V.
|
Title
|
Scoring
|
Date
|
Notes
|
By date:
|
57
|
Sonata in D minor
|
violin, piano
|
1885
|
unfinished, manuscript (marked “Opus 3”)
|
44
|
Choral, (À mon oncle Pierre Lekeu)
|
violin, piano
|
1885/6-7
|
Opus 3
|
113
|
Lamento
|
violin
|
1886/11
|
|
93
|
Andantino semplice, (Andantino semplice e molto espressivo)
|
piano
|
1887/6/22
|
|
76
|
Les Deux bonnes sœurs
|
voice, piano
|
1887/8
|
Text: Charles Baudelaire;
lost
|
78
|
Lied de matelot
|
voice, piano
|
1887/8
|
lost; completed but a manuscript of an unfinished sketch exists
|
77
|
La Fenêtre de la maison paternelle
|
mezzo-soprano, piano
|
1887/8
|
Text: Alphonse de Lamartine
|
–
|
Invocation à Mallarmé
|
voice, piano
|
1887/summer
|
Text: Stéphane Mallarmé
|
80
|
Les Pavots
|
tenor/baritone, piano
|
1887/9
|
Text: Alphonse de Lamartine
|
48
|
Méditation for string quartet, in G major
|
2 violins, viola, cello
|
1887/8-9
|
intended as 2nd mvt of a string quartet, but the other mvts never written
|
63
|
String Quartet in D minor
- 1st mvt
- Adagio
- Canzonetta
- Finale
|
2 violins, viola, cello
|
1887/8-9
|
lost; mvts 1-3 completed, 4th mvt unknown, a manuscript of sketches exists
|
49
|
Menuet
|
2 violins, viola, cello
|
1887/9
|
|
52
|
Mon âme est triste jusq’à la mort (My soul is sad unto death): Molto adagio, (Molto adagio sempre cantate e doloroso)
|
2 violins, viola, cello
|
1887/10/26
|
Preface to a Quartet on phrases from the Bible
|
84
|
Adagio religioso, (Adagio religioso col piu grand’ espressione)
|
piano
|
1887
|
|
106
|
Tempo di Mazurka
|
piano
|
1887/10
|
|
99 96 102 100
|
Morceaux égoïstes Set 1
- Lamento
- Chant pastorale
- Moderato poco allegro
- Lento doloroso
|
piano
|
1887/9 1887/10/20 1887/11 1887/11/26
|
#1 & #2 lost
|
58
|
Quatuor contrapuntique
|
2 violins, viola, cello
|
1887/8-11
|
planned, sketches?
|
95
|
Berceuse et Valse (pot-pourri)
|
piano
|
1887
|
|
71
|
Prélude, Andantino and Tarentelle
|
cello, piano
|
1887
|
written for the cellist Gillet;
lost
|
66
|
Thema con variazioni
|
violin, viola, cello
|
1888/2/1
|
|
33
|
Adagio molto espressivo
|
2 violins, piano
|
1888/2
|
|
60
|
Quatuor (String Quartet), in G major
- Allegretto quasi allegro
- Adagio sostenuto
- Capriccio
- Romance
- Poco allegro e molto scherzoso
- Final
|
2 violins, viola, cello
|
1888/2/15
|
|
50
|
Minuetto
|
2 violins
|
1888/2/18
|
|
65
|
Sonate (Cello Sonata), in F major
- Le cœuer plein des songes funèbres (The heart full of funeral dreams): Adagio malinconico
- It is both bitter and sweet during winter nights: Allegro molto quasi presto
- Mater suspiriorum: Lento assai
- You have caused me to prefer the sorrows of the night to the splendours of the day: Épilogue
|
cello, piano
|
1888/3
|
last few pages of last mvt are lost (though possibly it was unfinished);
completed by Vincent d’Indy 1923
|
38
|
Vouloir: Andante più tosto adagio
|
violin, piano
|
1888/4/23
|
|
85 88 91 86 87
|
Morceaux égoïstes Set 2
- Allegro marcato
- Andante in F major
- Andantino malinconico, a tre voci
- Andante in A minor
- Andante
|
piano
|
1887/11/27 1887/12 1888/1/4 1888/1/10 1888/5/17
|
|
31
|
Prèlude pour le troisième acte de Phèdre
|
orchestra
|
1888/9
|
Text: Victor Hugo;
piano reduction;
lost?
|
2
|
Scene from Les Burgraves
|
contralto, tenor, orchestra
|
1888/11
|
Text: Victor Hugo;
orchestra in a piano reduction, unknown whether it was ever orchestrated;
themes later reused in orchestral work Burgraves
|
92
|
Morceau: Andante sostenuto
|
piano 4-hands
|
1889
|
a fantasia on a Cramignon or Walloon folk dance melody
|
41
|
Canon
|
2 violins
|
1889
|
|
119
|
Étude de fugue
|
|
1889
|
|
27
|
Introduction symphonique aux Burgraves, (Overture after Victor Hugo’s Les Burgraves)
- Première partie: Modéré, très solennel
- Seconde partie
- Troisième partie
|
orchestra
|
1889/4/16
|
the date is that of the 3 mvt sketch, before orchestration; the 3rd mvt was discarded and never orchestrated
|
103
|
Moderato quasi largo
|
piano
|
1889/spring
|
|
127
|
Poème de religion
|
orchestra
|
1889/9
|
projected, never written?
|
–
|
(unknown title)
|
chorus, orchestra
|
1889/9/30
|
written at the request of Professor Alphonse Voncken, director of the Société Royal de l’Emulation in Verviers;
lost
|
1
|
Barberine, opera
|
opera
|
1889/12
|
sketches, abandoned;
Prélude au 2e acte completed (c.f.); themes of other sketches later used in Chant de triomphale délivrance
|
14
|
Barberine, Prélude, (Prélude au 2e acte) (Prelude to Act II of the abandoned opera Barberine)
|
orchestra
|
1889/12
|
|
81
|
Quelque antique et lente danse
|
soprano, piano
|
1889/12
|
Text: Lekeu
|
79
|
L’ombre plus dense
|
tenor, piano
|
1889/12
|
Text: Lekeu
|
18
|
Chant de triomphale délivrance, Étude symphonique, (Première Étude symphonique)
|
orchestra
|
1889/12–1890/early
|
|
23
|
Fantaisie contrapuntique sur un cramignon liégeois (Contrapuntal fantasy on the Liège Cramignon)
|
chamber orchestra
|
1890/3/23
|
with choreography for the individual musicians
|
19 21 129
|
Hamlet, Étude symphonique, (Deuxième Étude symphonique), (Hamlet et Ophélie)
- Première partie: Hamlet
- Seconde partie: Ophélie
- Troisième partie: Marche funèbre
|
orchestra;
3rd partie for chorus, orchestra
|
1890/8/15
|
3rd partie never written;
2nd partie later revised with a different ending (c.f.)
|
22
|
Ophélie
|
orchestra
|
1890/8/22
|
revised version of 2nd partie of Hamlet, with a different ending intended to lead into the 3rd partie.
|
70
|
Trio pour piano, violon et violoncelle, (Trio à clavier) (Piano Trio), in C minor
- Lent
- Très lent
- Très animé
- Lent
|
piano, violin, cello
|
1889/12–1891/1/7
|
|
105
|
Sonate (Piano Sonata), in G minor
- (Prélude)
- (Fugue 1)
- (Fugue 2)
- Dans un mouvement plus lent
- Finale
|
piano
|
1891/2-3
|
|
13
|
Les fleurs pâles du souvenir, Adagio pour quatuor d’orchestre
|
string orchestra (with violin solo)
|
1891/4/28
|
published as Opus 3;
arrangement of string trio Adagio?
|
35
|
Adagio
|
violin, viola, cello
|
1891
|
arrangement of a fragment of the string orchestra Adagio?
|
17
|
Épithalame
|
organ, ensemble (orchestra of strings, 3 trombones)
|
1891/4
|
|
73
|
Chanson de Mai
|
tenor/baritone, piano
|
1891/spring
|
Text: Jean Lekeu
|
7
|
Chant lyrique
|
chorus, orchestra
|
1891/6
|
Text: Alphonse de Lamartine
|
3
|
Andromède, Poème lyrique et symphonique, Cantata, 2 acts
|
soprano, tenor, baritone, and bass soloists, chorus, orchestra
|
1891/8
|
Text: Jules Sauvenière;
composed for the Prix de Rome (Belgium)
|
28
|
Larghetto
|
cello, ensemble (orchestra of strings, 2 horns, bassoon)
|
1892/2/3
|
|
26
|
Introduction et Adagio pour tuba et orchestre d’harmonie
|
tuba, wind orchestra
|
c.1892/2
|
|
–
|
Overture and Adagio
|
brass band
|
1892
|
arrangement of tuba/winds Introduction et Adagio?
|
5
|
Plainte d’Andromède
|
soprano, piano, 2 violins, viola, cello, doublebass
|
1892/2
|
arrangement of fragments of the choral/orchestral work
|
132
|
Paysage d’Ardenne
|
violin, orchestra
|
1892
|
planned, never written?
|
130
|
La Conquête du bonheur
|
vocal
|
1892
|
Text: Lekeu;
planned, never written?
|
107
|
3 Pièces
- Chansonette sans paroles
- Valse oubliée
- Danse joyeuse
|
piano
|
1892
|
|
25
|
Fantaisie sur deux airs populaires angevins (Fantasy on two Angers folktunes)
|
orchestra
|
1892/5
|
|
–
|
Fantaisie sur deux airs populaires angevins
|
piano 4-hands
|
1892/5
|
reduction of orchestra work
|
64
|
Sonate pour piano et violin (Violin Sonata) in G major
- Très modéré
- Très lent
- Très animé
|
violin, piano
|
1892/7
|
further corrections made up to 1893/2
|
83
|
Nocturne
|
mezzo-soprano, piano, 2 violins, viola, cello
|
1892/11/17
|
arrangement of No. 3 of Trois Poèmes
|
94
|
Berceuse
|
piano
|
1892/11/22
|
|
82
|
Trois Poèmes
- Sur une tombe
- Ronde
- Nocturne
|
soprano/baritone, piano
|
1892/4/7–1892/12/13
|
Texts: Lekeu
|
–
|
Trois Poèmes
|
soprano (unaccompanied)
|
1892
|
arrangement of the soprano/piano work
|
133
|
La Légende éternelle
|
|
1892?
|
planned, never written
|
62
|
Quatuor a clavier (Piano Quartet) in B minor
- Dans un emportement douloureux (très animé)
- Lent et passionné
|
piano, violin, viola, cello
|
1892/12/3–1894/1
|
1st mvt finished 1893/7/16, 2nd mvt unfinished;
completed by Vincent d’Indy
|
By genre: Scenic
|
Vocal with orchestral accompaniment
|
Orchestral
|
Chamber music
|
Songs
|
Piano
|
Sketches:
|
Exercises:
|
Planned:
|
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