[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki21\/nina-kiraly-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki21\/nina-kiraly-wikipedia\/","headline":"Nina Kir\u00e1ly &#8211; Wikipedia","name":"Nina Kir\u00e1ly &#8211; Wikipedia","description":"before-content-x4 From Wikipedia, the free encyclopedia after-content-x4 Nina Kir\u00e1ly (1940-2018) was a Mari J\u00e1szai award-winning theater historian, dramaturg, an expert","datePublished":"2020-10-07","dateModified":"2020-10-07","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki21\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki21\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/1\/1c\/Wiki_letter_w_cropped.svg\/20px-Wiki_letter_w_cropped.svg.png","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/1\/1c\/Wiki_letter_w_cropped.svg\/20px-Wiki_letter_w_cropped.svg.png","height":"14","width":"20"},"url":"https:\/\/wiki.edu.vn\/en\/wiki21\/nina-kiraly-wikipedia\/","wordCount":8989,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopedia       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Nina Kir\u00e1ly (1940-2018) was a Mari J\u00e1szai award-winning theater historian, dramaturg, an expert on Polish and Eastern-European theater, who lived and worked in Budapest, Hungary.[1][2] From 1993-1999 she was the Director of The Hungarian Theatre Museum and Institute and later became the advisor on international theaters and festivals for the Hungarian National Theater and the co-creator of the International MITEM festival.[1][3] During her years as the Director of the Hungarian Theater Institute[4] she published many theater books that were previously not translated or available for the Hungarian public, introducing the works of such international luminaries as Jan Kott, Anatoly Vasiliev, Eugenio Barba, Tadeusz Kantor. She spoke 4 languages.[1]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Born in 1940 in Moscow.  In 1962, she graduated from the local Moscow State University, majoring in linguistics and anthropology, and from that year worked at the Russian Academy of Sciences.[1]  In 1964 she moved to Budapest with her husband.  Between 1964 and 1994 she worked at the Department of Slavic Studies at the Faculty of Humanities of the E\u00f6tv\u00f6s Lor\u00e1nd University, first as a teaching assistant and then as an associate professor.  In 1973 she received her Ph.D. Between 1984 and 1990 she was a lecturer in theater theory and history at Jagiellonian University in Krak\u00f3w. Between 1993 and 1999 he was director of the National Theater History Museum and Institution.  Between 1999 and 2003 she worked as a freelance critic and art consultant.  Between 2003 and 2004 she was a member of the New Theater in charge of international affairs.  Between 2004 and 2005, editor of the Pamietnik Teatralny magazine in Warsaw.  Between 2005 and 2013 she worked at the Csokonai Theater in Debrecen.  Between 2013 and 2018 she was a member of the National Theater.  Her husband, Gyula Kir\u00e1ly, was a literary historian.Table of ContentsBiography[edit]Memberships[edit]Publications[edit]Articles about Nina, Interviews[edit]See also[edit]References[edit]External links[edit]Biography[edit]This section is empty.  You can help by adding to it.  (September 2022)Memberships[edit]This section is empty.  You can help by adding to it.  (September 2022)Publications[edit]A full list of publications can be found on www.kiralyfoundation.hu\/kiraly-ninaArticle on Emigration by Nina from the 1991\/3 edition of the &#8220;Culture and Society&#8221; periodical. In Hungarian. On the cover artwork by Erik Bulatov.[6]A felvil\u00e1gosod\u00e1s kori lengyel sz\u00ednh\u00e1z probl\u00e9m\u00e1i- Filol\u00f3gia k\u00f6zl\u00f6ny, 1968 (188-197)[7]\u041f\u0440\u043e\u0431\u043b\u0435\u043c\u044b \u043f\u043e\u043b\u044c\u0441\u043a\u043e\u0433\u043e \u0442\u0435\u0430\u0442\u0440\u0430 \u041f\u0440\u043e\u0441\u0432\u0435\u0449\u0435\u043d\u0438\u044f- MTA Acta Litteraria, 1968[8]A tizennyolcadik sz\u00e1zad Ju. Lotman felfog\u00e1s\u00e1ban-Helikon, 1973 (546-552)[9]\u041e\u0442 \u0434\u0438\u0434\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043f\u043e\u0432\u0435\u0441\u0442\u0438 \u043a \u0440\u043e\u043c\u0430\u043d\u0443- 1971 MTA Acta Litteraria (259-269)[10]In memoriam Tadeusz Kantor. \u201cKult\u00fara \u00e9s k\u00f6z\u00f6ss\u00e9g\u201d. \/Special periodical number on Avantgarde Theatre\/, 1990\/4. \u2013 \/Edited and partly translated.\/Krakk\u00f3i Ulysses. \/Ulysses from Krakow\/, Sz\u00ednh\u00e1z, 1990, m\u00e1jus[11]Mrozek-olvasatok- Jerzy Jarocki rendez\u00e9seir\u0151l, Sz\u00ednh\u00e1z, 1990, augusztusA nemk\u00f6vetkezetess\u00e9g \u00e9s a nemtiszta forma sz\u00ednh\u00e1za. \/Tadeusz R\u00f3\u017cewicz m\u0171v\u00e9szete\/.-Tadeusz R\u00f3zewicz: a non-pure and non-consequence Theatre. \u2013 Sz\u00ednh\u00e1z,1991, szeptember.[12]Zar\u00e1ndok \u00e9s ellen\u00e1ll\u00f3.\/Pilgrim and Contestator\/. Special issue on Central and east-European Emigration. Ed. and translated. \u2013\u201cKult\u00fara \u00e9s k\u00f6z\u00f6ss\u00e9g\u201d, 1991\/3.[13] Review: Besz\u00e9l\u0151.[14]Sz\u00ednh\u00e1z a hegyek k\u00f6z\u00f6tt.\/A zakopanei Witkacy sz\u00ednh\u00e1z\/.- \/Theatre in the mountains. \u2013 Witkacy Theatre in Zakopane\/[15]Schulz i Kantor. In: Teatr Pami\u0119ci Brunona Schulza.\/ The Theatre of memory of Bruno Schulz\/. Gdynia, 1993, 132-143The Modern European Drama in the Periodicals of Polish Emigracy. \/The contradictions of reception as the conflict of generations\/. &#8211;  Conference at the University in Poznan \/Poland\/, 1993. november.Tadeusz Kantor. Hal\u00e1lsz\u00ednh\u00e1z. Ir\u00e1sok a m\u0171v\u00e9szetr\u0151l \u00e9s a sz\u00ednh\u00e1zr\u00f3l.\/Tadeusz Kantor. The Theatre of Death. Writings on art and theatre\/. Ed., partly translated and essay:Ulyssesnek vissza kell t\u00e9rnie\/ Ulysses must return\/. Budapest, 1994. 330 pp.\u00dcnnep Holstebroban, 30 \u00e9ves az ODIN teatret, Sz\u00ednh\u00e1z, 1994. Febru\u00e1r[16]Ments\u00e9g \u00e9s magyar\u00e1zat, Sz\u00ednh\u00e1z, 1995. M\u00e1rcius[17]Ez nem \u00e1lom, ez val\u00f3s\u00e1g, Vasziljev rendez\u00e9s\u00e9r\u0151l, Sz\u00ednh\u00e1z, 1994. J\u00falius[18]Magyar Sz\u00ednpad-K\u00e9p-\u00cdr\u00f3k. PQ\u201995 katal\u00f3gus. \u2013 Catalogue of Hungarian Scenography. Awarded a Silver Medal at the Prague Quadriennial\u201995. Ed. in English, German, Hungarian. Budapest, The Hungarian Theatre Museum and Institute.Jan Kott. A lehetetlen sz\u00ednh\u00e1z v\u00e9ge. &#8211; \/Theatre Essays. Ed. partially translated and essay on Kott\u2019s writings\/. Budapest, The Hungarian Theatre Museum and Institute, 1997,528 pp.Az egyszer\u0171s\u00e9g legmagasabb foka.\/The highest degree of simplicity \u2013 on Hamlet directed by Eimuntas Nekrosius\/. \u2013 In: \u201cVil\u00e1gsz\u00ednh\u00e1z\u201d, 1997.Anatolij Vasziljev. Sz\u00ednh\u00e1zi f\u00faga.\/Anatoly Vassiliev: Theatre Fuga. Texts on Theatre\/. First book edition of complete Vassiliev texts in the world, translated from Russian, French, German, English into the Hungarian language. \u2013 Ed. translated and essay. Budapest, The Hungarian Theatre Museum and Institute, 1998.Scene by Scene. Stage and set design for Imre Mad\u00e1ch\u2019s Tragedy of Man. 1883-1998. The prize at the Hungarian Book Week, 2000.\/ Ed., Preface. Budapest, The Hungarian Theatre Museum and Institute, 1999. 131 pp. Appendix: Mad\u00e1ch The Tragedy of Man in the languages of the World and on Stage. 29p+16p.Vil\u00e1gsz\u00ednh\u00e1z. Theatre Quarterly in the Hungarian Language on Theatre in the World. Special thematical numbers on Hamlet performances in 20th century, sacred to Strehler and Brecht, on Asian Theatre and Theatre Anthropology,Marionette Theatre, Jerzy Grotowski\u2019s art\/materials of the conference: Grotowski, From Romanticism to Art as Vehicle\/, Theatre Iconography and number sacred to Russian stage directors \u2013 Meyerhold and Evreinov. &#8211;  Selected, edited and partly translated.Tan\u00edtv\u00e1nyb\u00f3l Mester. Rec.: Eugenio Barba, The Ashes and Diamond land. In: \u201cSz\u00ednh\u00e1z\u201d, Grotowski k\u00fcl\u00f6nsz\u00e1m, 2000.J\u00f3zef Szajna \u2013 a vizu\u00e1lis narr\u00e1ci\u00f3 sz\u00ednh\u00e1za. (J\u00f3zef Szajna: The Theatre of Visual Narration). \u2013 \u201cSzellemk\u00e9p\u201d, 2000\/3-4.A bels\u0151 okos s\u00edr\u00e1s Biz\u00e1nci mot\u00edvumok a mai kelet-eur\u00f3pai sz\u00ednh\u00e1zban. (The Smart Crying Inside- Byzantine Motives in Contemporary Eastern European Theater)\u2013 \u201cNapk\u00fat\u201d, 2001, \u00e1prilis, 73-79.Ot ritmicseszkogo szlova k opere (Opern\u00fcje posztanovki Meyerholda i Vasziljeva). \u2013 (From rhythm of word towards opera). &#8211;  In: Meyerhold \u2013 vek rezsiszjorov. (Meyerhold: A Century of Directing). Paris, CNRS \u2013 Moszkva, IISZ, 2001 (Russian language).Actor in the Author Theatre:\u201d Acting With Your Whole Self\u201d and \u201cNot\/Acting\u201d. In: \u201cFRAKCIJA\u201d performing arts magazine, issue no.20\/21, autumn 2001, 72-80.A kort\u00e1rs sz\u00ednh\u00e1z az idei nemzetk\u00f6zi fesztiv\u00e1lok t\u00fckr\u00e9ben. (The Contemporary Theatre in the mirror of the International Festivals)\u2013 \u201cSzellemk\u00e9p\u201d, 2001\/3-4.\u201cAz el\u0151d\u0151kkel folytatott p\u00e1rbesz\u00e9d\u201d. \u2013 (The Dialogue with the Ancestors). Rec.\u00a0: Eugenio Barba: Pap\u00edrkenu Budapest 2001 \u2013 \u201cEllenf\u00e9ny\u201d, 2001\/4.Sz\u00ednh\u00e1zi dial\u00f3gus- Magyar Nemzet, 2002.4A szerz\u0151i sz\u00ednh\u00e1z sz\u00edn\u00e9sze (Actor at the Author\u2019s Theatre). \u2013 \u201cPal\u00f3cf\u00f6ld\u201d, 2002. 3-4.sz\u00e1m, 460-468.Az emberis\u00e9g vagy az ember trag\u00e9di\u00e1ja, Napk\u00fat, 2002\/02, 42.H7: nowa rola re\u017cysera. (Grzegorz Jarzyna: Uroczysto\u015b\u0107). (H7: The New Role of the Stage Director  &#8211;  \u201cThe Fest\u201d by Grzegorz Jarzyna) .\u2013 \u201cNotatnik Teatralny\u201d, 24-25\/2002, 165-176Tadeusz \u0141omnicki: komponowanie roli. (Tadeusz Lomnicki: the composition of the role). \u2013\u201cPami\u0119tnik Teatralny\u201d, 2002,1-4.The Hero of the Contemporary East-European Drama in the Masks of the Ancient Greek Tragedy. \u2013  \u201cTeatrographia\u201d, Athens, 2003.Sz\u00ednh\u00e1zi dial\u00f3gus, Magyar Nemzet, 2002. \u00e1prilis 13., Kult\u00fargrundDosztojevszkij: A szel\u00edd teremt\u00e9s- Az eml\u00e9kez\u00e9s sz\u00ednh\u00e1za, Pal\u00f3cf\u00f6ld, 2003.2., 197-205W\u0119gierski epizod biografii Gordona Craiga. (Korespondencja E.G.Craiga i S\u00e1ndora Hevesi).  (The Hungarian Episode of Gordon Craig\u2019s Biography. \u2013 Correspondence between E.G.Craig and S\u00e1ndor Hevesi) \u2013 \u201cPami\u0119tnik Teatralny\u201d, 2003, 1-2.\u201cElfelejtett eml\u00e9kezet\u201d Schulz-Gombrowicz-Kantor po\u00e9tik\u00e1ja (\u201cForgotten memory\u201d- The Poetics of Schulz-Gombrowicz-Kantor). \u2013 \u201cNapk\u00fat\u201d, 2005\/3, 58.Patris Pavis:  Sz\u00ednh\u00e1zi Sz\u00f3t\u00e1r (Dictionnaire du Th\u00e9\u00e2tre \u2013 translation into Hungarian language). Scientific lecturing: Nina Kir\u00e1ly.  Budapest, L\u2019Harmattan 2005.Ars poetica Tadeusza Kantora (About Cricot-2). \u2013 \u201cKonteksty\u201d, Instytut Sztuki PAN, 2005\/1, 77.old.Ut\u00f3pia-\u00c1lom-Miszt\u00e9rium (Utopia-Dream-Mystery play \u2013 four performances of the Hungarian National Theatre) \u2013 \u201ePal\u00f3cf\u00f6ld\u201d, 2005\/3.Misteria Leona Schillera w europejskim kontek\u015bcie teatralnym. (Leon Schiller\u2019s mysteries in the context of the European theatre). \u2013 \u201ePami\u0119tnik Teatralny\u201d, 2005\/1-2.Instrumentarium (Jerzego Grzegorzewskiego). \u2013 \u201cNotatnik Teatralny\u201d, 2006\/42Lejegyz\u00e9st\u0151l az elemz\u00e9sig, (From Recording to Analyzing) Napk\u00fat, 2007\/05, 114.Kazimierz Dejmek: metamorfozy misterium  &#8211; od \u015bredniowiecza do Majakowskiego. Kazimierz Dejmek: metamorphoses of mystery \u2013 from mediaeval towards Majakovsky). \u2013\u201cIn memoriam Kazimierz Dejmek\u201d. \u2013 \u201cStudies of L\u00f3d\u017a University\u201d, 2007.[19]Teatr Polski, Litwy i Rosji XX wieku-The Polish, Lithuanian and Russian Theatre of the Twentieth Centur. Tczew 2007. Project EU .  Editorship: Nina Kir\u00e1ly, Agnieszka Koecher-Hensel.  In:  Powr\u00f3t Odysa Wyspia\u0144skiego wed\u0142ug Tadeusza Kantora, Jerzego Grzegorzewskiego I Kristyana Lupy (Wyspianski\u2019s The Return of Odysseus according to Tadeusz Kantor, Jerzy Grzegorzewski and Kristyan Lupa), 10-13.Dramaturg w\u0119gierski w hierarchii wsp\u00f3\u0142tw\u00f3rc\u00f3w dzie\u0142a scenicznego (The Hungarian Dramaturg in the hierarchy of the creators the scenic work). \u2013 \u201c Notatnik Teatralny\u201d, Wroc\u0142aw, 2010.[20]A sz\u00edn\u00e9sz \u00f6szt\u00f6ne + technika, (The Actor\u2019s Intuitions + Technique), Napk\u00fat, 2011\/3[21]Sz\u00ednh\u00e1z \u00e9s eml\u00e9kezet, \u00e9let\u00fat interj\u00fa Kir\u00e1ly Nin\u00e1val, Szcen\u00e1rium, II. \u00e9vf. 3., 2014Tadeusz R\u00f3\u017cewicz k\u00f6lt\u0151i sz\u00ednh\u00e1z\u00e1r\u00f3l, Szcen\u00e1rium, II.\u00e9vf. 5, 2014[22]A krakk\u00f3i Ulysses, Szcen\u00e1rium, IV. \u00e9vf. 3., 2016[23]The Krakow Ulysses,   Szcen\u00e1rium, IV. \u00e9vf. 4., 2016[24]Articles about Nina, Interviews[edit]Zar\u00e1ndok \u00e9s ellen\u00e1ll\u00f3- Besz\u00e9l\u0151 kritika,1992\/1[25]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4V\u00e1ltozatok az emigr\u00e1ci\u00f3ra- Magyar Nemzet, 1992-08[26]Kantor- A visszat\u00e9r\u00e9s- (Kantor- The Return) Besz\u00e9l\u0151 kritika, 1994\/4[27]OSZMI igazgat\u00f3i kinevez\u00e9s- Magyar Nemzet, 1994.05[28]Tadeusz Kantor a Lengyel Int\u00e9zetben- (Tadeusz Kantor at the Polish Institute) Magyar Nemzet, 1994.11[29]PQ, Kur\u00edr, (1995.07)[30]Mennyit nyom a latban egy ez\u00fcst- (How Much is a Silver Worth) N\u00e9pszabads\u00e1g, 1995.j\u00falius.15[31]Nina sz\u00ednh\u00e1za, (Nina\u2019s Theater) Kur\u00edr, 1995.08[32]D\u00e1n kir\u00e1lyfi minden mennyis\u00e9gben, (Danish Prince in All Quantities) N\u00e9pszava, 1998.01[33]A v\u00e9gtelen gondolat- Jan Kott essz\u00e9ir\u0151l- (The Endless Though- On Jan Kott\u2019s Essays)- N\u00e9pszabads\u00e1g, 1998.01[34]Ablak a trag\u00e9dia vil\u00e1g\u00e1ra- (Window onto The Tragedy\u2019s World), N\u00e9pszabads\u00e1g k\u00f6nyv kritika, 1999.11[35]Hat\u00e1rtalanul &#8211; (No Borders- Tunde Trojan\u2019s interview with Nina Kiraly) Trojan T\u00fcnde besz\u00e9lget Kir\u00e1ly Nin\u00e1val[36]\u00ab\u0411\u0430\u043b\u0442\u0438\u0439\u0441\u043a\u0438\u0439 \u0434\u043e\u043c\u00bb: \u00ab\u0414\u044f\u0434\u044f \u0412\u0430\u043d\u044f\u00bb \u041b\u044e\u043a\u0430 \u041f\u0435\u0440\u0441\u0438\u0432\u0430\u043b\u044f \u0438 \u00ab\u0422\u0440\u0438 \u0441\u0435\u0441\u0442\u0440\u044b\u00bb \u0420\u0438\u043c\u0430\u0441\u0430 \u0422\u0443\u043c\u0438\u043d\u0430\u0441\u0430 (interj\u00fa Nin\u00e1val Tuminasr\u00f3l)[37]J\u00e1szai Mari d\u00edj, (Jaszai award) Magyar Nemzet, 2012.03[38]A ker\u00edt\u0151n\u0151-Peterdi Nagy L\u00e1szl\u00f3 b\u00facs\u00faja Nin\u00e1t\u00f3l (The Procuress- A Farewell to Nina from Laszlo Peterdi Nagy), 2018[39]Remembering Nina Kiraly (by Patricia Paszt)[40]\u201cWe Understand Our Culture Better Through The Other\u2019s\u201d: Interview With Dramaturg And Theatre Historian Nina Kir\u00e1ly(1940\u20132018).[1]Nina Kiraly\u2019s professional library consisting of more than a 1000 books on theater written in Polish, Hungarian, English, and French,[1] together with her manuscripts and correspondence with such theater directors and theoreticians as Jan Kott, Eugenio Barba, Zbigniew Raszewski, Anatoly Vasiliev were donated by the family in 2019 to the National Sz\u00e9ch\u00e9nyi Library in Budapest, Hungary where they will be made researchable for the general public.[2]See also[edit]References[edit]^ a b c d e f &#8220;&#8220;We Understand Our Culture Better Through The Other&#8217;s&#8221;: Interview With Dramaturg And Theatre Historian Nina Kir\u00e1ly (1940\u20132018)&#8221;. 5 April 2019. Retrieved 2020-02-24.^ a b &#8220;THE LIFE AND WORK OF NINA KIRALY&#8221;. Retrieved 2020-02-24.^ Hungarian National Theater, Kir\u00e1ly Nina^ &#8220;Elhunyt Kir\u00e1ly Nina (1940-2018)&#8221;. Retrieved 2020-02-23.^ &#8220;Mari J\u00e1szai Award&#8221;. Retrieved 2020-02-24.^ &#8220;&#8220;Culture and Society&#8221;&#8220; (PDF). Retrieved 2020-02-25.^ &#8220;A felvil\u00e1gosod\u00e1s kori lengyel sz\u00ednh\u00e1z probl\u00e9m\u00e1i- Filol\u00f3gia k\u00f6zl\u00f6ny, 1968 (188-197)&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;\u041f\u0440\u043e\u0431\u043b\u0435\u043c\u044b \u043f\u043e\u043b\u044c\u0441\u043a\u043e\u0433\u043e \u0442\u0435\u0430\u0442\u0440\u0430 \u041f\u0440\u043e\u0441\u0432\u0435\u0449\u0435\u043d\u0438\u044f- MTA Acta Litteraria, 1968&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;A tizennyolcadik sz\u00e1zad Ju. Lotman felfog\u00e1s\u00e1ban-Helikon, 1973 (546-552)&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;\u041e\u0442 \u0434\u0438\u0434\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043f\u043e\u0432\u0435\u0441\u0442\u0438 \u043a \u0440\u043e\u043c\u0430\u043d\u0443- 1971 MTA Acta Litteraria (259-269)&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;Krakk\u00f3i Ulysses. \/Ulysses from Krakow\/, Sz\u00ednh\u00e1z, 1990, m\u00e1jus, Szinhaz 1990 May, pg. 33&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;A nemk\u00f6vetkezetess\u00e9g \u00e9s a nemtiszta forma sz\u00ednh\u00e1za. \/Tadeusz R\u00f3\u017cewicz m\u0171v\u00e9szete\/.-Tadeusz R\u00f3zewicz: a non-pure and non-consequence Theatre. \u2013 Sz\u00ednh\u00e1z,1991, szeptember&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;Zar\u00e1ndok \u00e9s ellen\u00e1ll\u00f3.\/Pilgrim and Contestator\/. Special issue on Central and east-European Emigration&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;Besz\u00e9l\u0151 Review&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;Sz\u00ednh\u00e1z a hegyek k\u00f6z\u00f6tt.\/A zakopanei Witkacy sz\u00ednh\u00e1z\/.- \/Theatre in the mountains. Szinhaz 1992 May, pg. 44&#8221; (PDF). Retrieved 2020-02-23.^ &#8220;\u00dcnnep Holstebroban, 30 \u00e9ves az ODIN teatret, Sz\u00ednh\u00e1z, 1994. Febru\u00e1rSzinhaz 1994 Feb., pg. 2&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;Ments\u00e9g \u00e9s magyar\u00e1zat, Sz\u00ednh\u00e1z, 1995. M\u00e1rcius, Szinhaz 1995 March, pg. 47&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;Ez nem \u00e1lom, ez val\u00f3s\u00e1g, Vasziljev rendez\u00e9s\u00e9r\u0151l, Sz\u00ednh\u00e1z, 1994&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;Kazimierz Dejmek: metamorfozy misterium &#8211; od \u015bredniowiecza do Majakowskiego. Kazimierz Dejmek: metamorhoses of mystery \u2013 from mediaeval towards Majakovsky). \u2013&#8221;In memoriam Kazimierz Dejmek&#8221;. \u2013 &#8220;Studies of L\u00f3d\u017a University&#8221;, 2007&#8243; (PDF). Retrieved 2020-02-25.^ &#8220;Dramaturg w\u0119gierski w hierarchii wsp\u00f3\u0142tw\u00f3rc\u00f3w dzie\u0142a scenicznego (The Hungarian Dramaturg in the hierarchy of the creators the scenic work). \u2013 &#8221; Notatnik Teatralny&#8221;, Wroc\u0142aw, 2010&#8243; (PDF). Retrieved 2020-02-25.^ &#8220;A sz\u00edn\u00e9sz \u00f6szt\u00f6ne + technika, (The Actor&#8217;s Intuitions + Technique), Napk\u00fat, 2011\/3&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;Tadeusz R\u00f3\u017cewicz k\u00f6lt\u0151i sz\u00ednh\u00e1z\u00e1r\u00f3l, Szcen\u00e1rium, II.\u00e9vf. 5, 2014&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;A krakk\u00f3i Ulysses, Szcen\u00e1rium, IV. \u00e9vf. 3., 2016&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;The Krakow Ulysses, Szcen\u00e1rium, IV. \u00e9vf. 4., 2016&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;Zar\u00e1ndok \u00e9s ellen\u00e1ll\u00f3- Besz\u00e9l\u0151 kritika,1992\/1&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;V\u00e1ltozatok az emigr\u00e1ci\u00f3ra- Magyar Nemzet, 1992-08&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;Kantor- A visszat\u00e9r\u00e9s- (Kantor- The Return) Besz\u00e9l\u0151 kritika, 1994\/4&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;OSZMI igazgat\u00f3i kinevez\u00e9s- Magyar Nemzet, 1994.05&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;Tadeusz Kantor a Lengyel Int\u00e9zetben- (Tadeusz Kantor at the Polish Institute) Magyar Nemzet, 1994.11&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;PQ, Kur\u00edr, (1995.07)&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;Mennyit nyom a latban egy ez\u00fcst- (How Much is a Silver Worth) N\u00e9pszabads\u00e1g, 1995.j\u00falius.15&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;Nina sz\u00ednh\u00e1za, (Nina&#8217;s Theater) Kur\u00edr, 1995.08&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;D\u00e1n kir\u00e1lyfi minden mennyis\u00e9gben, (Danish Prince in All Quantities) N\u00e9pszava, 1998.01&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;A v\u00e9gtelen gondolat- Jan Kott essz\u00e9ir\u0151l- (The Endless Though- On Jan Kott&#8217;s Essays)- N\u00e9pszabads\u00e1g, 1998.01&#8221; (PDF). Retrieved 2020-02-24.^ &#8220;Ablak a trag\u00e9dia vil\u00e1g\u00e1ra- (Window onto The Tragedy&#8217;s World), N\u00e9pszabads\u00e1g k\u00f6nyv kritika, 1999.11&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;Hat\u00e1rtalanul &#8211; (No Borders- Tunde Trojan&#8217;s interview with Nina Kiraly) Trojan T\u00fcnde besz\u00e9lget Kir\u00e1ly Nin\u00e1val&#8221;. Retrieved 2020-02-24.^ &#8220;&#8220;\u0411\u0430\u043b\u0442\u0438\u0439\u0441\u043a\u0438\u0439 \u0434\u043e\u043c&#8221;: &#8220;\u0414\u044f\u0434\u044f \u0412\u0430\u043d\u044f&#8221; \u041b\u044e\u043a\u0430 \u041f\u0435\u0440\u0441\u0438\u0432\u0430\u043b\u044f \u0438 &#8220;\u0422\u0440\u0438 \u0441\u0435\u0441\u0442\u0440\u044b&#8221; \u0420\u0438\u043c\u0430\u0441\u0430 \u0422\u0443\u043c\u0438\u043d\u0430\u0441\u0430 (interj\u00fa Nin\u00e1val Tuminasr\u00f3l)&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;J\u00e1szai Mari d\u00edj, (Jaszai award) Magyar Nemzet, 2012.03&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;A ker\u00edt\u0151n\u0151-Peterdi Nagy L\u00e1szl\u00f3 b\u00facs\u00faja Nin\u00e1t\u00f3l (The Procuress- A Farewell to Nina from Laszlo Peterdi Nagy), 2018&#8221; (PDF). Retrieved 2020-02-25.^ &#8220;Remembering Nina Kiraly&#8221;. Retrieved 2020-02-24.External links[edit]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki21\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki21\/nina-kiraly-wikipedia\/#breadcrumbitem","name":"Nina Kir\u00e1ly &#8211; Wikipedia"}}]}]