[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/janelle-lynch-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki24\/janelle-lynch-wikipedia\/","headline":"Janelle Lynch – Wikipedia","name":"Janelle Lynch – Wikipedia","description":"American photographer Janelle Lynch Born 1969 (age\u00a053\u201354) Nationality American Education School of Visual Arts Known\u00a0for Photography Janelle Lynch (born 1969)[1]","datePublished":"2019-07-16","dateModified":"2019-07-16","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/9\/9a\/Portrait_of_Janelle_Lynch_from_Forrest_Simmons.jpg\/220px-Portrait_of_Janelle_Lynch_from_Forrest_Simmons.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/9\/9a\/Portrait_of_Janelle_Lynch_from_Forrest_Simmons.jpg\/220px-Portrait_of_Janelle_Lynch_from_Forrest_Simmons.jpg","height":"293","width":"220"},"url":"https:\/\/wiki.edu.vn\/en\/wiki24\/janelle-lynch-wikipedia\/","about":["Wiki"],"wordCount":8108,"articleBody":"American photographerJanelle LynchBorn1969 (age\u00a053\u201354)NationalityAmericanEducationSchool of Visual ArtsKnown\u00a0forPhotographyJanelle Lynch (born 1969)[1] is an American artist whose images reveal an inquiry into themes of connection, presence, and transcendence.[2][3][4][5][6][7] She uses an 8×10-inch view camera.[8] While she photographed exclusively in the landscape for the first two decades of her career, Lynch’s practice has expanded to include portraiture, still life, and cyanotype.[9]Table of ContentsPhotographic series[edit]River[edit]Los Jardines de M\u00e9xico[edit]Barcelona[edit]Presence[edit]Another Way of Looking at Love[edit]Collections[edit]Exhibitions[edit]Solo exhibitions[edit]Group exhibitions[edit]Awards and honors[edit]References[edit]External links[edit]Photographic series[edit]River[edit]  From “River” (2001\u20132006)In 2001, she began her River series.  It consists of 10 photographs that she made along the Hudson River in Manhattan, and explores impermanence and cultural change through historical urban architecture. In 2006, Alison Nordstrom, Curator at the George Eastman Museum[10] acquired three images from the series and featured them in the 2007 Biennial Exhibition Vital Signs: Place. In 2007, River was a finalist for PhotoEspa\u00f1a’s Descubrimientos Award and a finalist for the competition at Hy\u00e8res, the International Festival of Photography and Fashion. River was nominated for the Prix Pictet in 2008. Since then, the series has been exhibited in six countries. It is in collections worldwide, including The Metropolitan Museum of Art, the Brooklyn Museum, The New York Public Library, the Newark Museum, the New-York Historical Society, and the Museum of the City of New York.Los Jardines de M\u00e9xico[edit]Los Jardines de M\u00e9xico begins with El Jard\u00edn de Juegos (Mexico City, 2002-2003), in Mexico City, where she lived for three years. Made with a 4 \u00d7 5-inch camera, the images, void of people, as are all of the works in the book, show the relics of a children’s playground conquered by nature and neglect.The Donde Andaba series (Mexico City, 2005), made with a 6 x 7-cm format camera, follows and represents a progression from the prior series in both content and form. The images juxtapose wild plant life with architecture and explore the subject of the persistence of life despite its ambient conditions.Akna, the Mayan goddess of birth and fertility, is also believed to be a guardian saint. The photographs in this series, Akna (Chiapas, 2006), Lynch’s first with an 8 \u00d7 10-inch camera, are portraits of anthropomorphized tree stumps in a nature reserve, which investigate the theme of regeneration.Lynch made the final series in the book, La Fosa Com\u00fan (Mexico City, 2007), also with an 8 \u00d7 10-inch camera, in the functioning, century-old common grave, centrally located within the city. The photographs of vegetation in various stages of the life cycle, coupled with subtle suggestions of the setting, further the exploration of notions of loss and death that El Jard\u00edn de Juegos began in 2002\u20132003, while simultaneously celebrating life and its intricate beauty.In 2008, Los Jardines de M\u00e9xico was named a finalist for the Santa Fe Prize for Photography.Radius Books published Los Jardines de M\u00e9xico in 2011, with a work of short fiction by Mexican author Mario Bellat\u00edn and essay by Mexican architect and landscape designer, Jos\u00e9 Antonio Aldrete-Hass.[11]Los Jardines de M\u00e9xico has been internationally exhibited, including one-woman museum shows of the entire series at the Museo Archivo de la Fotograf\u00eda, Mexico City (2011) and the Southeast Museum of Photography, Daytona Beach, FL (2013).Barcelona[edit]From 2007 to 2011, while living in Spain, Lynch explored the fallow landscape outside of Barcelona. She photographed along waterways seminal to Catalonia’s history to explore presence, memory and loss. With her 8 \u00d7 10-inch camera and a portrait lens, the artist photographed pylons, puddles, leaves, and litter as metaphors for themes of absence and presence, mourning and remembrance.Following Los Jardines de M\u00e9xico, Barcelona continues Lynch’s long-term interest in representations of the life cycle in the landscape. Included with the five series of images that compose this project are writings in English and Spanish by the artist.Radius published the work in her second monograph in 2013, Barcelona, with her nonfiction writings, including The Window, and the five related series she realized while living in Spain from 2007-2011. The book begins with a personal essay about Lynch’s early relationship with nature. Woven throughout the remaining pages are text about and quotes from Charles Burchfield, Wendell Berry and Roland Barthes, whose works have been influential in Lynch’s process.The American Institute of Graphic Arts named Barcelona a recipient of their 50 Books\/ 50 Covers Award.[12] In 2015, Barcelona was nominated for the Prix Pictet. In 2013, Lynch’s Walls series (from Barcelona) was a finalist for The Cord Prize.[13]Presence[edit]In 2013, Lynch was the first Artist-in-Residence[14] at the Burchfield Penney Art Center in Buffalo, NY. By then, the painter Charles Burchfield had been an important influence for many years. The resulting year-long project, Presence, uses naturally occurring connections in the landscape to affirm kinships with creative influences and progenitors of the environmental movement. In 2014, the Center acquired the work and Nancy Weekly, Burchfield Scholar, curated an exhibition[15] of it in the Burchfield Rotunda, a space that until my show had been exclusively dedicated to Burchfield’s work.Another Way of Looking at Love[edit]In 2018, Radius published her third monograph, Another Way of Looking at Love, which she co- designed. It includes an essay by Darius Himes, International Head of Photographs, Christies. Another Way of Looking at Love is a three-year project that was influenced by her drawing and painting from observation at the New York Studio School and from her interest in relational-cultural theory.Borne of awe for the power of nature, Another Way of Looking at Love seeks to inspire connection: to one another, to the planet, and to the generative possibilities of the present moment. It is influenced by Mary Oliver’s poetry, Rebecca Solnit’s writings about “slow seeing,” Jon Kabat-Zinn’s research on mindfulness and neuroscience, as well as Amy Banks’ research on Relational Cultural Theory, which emphasizes the importance of loving human connections and their impact on our lives, culture, and planet.In 2019, Another Way of Looking at Love was shortlisted for the Prix Pictet, the award for photography and sustainability.[1] The theme was “hope.” The Victoria and Albert Museum has since acquired five images from the series for their permanent collection.[16] An exhibition of all shortlisted artists’ work opened at the Victoria and Albert Museum in London in November 2019 and began its world tour to venues in Japan, Switzerland, and Russia, among others.[17]Lynch’s fourth one-woman museum exhibition, Janelle Lynch: Another Way of Looking at Love,[18] opened in September 2019 at the Hudson River Museum in Yonkers, NY, and was on view until February 2020.In February 2020, NPR’s The Picture Show featured Another Way of Looking at Love in “A Photographer’s Guide To ‘Slow Seeing’ The Beauty In Everyday Nature.”[19]Collections[edit]Lynch’s work is held in the following public collections:Metropolitan Museum of Art, New York, NY[20]Victoria and Albert Museum, London UK[21]Southeast Museum of Photography, Daytona Beach, FL[22]Hudson River Museum, Yonkers, NY[23]New York Public Library, New York, NY[24]York Historical Society, New York, NY[25]Brooklyn Museum, Brooklyn, NY[26]Newark Museum, Newark, NJ[27]George Eastman Museum, Rochester, NY[28]Burchfield Penney Art Center, Buffalo, NY[29]Fundacio Vila Casa, Barcelona, Spain[30]Centro de Fotograf\u00eda, Tenerife, Spain[31]Fundaci\u00f3n AMYC, Madrid, Spain[32]Villa Noailles, Hy\u00e8res, France[33]Museum of Contemporary Photography, Chicago, IL[34]Stanford University, Stanford, CA[35]  From “Another Way of Looking at Love” (2015\u20132018)Exhibitions[edit]Solo exhibitions[edit]Delaware Valley Arts Alliance, Narrowsburg, NY, 2020[36]Hudson River Museum, Yonkers, NY, 2019\u20132020[37]Burchfield Penney Art Center, Buffalo, NY, 2014 (catalog)[38]Southeast Museum of Photography, Daytona Beach, FL, 2013[citation needed]Robert Morat Galerie, Berlin, 2013[27]Museo Archvio de la Fotograf\u00eda, Mexico City, Mexico, 2011Photofusion, London, 2008[39]Museo de Arte Contempor\u00e1neo (Salta)\u00a0[es], Argentina, 2008[citation needed]Centro Cultural Banco de Brasil, Bras\u00edlia, Brazil, 2007 (catalog)[citation needed]Furman University, Greenville, SC, 2005[citation needed]University of California Berkeley, San Francisco Extension, San Francisco, CA, 2003[citation needed]Group exhibitions[edit]Hope, Prix Pictet touring exhibition, Hillside Forum, Tokyo, 2019; ArtLab, EPFL, Lausanne, Switzerland, 2020; Mouravieff-Apostol House & Museum, Moscow, 2020; Gallery of Photography, Dublin, 2021; Shanghai Centre of Photography, Shanghai, China, 2021; Grimaldi Forum, Monaco, 2021; Eretz Israel Museo, Tel Aviv, Israel, 2021; Palazzo della Gran Guardia, Verona, Italy, 2021[17]Awards and honors[edit]2019: Prix Pictet, Shortlist[1]2017\u20132019: The Hermitage Artist Retreat, Artist-in-Residence[41]2013: Burchfield Penney Art Center, Artist-in-Residence [38]2013: AIGA, Award[42]2013: The Cord Prize, Finalist[43]2011: Kodak, Grant[citation needed]2009: Santa Fe Prize for Photography, Finalist[44]2008: Kodak, Grant[citation needed]2007: Festival International de Mode et de Photographie \u00e0 Hy\u00e8res, Finalist[42][45]2007: Kodak, Grant[citation needed]2007: PHotoEspa\u00f1a Descubrimientos, FinalistReferences[edit]^ a b c “Prix Pictet 2019 shortlist \u2013 photo essay”. theguardian.com. 5 July 2019.{{cite web}}:  CS1 maint: url-status (link)^ Risch, Conor. Inside The Garden, Photo District News July, 2011.^ Weideman, Paul. Photo Synthesis, The Santa Fe New Mexican 22 July 2011, pp 28-29.^ Bufill, Juan. Rio Industrial, La Vanguardia 20 September 2009.^ D\u2019Imbert, S. Mu\u00f1oz. Janelle Lynch: El Riu Llobregat o l\u2019elegia d\u2019all\u00f2 que va ser, Bon Art September, 2009, p77.^ Bufill, Juan. Ritmo de Ruinas, La Vanguardia 14 October 2007, p.45.^ Koetzle, Hans-Michael. Portfolio: Janelle Lynch, Photo-International September\u2013October 2007, no. 5, pp. 50-57.^ “Janelle Lynch April Amaryllis, 2020”. www.flowersgallery.com.{{cite web}}:  CS1 maint: url-status (link)^ “Janelle Lynch, April 27, 2023 – Photographic Resource Center”. 2022-05-09. Retrieved 2023-02-19.^ “Collection”. collections.eastman.org.{{cite web}}:  CS1 maint: url-status (link)^ “Aldrete-Haas & Associates”. aldretehaas.com\/.{{cite web}}:  CS1 maint: url-status (link)^ “50 Books\/50 Covers Award”. designobserver.com.{{cite web}}:  CS1 maint: url-status (link)^ “The Cord Prize, Finalist Page”. Archived from the original on 2014-04-22. Retrieved 2014-04-22.^ “Artist-in-Residence”. burchfieldpenney.org.{{cite web}}:  CS1 maint: url-status (link)^ “JANELLE LYNCH: PRESENCE”. burchfieldpenney.org.{{cite web}}:  CS1 maint: url-status (link)^ “Collection”. collections.vam.ac.uk.{{cite web}}:  CS1 maint: url-status (link)^ a b “Exhibitions & Events”. Prix Pictet. Retrieved 2021-10-19.^ “Janelle Lynch: Another Way of Looking at Love”. hrm.org.{{cite web}}:  CS1 maint: url-status (link)^ Poole, John (16 February 2020). “A Photographer’s Guide To ‘Slow Seeing’ The Beauty In Everyday Nature”. npr.org.{{cite web}}:  CS1 maint: url-status (link)^ “Collection”. Metropolitan Museum of Art. Retrieved 2018-06-25.^ “Collection”. Victoria & Albert Museum.{{cite web}}:  CS1 maint: url-status (link)^ “Collection”. Southeast Museum of Photography.{{cite web}}:  CS1 maint: url-status (link)^ “Collection”. hrm.org.{{cite web}}:  CS1 maint: url-status (link)^ “Untitled #3 – Wallach Prints and Photos”. wallachprintsandphotos.nypl.org. Retrieved 2018-07-31.^ “Janelle Lynch photographs”. bobcat.library.nyu.edu. Retrieved 2018-07-31.^ “Brooklyn Museum”. www.brooklynmuseum.org. Retrieved 2018-07-31.^ a b “BARCELONA PHOTOGRAPHS AND WRITINGS BY JANELLE LYNCH”. Mus\u00e9e Magazine. Retrieved 2018-07-31. ^ “Search“. George Eastman Museum. Accessed 25 June 2018.^ “Collection > Burchfield Penney Art Center”. www.burchfieldpenney.org. Retrieved 2018-07-31.^ www.anunzia.com. “Janelle Lynch – Artist information”. www.fundaciovilacasas.com. Retrieved 2018-07-31.^ “Collection”. teatenerife.es\/coleccion.{{cite web}}:  CS1 maint: url-status (link)^ “BARCELONA PHOTOGRAPHS AND WRITINGS BY JANELLE LYNCH”. Mus\u00e9e Magazine. Retrieved 2023-02-19.^ “Collection”. actuphoto.com.{{cite web}}:  CS1 maint: url-status (link)^ “Collections \u2013 MoCP”. collections.mocp.org. Retrieved 2023-02-20.^ “1 result in SearchWorks catalog”. searchworks.stanford.edu. Retrieved 2023-02-20.^ “Janelle Lynch Another Way of Looking at Love”. Delaware Valley Arts Alliance.{{cite web}}:  CS1 maint: url-status (link)^ “Hudson River Museum”. Hudson River Museum. Retrieved 2019-07-09.^ a b “Janelle Lynch: Presence > Exhibitions > Burchfield Penney Art Center”. www.burchfieldpenney.org. Retrieved 2018-07-31.^ “Janelle Lynch: River – Exhibition at Photofusion in London”. ArtRabbit. Retrieved 2018-07-31.^ “Collecting New York’s Stories”. mcny.org.{{cite web}}:  CS1 maint: url-status (link)^ “Janelle Lynch: Another Way of Looking at Love”. LENSCRATCH. 2018-11-13. Retrieved 2019-07-09.^ a b “50 Books | 50 Covers: Design Observer”. designobserver.com. Retrieved 2018-07-31.^ “Janelle Lynch”. www.spenational.org. Retrieved 2018-07-31.^ “2009 Santa Fe Prize for Photography Winner: HIROYO KANEKO | Mary Virginia Swanson | On Making and Marketing Art”. mvswanson.com. Retrieved 2018-07-31.^ “ON PHOTOGRAPHY & ILLUSTRATION”. www.on-photography.com. Retrieved 2018-07-31.External links[edit]"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/janelle-lynch-wikipedia\/#breadcrumbitem","name":"Janelle Lynch – Wikipedia"}}]}]