[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/bachaton-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki24\/bachaton-wikipedia\/","headline":"Bachat\u00f3n – Wikipedia","name":"Bachat\u00f3n – Wikipedia","description":"From Wikipedia, the free encyclopedia Hybrid bachata\/reggaeton music style Bachat\u00f3n (also known as bachateo) is a fusion genre of reggaeton","datePublished":"2019-01-21","dateModified":"2019-01-21","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki24\/bachaton-wikipedia\/","wordCount":2754,"articleBody":"From Wikipedia, the free encyclopediaHybrid bachata\/reggaeton music styleBachat\u00f3n (also known as bachateo) is a fusion genre of reggaeton from Puerto Rico and bachata from the Dominican Republic. Bachaton combines bachata melodies and reggaeton style beats, lyrics, rapping, and disc jockeying. The word “bachat\u00f3n” is a combination of “bachata” and “reggaeton”. “Bachat\u00f3n” was coined and widely accepted in 2005. It is a subgenre of reggaeton and bachata.Table of ContentsBackground[edit]Bachata[edit]Reggaet\u00f3n[edit]History[edit]2000\u20132003: The arrival of Dominican styles of music[edit]2004\u2013Present: “Bachat\u00f3n”[edit]In popular music[edit]References[edit]Background[edit]Bachat\u00f3n is a mix of bachata and reggaet\u00f3n. The histories of the two genres are described below.Bachata[edit]Bachata is a genre of music that originated in the Dominican Republic in the early parts of the 20th century and spread to other parts of Latin America and Mediterranean Europe. It became popular in the countryside and the rural neighborhoods of the Dominican Republic. Its subjects are often romantic; especially prevalent are tales of heartbreak and sadness. In fact, the original term used to name the genre was amargue (“bitterness” or “bitter music”), until the rather ambiguous (and mood-neutral) term bachata became popular. The form of dance, bachata, also developed with the music.[1] The earliest bachata was originally developed in the Dominican Republic around the early part of the 20th century, with mixed Cuban boleros and, which originated from Son. with African elements, combined with traditional Latin\/Caribbean rhythms. During much of its history, bachata music was denigrated by Latino\/Caribbean society and associated with rural backwardness and delinquency. The typical bachata group consists of five instruments: lead guitar, rhythm guitar, electric bass guitar, bongos and g\u00fcira. The rhythm guitar is also known as a segunda and serves the purpose of adding syncopation to the music. Bachata groups mainly play a simple style of bolero (lead guitar instrumentation using arpeggiated repetitive chords is a distinctive characteristic of bachata), but when they change to merengue based bachata, the percussionist will switch from bongo to a tambora drum. In the 1960s and 1970s, maracas were used instead of g\u00fcira. The change in the 1980s from maracas to the more versatile g\u00fcira was made as bachata was becoming more dance oriented.[1]Reggaet\u00f3n[edit]Reggaet\u00f3n is an urban form of music which has its roots in Latin and Caribbean music.[2] Its sound derives from the Reggae en Espa\u00f1ol from Panama.[3][4][5][6] The genre was invented, shaped and made known in Puerto Rico where it got its name;[7] most of its current artists are also from Puerto Rico.[8][9][10] After its mainstream exposure in 2004, it spread to North American, European, Asian and African audiences. Reggaeton blends Jamaican musical influences of dancehall, with those of Latin America, such as salsa, bomba, Latin hip hop, and electronica. Vocals include rapping and singing, typically in Spanish. Lyrics tend to be derived from hip hop rather than from dancehall. Like hip hop, reggaeton has caused some controversy, albeit less, due to alleged exploitation of women.[11] While it takes influences from hip hop and Jamaican dancehall, reggaeton is not precisely the Hispanic or Latin American version of either of these genres; reggaeton has its own specific beat and rhythm,[12] whereas Latin hip hop is simply hip hop recorded by artists of Latino descent. The specific “riddim” that characterizes reggaeton is referred to as “Dem Bow”.[13][14] The name is taken from the dancehall song by Shabba Ranks that first popularized the beat in the early 1990s which appears on his album Just Reality.History[edit]2000\u20132003: The arrival of Dominican styles of music[edit]The appearance of Dominican styles of music such as bachata and merengue in reggaet\u00f3n coincided with the arrival in Puerto Rico of the Dominican-born production team of Luny Tunes\u2014although they are not solely credited for this development.[15] In 2000, they received an opportunity to work in the reggaeton studio of DJ Nelson. They began to produce a string of successful releases for reggaeton artists including Ivy Queen, Tego Calder\u00f3n and Daddy Yankee.[15] “Pa’ Que Retozen”, one of the first songs to combine bachata and reggaeton appeared on Tego Calder\u00f3n’s highly acclaimed El Abayarde (2002). It features the unmistakable guitar sounds of Dominican bachata\u2014although, it was not produced by Luny Tunes but by DJ Joe.[15] Luny Tunes however, on their debut studio album, Mas Flow (2003) included a hit by Calder\u00f3n, “M\u00e9tele Saz\u00f3n”. It exhibited bachata’s signature guitar arpeggios as well as merengue’s characteristic piano riffs.[15]2004\u2013Present: “Bachat\u00f3n”[edit]After the success of these songs, other artists began to incorporate bachata with reggaeton. Artists such as Ivy Queen began releasing singles that featured bachata’s signature guitar sound and slower romantic rhythm as well as bachata’s exaggerate emotional singing style.[15] This is reflected in the hits “Te He Querido, Te He Llorado” and “La Mala”.[15] Daddy Yankee’s “Lo Que Paso, Paso” and Don Omar’s “Dile” also reflect this. A further use of bachata occurred in 2005 when producers began remixing existing reggaeton with bachata’s characteristic guitar sounds marketing it as bachat\u00f3n defining it as “bachata, Puerto Rican style”.[15]In popular music[edit]“M\u00e1s Ma\u00edz” \u2014 N.O.R.E. featuring Nina Sky, Fat Joe, Lumidee, Chingo Bling, Lil Rob, Big Mato and La Negra of LDA“Mayor Que Yo” \u2014 Luny Tunes featuring Baby Ranks, Daddy Yankee, Wisin & Yandel and Hector “El Father”“Ella y Yo” \u2014 Aventura featuring Don Omar“Ven Bailalo” \u2014 Angel & Khriz“Av\u00edsame” \u2014 Baby Rasta & Gringo“Brugal” \u2014 Daddy Yankee“Lo Que Paso, Paso” \u2014 Daddy Yankee“Pobre Diabla” \u2014 Don Omar“Dile” \u2014 Don Omar“Dile” \u2014 Ivy Queen“Dime” \u2014 Ivy Queen“La Mala” \u2014 Ivy Queen“Te He Querido, Te He Llorado” \u2014 Ivy Queen“Seg\u00fan T\u00fa” \u2014 Ivy Queen“Sentimientos” \u2014 Ivy Queen“Si No Eres Tu” \u2014 Mickey Perfecto featuring Ivy Queen“Tienes A Otra” \u2014 N.O.R.E. featuring Ivy Queen and Big Mato“Bachatiando” \u2014 Miguelito“Pa’ Que Retozen” \u2014 Tego Calder\u00f3n“M\u00e9tele Saz\u00f3n” \u2014 Tego Calder\u00f3n“Una volta ancora” \u2014 Fred De Palma featuring Ana Mena“Dove e quando” \u2014 Benji & Fede“Nadie Muere de Amor” – Darkiel ft Amenazzy Boy Wonder“Se Menea” – Don Omar featuring Nio Garcia“Rumbat\u00f3n” – Daddy Yankee“Mayor Que Usted” – Natti Natasha featuring Wisin & Yandel, Daddy YankeeReferences[edit]^ a b Pacini Hernandez, Deborah. “Brief history of Bachata” Archived September 10, 2004, at the Wayback Machine, Bachata, A social history of a Dominican popular music, 1995, Temple University Press. Retrieved on 2008-12-04^ [1] Archived 2009-05-19 at the Wayback Machine. Raquel Z. Rivera. 2009. Reggaeton. “Part I. Mapping Reggaeton”. From M\u00fasica Negra to Reggaeton Latino: Wayne Marshall. “Part II. The Panamanian Connection”. Placing Panama in the Reggaeton Narrative: Editor’s Notes \/ Wayne Marshall. Duke University Press, Duke University, Durham, North Carolina.^ Franco, Edgardo A. “Mu\u00e9velo (move it!): from Panama to New York and back again, the story of El General”. Interview by Christoph Twickel. Reggaeton. Eds. Raquel Z. Rivera, Wayne Marshall, and Deborah Pacini Hernandez. Durham: Duke University Press, 2009. 99\u2013108.^ Buckley “Bush”, Francisco. La m\u00fasica salsa en Panam\u00e1. Panama: EUPAN, 2004.^ Aulder, Leonardo Renato. “The Panamanian Origins of Reggae en Espa\u00f1ol: Seeing History through ‘los ojos caf\u00e9’ of Renato”. Interview by Ifeoma C. K. Nwankwo. Reggaeton. Eds. Raquel Z. Rivera, Wayne Marshall, and Deborah Pacini Hernandez. Durham: Duke University Press, 2009. 89\u201398.^ Andrews, George Reid. Afro-Latin America, 1800\u20132000. New York: Oxford University Press, 2004.^ AskMen.com \u2013 “5 Things You Didn’t Know About Reggaeton”^ “Phoenix New Times \u2013 “Phoenix sizzles with the latest dance music from Puerto Rico”“. Archived from the original on 2008-12-24. Retrieved 2013-01-03.^ Jamaicans.com \u2013 “a new genre of Caribbean dance music”^ Mundo Reggaeton \u2013 “Reggaeton History”^ BBC News \u2013 “Puerto Rico shakes to a new beat”^ Pistas de Reggaeton Famosas \/ Official Reggaeton Beats^ Wayne Marshall (2006-01-19). “Rise of Reggaet\u00f3n”. The Phoenix. Retrieved 2006-07-24.^ “Grow Dem Bow”. Village Voice. Retrieved 2006-07-24.^ a b c d e f g Raquel Z. Rivera, Wayne Marshall and Deborah Pacini Hernandez. “Reggaeton”. Duke University Press. 2009. pg. 143-  "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/bachaton-wikipedia\/#breadcrumbitem","name":"Bachat\u00f3n – Wikipedia"}}]}]