[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/lioness-hidden-treasures-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki24\/lioness-hidden-treasures-wikipedia\/","headline":"Lioness: Hidden Treasures – Wikipedia","name":"Lioness: Hidden Treasures – Wikipedia","description":"From Wikipedia, the free encyclopedia 2011 compilation album by Amy Winehouse Lioness: Hidden Treasures is a posthumous compilation album[2] by","datePublished":"2015-11-24","dateModified":"2015-11-24","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki24\/lioness-hidden-treasures-wikipedia\/","wordCount":20451,"articleBody":"From Wikipedia, the free encyclopedia2011 compilation album by Amy WinehouseLioness: Hidden Treasures is a posthumous compilation album[2] by English singer and songwriter Amy Winehouse. It was released on 2 December 2011 by Island Records. It was her third album,[3] and features unreleased songs, covers and demos selected by Mark Ronson, Salaam Remi and Winehouse’s family, including the first single, “Body and Soul”, with Tony Bennett. The album was released in aid of the Amy Winehouse Foundation.[4] “Our Day Will Come” was released as the album’s second and final single on 4 December, and was Winehouse’s first solo single to be released since 2007.Table of ContentsBackground[edit]Singles[edit]Critical reception[edit]Commercial performance[edit]Track listing[edit]Personnel[edit]Musicians[edit]Technical[edit]Artwork[edit]Weekly charts[edit]Year-end charts[edit]Decade-end charts[edit]Certifications and sales[edit]Release history[edit]References[edit]Background[edit]Lioness: Hidden Treasures was announced for release on 31 October 2011 via Winehouse’s official website.[5]Island Records co-president Ted Cockle has emphasised that Lioness is not in any way the planned follow-up to Winehouse’s album Back to Black (2006). In fact, only two songs intended for the planned follow-up had been completed prior to her death.[6] The album is a compilation of recordings from before the release of Winehouse’s debut studio album, Frank, in 2002, up to music she was working on in 2011.[7]Producers Salaam Remi and Mark Ronson compiled the album with the consent of the Winehouse family. They worked together on listening to thousands of hours of vocals by Winehouse. Remi told NME that the album would not lead to “a Tupac situation”, referring to Tupac Shakur, in whose name seven posthumous studio albums have been released since his death in 1996. He stated, “A lot of people, through the other antics that were going on with her personally, didn’t get that she was at the top of what she did. Coming to Miami was her escape from all of that, and her writing process could document her life, whether it was recording the pain or the loneliness or the humour. It makes no sense for these songs to be sitting on a hard drive, withering away.”[8]Two tracks from Lioness: Hidden Treasures received world exclusive plays on BBC Radio 1 and BBC Radio 1Xtra on 3 November 2011. The Chris Moyles Show aired the first play of “Our Day Will Come”, while DJ Twin B broadcast the world premiere of “Like Smoke”, which features Nas.[9] The album cover was shot by Canadian rock singer-songwriter Bryan Adams in 2007.[10]Singles[edit]“Body and Soul”, Winehouse’s final studio recording and a duet with Tony Bennett, was released as a single on 14 September 2011, in commemoration of what would have been Winehouse’s 28th birthday. It was released as the first single from Lioness: Hidden Treasures and Tony Bennett’s Duets II album. Profits from the release of the single were donated to the Amy Winehouse Foundation.[11] “Our Day Will Come” was released as the second single from the album. The song was added to the BBC Radio 1 playlist on 2 November 2011, entering the C-list.[12] It was also named BBC Radio 2’s “Record of the Week” for the week beginning 5 November.[13]Critical reception[edit]Lioness: Hidden Treasures received generally mixed to positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 65, based on 28 reviews.[14]Q called it “an admirable tribute if frequently deafened by the echo of its tragic catalyst.”[21]Jon Pareles of The New York Times commented that the album “ekes out all it can from the archives” and found it to be “just the scraps of what might have been.”[25] Andrew Ryce of Pitchfork wrote in his review, “There’s little on Lioness: Hidden Treasures that sounds throwaway, or like it should have never been released; but there’s equally little that sounds absolutely essential.”[20]AllMusic editor John Bush felt that “only the songwriting and prevalence of covers or ‘original versions’ reveal that this is a posthumous collection”, crediting Salaam Remi and Mark Ronson for making the album “strikingly uniform”.[15]Commercial performance[edit]Lioness: Hidden Treasures debuted at number one on the UK Albums Chart with 194,966 copies sold in its first week, marking the biggest first-week sales of Winehouse’s career, as well as the fourth fastest-selling album of 2011.[26][27] It was certified triple platinum by the British Phonographic Industry (BPI) on 26 June 2020, denoting shipments in excess of 900,000 copies in the United Kingdom.[28] The album debuted at number five on the Billboard 200 with first-week sales of 114,000 units, making it Winehouse’s highest-debuting album in the United States.[29] As of July 2012, it had sold 423,000 copies in the US.[30]The album topped the charts in Austria, Greece, Netherlands, Portugal and Switzerland, while reaching the top five in Canada, New Zealand and several European countries, including Belgium, Denmark, France, Germany, Ireland, Italy, Spain and Sweden.[31][32][33][34]Lioness: Hidden Treasures had sold 2.4 million copies worldwide by the end of 2011,[35] becoming the 11th best-selling album of 2011, as well as the fourth best-selling album by a British artist.[36] The International Federation of the Phonographic Industry (IFPI) certified the album platinum in late 2011, denoting sales in excess of one million copies in Europe.[37]Track listing[edit]Personnel[edit]Credits adapted from the liner notes of Lioness: Hidden Treasures.[38]Musicians[edit]Amy Winehouse \u2013 vocals (all tracks); guitar (tracks 7, 8, 10); acoustic guitar (track 9)Salaam Remi \u2013 arrangements (tracks 1\u20133, 5, 7, 8, 10, 12); bass, drums (tracks 1\u20133, 5, 7, 10, 12); guitar (tracks 1\u20133, 5, 12); piano (tracks 1, 2); organ, Rhodes (track 1); bells (track 2); background vocals (track 3)Mark Ronson \u2013 arrangements (tracks 4, 6); orchestra arrangements (track 4)Zalon \u2013 backing vocals arrangements (tracks 1\u20133, 5, 7, 8); background vocals (tracks 1\u20133, 5, 7, 8); additional vocals (track 8)Heshima Thompson \u2013 backing vocals arrangements (tracks 1\u20133, 5, 7, 8); background vocals (tracks 1\u20133, 5, 7, 8); additional vocals (track 8)Vincent Henry \u2013 horns (track 1); horn arrangements (tracks 1, 3, 5, 7, 10, 12); flutes (tracks 1, 3, 7, 10, 12); guitar (tracks 1\u20133, 5, 7, 12); saxophone (tracks 2, 3, 7, 10, 12); clarinet (tracks 10, 12)Bruce Purse \u2013 shotgun (track 1); trumpet (tracks 1, 10)Troy Auxilly-Wilson \u2013 drums (track 1)Glen Lewis \u2013 background vocals (track 2)John Adams \u2013 Wurly (tracks 2, 12); Rhodes (tracks 2, 3, 10, 12); organ, piano (tracks 3, 12); synths (tracks 3, 10); vibraphone (track 10)Stephen Coleman \u2013 string arrangements (track 2, 7, 12)Tim Davies \u2013 string arrangements (track 3, 5)Homer Steinweiss \u2013 drums (tracks 4, 6)Nick Movshon \u2013 bass (tracks 4, 6)Binky Griptite \u2013 guitar (tracks 4, 6)Thomas Brenneck \u2013 guitar (tracks 4, 6)Dave Guy \u2013 trumpet (tracks 4, 6)Ian Hendrickson-Smith \u2013 tenor saxophone (track 4); baritone saxophone (track 6)Cochemea Gastelum \u2013 baritone saxophone (track 4)Victor Axelrod \u2013 piano (track 4)Kevin C. Keys \u2013 background vocals (track 4)Saundra Williams \u2013 background vocals (track 4)Angela “AnGee” Blake \u2013 background vocals (track 4)Perry Montague-Mason \u2013 orchestra leader (track 4)Chris Elliott \u2013 orchestra arrangements (track 4)Nas \u2013 featured vocals (track 5)Dale Davies \u2013 bass, guitar (track 5)James Poyser \u2013 keyboards (track 5); synths, flutes (track 8)Czech Film Orchestra \u2013 strings (track 5)Ahmir “Questlove” Thompson \u2013 percussion (track 6); drums (track 8)Neal Sugarman \u2013 tenor saxophone (track 6)Paul O’Duffy \u2013 arrangements, bass, vibes, rhythm (track 8)Tony Bennett \u2013 vocals (track 11)Jorge Calandrelli \u2013 arrangements, conducting (track 11)Lee Musiker \u2013 piano (track 11)Marshall Wood \u2013 bass (track 11)Tim Cobb \u2013 bass (track 11)David Finck \u2013 bass (track 11)Harold Jones \u2013 drums (track 11)Gray Sargent \u2013 guitar (track 11)Elena Barere \u2013 concertmaster (track 11)Avril Brown, Sean Carney, Jonathan Dinklage, Cornelius Dufallo, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Yoon Kwon, Ann Leathers, Matthew Lehmann, Liz Lim Dutton, Katherine Livolsi, Laura McGinnis, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Catherine Sim, Shirien Taylor Donahue, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao-Dong Wang, Nancy Wu \u2013 violin (track 11)Vincent Lionti, Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Todd Low, Craig Mumm, Alissa Smith, Judy Witmer \u2013 viola (track 11)Richard Locker, Diane Barere, Stephanie Cummins, David Eggar, Jeanne Leblanc, Ellen Westermann \u2013 cello (track 11)Grace Paradise \u2013 harp (track 11)Pamela Sklar \u2013 flute, piccolo (track 11)Katherine Fink \u2013 flute, piccolo (track 11)Diane Lesser \u2013 oboe, English horn (track 11)Charles Pillow \u2013 clarinet, bass clarinet (track 11)Marc Goldberg \u2013 bassoon (track 11)Philip Myers, Thomas J\u00f6stlein, Bob Carlisle, Barbara J\u00f6stlein Currie, Ann Scherer \u2013 French horn (track 11)Mike Davis \u2013 trombone (track 11)George Flynn \u2013 bass trombone (track 11)Gordon Gottlieb \u2013 percussion (track 11)Erik Charlston \u2013 percussion (track 11)Ben Herman \u2013 percussion (track 11)Technical[edit]Salaam Remi[k] \u2013 production (tracks 1\u20133, 5, 7, 8, 10, 12)Gary Noble \u2013 mixing (tracks 1\u20133, 5, 7, 8, 10, 12); recording (tracks 1, 5, 8, 10)Xavier Stephenson \u2013 mixing assistance (tracks 1\u20133, 5, 7, 8, 10, 12)Mark Ronson \u2013 production (tracks 4, 6)Gabriel Roth \u2013 engineering (tracks 4, 6)Wayne Gordon \u2013 additional engineering, tape operation (tracks 4, 6)Tom Elmhirst \u2013 mixing (tracks 4, 6)Ben Baptie \u2013 mixing assistance (tracks 4, 6)Stuart Hawkes \u2013 masteringGleyder “Gee” Disla \u2013 recording (tracks 1\u20133, 5, 7, 12)Shomari Dillon \u2013 engineering assistance (tracks 1, 8, 10)Neil Dyer \u2013 engineering assistance (tracks 1\u20133, 5, 7, 12)Greg Freeman \u2013 engineering assistance (tracks 2, 5)Franklin Socorro \u2013 recording (tracks 3, 5, 12)Vaughan Merrick \u2013 Pro-Tools editing and engineering (track 4)Ben Jackson \u2013 recording (track 7)Scott McCormick \u2013 recording (track 7)Steven Mandel \u2013 recording (track 7)Paul O’Duffy \u2013 production, recording (track 8)Danny Bennett \u2013 executive production (track 11)Phil Ramone \u2013 production (track 11)Dae Bennett \u2013 production, recording, mixing (track 11)Alessandro Perrotta \u2013 mixing assistance (track 11)Brian Chirlo \u2013 mixing assistance (track 11)Adam Bancroft \u2013 mixing assistance (track 11)Nicolas Essig \u2013 mixing assistance (track 11)Bob Ludwig \u2013 mastering (track 11)Lee Musiker \u2013 music direction for Tony Bennett (track 11)Jill Dell’Abate \u2013 production management, contractor (track 11)Vance Anderson \u2013 production coordination (track 11)Artwork[edit]Mark Ronson \u2013 liner notesSalaam Remi \u2013 liner notesMitch Winehouse \u2013 liner notesJanis Winehouse \u2013 liner notesBryan Adams \u2013 front cover and all booklet photographyRoss Halfin \u2013 back cover photographAlex Hutchinson \u2013 designWeekly charts[edit]Year-end charts[edit]Decade-end charts[edit]Certifications and sales[edit]Release history[edit]^ Tracks 1, 8 and 10^ Tracks 1\u20133, 5, 7 and 12^ Track 2^ Tracks 2 and 5^ Tracks 3 and 12^ Track 4^ Track 7^ Track 9^ Track 11^ Track 12^ a b c d e f g h i j Credited in the liner notes as “Salaamremi.com” for production duties.References[edit]^ Holz, Adam R. 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