[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/eliane-de-meuse-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki24\/eliane-de-meuse-wikipedia\/","headline":"\u00c9liane de Meuse – Wikipedia","name":"\u00c9liane de Meuse – Wikipedia","description":"Belgian painter (1899\u20131993) \u00c9liane de Meuse Born \u00c9liane de Meuse (1899-08-09)9 August 1899 Died 3 February 1993(1993-02-03) (aged\u00a093) Nationality Belgian","datePublished":"2021-10-11","dateModified":"2021-10-11","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/c\/c2\/Portrait_d%27Eliane_de_Meuse.jpg\/220px-Portrait_d%27Eliane_de_Meuse.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/c\/c2\/Portrait_d%27Eliane_de_Meuse.jpg\/220px-Portrait_d%27Eliane_de_Meuse.jpg","height":"296","width":"220"},"url":"https:\/\/wiki.edu.vn\/en\/wiki24\/eliane-de-meuse-wikipedia\/","about":["Wiki"],"wordCount":3434,"articleBody":"Belgian painter (1899\u20131993)\u00c9liane de MeuseBorn\u00c9liane de Meuse(1899-08-09)9 August 1899Died3 February 1993(1993-02-03) (aged\u00a093)NationalityBelgianEducationAcad\u00e9mie Royale des Beaux-Arts, Brussels from 1916 to 1920 \u2013 inscription number 18568Known\u00a0forPainting and Music (Violinist)Notable workDaphnis et Chlo\u00e9 (225 x 180\u00a0cm), rewarded by the Prix Godecharle in 1921MovementNone. However some historians refer the very beginning of her career to Impressionism and to Fauvisme braban\u00e7onAwardsThe Godecharle prize 1921 (the first time won by a woman in the story of the contest)\u00c9liane Georgette Diane de Meuse (9 August 1899 \u2013 3 February 1993) was a Belgian painter. She was the wife of Max Van Dyck. They met at the Acad\u00e9mie Royale des Beaux-Arts, Brussels where they attended the courses of the same professors.Table of ContentsBiography[edit]Main individual exhibitions[edit]International group exhibitions[edit]Some of her paintings[edit]Documentary broadcast on television[edit]Further reading[edit]External links[edit]Biography[edit]Eliane de Meuse took her first drawing lessons at the age of fourteen with Ketty Hoppe, the wife of the Belgian painter Victor Gilsoul.She also trained in the studio of the genre painter Guillaume Van Strydonck, member of Les XX[1] and James Ensor’s friend. At the same time, she received advice from the sculptor Marcel Rau, Prix de Rome 1908.In 1916, Meuse decided to become a painter and joined L’Acad\u00e9mie Royale des Beaux-Arts, Brussels.[2] There, she met the young painter Max Van Dyck, (23 December 1902, (Brussels \u2013 Schaerbeek) \u2013 26 December 1992, (Brussels \u2013 Ixelles) and married him in 1922. The latter had won the great Prix de Rome (Belgium) in 1920 when he was only 17 years old, a sensational event widely commented on in the Belgian press. He later taught the Decorative arts at the Acad\u00e9mie des beaux-arts d’Anderlecht of which he eventually became the director.At the Academy (ARBA, Brussels) Meuse was the student of the Symbolist painter Jean Delville and the portraitist Herman Richir.From all of these influences, her art developed into a style similar to Post-Impressionism, her subject matter including portraits, figures, seascapes, landscapes and still lifes. In some of her latest paintings underlying abstract structure can be observed.Critics noted that Eliane de Meuse had inherited much from the Belgian Luminism, movement of the very early 20th century, which combined aspects of Realism (Realist visual arts), Impressionism and Neo-Impressionism. It got its name from the style of Emile Claus and a few other painters, grouped in a circle called Vie et Lumi\u00e8re (Life and light) of which Claus was one of the main founders.Charles Bernard, the foremost Belgian critic at that time[3] wrote that he considered the art of Eliane de Meuse as aimed towards a pure, clear artistic ideal, without any selfish motives. He felt that the artist did not belong to the Impressionism of Emile Claus, so close to French Pointillism, but that she was the spiritual daughter of James Ensor.In an article published on 22 October 1936 in the Nation belge, he commented on Meuse’s first exhibition in these words: A discovery… an artist that reinvents James Ensor and Rik Wouter’s impressionism, that enriches impressionism with new elements, in terms of richness and interpretation indicating the presence of a personality…This exhibition took place in the Palais des Beaux-Arts (Centre for Fine Arts, Brussels), where a collection of paintings representing the outcome of fourteen years of dedication in the pursuit of personal expression was presented.[4]The same year, in Le Courrier d\u2019Anvers, Sander Pierron,[5] another influential critic, wrote that he believed this young artist was called to a great destiny. He described Eliane de Meuse as a born colourist with a prodigious talent:  Since Rik Wouters such talent had not been observed… she is a colourist able to seize the tiniest variations of light and uses them with harmony as a musician should do with notes, displaying a personal feeling.K. de Bergen also noted the interesting use of colour in her works and added that she demonstrates that: the colour possesses its own truth.[6]Another critic signing his article by L. J. considered that we must place Eliane de Meuse amongst the most sensitive painters such as \u00c9douard Manet or Marcel Jefferys.[7]In his monograph dedicated to Eliane de Meuse Paul Caso wrote that: Every type of art work has been tackled, with a natural inclination for still lifes (frequently with wonderful flowers from her garden), the true nub of her work, often studied as a pile of objects, masks, flowers, draperies, many times assembled around the same chair from her studio, a chair which acquires a real personality, in an apparent disorder of forms and colours.[8]In 1921, she won the Prix Godecharle created in 1881 by Napoleon Godecharle, the son of Gilles-Lambert Godecharle. This prize gave her the opportunity to travel in Italy, the shock of a whole civilization, the ceaseless return to Renaissance sources.[9]Main individual exhibitions[edit]Palais des Beaux-arts de Bruxelles \u2013 1936 (Belgium)Cercle artistique d’Anvers \u2013 1936 (Belgium)Galerie Rencontre \u2013 94 Louise Avenue, Brussels \u2013 1981 (Belgium)Kelterhaus-Muffendorf \u2013 Bonn (Bad-Godesberg) \u2013 1982 (Germany)R\u00e9trospective organized by the City of Brussels and by the Cr\u00e9dit G\u00e9n\u00e9ral, a Belgian bank located, Grand Place nr 5 at Brussels \u2013 1991 (Belgium)International group exhibitions[edit]  Eliane de Meuse in her studio with Mrs Youl Frans, the Belgian Anto Carte painter’s wife, 1937.Femmes artistes d’Europe, Galerie nationale du Jeu de Paume in Paris with representatives of the Impressionism Berthe Morisot, Mary Cassatt, Marie Laurencin and Marie Bashkirtseff 1937l’Art belge, at The Carnegie Institute (Carnegie Museums of Pittsburgh in United States) with other Belgian painters: Anto-Carte, Constant Permeke, Gustave De Smet, Isidore Opsomer and Ren\u00e9 Magritte 1937 and 1938Exposition du Progr\u00e8s social, at the Galerie du Palais de la Mairie de Lille (France) \u2013 1939Le Fauvisme braban\u00e7on organized at the Cercle artistique communal de Waterloo (Les Ecuries) not far from Brussels (Belgium) from September, 14 to 27 October 1996, with Rik Wouters, Jos Albert, Charles Dehoy, Philibert Cockx, Jean Brusselmans, Ramah, Ferdinand Schirren etc.[10]Some of her paintings[edit]Daphnis and Chlo\u00e9, oil on canvas (225 x 180\u00a0cm) \u2013 Godecharle Award 1921Les Dahlias blancs, oil on canvas, former private collection of the Queen of the Belgians, Elisabeth of BavariaStill life with red shoes, 1944, oil on canvas (71,5 x 80\u00a0cm), collection of Museum of Fine Arts, Ghent (MSK), Belgium, in the Eliane de Meuse monograph of Paul Caso edited by Editions Prefilm, Brussels, 1991, page 26L’enfant, oil on canvas (60 x 48\u00a0cm), collection of Mus\u00e9e des Beaux-Arts Tournai, Belgium, in the museum ‘s catalogue of paintings and sculptures, page 68 (inventory’s number 451) and in the Eliane de Meuse monograph of Paul Caso edited by Editions Prefilm, Brussels, 1991, page 21Marianne, oil on canvas (81 x 61\u00a0cm), collection of Mus\u00e9e des Beaux-Arts Tournai, Belgium, in the museum ‘s catalogue of paintings and sculptures, page 68 (inventory’s number 453) and in the Eliane de Meuse monograph of Paul Caso edited by Editions Prefilm, Brussels, 1991, page 56Bouquet, oil on canvas stuck on panel (60 x 50\u00a0cm), collection of Mus\u00e9e des Beaux-Arts Tournai, Belgium, in the museum ‘s catalogue of paintings and sculptures, page 68 (inventory’s number 452) Nu \u00e0 contre-jour, circa 1920, oil on canvas (99,5 x 80\u00a0cm), private Belgian collection, in Paul Piron’s dictionary, volume 3, page 234 R\u00eaverie, 1932, oil on canvas (80 x 70\u00a0cm), private Belgian collection, reproduced in the catalogue of The Concours Godecharle created by Gilles-Lambert Godecharle and in the Eliane de Meuse monograph of Paul Caso edited by Editions Prefilm, Brussels, 1991, page 52Centaur\u00e9es, oil on canvas, (80 x 70\u00a0 cm), entered in January 1992 into the CBC Banque’s collection (formerly Cr\u00e9dit G\u00e9n\u00e9ral). This painting mentioned in the catalogue of the works exhibited in the Brussels Gallery of the Cr\u00e9dit G\u00e9n\u00e9ral under reference nr 23, was offered by the artist to the bank for their free sponsoring.… and in the Belgian State collections Interieur, oil on canvas (61,5 x 60,5\u00a0cm), in the Eliane de Meuse monograph by Paul Caso edited by Editions Prefilm, Brussels, 1991, page 71.^ Solange de Behr \u2013 Mus\u00e9e d\u2019Art moderne et d\u2019Art contemporainLi\u00e8ge \u2013 1994 [1]^ To celebrate its 300th anniversary, the Academy of Fine Arts pays tribute to all the great artists who have passed there, such as Victor Horta (Director 1927\u20131931), Henry Lacoste (Director 1954\u20131957), Am\u00e9d\u00e9e Lynen, Victor Servranckx, Eliane de Meuse, Robert Schuiten, Albert Mangon\u00e8s, Claude Strebelle, Max Van Dyck, Paul Delvaux, Ren\u00e9 Magritte, Vincent van Gogh, James Ensor,…[2]^ Caso Paul in monograph Eliane de Meuse edited by Prefilm, Brussels, p. 9, 1991.^ Caso Paul in monograph Eliane de Meuse edited by Prefilm, Brussels, p. 9, 1991.^ Sander Pierron in Le Courrier d\u2019Anvers, 1936^ K. de Bergen in Le Journal des Beaux-Arts, 23 October 1936^ L. J. in  La Flandre Lib\u00e9rale (Gand), 1 November 1936.^ Caso Paul in monograph Eliane de Meuse edited by Prefilm, Brussels, 1991.^ Guy Dotremont in Les Concours Godecharle ont cent ans 1881-1981, 1981.^ Christian Desclez in catalog of the exhibition dedicated to Fauvisme braban\u00e7on, 1996Documentary broadcast on television[edit]Personnalit\u00e9 \u00e0 domicile\u00a0: \u00c9liane de Meuse interviewed by \u00c9ric Russon, T\u00e9l\u00e9-Bruxelles, 1991Further reading[edit](in French) A. Massin, W. Demulder, P. Bijtebier, Chr. Dehennin et Henri Kessels Les Concours Godecharle ont cent ans 1881-1981 Eliane de Meuse p.\u00a036 D\u00e9p\u00f4t l\u00e9gal D\/1981\/1758\/3 – [3](in French) Caso Paul, Eliane de Meuse monograph, Les Editions Prefilm, Brussels, 1991, 88 pages full translated in English and Dutch by Bellis Translations, Brussels – Coordination and photos by Nicolas Limberopoulos – D\u00e9p\u00f4t l\u00e9gal D\/1991\/6068\/1 (Biblioth\u00e8que royale Albertine, Brussels – Belgium) [4](in French) Mabille. M et Geirlandt Karel. J., Un demi-si\u00e8cle d’expositions Palais des Beaux-Arts Bruxelles, edited by a.s.b.l. La Soci\u00e9t\u00e9 des expositions du Palais des Beaux-Arts, Brussels, 1981 – D\u00e9pot l\u00e9gal D\/1981\/2256\/10 (Belgium) [5](in French) Zeebroek-Hollemans, Adriaens-Pannier, A., Le dictionnaire des peintres belges du XIV si\u00e8cle \u00e0 nos jours; depuis les premiers ma\u00eetres des anciens Pays-Bas m\u00e9ridionaux et de la principaut\u00e9 de Li\u00e8ge, jusqu’aux artistes contemporains, 2 volumes, La Renaissance du Livre, department of De Boeck-Wesmael, Brussels – 1995 (Eliane de Meuse notice, volume 1, p.\u00a0325) (Belgium) [6](in French) Benezit, dictionnaire critique et documentaires des peintres, sculpteurs, dessinateurs et graveurs de tous les temps et de tous les pays en 14 volumes Editions Gr\u00fcnd, Paris – 1999 Eliane de Meuse notice, volume 9, p.\u00a0554) (France) [7]Benezit Dictionary of Artists, Editions Gr\u00fcnd, Paris – 2006  [8](in French) Paul Piron, dictionnaire des artistes plasticiens de Belgique des XIXe et XXe si\u00e8cles, Editions Art in Belgium, Lasne, – 2006 – ISBN\u00a02-930338-53-9 (Belgium)Dr. Gustaaf Janssens, Palais royal archives – (Chief archivist) – Ducale Street nr 2 – 1000 Brussels, BelgiumExternal links[edit]Winners list of the Concours Godecharle since its creation (in French and Dutch)Official website of Museum of Fine Arts of Tournai (Belgium) [9] (in French)Official website of Museum of Fine Arts of Gand (Belgium) [10] (in English, Dutch, German, and French)Royal Museums of Fine Arts of Belgium’ s library [11]Still life with red shoes at the Royal Institute for Cultural HeritageMarianne at the Royal Institute for Cultural HeritageNotice in Le Dictionnaire des peintres belges du XIVe si\u00e8cle \u00e0 nos jours depuis les premiers ma\u00eetres des anciens Pays-Bas m\u00e9ridionaux et de la principaut\u00e9 de Li\u00e8ge jusqu’aux artistes contemporains in two volumes, La Renaissance du Livre, d\u00e9partement de De Boeck-Wesmael, Bruxelles, 1995 [12] (in French)Carnegie Institute Pittsburgh [13]Archives du Palais Royal du Royaume de Belgique [14] (in French)Frans Hens (1856\u20131928) [15] (in French) et (in Dutch)Charles Bernard (1875\u20131961) [16] (in French)"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/eliane-de-meuse-wikipedia\/#breadcrumbitem","name":"\u00c9liane de Meuse – Wikipedia"}}]}]