[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki21\/list-of-compositions-by-orlando-gibbons\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki21\/list-of-compositions-by-orlando-gibbons\/","headline":"List of compositions by Orlando Gibbons","name":"List of compositions by Orlando Gibbons","description":"before-content-x4 From Wikipedia, the free encyclopedia Parthenia, the first collection of published English Keyboard music, of which Gibbons contributed 6","datePublished":"2021-08-28","dateModified":"2021-08-28","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki21\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki21\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a1\/Parthenia.jpg\/290px-Parthenia.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a1\/Parthenia.jpg\/290px-Parthenia.jpg","height":"472","width":"290"},"url":"https:\/\/wiki.edu.vn\/en\/wiki21\/list-of-compositions-by-orlando-gibbons\/","wordCount":8824,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopedia  Parthenia, the first collection of published English Keyboard music, of which Gibbons contributed 6 works       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4The compositions of Orlando Gibbons (1583\u20131625) include works in virtually every genre of the Elizabethan and Jacobean eras. Due to his sudden and early death, Gibbons’ output was not as large as that of his older contemporary William Byrd, but he still managed to produce various secular and sacred polyphonic vocal works, including consort songs, services, more than 40 full anthems and verse anthems, a set of 20 madrigals as well as at least 20 keyboard works and various instrumental ensemble pieces including nearly 30 fantasies for viols. He is well known for the 5-part verse anthem This Is the Record of John, the 8-part full anthem O Clap Your Hands Together, 2 settings of Evensong and what is often thought to be the best known English madrigal: The Silver Swan.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Table of ContentsList of compositions[edit]Sacred Vocal works[edit]Services[edit]Adaptations[edit]Full Anthems[edit]Doubtful Attributions[edit]Verse Anthems[edit]Adaptations[edit]Doubtful Attributions[edit]Hymne tunes[edit]Secular Vocal works[edit]The First Set of Madrigals and Motets[edit]Consort songs[edit]Keyboard works[edit]Parthenia[edit]Fantasies[edit]Pavans and Galliards[edit]Other pieces[edit]Instrumental works[edit]Fantasies of Three Parts[edit]Viol fantasias of two parts[edit]Viol fantasias with double bass[edit]Viol fantasias of six parts[edit]Viol In Nomines[edit]Other pieces for viols[edit]References[edit]Sources[edit]External links[edit]List of compositions[edit]Sacred Vocal works[edit]Services[edit]\u00a0\u00a0* Incomplete or lost workFull AnthemsTitleTypeVoicesInstrumentsTextOccasionReference[3]Short (First) Service in F[a]FullSATBA cappellaPsalm 95, Te Deum, Benedictus Deus Israel, Credo, Magnificat, and Nunc dimittis.–EECM CPDLSecond (Verse) Service in D minor[b]VerseSAATBOrgan[c]Te Deum, Jubilate, Magnificat, and Nunc dimittis.–EECMFirst Preces and PsalmsVerseSAATBA cappellacxlv. 15\u201321[d]Evensong on WhitsundayEECMFirst Preces and PsalmVerseSAATBA cappellalvii. 9\u201312 \u2013 cxviii. 19\u201324[e]Evensong on Easter DayEECMSecond Preces and PsalmFullSAATBA cappellacxlv. 1\u201314[f]–EECM CPDLAdaptations[edit]AdaptationsTitleVoicesTextReference[3]Te Deum from Short (First) ServiceEECMDoubtful AttributionsTitleVoicesAuthorReference[4]Te DeumWilliam ByrdEECMFull Anthems[edit]\u00a0\u00a0* Incomplete or lost work       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Doubtful Attributions[edit]Verse Anthems[edit]\u00a0\u00a0* Incomplete or lost workVerse AnthemsTitleVoicesVerse Solo(s)InstrumentsTextOccasionReference[6]Almighty God, which hast given*SAATB–Second Communion CollectChristmas DayEECM 21\/1Almighty God, who by thy SonSAATBOrgan version survives[o]Collect for St Peter’s DaySt. Peter’s DayEECM 3\/1 CPDLBehold, I bring you glad tidingsSSAATBOrgan version survives[o]Luke ii. 10\u201311, 14Christmas DayEECM 3\/2 CPDLBehold, thou hast made my daysSAATBViol consort and Organ version survivePsalm xxxix. 6\u20138, 13\u201315[p]Funeral of Dean MaxeyEECM 21\/3 CPDLBlessed are all they that fear the LordAATTBBViol consort and Organ version survivePsalm cxxviii. 1\u20134Lord Somerset’s weddingEECM 3\/4 CPDLGlorious and powerful GodSAATBViol consort and Organ version survive–For the consecration of an unknown church or chapel[q]EECM 3\/5 CPDLGrant, O Holy Trinity[r]SAATBPartial Organ version survives.[o]The Royal Chapel word-books[s]King’s day[t]EECM 3\/6 CPDLGreat King of Gods[u]SAATBAABViol consort and Organ version surviveJehovah of Psalm 95King James I 1617 visit to ScotlandEECM 3\/7 CPDL [7]If ye be risen again with ChristSSATBOrgan version survives[o]Colossians iii. 1\u20134Easter DayEECM 3\/8 CPDLLord, grant graceSAATBSSAATTBBViol consort and Organ version survive–All Saints’ DayEECM 3\/9 CPDLLord, we beseech thee*SAATB––The Annunciation of Virgin MaryEECM 21\/2O all true faithful heartsSAATBSSAATBViol consort and Organ version survive–Thanksgiving for the King’s recoveryEECM 3\/11 CPDLO glorious God*Only text survives–––EECM 21\/8O God, the King of glorySAATBSAATOrgan version survives[o]Book of Common PrayerThe Sunday after Ascension DayEECM 3\/10 CPDLPraise the Lord, O my soul*[v]SSSAATB–––EECM 21\/3See, see the Word is incarnateSSAATBSCCTBViol consort and Organ version surviveWords by Godfrey Goodman–EECM 3\/12 CPDLSing unto the LordSAATBBB, AA & ABViol consort and Organ version survivePsalm xxx. 4\u201310For Doctor MarshalEECM 3\/13 CPDLSo God loved the world*SSATB––WhitsundayEECM 21\/4Teach us by his example*Only text survives–––EECM 21\/7This is the day*Only text survives–––EECM 21\/9This is the record of JohnSAATBViol consort and Organ version surviveJohn i. 19\u201323.St. John’s Baptist’s DayEECM 3\/15 CPDLThou God of wisdom*SSAATB–––EECM 21\/5Unto thee, O Lord*[w]SSAATB–––EECM 21\/6We praise Thee, O FatherSAATBSAB & SSAATTViol consort and Organ version surviveProper preface for Easter DayEaster DayEECM 3\/16 CPDLAdaptations[edit]Various adaptations of Gibbons’ Verse Anthems exist, two of which \u2013 O Thou the central orb and Great Lord of Lords \u2013 are especially common. Both of these versions were created for Sir Frederick Ouseley’s 1873 edition of Gibbons’ church music, with new words by Henry Ramsden Bramley.AdaptationsTitleVoicesVerse Solo(s)InstrumentsTextOccasionReference[9]O Thou the central orbSAATBSSAATBViol consort and Organ version surviveBramleyFor 1873 publicationEECM 3\/7 CPDLGreat Lord of LordsSAATBAABViol consort and Organ version surviveBramleyFor 1873 publicationEECM 3\/7 CPDLDoubtful Attributions[edit]Hymne tunes[edit]George Withers’ ‘Hymnes and Songs of the Church’, published 1623, contains 16 works by Gibbons in the original edition and adds a 17th in a later edition. All texts are by George Wither.[11]17 tunes for The Hymnes and Songs of the ChurchNo.TitleReference[12]1Now Shall the praises of the Lord be sung3Sing praises, Israel, to the Lord4Now in the Lord my heart doth pleasure5Thy beauty, Israel, is gone9Come kiss me with those lips13O my love, how comely14Arise, thou north wind18Who’s this, that leaning on her friend20Lord, I will sing to thee22O Lord of hosts24How sad and solitary31Lord, thy answer I did hear34Thus angels sung41O all you creatures44Come Holy GhostCPDL46As on the night before this blessed mornCPDL47A song of joy unto the Lord67When one among the twelve there wasSecular Vocal works[edit]The First Set of Madrigals and Motets[edit]The First Set of Madrigals and MotetsNo.TitleVoicesReference[13]1The silver swanSATTBCPDL2O that the learned poetsSSTTBCPDL3I weigh not fortune’s frownSSATBCPDL4I tremble not at noise of warSSATBCPDL5I see ambition never pleasedSSATBCPDL6I feign not friendshipSSATBCPDL7How art thou thralledSSTTBCPDL8Farewell all joysSSTTBCPDL9Dainty fine birdSSTTBCPDL10Fair ladies that to love captivated areSSATBCPDL11‘Mongst thousands goodSSATBCPDL12Now each flowery bankSATTBCPDL13Lais now oldSATTBCPDL14What is our life?SAATBCPDL15Ah dear heartSATTBCPDL16Fair is the roseSSATB[y]CPDL17Nay let me weepSATTBCPDL18Ne’er let the sunSATTBCPDL19Yet if that ageSATTBCPDL20Trust not too muchSSTTBCPDLConsort songs[edit]Consort songsTitleVoicesInstrumentsTextOccasionReference[14]Do not repine, fair sunATB Soli\/SAATBViol ConsortWords attributed to Joseph HallKing James I 1617 visit to ScotlandThe cries of LondonSATTBViol ConsortIMSLPCPDLKeyboard works[edit]Parthenia[edit]PartheniaNo.TitleReference[15]16GalliardMB 20\/2517Fantasia of four partsMB 20\/1218The Lord of Salisbury his pavanMB 20\/1819Galliard [to the pavan]MB 20\/1920The Queen’s commandMB 20\/2821PreludeMB 20\/2Fantasies[edit]Keyboard FantasiesTitleReference[16]Fantasy in CMB 20\/13Fantasy in CMB 20\/14Fantasy in CMB 20\/49Fantasy in dMB 20\/6Fantasy in  d[z]MB 20\/7Fantasy in d minorMB 20\/8Fantasy in g minorMB 20\/9Fantasy in aMB 20\/10Fantasy in aMB 20\/11Pavans and Galliards[edit]Keyboard Pavans and GalliardsTitleReference[17]Pavan in dMB 20\/15Pavan in g minor[aa]MB 20\/16Pavan in a[ab]MB 20\/17Galliard in dMB 20\/21Galliard in dMB 20\/22Galliard in dMB 20\/23Galliard in d (Lady Hatton)MB 20\/20Galliard in a[ac]MB 20\/24Other pieces[edit]Other keyboard piecesTitleReference[18]French airMB 20\/22Almain in CMB 20\/35Almain in dMB 20\/33Almain in d (French)[ad]MB 20\/41Almain in G (The King’s Jewel)MB 20\/36Almain in GMB 20\/37Almain in a[ae]MB 20\/34Coranto in d (French)MB 20\/38Coranto in d minor[af]MB 20\/39Coranto in a[ag]MB 20\/40The fairest nymph[ah]MB 20\/43Ground in C (Italian)[ai]MB 20\/27Ground in aMB 20\/26The hunt’s up (Peascod time)MB 20\/30Lincoln’s Inn mask[aj]MB 20\/44A mask[ak]MB 20\/45Prelude in a[al]MB 20\/1Prelude in d minor[am]MB 20\/5Instrumental works[edit]Fantasies of Three Parts[edit]Recorded by Phillip W. Serna in July 2019Recorded by Phillip W. Serna in July 2019Fantasies of Three Parts dedicated to Edward Wraye.Fantasies of Three PartsNoTitleReference[19]1Fantasia in g minorMB 48\/72Fantasia in g minorMB 48\/83Fantasia in g minorMB 48\/94Fantasia in dMB 48\/105Fantasia in dMB 48\/116Fantasia in dMB 48\/127Fantasia in dMB 48\/138Fantasia in dMB 48\/149Fantasia in dMB 48\/15Viol fantasias of two parts[edit]Recorded by Phillip W. Serna in August 2019Recorded by Phillip W. Serna in August 2019TitleReference[20]Fantasia in F, a 2MB 48\/1Fantasia in F, a 2MB 48\/2Fantasia in C, a 2MB 48\/3Fantasia in d, a 2MB 48\/4Fantasia in G, a 2MB 48\/5Fantasia in d minor, a 2MB 48\/6Viol fantasias with double bass[edit]Recorded by Phillip W. Serna in July 2019TitlePartsReference[21]Fantasia in g minora 3MB 48\/16Fantasia in g minora 3MB 48\/17Fantasia in da 3MB 48\/18Fantasia in da 3MB 48\/19Fantasia in Ca 4MB 48\/24Fantasia in Ca 4MB 48\/25Viol fantasias of six parts[edit]\u00a0\u00a0* Incomplete or lost workTitleReference[21]Fantasia in g minor, a 6MB 48\/31Fantasia in g minor, a 6MB 48\/32Fantasia in d, a 6MB 48\/33Fantasia in d, a 6MB 48\/34Fantasia in a, a 6MB 48\/35Fantasia in a, a 6MB 48\/36Fantasia in g minor,[an] a 6MB 48\/37Fantasia in g minor, a 6MB 48\/38Fantasia in g minor, a 6MB 48\/39Viol In Nomines[edit]TitlePartsReference[21]Nomine in d minora 4MB 48\/26Nomine in d minora 5MB 48\/27Nomine in g minora 5MB 48\/28Nomine in g minora 5MB 48\/29Other pieces for viols[edit]TitlePartsReference[21]Galliard in Ga 6MB 48\/52Pavan (De le roye) in a and ea 5?MB 48\/30Pavan in Ga 6MB 48\/41Go from my windowa 6MB 48\/40^ With no formal name, this work is also often referred to as “Short (First) Service,” “First Service in F” and “The Short Service.”^ With no formal name, this work is also often referred to as “Second (Verse Service” and “Verse (Second) Service.”^ Usually used, but likely not by Gibbons^ “The eyes of all wait upon thee.”^ “Awake up, my glory \u2013 Open to me the gates.”^ “I will magnify thee, O God my king.”^ “Blessed be the Lord” is the second part.CPDL^ “God is gone up” is the second part. CPDL^ Omits the first half of verse 9.^ Published in Sir William Leighton’s 1614 publication: The Teares and Lamentatacions of a Sorrowfull Soule.^ a b Paraphrase on this Psalm.^ Published in Sir William Leighton’s 1614 publication: The Teares and Lamentatacions of a Sorrowfull Soule.^ A compilation of Psalms by Thomas Sternold and John Hopkins. The author of this Full Anthem’s words is anonymous.^ EECM 21\/9^ a b c d e Probably once had a viol consort accompaniment version.^ By the Bishops’ Bible verse numbers, authorized version is 5\u20137, 12\u201313.^ Possibly for festivities for Whitsunday instead.^ Written in 1625; likely the last Verse Anthem Gibbons composed.^ Specifically from Bodleian Library MS Rawlinson Poet. 23 and BL MS Additional 6346.^ Perhaps written for the accession of King Charles I^ Performed and written in 1617^ Authenticity has been questioned.^ Authenticity has been questioned.^ Not widely accepted.^ Or SATTB.^ (for a double organ)^ List as “two flats”^ Previously mistitled as a “Fantasia.”^ Previously incorrectly attributed to Thomas Tomkins^ Some sources refer to it as “a mask” or “Nan’s mask.”^ Some sources refer to it as “a mask.”^ Some sources refer to it as “a mask.”^ Some sources refer to it as “a toy.”^ Some sources refer to it as a “Gray’s Inn mask.”^ Some sources refer to it as an “Almain.”^ Sometimes known as “Tap up all your strong beer” and “The Prince’s mask.”^ Sometimes known as “The Temple Mask.”^ Some sources refer to it as a “Fantasia” or “A running fantasia.”^ Some sources refer to it as a “Fantasia.”^ List as “two flats”References[edit]^ a b Information is from Fellowes 1951, p.\u00a071 and from Harley 1999, pp.\u00a0293\u2013294 in addition to any listed sources.^ a b Information is from Fellowes 1951, pp.\u00a071\u201372 and from Harley 1999, p.\u00a0299 in addition to any listed sources.^ Information is from Fellowes 1951, pp.\u00a071\u201372 and from Harley 1999, p.\u00a0294 in addition to any listed sources.^ Information is from Fellowes 1951, pp.\u00a072\u201373 and from Harley 1999, pp.\u00a0294\u2013295, 298 in addition to any listed sources.^ Timothy Dickey. “Great King of Gods (Lord of Lords), anthem for voices | Details | AllMusic”. AllMusic. Retrieved 16 May 2020.{{cite web}}:  CS1 maint: url-status (link)^ Information is from Fellowes 1951, p.\u00a073 and from Harley 1999, pp.\u00a0295 in addition to any listed sources.^ Information is from Fellowes 1951, pp.\u00a072\u201373 and from Harley 1999, pp.\u00a0298\u2013299 in addition to any listed sources.^ Fellowes 1951, p.\u00a0293^ Information is from Fellowes 1951, p.\u00a073 and from Harley 1999, p.\u00a0293 in addition to any listed sources.^ Information is from Fellowes 1951, p.\u00a087 and from Harley 1999, p.\u00a0291 in addition to any listed sources.^ Information is from Fellowes 1951, p.\u00a087 and from Harley 1999, p.\u00a0295 in addition to any listed sources.^ Information is from Fellowes 1951, pp.\u00a0101\u2013103 and from Harley 1999, pp.\u00a0291\u2013292 in addition to any listed sources.^ Information is from Fellowes 1951, pp.\u00a0101\u2013103 and from Harley 1999, p.\u00a0296 in addition to any listed sources.^ Information is from Fellowes 1951, pp.\u00a0101\u2013102 and from Harley 1999, pp.\u00a0296\u2013297 in addition to any listed sources.^ Information is from Fellowes 1951, pp.\u00a0101\u2013103 and from Harley 1999, p.\u00a0297 in addition to any listed sources.^ Information is from Fellowes 1951, p.\u00a0100 and from Harley 1999, p.\u00a0292 in addition to any listed sources.^ Information is from Fellowes 1951, p.\u00a0100 and from Harley 1999, p.\u00a0295 in addition to any listed sources.^ a b c d Information is from Fellowes 1951, p.\u00a0100 and from Harley 1999, p.\u00a0296 in addition to any listed sources.Sources[edit]External links[edit]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki21\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki21\/list-of-compositions-by-orlando-gibbons\/#breadcrumbitem","name":"List of compositions by Orlando Gibbons"}}]}]