[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki21\/list-of-national-socialist-black-metal-bands\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki21\/list-of-national-socialist-black-metal-bands\/","headline":"List of National Socialist black metal bands","name":"List of National Socialist black metal bands","description":"before-content-x4 From Wikipedia, the free encyclopedia after-content-x4 This is a list of musical artists who are part of the National","datePublished":"2014-05-21","dateModified":"2014-05-21","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki21\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki21\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki21\/list-of-national-socialist-black-metal-bands\/","wordCount":7057,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopedia       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4This is a list of musical artists who are part of the National Socialist black metal scene. National Socialist black metal (usually shortened to NSBM, and also known as neo-Nazi black metal or Aryan black metal) is a political movement within black metal music that promotes neo-Nazism and similar fascist or far-right ideologies. NSBM artists typically combine neo-Nazi imagery and ideology with ethnic European paganism, Satanism, or Nazi occultism, or a combination there of, and vehemently oppose Christianity, Islam and Judaism. NSBM is not seen as a distinct genre, but as a v\u00f6lkisch movement within black metal. Additionally, a number of black metal bands and musicians who may not explicitly promote neo-Nazi or fascist ideology in their lyrics maintain close ties with other NSBM bands, labels, and neo-Nazi or right-wing extremist organizations, or otherwise espoused neo-Nazi or extreme right wing ideology in their personal lives. All entries in this list have been explicitly mentioned as being part of the NSBM scene in reliable sources.Reich of the Black Sun[9]Ulfhethnar[16]UnterhholtzSee also[edit]^ Graveland was central to the Polish NSBM scene and has been labeled as NSBM.[32][33][34][35][36][27] The band itself disputes this label and its lyrics avoid political subjects.[22][37] Rob Darken from the band has said: “I do not think Graveland is an NSBM band. Graveland is regarded as a NSBM band because of my political convictions, [which] most people would call extreme right-wing National Socialist convictions.”[31]^ The band was active in the NSBM scene but has since rejected the genre in favor of Satanism. Band member Paimon stated in a 2005 interview that “We have -nothing- in common with this so-called ‘NSBM’ scene since five years or so… Our involvement in the ‘NSBM’ scene is the past and we’re not a part of it anymore.”[41]References[edit]^ a b c Semenyaka, Olena (January 3, 2013). “When the gods hear the call: the conservative-revolutionary potential of Black Metal Art”. Politosophia. Retrieved July 13, 2016.^ Gardell, Mattias (2003). Gods of the Blood: The Pagan Revival and White Separatism. Durham, North Carolina: Duke University Press. p.\u00a0307. ISBN\u00a09780822330714.^ Dyck, Kirsten, 2017. p. 47, 61-62^ a b c d e f “Nearly Every Major Online Retailer Is Selling White Power Music”. Noisey. 21 November 2014. Retrieved 17 July 2019.^ a b Schragin, Adam (23 December 2013). “White Supremacists Are Using Black Metal to Promote Hate”. Tablet. Retrieved 17 July 2019.^ a b c d Dyck, Kirsten, 2017. p.109^ Wee, Alvin (May 13, 2001). “Abyssic Hate – _Suicidal Emotions_”. Chronicles of Chaos. Retrieved April 12, 2020.^ a b c Mare\u0161, Lary\u0161, & Holzer, 2018, p. 223^ a b c Hornung, Sebastian (2016). Medial inszenierte Misanthropie und Kulturpessimismus: Eine systematische Betrachtung der Black-Metal-Szene und Optionen medienp\u00e4dagogischen Handelns (in German). M\u00fcnster: LIT Verlag. pp.\u00a036, 86. ISBN\u00a09783643133335.^ Patterson, Dayal, 2013. p. 365^ Shahpazov, Nikola (November 7, 2005). “CoC\u00a0: Various – The Wood Brothers\u00a0: Review”. Chronicles of Chaos. Retrieved 2020-04-12.^ Kurrin, Grayson (March 16, 2012). “Drudkh: Eternal Turn of the Wheel”. Pitchfork. Retrieved 2020-04-12.^ “Rouen\u00a0: Ivre, il propose \u00e0 des n\u00e9o-nazis de jouer dans sa bo\u00eete de nuit”. Rouen dans la rue (in French). 2018-11-06. Retrieved 2020-04-12.^ a b c d e f Williams, Jonathan F. (2 May 2018). “Burke, Black Metal, and the Golden Dawn: Deconstructing the Weaponized White Identity Politics of National Socialist Black Metal”. Present Tense. 7 (1). Retrieved 17 July 2019.^ a b Dyck, Kirsten, 2017. p.62^ a b c d Dyck, Kirsten, 2017. p. 47^ Nevic, Christoph (2019-04-24). “Black-Metal-Festival von Neonazis: Mal richtig abhitlern”. Die Tageszeitung (in German). ISSN\u00a00931-9085. Retrieved 2020-05-10.^ Farin, Klaus (2015). Frei\u00b7Wild: S\u00fcdtirols konservative Antifaschisten (in German). Berlin-Neuk\u00f6lln: Hirnkost. p.\u00a0431. ISBN\u00a0978-3-945398-24-1.^ a b c Mare\u0161, Miroslav; Lary\u0161, Martin; Holzer, Jan (2018). Militant Right-Wing Extremism in Putin’s Russia: Legacies, Forms and Threats. Abingdon: Routledge. p.\u00a0222. ISBN\u00a0978-0-429-95362-0.^ Dabrowski, Maciej (2010-02-19). “Interview with Capricornus”. The Temple Of Fullmoon – \u041f\u043e\u043b\u044c\u0441\u043a\u0438\u0439 NSBM. Retrieved 2020-05-10.^ a b c Manea, Irina-Maria (2015). “Primal Roots: Ancestry and Race in”. Proceedings of IAC-SSaH 2015: International Academic Conference on Social Sciences and Humanities in Prague 2015: 190. ISBN\u00a09788090579125 \u2013 via Academia.edu.^ a b c d e f Moynihan, Colin (19 February 2019). “Metal Confronts Its Nazi Problem”. The New Yorker. Retrieved 17 July 2019.^ Hornung, Sebastian, 2016. p.36, 84^ Patient NS, name change, clear fascist imagery and lyrics^ Resistance, Issues 22-26. Resistance Records. 2004. p.\u00a013 \u2013 via University of Wisconsin\u2013Madison.^ a b c d e Colborne, Michael (2019-12-12). “Most neo-Nazi Music Festivals Are Closely Guarded Secrets \u2014 Not This One in Ukraine”. Haaretz. Retrieved 2020-04-08.^ a b c d e Patterson, Dayal, 2013. p. 366, 411^ Kalis, Quentin (January 12, 2007). “Gaszimmer – _Dominazione di Eternita_”. Chronicles of Chaos. Retrieved April 12, 2020.^ Dyck, Kirsten, 2017. p.122^ a b c d e Patterson, Dayal, 2013. p. 364^ a b c d e f Bennett, J. (May 2006). “NSBM Special Report”. Decibel. Archived from the original on 8 February 2008. Retrieved 17 July 2019.^ a b Horsley, Jonathan (2013-05-13). “INTERVIEW: Author Dayal Patterson on Black Metal: Evolution of the Cult”. Decibel. Retrieved 2020-04-09.^ Hornung, Sebastian, 2016. p.84^ Aitkens, Chris (1 April 2019). “The Darker Side of Metal: Racism”. CJLO. Retrieved 17 July 2019.^ a b Dyck, Kirsten, 2017. p.108^ Kelly, Kim (10 February 2014). “The Shade And The Light: Nergal Of Behemoth Interviewed”. The Quietus. Retrieved 17 July 2019.^ Islander (30 October 2016). “Shades of Black: Antaeus, Afar, Enepsigos, Graveland, Gravespawn, Nebrus, Stroda, Surtr”. No Clean Singing. Retrieved 17 July 2019.^ a b c Colborne, Michael (2020-01-02). “Dispatches From Asgardsrei: Ukraine’s Annual Neo-Nazi Music Festival”. Bellingcat. Retrieved 2020-04-08.{{cite web}}:  CS1 maint: url-status (link)^ “Infernal Fields – Interviews \/ Infernal War”. www.infernalfields.com. Retrieved 2021-09-24.^ Segers, Guido (1 October 2018). “IFERNACH: MI’KMAQ HERITAGE AND BLACK METAL”. Retrieved 26 September 2022.^ a b Kalis, Quentin (21 July 2005). “Diabolic Revelations”. Chronicles of Chaos. Retrieved 19 July 2019.^ a b c Learmonth, Andrew (March 4, 2020). “Glasgow metal festival organiser denies bands on bill have links with neo-nazis”. The Herald. Retrieved 2020-04-08.^ Marouchos, Andreas (January 31, 2006). “A brief chronicle of the early Hellenic Black Metal movement”. Chronicles of Chaos. Retrieved April 12, 2020.^ Hornung, Sebastian, 2016. p.86^ Dyck, Kristin, 2017. p. 101^ Mare\u0161, Lary\u0161, & Holzer, 2018, p. 223-224^ Carbon, Johnathan A. (July 23, 2011). “CoC\u00a0: Peste Noire – L’Ordure \u00e0 l’\u00c9tat Pur\u00a0: Review”. Chronicles of Chaos. Retrieved 2020-04-09.^ a b c Hume, Tim (2019-12-13). “A Black Metal Festival in Ukraine This Weekend Is the Neo-Nazi Networking Event of the Year”. Vice. Retrieved 2020-04-09.^ Hillier, Benjamin Philip; Barnes, Ash (2020). “Wolf in Sheep’s Clothing: Extreme Right Wing Ideologies in Australian Black Metal”. IASPM Journal. 10 (2): 38\u201357. doi:10.5429\/2079-3871(2020)v10i2.4en. S2CID\u00a0230526681.^ Kalis, Quentin (October 23, 2006). “Svarga – _Yav Vozdimaet_”. Chronicles of Chaos. Retrieved April 12, 2020.^ Kalis, Quentin (October 5, 2006). “Temnozor – _Folkstorm of the Azure Nights_”. Chronicles of Chaos. Retrieved April 12, 2020.^ Szene-Almanach 1998, page 48; Strength through War, issue 4, Summer 2003, o.S.: Frost. Interview answered by Chraesvelgoron. Citation taken from Unheilige Allianzen, page 202^ Hornung, Sebastian, 2016. p.36, 84, 86^ Mare\u0161, Lary\u0161, & Holzer, 2018, p. 224^ Wee, Alvin (March 16, 2003). “Wolfnacht – _Night of the Werewolf_”. Chronicles of Chaos. Retrieved April 12, 2020.       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