[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/kim-yeonsu-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki24\/kim-yeonsu-wikipedia\/","headline":"Kim Yeonsu – Wikipedia","name":"Kim Yeonsu – Wikipedia","description":"before-content-x4 From Wikipedia, the free encyclopedia South Korean writer (born 1970) Kim Yeonsu (The romanization preferred by the author according","datePublished":"2021-06-12","dateModified":"2021-06-12","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki24\/kim-yeonsu-wikipedia\/","about":["Wiki"],"wordCount":2407,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopediaSouth Korean writer (born 1970)Kim Yeonsu (The romanization preferred by the author according to LTI Korea[1]) (Korean:\u00a0\uae40\uc5f0\uc218; born 1970) is a South Korean writer.[2]Kim Yeonsu was born in Kimcheon, Kyeongsangbuk-do in 1970. He graduated with a degree in English literature from Sungkyunkwan University in Korea. After graduation, Kim was an office worker by day, a translator at night, and spent the remainder of his time writing novels.[3] In 1997, Kim worked as a reporter for a woman’s magazine, and this experience was also key to his outlook that daily life is difficult.[4]Kim made his debut in 1993 with a poem in the journal Jakka Segye (Writer’s World) and the next year published a novel Walking While Pointing to the Mask (Gamyeon-eul Gariki-myeo Geotgi). He is one of the most well-received Korean writers since 2000, and also a best-selling author in Korea. For example, his work World\u2019s End Girlfriend, published in 2009, sold 40,000 copies in less than three months of publication.[5]Kim’s literary world is shaped by his study of humanities and at the same time owes much to the Argentinian writer, Jorge Luis Borges, whose influence is paramount in his first collection of short stories, Twenty Years Old.[6]Kim did not content himself with a place in the shadow of a literary great. His third novel, Goodbye, Yi Sang was met with a critical reception worthy of a masterpiece at the very pinnacle of humanistic imagination. To be sure, Borgesian influence is still unmistakable, but only in the background: the novel, as a whole, is animated by the author’s own meticulous and in-depth study of Yi Sang, the Korean existentialist writer of the 1930s who produced some of the most exotic and complex stories in Korean literary history. Goodbye, Yi Sang is concerned with the question of truth and of existence as well as the very definition of literature which, in Kim’s view, are not mutually exclusive. \u201cThe reason why I write,\u201d the author has said,\u201d is to find out whether the truth does indeed exist in the act of writing.”[7]\u201dWhen I Was Still A Child, which first appeared in serial form, is a collection of stories based on his childhood and adolescence. Although it was written with considerable ease and employs much lighter tone of voice than Goodbye, Yi Sang, the stories in this collection provide yet another venue for exploring the nature of truth, which has always remained the focus of Kim’s interest.[8]As a young author, Kim’s works are just now being translated. To this date, only one short essay (New York Bakery) and several short stories referenced below have been translated into English. Rather, more of his works are translated into Japanese, French, and Russian. World\u2019s End Girlfriend, Wonder Boy, The Country of the Blind, and other short stories are published in Japanese.[9]So You Love Me, Seonnyeong (Sarang-irani, Seonnyeong-a), If the Waves Belong to the Sea, and I am a Ghost Writer are translated into French. World\u2019s End Girlfriend and Wonder Boy are also published in Russian, I am a Ghost Writer is published in German, and again, World’s End Girlfriend in Chinese.[10][11]Table of ContentsAwards[edit]Works in English[edit]Works in Korean (Partial)[edit]References[edit]External links[edit]Awards[edit]First PlaceDong-seo Literary Award (2001) Goodbye, Yi Sang (\uafbf\ube60\uc774, \uc774\uc0c1)Dong-in Literary Award (2003) When I Was Still A Child (\ub0b4\uac00 \uc544\uc9c1 \uc544\uc774\uc600\uc744 \ub54c)Daesan Literary Award (2005) I am a Ghost Writer (\ub098\ub294 \uc720\ub839\uc791\uac00\uc785\ub2c8\ub2e4)Hwang Sun-won Literary Award (2007) The Comedian Who Went to the Moon (\ub2ec\ub85c \uac04 \ucf54\ubbf8\ub514\uc5b8)Yi Sang Literary Prize (2009) Five Pleasures for Those Who Take Walks (\uc0b0\ucc45\ud558\ub294 \uc774\ub4e4\uc758 \ub2e4\uc12f \uac00\uc9c0 \uc990\uac70\uc6c0)       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Runner-upsCritics’ Choices: Novels (2001) First Love (\uccab\uc0ac\ub791)Critics’ Choices: Novels (2002) Hanging Yellow Lotus Lantern High (\ub178\ub780 \uc5f0\ub4f1 \ub4dc\ub192\uc774 \ub0b4\uac78\uace0)Yi Sang Literary Prize (2002) First Love (\uccab\uc0ac\ub791)Yi Sang Literary Prize (2003) Hanging Yellow Lotus Lantern High (\ub178\ub780 \uc5f0\ub4f1 \ub4dc\ub192\uc774 \ub0b4\uac78\uace0)Authors’ Choices: Novels (2005) Words Cannot Tell (\ubfcc\ub11d\uc480)Lee Hyo-seok Literary Prize (2007) Happy New Year to Everyone – To Raymond Carver (\ubaa8\ub450\uc5d0\uac8c \ubcf5\ub41c \uc0c8\ud574)Critics’ Choices: Novels (2007) Happy New Year to Everyone – To Raymond Carver (\ubaa8\ub450\uc5d0\uac8c \ubcf5\ub41c \uc0c8\ud574)Yi Sang Literary Prize (2007) I Need a Vacation (\ub0b4\uac90 \ud734\uac00\uac00 \ud544\uc694\ud574)Authors’ Choices: Novels (2008) Happy New Year to Everyone – To Raymond Carver (\ubaa8\ub450\uc5d0\uac8c \ubcf5\ub41c \uc0c8\ud574)Critics’ Choices: Novels (2008) Tried Calling KK’s Name (\ucf00\uc774\ucf00\uc774\uc758 \uc774\ub984\uc744 \ubd88\ub7ec\ubd24\uc5b4)Authors’ Choices: Novels (2009) Tried Calling KK’s Name (\ucf00\uc774\ucf00\uc774\uc758 \uc774\ub984\uc744 \ubd88\ub7ec\ubd24\uc5b4)Critics’ Choices: Novels (2009) World’s End Girlfriend (\uc138\uacc4\uc758 \ub05d \uc5ec\uc790\uce5c\uad6c)Novels Worth Noting (2012) I am In-gu (\uc778\uad6c\uac00 \ub098\ub2e4)Contemporary Literature (Hyundae Munhak) Award (2013) What We Can Write in Blue (\ud478\ub978\uc0c9\uc73c\ub85c \uc6b0\ub9ac\uac00 \uc4f8 \uc218 \uc788\ub294 \uac83)Contemporary Literature (Hyundae Munhak) Award (2014) Dong-uk (\ub3d9\uc6b1)EBS Radio Literature Award (2014) New Year with Cherry Blossoms (\ubc9a\uaf43 \uc0c8\ud574)Lee Hyo-seok Literary Prize (2018) The Night and Mind (\uadf8 \ubc24\uacfc \ub9c8\uc74c)Contemporary Literature (Hyundae Munhak) Award (2018) A Joseon Poet with a Clouded Face (\ub0af\ube5b \uac80\uc2a4\ub8e9\ud55c \uc870\uc120 \uc2dc\uc778)Works in English[edit]Works in Korean (Partial)[edit]Collections\u300aTwenty Years Old (\uc2a4\ubb34 \uc0b4)\u300b (Munhakdongne, 2000)\u300aWhen I Was Still A Child (\ub0b4\uac00 \uc544\uc9c1 \uc544\uc774\uc600\uc744 \ub54c)\u300b (Munhakdongne, 2002)\u300aI am a Ghost Writer (\ub098\ub294 \uc720\ub839\uc791\uac00\uc785\ub2c8\ub2e4)\u300b (Changbi Publishers, 2005)\u300aWorld’s End Girlfriend (\uc138\uacc4\uc758 \ub05d \uc5ec\uc790\uce5c\uad6c)\u300b (Munhakdongne, 2009)\u300aMi in April, Sol in July (\uc0ac\uc6d4\uc758 \ubbf8, \uce60\uc6d4\uc758 \uc194)\u300b (Munhakdongne, 2013)Long Fiction\u300aWalking While Pointing to the Mask (\uac00\uba74\uc744 \uac00\ub9ac\ud0a4\uba70 \uac77\uae30)\u300b (Segye-sa, 1994)\u300aRoute 7 (7\ubc88\uad6d\ub3c4)\u300b (Munhakdongne, 1997)\u300aGoodbye, Yi Sang (\uafbf\ube60\uc774, \uc774\uc0c1)\u300b (Munhakdongne, 2001)\u300aSo You Love Me, Seonnyeong (\uc0ac\ub791\uc774\ub77c\ub2c8, \uc120\uc601\uc544)\u300b (Jakga Jeongsin, 2003)\u300aWhoever You Are, No Matter How Lonely (\ub124\uac00 \ub204\uad6c\ub4e0 \uc5bc\ub9c8\ub098 \uc678\ub86d\ub4e0)\u300b (Munhakdongne, 2007)\u300aThe Night Sings (\ubc24\uc740 \ub178\ub798\ud55c\ub2e4)\u300b (Moonji Publishing, 2008)\u300aRoute 7 Revisited (7\ubc88\uad6d\ub3c4 Revisited)\u300b(Munhakdongne, 2010)\u300aIf the Waves Belong to the Sea (\ud30c\ub3c4\uac00 \ubc14\ub2e4\uc758 \uc77c\uc774\ub77c\uba74)\u300b (Jaeum-gwa-Moeum, 2012)\u300aWonder Boy (\uc6d0\ub354\ubcf4\uc774)\u300b (Munhakdongne, 2012)Essays\u300aSentences of a Springtime (\uccad\ucd98\uc758 \ubb38\uc7a5\ub4e4)\u300b (Maum-sanchaek, 2004)\u300aThe Right to Travel (\uc5ec\ud589\ud560 \uad8c\ub9ac)\u300b (Changbi Publishers, 2008)\uae40\uc5f0\uc218, \uae40\uc911\ud601 (with Joong-hyuk Kim), \u300aA Spontaneous Happy-ending (\ub300\ucc45 \uc5c6\uc774 \ud574\ud53c\uc5d4\ub529)\u300b (Cine 21 Books, 2010)\u300aThe Moments We Shared: Novels (\uc6b0\ub9ac\uac00 \ubcf4\ub0b8 \uc21c\uac04: \uc18c\uc124)\u300b (Maum-sanchaek, 2010)\u300aThe Moments We Shared: Poems (\uc6b0\ub9ac\uac00 \ubcf4\ub0b8 \uc21c\uac04: \uc2dc)\u300b (Maum-sanchaek, 2010)\u300aSaying that I Won’t Lose (\uc9c0\uc9c0 \uc54a\ub294\ub2e4\ub294 \ub9d0)\u300b (Maum-eu-Sup, 2012)\u300aSentences of a Springtime+ (\uccad\ucd98\uc758 \ubb38\uc7a5\ub4e4+)\u300b (Maum-sanchaek, 2014)\u300aThe Work of a Novelist (\uc18c\uc124\uac00\uc758 \uc77c)\u300b (Munhakdongne, 2014)\u300aSomeday, Probably (\uc5b8\uc820\uac00, \uc544\ub9c8\ub3c4)\u300b (Culturegrapher, 2018)Chapters“\ud589\ubcf5\ud574\uc9c0\uac70\ub4e0,” “\ub098\ubb34\ub4e4 \uc0ac\uc774\ub85c \ubc14\ub2e4\ub97c \ubcf4\ub2e4,” “\ud76c\ub9dd\ubd09\uc5d0 \uc11c\uc11c,” “\ub098\ub3c4 \uc6c3\uc73c\ub2c8\uae4c,” “\ubc18\uac00\uc6cc. \ub0b4\uac00 \ub124 \uc544\ube60\uc57c!,” “\uc2dc\uac04\uc774 \uc0ac\ub77c\uc9c4\ub2e4\uba74,” “\ud55c\ubc14\ud0d5 \uc6c3\uc744 \ub54c\ub9c8\ub2e4,” “\ub0b4\uac00 \ubc14\ub77c\ub294 \uac83,” \u300a\uc0ac\ub78c\uc740 \uc0ac\ub78c\uc744 \ubd80\ub978\ub2e4\u300b (Daughters of St. Paul, 2013)“The River of Love Flows Only Downward (\ub0b4\ub9ac \ub0b4\ub9ac \uc544\ub798\ub85c\ub9cc \ud750\ub974\ub294 \ubb3c\uc778\uac00, \uc0ac\ub791\uc740),” \u300aSlowly, I started Crying (\ub098\ub294 \ucc9c\ucc9c\ud788 \uc6b8\uae30 \uc2dc\uc791\ud588\ub2e4)\u300b (Bomnal-eu-chaek, 2013)“Buddhism is about Thinking with Heart (\ubd88\uad50\ub780, \ub9c8\uc74c\uc744 \ub2f4\uc544\uc11c \ubcf4\ub294 \uac83\uc774\ub2e4),” \u300aI am Ordained in Literature (\ub098\ub294 \ubb38\ud559\uc73c\ub85c \ucd9c\uac00\ud588\ub2e4)\u300b (Jogye Book, 2013)“So Tell Me Again, Tiresias (\uadf8\ub7ec\ub2c8 \ub2e4\uc2dc \ud55c\ubc88 \ub9d0\ud574\ubcf4\uc2dc\uc624, \ud14c\uc774\ub808\uc2dc\uc544\uc2a4\uc5ec),” \u300aThe Country of the Blind (\ub208\uba3c \uc790\ub4e4\uc758 \uad6d\uac00)\u300b (Munhakdongne, 2014)“Finding Traces of Exchanges Among Civilizations from Silk Road (\uc2e4\ud06c\ub85c\ub4dc\uc5d0 \ub0a8\uc740 \ubb38\uba85 \uad50\ub958\uc758 \ud754\uc801\ub4e4\uc744 \ucc3e\uc544\uc11c),” \u300aSilk Road, Finding a Road on the Road (\uc2e4\ud06c\ub85c\ub4dc, \uae38 \uc704\uc5d0\uc11c \uae38\uc744 \ubcf4\ub2e4)\u300b (Human and Books, 2014)“A Spring Day that Returns after Meeting the Things that Pass Us by (\uc6b0\ub9ac\uc5d0\uac8c \ub2e4\ub140\uac00\ub294 \uac83\ub4e4\uc744 \ub9cc\ub098\uace0 \ub3cc\uc544\uc628 \ubd04\ub0a0),” \u300aThe Person Who We Cherished: About Park Wan-suh (\uc6b0\ub9ac\uac00 \ucc38 \uc544\ub07c\ub358 \uc0ac\ub78c: \uc18c\uc124\uac00 \ubc15\uc644\uc11c \ub300\ub2f4\uc9d1)\u300b (Dal, 2016)\uae40\uc5f0\uc218, \ub178\uc2b9\uc601 (with Seung-young Roh), “A Puzzle Called Yeonsu Kim (\uae40\uc5f0\uc218\ub77c\ub294 \ud37c\uc990),” \u300aThis is my Axt (\uc774\uac83\uc774 \ub098\uc758 \ub3c4\ub07c\ub2e4)\u300b (EunHaengNaMu, 2017)“The 15 Pages that No One in the World Writes For You (\uc774 \uc138\uc0c1 \uadf8 \ub204\uad6c\ub3c4 \ub300\uc2e0 \uc368\uc8fc\uc9c0 \uc54a\ub294 15\ub9e4),” \u300aAutobiographical Essays of the Yi Sang Literary Prize Winners (\uc774\uc0c1\ubb38\ud559\uc0c1 \ub300\uc0c1 \uc791\uac00\uc758 \uc790\uc804\uc801 \uc5d0\uc138\uc774)\u300b (Munhaksasang, 2019)“Review of The Adventures and Misadventures of Maqroll (\ub9c8\ud06c\ub864 \uac00\ube44\uc5d0\ub85c\uc758 \ubaa8\ud5d8),” \u300aWorld Literature Read by Korean Authors (\ud55c\uad6d \uc791\uac00\uac00 \uc77d\uc740 \uc138\uacc4\ubb38\ud559)\u300b (Munhakdongne, 2018)TranslationsRoald Dahl, \u300aGeorge’s Marvellous Medicine (\uc870\uc9c0, \ub9c8\ubc95\uc758 \uc57d\uc744 \ub9cc\ub4e4\ub2e4)\u300b (Sigong Junior, 2000)George A. Sheehan, \u300aRunning & Being: The Total Experience (\ub2ec\ub9ac\uae30\uc640 \uc874\uc7ac\ud558\uae30)\u300b (Hanmunhwa, 2003)Ha Jin, \u300aWaiting (novel) (\uae30\ub2e4\ub9bc)\u300b(Sigongsa, 2007)Raymond Carver, \u300aCathedral (short story collection) (\ub300\uc131\ub2f9)\u300b (Munhakdongne, 2007\/2014)Barnaby Conrad and Monte Schulz, \u300aSnoopy’s Guide to the Writing Life (\uc2a4\ub204\ud53c\uc758 \uae00\uc4f0\uae30 \uc644\uc804\uc815\ubcf5)\u300b (Hanmunhwa, 2012)John C. H. Wu, \u300aThe Golden Age of Zen (\uc120\uc758 \ud669\uae08\uc2dc\ub300)\u300b (Hanmunhwa, 2013)Laurence Yep, \u300aDragonwings (\uc6a9\uc758 \ub0a0\uac1c)\u300b (Sonyunhangil, 2016)References[edit]^ “Korean Literature Authors Name Authority Database – LTI Korea Library – LibGuides at Literature Translation Institute of Korea”. Archived from the original on 2014-10-06. Retrieved 2015-01-13.^ “\uae40\uc5f0\uc218 ” LTI Korea Datasheet: http:\/\/klti.or.kr\/ke_04_03_011.do# Archived 2013-09-21 at the Wayback Machine^ Kim Yeon-su, A Novelist Who Aspires to Do Something New, Korea Net, May 03, 2012. http:\/\/www.korea.net\/NewsFocus\/People\/view?articleId=100242^ The Indefinable Boundary of Fact and Fiction, LIST Magazine, Vol.7 Spring 2010^ The Indefinable Boundary of Fact and Fiction, LIST Magazine, Vol.7 Spring 2010^ “\uae40\uc5f0\uc218 ” LTI Korea Datasheet: https:\/\/library.ltikorea.or.kr\/node\/73[citation needed]^ \uae40\uc5f0\uc218 ” LTI Korea Datasheet: http:\/\/klti.or.kr\/ke_04_03_011.do# Archived 2013-09-21 at the Wayback Machine^ “\uae40\uc5f0\uc218 ” LTI Korea Datasheet: http:\/\/klti.or.kr\/ke_04_03_011.do# Archived 2013-09-21 at the Wayback Machine^ https:\/\/www.amazon.co.jp\/s?k=%E3%82%AD%E3%83%A0%E3%83%BB%E3%83%A8%E3%83%B3%E3%82%B9^ “Kim Yeonsu”.^ Bonnie Huie. “In Loneliness Begin Responsibilities: World\u2019s End Girlfriend by Kim Yeonsu.” Korean Literature Now, September 4, 2019. http:\/\/www.kln.or.kr\/lines\/reviewsView.do?bbsIdx=770External links[edit]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/kim-yeonsu-wikipedia\/#breadcrumbitem","name":"Kim Yeonsu – Wikipedia"}}]}]