[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/dot-diacritic-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki24\/dot-diacritic-wikipedia\/","headline":"Dot (diacritic) – Wikipedia","name":"Dot (diacritic) – Wikipedia","description":"From Wikipedia, the free encyclopedia Diacritical mark Not to be confused with \u0bcd (virama), a letter with the same look,","datePublished":"2021-05-24","dateModified":"2021-05-24","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/wikimedia.org\/api\/rest_v1\/media\/math\/render\/svg\/42318f114f153d55df03b96a8693b0247c1b3326","url":"https:\/\/wikimedia.org\/api\/rest_v1\/media\/math\/render\/svg\/42318f114f153d55df03b96a8693b0247c1b3326","height":"","width":""},"url":"https:\/\/wiki.edu.vn\/en\/wiki24\/dot-diacritic-wikipedia\/","wordCount":13187,"articleBody":"From Wikipedia, the free encyclopediaDiacritical markNot to be confused with \u0bcd (virama), a letter with the same look, position, and use in Tamil.\u25cc\u0307 \u2009\u25cc\u0323U+0307 \u25cc\u0307 COMBINING DOT ABOVEU+0323 \u25cc\u0323 COMBINING DOT BELOWWhen used as a diacritic mark, the term dot is usually reserved for the interpunct ( \u00b7 ), or to the glyphs “combining dot above” (\u00a0\u25cc\u0307\u00a0) and “combining dot below” (\u00a0\u25cc\u0323\u00a0)which may be combined with some letters of the extended Latin alphabets in use in Central European languages and Vietnamese.Table of ContentsOverdot[edit]Underdot[edit]Raised dot[edit]Letters with dot[edit]Encoding[edit]See also[edit]References[edit]External links[edit]Overdot[edit]Language scripts or transcription schemes that use the dot above a letter as a diacritical mark:In some forms of Arabic romanization, \u0121 stands for ghayin (\u063a).The Latin orthography for Chechen includes \u010b, \u00e7\u0307, \u0121, q\u0307, and \u1e8b.In Emilian-Romagnol, \u1e45 \u1e61 \u017c are used to represent [\u014b, z, \u00f0].Traditional Irish typography, where the dot denotes lenition, and is called a ponc s\u00e9imhithe or buailte “dot of lenition”: \u1e03 \u010b \u1e0b \u1e1f \u0121 \u1e41 \u1e57 \u1e61 \u1e6b. Alternatively, lenition may be represented by a following letter h, thus: bh ch dh fh gh mh ph sh th. In Old Irish orthography, the dot was used only for \u1e1f \u1e61, while the following h was used for ch ph th; lenition of other letters was not indicated. Later the two systems spread to the entire set of lenitable consonants and competed with each other. Eventually the standard practice was to use the dot when writing in Gaelic script and the following h when writing in antiqua. Thus \u010b and ch represent the same phonetic element in Modern Irish.Lithuanian: \u0117 is pronounced as [e\u02d0], as opposed to \u0119, which is pronounced a lower [\u00e6\u02d0] (formerly nasalised), or e, pronounced [\u025b, \u00e6\u02d0].Livonian uses \u022f as one of its eight vowels.Maltese: \u010b is used for a voiceless palato-alveolar affricate, \u0121 for a voiced palato-alveolar affricate, and \u017c for a voiced alveolar sibilant.Middle English: \u1e8f was sometimes used to distinguish etymological y from the glyph’s use as a replacement for \u00fe, which did not exist in early press typographies.[citation needed]Old English: In modernized orthography, \u010b is used for a voiceless palato-alveolar affricate \/t\u0361\u0283\/, \u0121 for a palatal approximant \/j\/ (probably a voiced palatal fricative \/\u029d\/ in the earliest texts), and (more rarely) s\u010b for a voiceless palato-alveolar fricative \/\u0283\/ and c\u0121 for a voiced palato-alveolar affricate \/d\u0361\u0292\/.Polish: \u017c is used for a voiced retroflex sibilant \/\u0290\/.The Sioux languages such as Lakota, Osage, and Crow sometimes use the dot above to indicate ejective stops.In the Canadian Aboriginal Syllabics orthography for the Cree, Ojibwe, and Inuktitut languages, a dot above a symbol signifies that the symbol’s vowel should be a long vowel\u2014the equivalent effect using the Roman orthography is achieved by doubling the vowel (\u14a5 = mi, \u14a6 = mii ), placing a macron over the vowel (\u1472 = ka, \u1473 = k\u0101), or placing a circumflex over the vowel (\u14c4 = no, \u14c5 = n\u00f4).In Turkish, the dot above lowercase i and j (and uppercase \u0130) is not regarded as an independent diacritic but as an integral part of the letter. It is called a tittle. I without an overdot is a separate letter.In the Rheinische Dokumenta phonetic writing system overdots denote a special pronunciation of r.The Ulithian alphabet includes \u0227, \u0117, and \u022f.[1]The ISO 9 (1968) Romanization of Cyrillic uses \u0117, \u1e1f, and \u1e8f.In the ISO 259 Romanization of Hebrew, the overdot is used to transcribe the dagesh: \u27e8\u1e03 \u1e0b \u0121 \u1e23 \u1e41 \u1e45 \u1e59 \u1e61 \u1e65 \u1e67 \u1e69 \u1e6b\u27e9; \u27e8\u1e87\u27e9 transcribes the shuruk.In IAST and National Library at Calcutta romanization transcribing languages of India, \u1e45 is used to represent \/\u014b\/.UNGEGN romanization of Urdu includes \u1e59.[1]In the Venda language, \u1e45 is used to represent \/\u014b\/.Some countries use the overdot as a decimal mark.The overdot is also used in the Devanagari script, where it is called anusvara.In mathematics and physics, when using Newton’s notation the dot denotes the time derivative as in v=x\u02d9{displaystyle v={dot {x}}}. In addition, the overdot is one way used to indicate an infinitely repeating set of numbers in decimal notation, as in 0.3\u02d9{displaystyle 0.{dot {3}}}, which is equal to the fraction 1\u20443, and 0.1\u02d94\u02d92\u02d98\u02d95\u02d97\u02d9{displaystyle 0.{dot {1}}{dot {4}}{dot {2}}{dot {8}}{dot {5}}{dot {7}}} or 0.1\u02d942857\u02d9{displaystyle 0.{dot {1}}4285{dot {7}}}, which is equal to 1\u20447.Underdot[edit]In a number of languages, an underdot indicates a raised or relatively high vowel, often the counterpart of a lower vowel marked with an ogonek or left unmarked.In Rotuman, “\u1ea1” represents \/\u0254\/.In Romagnol, \u1eb9 \u1ecd are used to represent [e, o], e.g. part of Riminese dialect frad\u1eb9ll, \u1ecdcc [fra\u02c8dell, \u02c8ot\u0283\u02d0] “brothers, eyes”.In academic notation of Old Latin, \u1eb9\u0304 (e with underdot and macron) represents the long vowel, probably \/e\u02d0\/, that developed from the early Old Latin diphthong ei. This vowel usually became \u012b in Classical Latin.In academic transcription of Vulgar Latin, used in describing the development of the Romance languages, \u1eb9 and \u1ecd represent the close-mid vowels \/e\/ and \/o\/, in contrast with the open-mid vowels \/\u025b\/ and \/\u0254\/, which are represented as e and o with ogonek (\u0119 \u01eb).Academic transcription of Middle English uses the same conventions as Vulgar Latin above.In academic transcription of Serbo-Croatian dialects, \u1eb9 \u1ecd \u1ea1 (typically \/e\/ \/o\/ \/\u0250\/) represent higher vowels than standard e o a, and the first two often contrast with lower vowels marked with a comma below, e\u0326 o\u0326 (typically \/\u025b\/ \/\u0254\/).In Inari Sami, an underdot denotes a half-long voiced consonant: \u0111\u0323, j\u0323, \u1e37, \u1e43, \u1e47, \u1e47j, \u014b\u0323, \u1e5b, and \u1e7f. The underdot is used in dictionaries, textbooks, and linguistic publications only.In IAST and National Library at Calcutta romanization, transcribing languages of India, a dot below a letter distinguishes the retroflex consonants \u1e6d, \u1e0d, \u1e5b, \u1e37, \u1e47, \u1e63, while m with underdot (\u1e43) signifies an anusvara and h with underdot (\u1e25) signifies a visarga. Very frequently (in modern transliterations of Sanskrit) an underdot is used instead of the ring (diacritic) below the vocalic r and l.In romanizations of some Afroasiatic languages, particularly Semitic Languages and Berber Languages, an underdot indicates an emphatic consonant. The romanization of Arabic uses \u27e8\u1e0d \u1e25 \u1e63 \u1e6d \u1e93\u27e9.In the DIN 31636 and ALA-LC Romanization of Hebrew, \u1e7f represents vav (\u05d5), while v without the underdot represents beth (\u05d1). \u1e33 represents qoph (\u05e7)The underdot is also used in the PDA orthography for Domari to show pharyngealization\u2014the underdotted consonants \u27e8\u1e0d \u1e25 \u1e63 \u1e6d \u1e93\u27e9 represent the emphaticized sounds \/d\u032a\u02e4 \u0127 s\u02e4 t\u032a\u02e4 z\u02e4\/.In Asturian, \u1e37\u1e37 (underdotted double ll) represents the voiced retroflex plosive or the voiceless retroflex affricate, depending on dialect, and \u1e25 (underdotted h) the voiceless glottal fricative.In O’odham language, \u1e0c (d with underdot) represents a voiced retroflex stop.Vietnamese: The n\u1eb7ng tone (low, glottal) is represented with a dot below the base vowel: \u1ea1 \u1eb7 \u1ead \u1eb9 \u1ec7 \u1ecb \u1ecd \u1ed9 \u1ee3 \u1ee5 \u1ef1 \u1ef5.In Igbo, an underdot can be used on i, o, and u to make \u1ecb, \u1ecd, and \u1ee5.  The underdot symbolizes a reduction in the vowel height.In Yoruba, an underdot can be used on e and o to make \u1eb9 and \u1ecd, symbolizing a reduction in the vowel height, as well as on s to make \u1e63, symbolizing a postalveolar articulation.In Americanist phonetic notation, x with underdot x\u0323 represents a voiceless uvular fricative.Underdots are used in the Rheinische Dokumenta phonetic writing system to denote a voiced s and special pronunciations of r and a.In the Fiero-Rhodes orthography for Eastern Ojibwe and Odaawaa, in g\u0323, \u1e25, and \u1e33, underdot is used to indicate labialization when either \u27e8o\u27e9 or \u27e8w\u27e9 following them was lost in syncope.The Sicilian nexus \u1e0d\u1e0d is used to represent [\u0256\u0256].In Kalabari, \u1e05 and \u1e0d are used.In Marshallese, underdots on consonants represent velarization, such as the velarized bilabial nasal \u1e43.In Old Irish typography the letters \u1e03, \u1e0b and \u1e6b are some times written as \u1e05, \u1e0d and \u1e6d.UNGEGN romanization of Urdu includes \u1e0d, g\u0323, \u1e33, \u1e6d, \u1e89, and \u1ef5.[1]In Mizo, \u1e6d represents \/t\u0361r\/.The underdot is also used in the Devanagari script, where it is called nukta.Raised dot[edit]Number digits in Enclosed Alphanumerics: \ud83c\udd00 \u2488 \u2489 \u248a \u248b \u248c \u248d \u248e \u248f \u2490In Canadian Aboriginal Syllabics, in addition to the middle dot as a letter, centred dot diacritic, and dot above diacritic, there also is a two-dot diacritic in the Naskapi language representing \/_w_V\/ which depending on the placement on the specific Syllabic letter may resemble a colon when placed vertically, diaeresis when placed horizontally, or a combination of middle dot and dot above diacritic when placed either at an angle or enveloping a small raised letter \u27e8\u14f4\u27e9.  Additionally, in Northwestern Ojibwe, a small raised \/wi\/ as \/w\/, the middle dot is raised farther up as either \u27e8\u18dc\u27e9 or \u27e8\u18dd\u27e9; there also is a raised dot Final \u27e8\u18df\u27e9, which represents \/w\/ in some Swampy Cree and \/y\/ in some Northwestern Ojibwe.Letters with dot[edit]Encoding[edit]In Unicode, the dot is encoded at:U+0307 \u25cc\u0307 COMBINING DOT ABOVEand at:U+0323 \u25cc\u0323 COMBINING DOT BELOWU+0358 \u25cc\u0358 COMBINING DOT ABOVE RIGHTU+1DF8 \u25cc\u1df8 COMBINING DOT ABOVE LEFTThere is also:U+02D9 \u02d9 DOT ABOVE (˙, ˙)U+18DF \u18df CANADIAN SYLLABICS FINAL RAISED DOTPre-composed characters:U+0226 \u0226  \u00a0 U+0227 \u0227 U+1EA0 \u1ea0  \u00a0 U+1EA1 \u1ea1 U+1EB6 \u1eb6  \u00a0 U+1EB7 \u1eb7 U+1E02 \u1e02  \u00a0 U+1E03 \u1e03 U+010A \u010a  \u00a0 U+010B \u010b U+1E0A \u1e0a  \u00a0 U+1E0B \u1e0b U+0116 \u0116  \u00a0 U+0117 \u0117 U+1EC6 \u1ec6  \u00a0 U+1EC7 \u1ec7 U+1E1E \u1e1e  \u00a0 U+1E1F \u1e1f U+0120 \u0120  \u00a0 U+0121 \u0121 U+1E22 \u1e22  \u00a0 U+1E23 \u1e23 U+0130 \u0130  \u00a0 U+0069 i U+1ECA \u1eca  \u00a0 U+1ECB \u1ecb U+1E38 \u1e38  \u00a0 U+1E39 \u1e39 U+1E40 \u1e40  \u00a0 U+1E41 \u1e41 U+1E44 \u1e44  \u00a0 U+1E45 \u1e45 U+022E \u022e  \u00a0 U+022F \u022f U+1ECC \u1ecc  \u00a0 U+1ECD \u1ecd U+0230 \u0230  \u00a0 U+0231 \u0231 U+0298 \u0298  \u00a0U+1E56 \u1e56  \u00a0 U+1E57 \u1e57 U+1E58 \u1e58  \u00a0 U+1E59 \u1e59 U+1E5C \u1e5c  \u00a0 U+1E5D \u1e5d U+1E9B \u1e9b  \u00a0 U+1E60 \u1e60 U+1E62 \u1e62  \u00a0 U+1E63 \u1e63 U+1E66 \u1e66  \u00a0 U+1E67 \u1e67 U+1E6A \u1e6a  \u00a0 U+1E6B \u1e6b U+1EE4 \u1ee4  \u00a0 U+1EE5 \u1ee5 U+1E86 \u1e86  \u00a0 U+1E87 \u1e87 U+1E8A \u1e8a  \u00a0 U+1E8B \u1e8b U+1E8E \u1e8e  \u00a0 U+1E8F \u1e8f U+017B \u017b  \u00a0 U+017C \u017c U+01E0 \u01e0  \u00a0 U+01E1 \u01e1 U+1EAC \u1eac  \u00a0 U+1EAD \u1ead U+1E04 \u1e04  \u00a0 U+1E05 \u1e05 U+A73E \ua73e  \u00a0 U+A73F \ua73f U+1E0C \u1e0c  \u00a0 U+1E0D \u1e0d U+1EB8 \u1eb8  \u00a0 U+1EB9 \u1eb9 U+1E24 \u1e24  \u00a0 U+1E25 \u1e25 U+1E32 \u1e32  \u00a0 U+1E33 \u1e33 U+1E36 \u1e36  \u00a0 U+1E37 \u1e37 U+013F \u013f  \u00a0 U+0140 \u0140 U+1E42 \u1e42  \u00a0 U+1E43 \u1e43 U+1E46 \u1e46  \u00a0 U+1E47 \u1e47 U+1ED8 \u1ed8  \u00a0 U+1ED9 \u1ed9 U+1EE2 \u1ee2  \u00a0 U+1EE3 \u1ee3 U+1E5A \u1e5a  \u00a0 U+1E5B \u1e5b U+1E60 \u1e60  \u00a0 U+1E61 \u1e61 U+1E64 \u1e64  \u00a0 U+1E65 \u1e65 U+1E68 \u1e68  \u00a0 U+1E69 \u1e69 U+1E6C \u1e6c  \u00a0 U+1E6D \u1e6d U+1EF0 \u1ef0  \u00a0 U+1EF1 \u1ef1 U+1E7E \u1e7e  \u00a0 U+1E7F \u1e7f U+1E88 \u1e88  \u00a0 U+1E89 \u1e89 U+1EF4 \u1ef4  \u00a0 U+1EF5 \u1ef5 U+1E92 \u1e92  \u00a0 U+1E93 \u1e93 U+1F100 \ud83c\udd00  \u00a0U+2488 \u2488  \u00a0U+2489 \u2489  \u00a0U+248A \u248a  \u00a0U+248B \u248b  \u00a0U+248C \u248c  \u00a0U+248D \u248d  \u00a0U+248E \u248e  \u00a0U+248F \u248f  \u00a0U+2490 \u2490  \u00a0U+237F \u237f  \u00a0U+2299 \u2299  \u00a0U+22A1 \u22a1  \u00a0U+1404 \u1404  \u00a0 U+1410 \u1410  \u00a0 U+1411 \u1411  \u00a0 U+1406 \u1406  \u00a0 U+1414 \u1414  \u00a0 U+1415 \u1415  \u00a0 U+140B \u140b  \u00a0 U+1419 \u1419  \u00a0 U+141A \u141a  \u00a0 U+18B2 \u18b2  \u00a0U+1432 \u1432  \u00a0 U+143E \u143e  \u00a0 U+143F \u143f  \u00a0 U+1434 \u1434  \u00a0 U+1442 \u1442  \u00a0 U+1443 \u1443  \u00a0 U+1439 \u1439  \u00a0 U+1446 \u1446  \u00a0 U+1447 \u1447  \u00a0U+144F \u144f  \u00a0 U+145B \u145b  \u00a0 U+145C \u145c  \u00a0 U+1451 \u1451  \u00a0 U+145F \u145f  \u00a0 U+1460 \u1460  \u00a0 U+1456 \u1456  \u00a0 U+1463 \u1463  \u00a0 U+1464 \u1464  \u00a0U+146E \u146e  \u00a0 U+1478 \u1478  \u00a0 U+1479 \u1479  \u00a0 U+1470 \u1470  \u00a0 U+147C \u147c  \u00a0 U+147D \u147d  \u00a0 U+1473 \u1473  \u00a0 U+1480 \u1480  \u00a0 U+1481 \u1481  \u00a0U+148C \u148c  \u00a0 U+1496 \u1496  \u00a0 U+1497 \u1497  \u00a0 U+148E \u148e  \u00a0 U+149A \u149a  \u00a0 U+149B \u149b  \u00a0 U+1491 \u1491  \u00a0 U+149E \u149e  \u00a0 U+149F \u149f  \u00a0U+14A6 \u14a6  \u00a0 U+14B0 \u14b0  \u00a0 U+14B1 \u14b1  \u00a0 U+14A8 \u14a8  \u00a0 U+14B4 \u14b4  \u00a0 U+14B5 \u14b5  \u00a0 U+14AB \u14ab  \u00a0 U+14B8 \u14b8  \u00a0 U+14B9 \u14b9  \u00a0U+14C3 \u14c3  \u00a0 U+18C8 \u18c8  \u00a0 U+18C9 \u18c9  \u00a0 U+14C5 \u14c5  \u00a0 U+18CC \u18cc  \u00a0 U+18CD \u18cd  \u00a0 U+14C8 \u14c8  \u00a0 U+14CD \u14cd  \u00a0 U+14CE \u14ce  \u00a0U+14D6 \u14d6  \u00a0 U+14E0 \u14e0  \u00a0 U+14E1 \u14e1  \u00a0 U+14D8 \u14d8  \u00a0 U+14E4 \u14e4  \u00a0 U+14E5 \u14e5  \u00a0 U+14DB \u14db  \u00a0 U+14E8 \u14e8  \u00a0 U+14E9 \u14e9  \u00a0U+14F0 \u14f0  \u00a0 U+14FA \u14fa  \u00a0 U+14FB \u14fb  \u00a0 U+14F2 \u14f2  \u00a0 U+14FE \u14fe  \u00a0 U+14FF \u14ff  \u00a0 U+14F5 \u14f5  \u00a0 U+1502 \u1502  \u00a0 U+1503 \u1503  \u00a0U+1512 \u1512  \u00a0 U+151B \u151b  \u00a0 U+151C \u151c  \u00a0 U+1514 \u1514  \u00a0 U+151F \u151f  \u00a0 U+1520 \u1520  \u00a0 U+1516 \u1516  \u00a0 U+1523 \u1523  \u00a0 U+1524 \u1524  \u00a0U+1529 \u1529  \u00a0 U+1533 \u1533  \u00a0 U+1534 \u1534  \u00a0 U+152B \u152b  \u00a0 U+1537 \u1537  \u00a0 U+1538 \u1538  \u00a0 U+152E \u152e  \u00a0 U+153B \u153b  \u00a0 U+153C \u153c  \u00a0U+1547 \u1547  \u00a0 U+1549 \u1549  \u00a0 U+154C \u154c  \u00a0 U+154E \u154e  \u00a0 U+154F \u154f  \u00a0U+1556 \u1556  \u00a0 U+1558 \u1558  \u00a0 U+155A \u155a  \u00a0 U+155B \u155b  \u00a0 U+155C \u155c  \u00a0U+1562 \u1562  \u00a0 U+1563 \u1563  \u00a0 U+1565 \u1565  \u00a0 U+1567 \u1567  \u00a0 U+1568 \u1568  \u00a0 U+1569 \u1569  \u00a0U+1576 \u1576  \u00a0 U+1578 \u1578  \u00a0 U+157A \u157a  \u00a0U+1580 \u1580  \u00a0 U+1582 \u1582  \u00a0 U+1584 \u1584  \u00a0U+1590 \u1590  \u00a0 U+1592 \u1592  \u00a0 U+1594 \u1594  \u00a0U+15A1 \u15a1  \u00a0 U+15A3 \u15a3  \u00a0 U+15A5 \u15a5  \u00a0U+15A9 \u15a9  \u00a0 U+1679 \u1679  \u00a0 U+15AB \u15ab  \u00a0 U+167B \u167b  \u00a0 U+15AD \u15ad  \u00a0 U+167D \u167d  \u00a0U+1672 \u1672  \u00a0 U+1674 \u1674  \u00a0 U+1676 \u1676  \u00a0U+18D0 \u18d0  \u00a0 U+18D2 \u18d2  \u00a0 U+18E1 \u18e1  \u00a0 U+18E2 \u18e2  \u00a0U+18E6 \u18e6  \u00a0 U+18E7 \u18e7  \u00a0U+18E9 \u18e9  \u00a0U+18EB \u18eb  \u00a0U+18EC \u18ec  \u00a0U+18EE \u18ee  \u00a0 U+18EF \u18ef  \u00a0U+18F1 \u18f1  \u00a0See also[edit]References[edit]External links[edit]In Latin, Cyrillic and Greek\u00a0\u2009\u25cc\u0301\u2009\u00a0\u2009\u25cc\u030b\u2009\u00a0acute, double acute\u00a0\u00a0\u2009\u25cc\u1dc4\u2009\u00a0apex\u00a0\u00a0\u2009\u25cc\u0306\u2009\u00a0\u2009\u25cc\u0311\u2009\u00a0breve, inverted breve\u00a0\u00a0\u2009\u25cc\u030c\u2009\u00a0caron, h\u00e1\u010dek\u00a0\u00a0\u2009\u25cc\u0327\u2009\u00a0cedilla\u00a0\u00a0\u2009\u25cc\u0302\u2009\u00a0circumflex\u00a0\u00a0\u2009\u25cc\u0308\u2009\u00a0diaeresis, umlaut, other\u00a0\u00a0\u2009\u25cc\u0307\u2009\u00a0\u2009\u25cc\u0323\u2009\u00a0dot\u00a0\u00a0\u2009\u25cc\u0300\u2009\u00a0\u2009\u25cc\u030f\u2009\u00a0grave, double grave\u00a0\u00a0\u2009\u25cc\u0309\u2009\u00a0hook above\u00a0\u00a0\u2009\u25cc\u0321\u2009\u00a0\u2009\u25cc\u0322\u2009\u00a0palatal hook, retroflex hook\u00a0\u00a0\u2009\u25cc\u031b\u2009\u00a0horn\u00a0\u00a0\u2009\u25cc\u0345\u2009\u00a0iota subscript\u00a0\u00a0\u2009\u25cc\u02c9\u2009\u00a0macron\u00a0\u00a0\u2009\u25cc\u02db\u2009\u00a0ogonek, nosin\u0117\u00a0\u00a0\u2009\u25cc\u030a\u2009\u00a0\u2009\u25cc\u0325\u2009\u00a0overring, underring\u00a0\u00a0\u2009\u25cc\u0342\u2009\u00a0perispomene\u00a0\u00a0\u2009\u25cc\u0357\u2009\u00a0sicilicus\u00a0\u00a0\u2009\u25cc\u0303\u2009\u00a0tilde\u00a0\u00a0\u2009\u25cc\u1ffe\u2009\u00a0\u2009\u25cc\u1fbf\u2009\u00a0rough breathing, smooth breathing\u00a0In Early CyrillicIn Indic\u00a0\u2009\u0902\u2009\u00a0\u2009\u0982\u2009\u00a0\u2009\u0b02\u2009\u00a0\u2009\u0d02\u2009\u00a0anusvara\u00a0\u00a0\u2009\u093d\u2009\u00a0\u2009\u09bd\u2009\u00a0\u2009\u0b3d\u2009\u00a0\u2009\u0c3d\u2009\u00a0\u2009\u0d3d\u2009\u00a0\u2009\u0f85\u2009\u00a0avagraha\u00a0\u00a0\u2009\u0901\u2002\u2009\u00a0\u2009\u0c01\u2009\u00a0\u2009\u0f83\u2009\u00a0chandrabindu\u00a0\u00a0\u2009\u093c\u2009\u00a0nuqta\u00a0\u00a0\u2009\u094d\u2002\u2009\u00a0\u2009\u0d4d\u2002\u2009\u00a0\u2009\u0c4d\u2002\u2009\u00a0\u2009\u0ccd\u2009\u00a0\u2009\u0dca\u2009\u00a0\u2009\u103a\u2009\u00a0virama\u00a0\u00a0\u2009\u0903\u2009\u00a0\u2009\u0983\u2009\u00a0\u2009\u0b03\u2009\u00a0\u2009\u0b83\u2009\u00a0visarga\u00a0In other scriptsMarks used as diacriticsNon-diacritic usesIn Unicode  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