (adr editor) Road to Redemption Mathew Waters (supervising sound editor); Thomas Jones (supervising adr editor); Benjamin L. Cook, Michael Mullane, Johanna Turner (sound effects editors); Robert Getty, Michael Hertlein (dialogue editors); Alec St. John (foley editor) Scooby-Doo and the Cyber Chase Cecil Broughton, Tim Gedemer (supervising sound editor); Eileen Horta (supervising foley editor); Mark Keatts (supervising dialogue editor); Rick Hinson, Glenn Oyabe, Dave Rowe (sound editors) Tremors 3: Back to Perfection Joseph Zappala (supervising sound editor), Barry Keys (supervising foley editor), George R. Groves Jr. (supervising dialogue editor/sound effects editor), Scott Bernstein (supervising adr editor), Greg Back (sound effects editor), James Christopher (dialogue editor) 2002
[2][3] The Adventures of Tom Thumb and Thumbelina Timothy J. Borquez (supervising sound editor/re-recording mixer), Thomas Syslo (supervising sound editor), Eric Freeman (supervising dialogue editor), Eileen Horta (supervising adr editor) Cowboy Up Patrick Dodd, John C. Stuver (supervising sound editors); Christopher Emerson, Michael Jonascu, Michael Payne (sound effects editors); Francesca Estevez (dialogue editor); Anne Laing (adr editor); David Bondelevitch, Daniel DiPrima (music editors) Deceived Mark Shnuriwsky (supervising sound editor), Steve Hammond (supervising foley editor), Janice Ierulli (supervising dialogue editor), Robert Warchol (sound editor), Gary Koftinoff (music editor) Larryboy: The Cartoon Adventures- Fly By Might and Angry Eyebrows Scott Pinkerton (supervising sound/dialogue editor/adr/music editor), Thomas Chan (supervising sound/music editor) Left Behind II: Tribulation Force Tom Bjelic (supervising sound editor), Virginia Storey (supervising foley editor), Brandon Walker (supervising dialogue editor), Gary Koftinoff (music editor) Rock My World Mark Beck (supervising sound editor), Steve Hammond (supervising foley editor), Jonas Kuhnemann (supervising dialogue editor), Wayne Swingle (supervising adr editor), Mara Ladico (sound editor), Jonathan Goldsmith (music editor) The Skulls II Nelson Ferreira (supervising sound editor); Rob Bertola, Tony Currie, Tim Isle (sound editors) Storm Watch Patrick M. Griffith (supervising sound editor/foley/dialogue/adr editor), Timothy Pearson (supervising foley editor), Stephen M. Galvin (supervising dialogue/adr editor), Steve McCarty (sound editor) 2003
[4][5][6] Best Sound Editing in Direct to Video Bionicle: Mask of Light Timothy J. Borquez (supervising sound editor/music editor); Roy Braverman (supervising sound editor); Matt Brown (supervising dialogue editor); Jason Freedman, Eric Freeman, Morgan Gerhard, Gordon Hookailo, Jeff Hutchins, Brian F. Mars, Paul Menichini, Daisuke Sawa, Thomas Syslo (sound editors) 101 Dalmatians II: Patch’s London Adventure Donald J. Malouf (supervising sound editor); Dan Yale (supervising foley editor); Thomas Whiting (supervising dialogue/adr editor); G.W. Brown, Adam Kopald, Todd Toon (sound editors); Dominick Certo (music editor) Imaginext: Fortress of the Dragon Inspector Gadget 2 Vic Kaspar (sound designer/supervising dialogue/adr editor); Stefan Kluka (supervising foley editor); John Kincade (supervising adr editor); Julius Chan, Liam Egan, Mark Franken (sound effects editors); Matt Connolly (dialogue editor); Simon Leadley, Tim Ryan (music editors) Left Behind II: Tribulation Force Tom Bjelic (supervising sound editor), Virginia Storey (supervising foley editor), Brandon Walker (supervising dialogue editor), Gary Koftinoff (music editor) Stitch! The Movie Otis Van Osten (sound designer), Jody Thomas (supervising foley editor); Jason Oliver (supervising dialogue/adr editor); Ron Salaises, Kenneth Young (sound effects editors); Dominick Certo (music/scoring editor) Timequest Mark Beck (supervising sound editor); Steve Hammond (supervising foley editor); Jonas Kuhnemann (supervising dialogue editor); Danielle McBride, David Moffat (sound editors); Daniel Peter Kolton (music editor) Unconditional Love Avram D. Gold (supervising sound/dialogue/adr editor); Richard L. Anderson (supervising sound editor); Jim Weidman (supervising music editor); Elliott Koretz, George Simpson, David A. Whittaker (sound effects editors); Rick Mitchell (foley editor); Donald J. Malouf (dialogue editor); Barbara McDermott, David Olson, Joe E. Rand (music editors) Under Heavy Fire 2004
[7][8] Bionicle 2: Legends of Metru Nui Timothy J. Borquez (supervising sound/music editor); Roy Braverman (supervising sound editor); Eric Freeman (supervising dialogue editor); Doug Andham (supervising adr editor); Michael Geisler, Gordon Hookailo, Mark Howlett, Jeff Hutchins, Marc Mailand, Brian F. Mars, Paul Menichini, Daisuke Sawa, Thomas Syslo (sound effects editors); Jason Freedman (foley editor) The Chronicles of Riddick: Dark Fury Scott Martin Gershin, Glynna Grimala (supervising sound editors); Bryan Bowen, Bryan Celano, Lisle Engle, Tom Ozanich, Steve Tushar, Peter Zinda (sound editors) Hollywood North Nelson Ferreira (supervising sound/dialogue/adr editor), Kevin Banks (supervising sound/music/sound effects editor), Craig Henighan (sound effects editor) The Lion King 1½ Ronald Eng (supervising sound editor); Willard Overstreet (supervising foley editor); Tammy Fearing (supervising dialogue/adr editor); Doug Jackson, Chuck Michael, Steve Tushar (sound editors); Dominick Certo (music editor) Mickey’s Twice Upon a Christmas Donald J. Malouf (supervising sound editor); Dan Yale (supervising foley editor); Thomas Whiting (supervising dialogue/adr editor); Todd Toon (sound effects editor); Charles W. Ritter (foley editor); G.W. Brown, Devon Heffley Curry, Lisa J. Levine (dialogue editors); Tammy Fearing (adr editor); Dominick Certo (music editor) The Skulls III Nelson Ferreira (supervising sound/dialogue/adr editor), Rob Bertola (supervising sound/adr editor), Mike Welker (adr editor), Kevin Banks (music editor) 2005
[9][10][11] Ark Mike Draghi (supervising sound editor); Stephen P. Robinson (sound designer); Ernie Sheesley (supervising foley editor); Gordon Suffield (supervising dialogue editor); Kyle Clausen, Mike Garcia (sound editors); Steven A. Saltzman (music editor); Adam DeCoster, Paige Pollack (foley artists) The Batman vs. Dracula Timothy J. Borquez, Thomas Syslo (supervising sound editors); Tony Orozco (supervising foley editor); Mark Keatts (supervising dialogue editor); Kelly Ann Foley (supervising adr editor); Doug Andham, Daniel Ben-Shimon, Keith Dickens, Ron Ruzicka, Daisuke Sawa (sound editors); Mike Garcia, Mark Keefer, Chuck Smith (dialogue editors); Johs Wu (music editor); Sean Rowe (foley artist) Bionicle 3: Web of Shadows Timothy J. Borquez (supervising sound/music editor); Thomas Syslo (supervising sound editor); Tony Orozco (supervising foley editor); Eric Freeman (supervising dialogue editor); Robert Crew (supervising adr editor); Roy Braverman (sound effects editor); Doug Andham, Keith Dickens, Jason Freedman, Mark Howlett, Jeff Hutchins, Daisuke Sawa, Greg Schorer (sound editors); Brian F. Mars (dialogue editor); Sean Rowe (foley artist) Control Jack Levy (supervising sound editor), Daniel Colman (sound designer), Vince Balunas (supervising dialogue editor), Chris Boyett (supervising adr editor), Chris McGeary (music editor), Doug Madick (foley artist) Cypher Stephen Barden, Craig Henighan (supervising sound editors); Joe Bracciale (dialogue editor); Jill Purdy (adr editor); Tom Kramer (music editor) Left Behind: World at War Mark Beck (supervising sound editor), Virginia Storey (supervising foley editor/artist), Fred Brennan (supervising dialogue editor), Richard Calistan (supervising adr editor), Dan Sexton (sound editor), Gary Chang (music editor) Nothing Stephen Barden, Craig Henighan (supervising sound editors); Jill Purdy (dialogue editor); Kevin Banks (music editor); John Sievert (foley artist) 2006
[12][13][14] Best Sound Editing in a Direct to Video Project The Fox and the Hound 2 Donald J. Malouf (supervising sound editor); Dan Yale (supervising foley editor); Thomas Whiting (supervising dialogue/adr editor); Charles W. Ritter (sound effects/dialogue editor); Todd Toon (sound effects editor); Tanya Noel Hill, Charles Martin Inouye (music editors) Connors’ War Mark Lanza (supervising sound editor); Vic Radulich (supervising dialogue editor); Michael Mullane (sound effects editor); James Bairian, Louis Castle (music editors) Leroy & Stitch Melinda Dilger, Otis Van Osten (supervising sound editors); Trevor Sperry (supervising foley editor); Jason Oliver (supervising dialogue/adr editor); Wes Otis, Jeff Shiffman (sound effects editors); Michael Tavera (music editor) Three and a Half Mark Beck (supervising sound editor), Steve Hammond (supervising foley editor), Jonas Kuhnemann (supervising dialogue editor), Richard Calistan (supervising adr editor), Bill Halliday (music editor) Ultimate Avengers: The Movie Clive H. Mizumoto, Ron Salaises (supervising sound editors); John Brengman (supervising foley editor); Mike Garcia (supervising dialogue editor); Mike Draghi (sound effects/dialogue/music editor); Kyle Clausen, Timothy A. Cleveland, Paul J. Diller, Stephen P. Robinson, Kenneth Young (sound effects editors); Mark Ryan (music editor) Ultimate Avengers 2: Rise of the Panther Mike Draghi, Stephen P. Robinson (supervising sound editors); David Ball (supervising foley editor); Mike Garcia (supervising dialogue editor); Kyle Clausen, Mark Lanza (sound effects editors); David W. Barr (adr editor); Mark Ryan (music editor) 2007
[15] Best Sound Editing – Direct to Video Return to House on Haunted Hill Bill R. Dean (supervising sound editor); Dane Davis (sound designer); Christopher Alba (supervising foley editor); Stephanie Brown (supervising dialogue editor); Bobbi Banks (supervising adr editor); Drew Yerys (sound editor); Angela Hackner, Paul Hackner, Andrew Twite, Greg Ward (dialogue editors); Richard Adrian, Greg Hedgepath (sound design) Superman: Doomsday Robert Hargreaves (supervising sound editor/designer/foley artist); Mark Keatts (supervising sound editor/sound designer); Mike Garcia, Mark Keefer (dialogue editors); Christine H. Luethje (music editor); John Hegedes (foley recordist) Amazing Journey: The Story of The Who Bill R. Dean (supervising sound editor); Steve Nelson (supervising foley editor); Paul Hackner (supervising dialogue editor); Greg Hedgepath, James Morioka, Anthony Roza, Drew Yerys (sound editor); Stephanie Brown (dialogue editor); Paul Crowder (music editor) The Invincible Iron Man Mike Draghi, Stephen P. Robinson (supervising sound editors/sound designers); David Ball (supervising foley editor); Mike Garcia (supervising dialogue editor); Kyle Clausen, Stuart Provine, Tim Walston (sound editors); Mark Ryan (music editor) The Veteran Mark Shnuriwsky (supervising sound editor/sound designer); Joe Mancuso (supervising dialogue editor); Richard Calistan (supervising adr editor); Mark Beck, Kevin Howard, Dan Sexton (sound effects editors); Alastair Gray, Rob Hegedus, Jonas Kuhnemann (dialogue editors); Eric Cadesky, Nick Dyer (music editors) 2008
[16][17][18] Batman: Gotham Knight Robert Hargreaves (supervising sound editor/designer/sound effects editor/foley artist); Mark Keatts (supervising dialogue editor); Kelly Ann Foley, Mike Garcia, Mark Keefer (dialogue editors); Christine H. Luethje (music editor) Futurama: Bender’s Game Travis Powers (supervising sound editor), Paul D. Calder (supervising dialogue editor), Scott Schirle (music editor) Get Smart’s Bruce and Lloyd: Out of Control Gregory M. Gerlich (supervising sound/adr editor); Sandy Berman (sound designer); David M. Cowan (supervising dialogue editor); Stuart Calderon, Timothy A. Cleveland, Paul J. Diller (sound effects editors); Jeremy J. Gordon (adr editor); Robb Boyd (music editor); Shelley Roden, Jody Thomas (foley artists), Justice League: The New Frontier Timothy J. Borquez, Thomas Syslo (supervising sound editors); Mark Keatts (supervising dialogue/adr editor); Doug Andham, Keith Dickens, Eric Freeman, Tony Orozco, Daisuke Sawa (sound effects editors); Kelly Ann Foley, Mike Garcia, Mark Keefer (dialogue editors); Kevin Manthei (music editor); Diane Greco, Sean Rowe (foley artists) Weirdsville Mark Gingras (supervising sound editor), Steve Hammond (supervising foley editor), Allan Fung (supervising dialogue editor), John Rowley (music editor) 2009
[19][20][21] Family Guy: Something, Something, Something, Dark Side Bob Newlan (supervising sound editor); Andrew Ellerd (sound designer); Brian Nichols (sound effects editor); Patrick S. Clark, Mark Eklund (dialogue editor); Stan Jones, Douglas M. Lackey (music editors); Dale W. Perry (foley artist), B.O.B.’s Big Break John Marquis (supervising sound editor); Jonathan Klein (supervising foley editor); P.K. Hooker (sound effects editor); Adam Milo Smalley (music editor); Alyson Dee Moore, John Roesch (foley artists) Caprica: Pilot Daniel Colman (supervising sound/designer); Jack Levy (supervising sound editor); Sam C. Lewis (supervising foley editor); Vince Balunas (supervising dialogue/adr editor); Jeff K. Brunello (foley editor); Michael Baber (music editor); Doug Madick, Richard Partlow (foley artists) Exit Speed George Haddad (supervising sound/dialogue/foley editor); David Barbee, Bradley C. Katona (sound designers/effects editors); Hugh Murphy (supervising foley editor); Edmund J. Lachmann (supervising adr editor/, dialogue/adr editor); David Baldwin (sound effects editor); Charlie Kolander (dialogue editor); Giorgio Bertuccelli (music editor); Zane D. Bruce, Joseph T. Sabella (foley artists) Lionelville: Destination Adventure Rick Hinson (supervising sound editor); Jeffrey Kettle (supervising foley editor); William Hinson (sound effects editor); Sanaa Kelley, Cynthia Merrill (foley artists) Tinker Bell and the Lost Treasure Donald J. Malouf (supervising sound/designer); Dan Yale (supervising foley editor); Thomas Whiting (supervising dialogue/adr editor); Randy Babajtis (sound effects editor); Eliza Pollack Zebert (dialogue editor); Dominick Certo (music editor); John T. Cucci, Dan O’Connell (foley artists) Wrong Turn 3: Left for Dead Trip Brock, Peter D. Lago (supervising sound editors); Steven Avila (sound designer); Alexander Pugh (sound effects editor); Brian S.M. Wroth (dialogue editor); Ginger Geary (foley artist)
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