[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/list-of-people-who-performed-on-beatles-recordings\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki24\/list-of-people-who-performed-on-beatles-recordings\/","headline":"List of people who performed on Beatles recordings","name":"List of people who performed on Beatles recordings","description":"before-content-x4 From Wikipedia, the free encyclopedia after-content-x4 List of musicians and other people to appear on recordings by The Beatles","datePublished":"2022-05-03","dateModified":"2022-05-03","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/4c\/Pete_Best_drumming.jpg\/220px-Pete_Best_drumming.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/4c\/Pete_Best_drumming.jpg\/220px-Pete_Best_drumming.jpg","height":"331","width":"220"},"url":"https:\/\/wiki.edu.vn\/en\/wiki24\/list-of-people-who-performed-on-beatles-recordings\/","about":["Wiki"],"wordCount":15232,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopedia       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4List of musicians and other people to appear on recordings by The BeatlesAside from John Lennon, Paul McCartney, George Harrison and Ringo Starr, numerous musicians and other people featured on official recordings by the Beatles. These include friends and family of the group, the band’s entourage, and numerous session musicians. Original members Pete Best (drums) and Stuart Sutcliffe (bass guitar) appeared on early recordings; the former on the group’s recording of “My Bonnie” with Tony Sheridan, and both on various tracks released on Anthology 1.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4The instruments contributed to Beatles recordings range from traditional orchestral instruments\u2014such as violin, viola and cello[1]\u2014to an alarm clock and a pile of gravel.[2][3]The first half of the Beatles’ career\u2014from the early 1960s until 1966\u2014rarely saw the band use any extra musicians, though George Martin (their producer) occasionally added keyboard instruments to augment their sound.[4][5] As their career progressed and their influences widened, the group began to experiment in the studio. Martin started to orchestrate for the band; his first major orchestration for the group was the string quartet on “Yesterday”.[6] In 1966, the band stopped touring and concentrated on studio experimentation,[7] creating soundscapes and orchestrations that required numerous musicians (the orchestra on 1967’s “A Day in the Life” was accommodated in Abbey Road’s large Studio One, rather than the group’s usual room in Studio Two[8]). It was also around this time that the Beatles visited India, and\u2014particularly Harrison\u2014became influenced by Indian culture and music,[9] leading to the group’s use of traditional Indian instruments in their arrangements. Shortly before the group\u2019s demise at the end of the decade, keyboardist Billy Preston was brought in to add to their sound while they tried to return to their rock ‘n’ roll roots.[10] The group wanted what was to become their final album, Let It Be, to be raw with minimal overdubs.[11][12] After producer Glyn Johns left the project, Phil Spector hired in numerous session musicians to provide orchestral overdubs, in contrast to the group’s original back-to-basics ideas.[13]Omissions[edit]There are occasions where details of session musicians’ names and roles have been lost or were uncredited\u2014this is the case for the recordings of “Good Night”[14] and “Yellow Submarine”;[15]Phil Spector’s orchestral overdubs for “The Long and Winding Road”,[16] “Across the Universe”[17] and “I Me Mine”;[18] the string sections on “Something”,[19] “Here Comes the Sun”,[20] “Carry That Weight”,[21] “Golden Slumbers”[21] and “The End”;[22] the orchestra on “Hey Jude”;[23] the saxophonists on “Ob-La-Di, Ob-La-Da”;[24] the trumpeters and trombonists on “Mother Nature’s Son”;[25] the brass and string players on “Let It Be”;[26] the cellist on “Blue Jay Way”[27] and the Asian Music Circle musicians on “Love You To” (performing on sitar and tambura)[28] and “Within You Without You” (performing on dilruba, swarmandal, tabla and tambura).[29]In February 1978, session drummer Bernard Purdie claimed that he had overdubbed drums for 21 Beatles recordings in the summer of 1963. He stated that Brian Epstein paid him a five-figure sum to overdub a drum track at Capitol Records’ West 46th Street studios in New York City, and that the payment also bought his silence.[11] Purdie has also implied that some guitar parts for early Beatles recordings were also overdubbed, and there are also suggestions that Purdie and Cornell Dupree overdubbed drums and guitar parts for the Tony Sheridan recordings.[11][30] His claim was repeated in Max Weinberg’s 1984 book The Big Beat: Conversations with Rock’s Greatest Drummers, where he refused to name which songs he had played on and stated that “Ringo never played on anything […] not the early Beatles stuff.”[31]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Also omitted from this list are the instances where people’s voices are captured on the recordings, but do not constitute part of the musical performance, such as Geoff Emerick’s announcement of “take two” at the beginning of “Revolution 1”,[32] and the various announcers, interviewers and presenters on Live at the BBC.Jimmie Nicol stood in for Starr for eight performances during the band’s 1964 tour. He did not feature on record, but his performances were captured by audience bootlegs and broadcasts by AVRO in the Netherlands and 5DN in Australia.[33][34]Indirect performances[edit]By the mid 1960s, the Beatles became interested in tape loops and found sounds.[35][36] Early examples of the group sampling existing recordings include loops on “Revolution 9”[36] (the repetitive “number nine” is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of Sibelius’s Symphony No. 7 is also included[37]) and “I Am the Walrus”, which contained a radio broadcast of the BBC Third Programme’s production of King Lear.[27] The part of the broadcast included on the record features John Hollis as Oswald, John Rye as Edgar, and Brewster Mason as the Earl of Gloucester.[38][39]For the introduction to “The Continuing Story of Bungalow Bill”, a stock Mellotron sample of a Spanish guitar was used. The recording, performed by an unknown guitarist, was supervised by Eric Robinson.[40]  Ted Barker\u2014trombonist; session musician. Contributed trombone to “Martha My Dear”[41]Michael Barnes\u2014tuba player; session musician. Contributed tuba to “A Day in the Life”[45]Ken Barrie\u2014vocalist; session musician and member of the Mike Sammes Singers. Contributed vocals to “Good Night”[14]Peter Beavan\u2014cellist; session musician. Contributed cello to “Within You Without You”[46]Anil Bhagwat\u2014tabla player; session musician. Contributed tabla to “Love You To”[47]Lionel Bentley\u2014violinist; session musician. Contributed violin to “A Day in the Life”[45]Pete Best\u2014drummer; original member. Contributed drums to “Ain’t She Sweet”,[48] “B\u00e9same Mucho”,[48] “Cry for a Shadow”,[48] “Hello Little Girl”,[48] “Like Dreamers Do”,[48] “Love Me Do”,[48] “My Bonnie”,[49] “Searchin'”,[48] “The Sheik of Araby”,[48] and “Three Cool Cats”[48] on Anthology 1Leo Birnbaum\u2014violist; session musician. Contributed viola to “Hello, Goodbye”[50] and “Martha My Dear”[41]Greg Bowen\u2014trumpeter; session musician. Contributed trumpet to “Strawberry Fields Forever”[51]Eric Bowie\u2014violinist; session musician. Contributed violin to “All You Need Is Love”,[43] “Glass Onion”[52] and “Piggies”[52]Pattie Boyd\u2014George Harrison’s wife from 1966 until after the Beatles’ split. Contributed vocals to “All You Need Is Love”,[43] “Birthday”[53] and “Yellow Submarine”[15]D. Bradley\u2014violinist; session musician. Contributed violin to “A Day in the Life”[45]Alan Branscombe\u2014saxophonist; session musician. Contributed tenor saxophone to “Got to Get You into My Life”[54]Lizzie Bravo\u2014vocalist; Apple scruff. Contributed vocals to “Across the Universe”[55]Jack Bremer\u2014clarinettist; session musician. Contributed clarinet to “A Day in the Life”[45]Sheila Bromberg\u2014harpist; session musician. Contributed harp to “She’s Leaving Home”[56]Raymond Brown\u2014trombonist; session musician. Contributed trombone to “A Day in the Life”[45]James W. Buck\u2014horn player; session musician. Contributed French horn to “Sgt. Pepper’s Lonely Hearts Club Band”[57]John Burden\u2014horn player; session musician. Contributed French horn to “Sgt. Pepper’s Lonely Hearts Club Band”[57]Robert Burns\u2014clarinettist; session musician. Contributed clarinet to “When I’m Sixty-Four”[51]    Marianne Faithfull in 2008Patrick Hailing\u2014violinist; session musician. Contributed violin to “All You Need Is Love”[43]John Hall\u2014cellist; session musician. Contributed cello to “Strawberry Fields Forever”[51]Ian Hamer\u2014trumpeter; session musician. Contributed trumpet to “Got to Get You into My Life”[54]George Harrison\u2014aside from contributing vocals and guitar (both acoustic and electric), Harrison also contributed bass guitar,[76] organ,[77] Moog synthesizer,[20] harmonium,[20] vibraphone,[78] harmonica,[79] sitar,[80][81] tambura,[82] violin,[83] percussion (including hand claps,[84] finger clicks,[85] maracas,[86] African drum[87] and drums[88]) and comb and paper;[89]Ian MacDonald suggests Harrison may also have contributed tambourine,[76] ukulele[90] and harpsichord[91]Jurgen Hess\u2014violinist; session musician. Contributed violin to “A Day in the Life”[45] and “Eleanor Rigby”[65]Alan Holmes\u2014saxophonist; session musician. Contributed saxophone to “Good Morning Good Morning”[59]Jack Holmes\u2014violinist; session musician. Contributed violin to “All You Need Is Love”[43]Don Honeywill\u2014saxophonist; session musician. Contributed tenor saxophone to “All You Need Is Love”[43]Nicky Hopkins\u2014keyboardist; session musician. Contributed electric piano to “Revolution”[75]Wendy Horan\u2014vocalist; session musician and member of the Mike Sammes Singers. Contributed vocals to “I Am the Walrus”[42]Elgar Howarth\u2014trumpeter; session musician. Contributed trumpet to “Magical Mystery Tour”[64]Ronnie Hughes\u2014trumpeter; session musician. Contributed trumpet to “Martha My Dear”[41]Don Lang\u2014trombonist; session musician. Contributed trombone to “Revolution 1”[62]John Lee\u2014trombonist; session musician. Contributed trombone to “Good Morning Good Morning”[59]Gary Leeds\u2014musician and member of The Walker Brothers. Contributed vocals to “All You Need Is Love”[43]John Lennon\u2014aside from vocals and guitar (both electric and acoustic) on numerous recordings, Lennon contributed instruments such as piano,[94] electric piano,[95] organ,[96] harpsichord,[83] harmonium,[97] Mellotron,[98] Moog synthesizer,[99] clavioline,[100] harmonica,[78] banjo,[83] ukulele,[78] bass guitar,[26] lap steel guitar,[26] percussion[89] (including maracas,[78] cowbell,[101] bongos,[102] congas,[103] maracas,[104] hand claps,[24] finger clicks,[85] tambourine,[105] and drums[88]), comb and paper,[106] and tenor saxophone;[107]Ian MacDonald also suggests that Lennon may have also contributed Jew’s harp[108] and glockenspiel[77]Norman Lenderman\u2014violinist; session musician. Contributed violin to “Glass Onion”[52] and “Piggies”[52]Gordon Lewins\u2014clarinettist; session musician. Contributed clarinet to “I Am the Walrus”[42]Jackie Lomax\u2014guitarist and singer; Apple Records artist. Contributed hand claps to “Dear Prudence”[68]Roger Lord\u2014oboist; session musician. Contributed oboe to “A Day in the Life”[45]Alan Loveday\u2014violinist; session musician. Contributed violin to “Within You Without You”[46]Fred Lucas\u2014vocalist; session musician and member of the Mike Sammes Singers. Contributed vocals to “Good Night”[14] and “I Am the Walrus”[42]  Cyril MacArthur\u2014bassist; session musician. Contributed double bass to “A Day in the Life”[45]Henry MacKenzie\u2014clarinettist; session musician. Contributed clarinet to “When I’m Sixty-Four”[51]Les Maddox\u2014violinist; session musician. Contributed violin to “Martha My Dear”[41]G. Mallen\u2014vocalist; session musician and member of the Mike Sammes Singers. Contributed vocals to “I Am the Walrus”[42]John Marson\u2014harpist; session musician. Contributed harp to “A Day in the Life”[45]Bram Martin\u2014cellist; session musician. Contributed cello to “I Am the Walrus”[42]George Martin\u2014the group’s producer. Contributed piano to “A Hard Day’s Night”,[109] “All You Need Is Love”,[43] “Getting Better”,[59] “Good Day Sunshine”,[110] “In My Life”,[111] “Long Tall Sally”,[112] “Lovely Rita”,[113] “Misery”,[114] “Money (That’s What I Want)”,[115] “No Reply”,[116] “Not a Second Time”,[117] “Rock and Roll Music”,[118] “Rocky Raccoon”,[119] “Slow Down”,[112] “What You’re Doing”,[116] “You Like Me Too Much”,[69] “You Really Got a Hold on Me”;[115] celesta to “Baby It’s You”;[114] Hammond organ to “Across the Universe”,[120] “Got to Get You into My Life”,[54] “Maxwell’s Silver Hammer”,[121] and “With a Little Help from My Friends”;[122] piano, harmonium, Lowrey organ and glockenspiel to “Being for the Benefit of Mr. Kite”;[122] harmonium to “Cry Baby Cry”,[123] “A Day in the Life”,[45] and “The Word”;[74] harpsichord to “Because”[124] and “Fixing a Hole”;[125]shaker to “Dig It”;[126] and vocals to “Christmas Time (Is Here Again)”[127] and “Yellow Submarine”[15]David Mason\u2014trumpeter; session musician. Contributed piccolo trumpet to “All You Need Is Love”,[43] “A Day in the Life”[45] and “Penny Lane”[3]David McCallum\u2014violinist; session musician. Contributed violin to “A Day in the Life”[45]John McCartney\u2014Paul McCartney’s cousin. Contributed hand claps to “Dear Prudence”[68]Linda McCartney\u2014Paul McCartney’s then-wife. Contributed vocals to “Let It Be”[128]Paul McCartney\u2014aside from bass guitar and vocals on numerous recordings, McCartney also contributed acoustic[129] and electric[130] guitars, piano[131] and electric piano,[132] clavichord,[133] organ,[87] Mellotron,[102] harmonium,[103] percussion (such as hand claps,[84] finger clicks,[85] timpani,[102] tambourine,[103] claves,[134] bongos,[102] congas,[135] cowbell,[136] guiro,[132] wind chimes,[137] maracas[26] and drums[88]) flugelhorn,[138] recorder[108] and comb and paper;[89] MacDonald also suggests McCartney may have provided trumpet[77] and synthesizer[90]Dennis McConnell\u2014violinist; session musician. Contributed violin to “Martha My Dear”[41]Mike McGear\u2014photographer and brother of Paul McCartney. Contributed vocals to “All You Need Is Love”[43]Andrew McGee\u2014violinist; session musician. Contributed violin to “I Am the Walrus”[42]John Meek\u2014violist; session musician. Contributed viola to “A Day in the Life”[45]Bernard Miller\u2014violinist; session musician. Contributed violin to “Martha My Dear”[41]Morris Miller\u2014horn player; session musician. Contributed French horn to “I Am the Walrus”[42]Mahapurush Misra\u2014percussionist; session musician. Contributed tabla and pakhavaj to “The Inner Light”[60]Bill Monro\u2014violinist; session musician. Contributed violin to “A Day in the Life”[45]Monty Montgomery\u2014trumpeter; session musician. Contributed trumpet to “A Day in the Life”[45]Keith Moon\u2014drummer for The Who. Contributed vocals and brushed drums to “All You Need Is Love”[43]T. Moore\u2014trombonist; session musician. Contributed trombone to “A Day in the Life”[45]Dick Morgan\u2014oboist; session musician. Contributed oboe and cor anglais to “Penny Lane”[3][58]Rex Morris\u2014session musician. Contributed tenor saxophone to “All You Need Is Love”;[43] saxophone to “Honey Pie”;[41] and trombone to “Revolution 1”[62]Danny Moss\u2014saxophonist; session musician. Contributed tenor saxophone to “Savoy Truffle”[63]Henry Myerscough\u2014violist; session musician. Contributed viola to “Martha My Dear”[41]  Gordon Pearce\u2014bassist; session musician. Contributed double bass to “A Day in the Life”[45] and “She’s Leaving Home”[56]Gayleen Pease\u2014vocalist; Apple scruff. Contributed vocals to “Across the Universe”[55]J. Power\u2014trombonist; session musician. Contributed trombone to “Revolution 1”[62]Bill Povey\u2014session musician. Contributed tenor saxophone to “Lady Madonna”[55] and trombone to “Revolution 1”[62]Raymond Premru\u2014trombonist; session musician. Contributed trombone to “A Day in the Life”[45]Billy Preston\u2014keyboardist; session musician regarded by some as the “Fifth Beatle”.[140] Contributed electric piano to “Dig a Pony”,[141] “Don’t Let Me Down”,[142] “Get Back”,[143] “I’ve Got a Feeling”,[142] “The Long and Winding Road”[144] and “One After 909”;[114] and Hammond organ to “Blue Suede Shoes”,[145] “Dig It”,[146] “I Want You (She’s So Heavy)”,[147] “Let It Be”,[26] “Rip It Up”,[145] “Something”[148] and “Shake, Rattle and Roll”[145]Neil Sanders\u2014horn player; session musician. Contributed French horn to “A Day in the Life”,[45] “I Am the Walrus”[42] and “Sgt. Pepper’s Lonely Hearts Club Band”[57]David Sandeman\u2014flautist; session musician. Contributed flute to “A Day in the Life”[45]Sidney Sax\u2014violinist; session musician. Contributed violin to “All You Need Is Love”,[43] “A Day in the Life”,[45] “Eleanor Rigby”,[65] “Yesterday”[65] and “I Am the Walrus”[42]Paul Scherman\u2014violinist; session musician. Contributed violin to “Within You Without You”[46]Francie Schwartz\u2014Paul McCartney’s then-girlfriend. Contributed vocals to “Revolution 1”[150]Ernest Scott\u2014violinist; session musician. Contributed violin to “A Day in the Life”[45]John Scott\u2014flautist; session musician. “You’ve Got to Hide Your Love Away”[151]Ronnie Scott\u2014saxophonist; session musician. Contributed tenor saxophone to “Lady Madonna”[55]Clifford Seville\u2014flautist; session musician. Contributed flute to “A Day in the Life”[45]John Sharpe\u2014violinist; session musician. Contributed violin to “Eleanor Rigby”[65]Stephen Shingles\u2014violist; session musician. Contributed viola to “Eleanor Rigby”[65] and “She’s Leaving Home”[56]Derek Simpson\u2014cellist; session musician. Contributed cello to “Eleanor Rigby”[65] and “Strawberry Fields Forever”[42]David Smith\u2014clarinettist; session musician. Contributed clarinet to “Honey Pie”[41]J. Smith\u2014vocalist; session musician and member of the Mike Sammes Singers. Contributed vocals to “I Am the Walrus”[42]Lou Sofier\u2014violinist; session musician. Contributed violin to “Martha My Dear”[41]Harry Spain\u2014trombonist; session musician. Contributed trombone to “All You Need Is Love”[43]Victor Spinetti\u2014actor. Contributed vocals to “Christmas Time (Is Here Again)”[127]Maureen Starkey\u2014Ringo Starr’s then-wife. Contributed vocals to “The Continuing Story of Bungalow Bill”[139]Ringo Starr\u2014aside from drums and occasional vocals, Starr also contributed maracas,[152] hand claps,[84] bongos,[153] congas,[136] African drum,[154] tambourine,[155] shaker,[156] sticks,[157] cowbell,[158] chimes,[159] handbell,[103] sleigh bells,[160] finger cymbals,[81] claves,[161]chocalho,[162] timpani[163] piano,[160] Hammond organ,[164] harmonica,[79] comb and paper[89] and a suitcase;[165] MacDonald suggests Starr may also have contributed bells[166]Louis Stevens\u2014violinist; session musician. Contributed violin to “I Am the Walrus”[42]Val Stockwell\u2014vocalist; session musician and member of the Mike Sammes Singers. Contributed vocals to “Good Night”[14]Stuart Sutcliffe\u2014bassist; original member. Contributed bass to “Cayenne”,[48] “Hallelujah, I Love Her So”[48] and “You’ll Be Mine”[48] on Anthology 1[167][168]Ray Swinfield\u2014flautist; session musician. Contributed flute and piccolo to “Penny Lane”[3][58]^ Lewisohn (1988, p.\u00a077)^ a b Lewisohn (1988, p.\u00a094)^ a b c d e f g h i j k l m Lewisohn (1988, p.\u00a093)^ MacDonald (2005, p.\u00a087)^ MacDonald (2005, p.\u00a088)^ MacDonald (2005, p.\u00a0157)^ Julien (2008, p.\u00a03)^ MacDonald (2005, p.\u00a0231)^ Huntley (2004, p.\u00a010)^ Womack (2006, p.\u00a091)^ a b c Ingham (2003, p.\u00a0363)^ Matteo (2004, p.\u00a025)^ Womack (2009, p.\u00a060)^ a b c d e f g h i Lewisohn (1988, p.\u00a0144)^ a b c d e f g h i Lewisohn (1988, p.\u00a081)^ The Beatles Bible (2008a)^ MacDonald (2005, p.\u00a0276)^ MacDonald (2005, p.\u00a0368)^ MacDonald (2005, p.\u00a0348)^ a b c MacDonald (2005, p.\u00a0356)^ a b MacDonald (2005, p.\u00a0355)^ MacDonald (2005, p.\u00a0361)^ MacDonald (2005, p.\u00a0302)^ a b MacDonald (2005, p.\u00a0294)^ MacDonald (2005, p.\u00a0305)^ a b c d e MacDonald (2005, p.\u00a0337)^ a b MacDonald (2005, p.\u00a0269)^ MacDonald (2005, p.\u00a0194)^ MacDonald (2005, p.\u00a0243)^ Spizer (2007, p.\u00a090)^ Vallance, Jim. “Purdie”. www.jimvallance.com. Retrieved 16 January 2023.^ Womack (2007, p.\u00a0235)^ Greenwald (1995, p.\u00a099)^ Winn (2008, p.\u00a0199)^ Everett (1999, p.\u00a037)^ a b Everett (1999, p.\u00a0175)^ MacDonald (2005, p.\u00a0290)^ BUFVC (2013)^ Lewisohn (1988, p.\u00a0128)^ Reid (2002)^ a b c d e f g h i j k l m n o p q r s t u Lewisohn (1988, p.\u00a0159)^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag Lewisohn (1988, p.\u00a0127)^ a b c d e f g h i j k l m n o p q r s t u v w Lewisohn (1988, p.\u00a0120)^ a b The Beatles Online (2007b)^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao Lewisohn (1988, p.\u00a096)^ a b c d e f g h i j k Lewisohn (1988, p.\u00a0107)^ Lewisohn (1988, p.\u00a072)^ a b c d e f g h i j k l Lewisohn (1995, p.\u00a07)^ Womack (2009, p.\u00a033)^ a b c d e Lewisohn (1988, p.\u00a0129)^ a b c d e f g h i Lewisohn (1988, p.\u00a090)^ a b c d e f g h i j k l m n o p q Lewisohn (1988, p.\u00a0161)^ a b c Lewisohn (1988, p.\u00a0156)^ a b c d e f g Lewisohn (1988, p.\u00a079)^ a b c d e Lewisohn (1988, p.\u00a0133)^ a b c d e f g h i j Lewisohn (1988, p.\u00a0103)^ a b c d Lewisohn (1988, p.\u00a0101)^ a b c d e f The Beatles Online (2007a)^ a b c d e Lewisohn (1988, p.\u00a0102)^ a b c d e f g MacDonald (2005, p.\u00a0274)^ Lewisohn (1988, p.\u00a0153)^ a b c d e f Lewisohn (1988, p.\u00a0138)^ a b c d e f MacDonald (2005, p.\u00a0321)^ a b c d e Lewisohn (1988, p.\u00a0111)^ a b c d e f g h i j k l Lewisohn (1988, p.\u00a059)^ Chittenden (2005)^ Lewisohn (1988, p.\u00a099)^ a b c Lewisohn (1988, p.\u00a0152)^ a b Lewisohn (1988, p.\u00a0154)^ Bosso (2009)^ a b The Beatles Bible (2008b)^ Lewisohn (1988, p.\u00a015)^ Miles (1998, p.\u00a0438)^ a b Lewisohn (1988, p.\u00a068)^ a b Lewisohn (1988, p.\u00a0142)^ a b MacDonald (2005, p.\u00a0122)^ a b c MacDonald (2005, p.\u00a0236)^ a b c d MacDonald (2005, p.\u00a0259)^ a b MacDonald (2005, p.\u00a0237)^ Perone (2012, p.\u00a085)^ a b MacDonald (2005, p.\u00a0162)^ MacDonald (2005, p.\u00a0185)^ a b c MacDonald (2005, p.\u00a0261)^ a b c MacDonald (2005, p.\u00a066)^ a b c MacDonald (2005, p.\u00a0210)^ MacDonald (2005, p.\u00a0151)^ a b MacDonald (2005, p.\u00a0127)^ a b c MacDonald (2005, p.\u00a0309)^ a b c d MacDonald (2005, p.\u00a0239)^ a b MacDonald (2005, p.\u00a0376)^ MacDonald (2005, p.\u00a0304)^ a b c Lewisohn (1988, p.\u00a0146)^ Lewisohn (1988, p.\u00a0116)^ MacDonald (2005, p.\u00a0296)^ MacDonald (2005, p.\u00a0264)^ MacDonald (2005, p.\u00a0324)^ MacDonald (2005, p.\u00a0198)^ MacDonald (2005, p.\u00a0270)^ MacDonald (2005, p.\u00a0342)^ MacDonald (2005, p.\u00a0257)^ MacDonald (2005, p.\u00a0246)^ a b c d MacDonald (2005, p.\u00a0212)^ a b c d MacDonald (2005, p.\u00a0221)^ MacDonald (2005, p.\u00a0363)^ MacDonald (2005, p.\u00a0207)^ MacDonald (2005, p.\u00a0315)^ MacDonald (2005, p.\u00a0297)^ a b MacDonald (2005, p.\u00a0271)^ Lewisohn (1988, p.\u00a043)^ Lewisohn (1988, p.\u00a083)^ Lewisohn (1988, p.\u00a065)^ a b Lewisohn (1988, p.\u00a041)^ Lewisohn (1988, p.\u00a0104)^ a b c Lewisohn (1988, p.\u00a028)^ a b Lewisohn (1988, p.\u00a034)^ a b Lewisohn (1988, p.\u00a049)^ Lewisohn (1988, p.\u00a035)^ Lewisohn (1988, p.\u00a050)^ Lewisohn (1988, p.\u00a0149)^ Lewisohn (1988, p.\u00a0134)^ Lewisohn (1988, p.\u00a0179)^ a b Lewisohn (1988, p.\u00a0106)^ Lewisohn (1988, p.\u00a0143)^ Lewisohn (1988, p.\u00a0184)^ Lewisohn (1988, p.\u00a095)^ Lewisohn (1988, p.\u00a0167)^ a b MacDonald (2005, p.\u00a0273)^ The Beatles Bible (2008d)^ MacDonald (2005, p.\u00a0119)^ MacDonald (2005, p.\u00a0142)^ MacDonald (2005, p.\u00a096)^ a b MacDonald (2005, p.\u00a0149)^ MacDonald (2005, p.\u00a0205)^ MacDonald (2005, p.\u00a098)^ MacDonald (2005, p.\u00a0272)^ a b MacDonald (2005, p.\u00a0107)^ MacDonald (2005, p.\u00a0351)^ MacDonald (2005, p.\u00a0310)^ a b c d Lewisohn (1988, p.\u00a0160)^ NPR (2006)^ Lewisohn (1988, p.\u00a0168)^ a b MacDonald (2005, p.\u00a0332)^ MacDonald (2005, p.\u00a0333)^ Norman (1981, p.\u00a0392)^ a b c MacDonald (2005, p.\u00a0338)^ MacDonald (2005, p.\u00a0336)^ Lewisohn (1988, p.\u00a0191)^ Everett (1999, p.\u00a0249)^ MacDonald (1998, p.\u00a0281)^ The Beatles Bible (2008c)^ Lewisohn (1988, p.\u00a055)^ a b MacDonald (2005, p.\u00a061)^ MacDonald (2005, p.\u00a090)^ MacDonald (2005, p.\u00a0112)^ MacDonald (2005, p.\u00a0117)^ MacDonald (2005, p.\u00a0148)^ MacDonald (2005, p.\u00a0160)^ MacDonald (2005, p.\u00a0114)^ MacDonald (2005, p.\u00a0220)^ a b MacDonald (2005, p.\u00a0286)^ MacDonald (2005, p.\u00a0108)^ MacDonald (2005, p.\u00a0133)^ MacDonald (2005, p.\u00a0128)^ MacDonald (2005, p.\u00a0174)^ MacDonald (2005, p.\u00a0140)^ MacDonald (2005, p.\u00a0169)^ Miles (2009)^ Huntley (2004, p.\u00a0262)^ a b Lewisohn (1988, p.\u00a020)References[edit]Bosso, Joe (10 September 2009), “Beatles engineer Geoff Emerick on Abbey Road”, Music Radar, Bath, retrieved 21 July 2013BUFVC (2013), Tragedy of King Lear, The, London: British Universities Film and Video Council, retrieved 27 September 2013Chittenden, Maurice (20 March 2005), “McCartney wrote Sgt Pepper ‘with a little help from his roadie friend’“, The Times, London, archived from the original on 2 October 2013, retrieved 21 July 2013Everett, Walter (1999), The Beatles as Musicians: Revolver Through the Anthology, Oxford: Oxford University Press, ISBN\u00a09780195129410Greenwald, Ted (1995), The Long and Winding Road: An Intimate Guide to The Beatles, New York: Friedman-FairfaxHuntley, Elliot J. (2004), Mystical One: George Harrison: After the Break-Up of The Beatles (1st\u00a0ed.), Tonwanda: Guernica Editions, ISBN\u00a01550711970Ingham, Chris (2003), The Rough Guide to The Beatles (1st\u00a0ed.), London: Rough Guides, ISBN\u00a01843531402Julien, Olivier (2008), Sgt. Pepper and The Beatles: It Was Forty Years Ago Today (1st\u00a0ed.), Farnham, Surrey: Ashgate Publishing, ISBN\u00a0978-0754698548Lewisohn, Mark (1988), The Beatles’ Recording Sessions (1st\u00a0ed.), New York: Harmony Books, ISBN\u00a00517570661Lewisohn, Mark (1995), Anthology 1 [album liner notes], London: Apple RecordsMacDonald, Ian (1998), Revolution in the Head: The Beatles’ Records and the Sixties (1st\u00a0ed.), London: Pimlico, ISBN\u00a09780712666978MacDonald, Ian (2005), Revolution in the Head: The Beatles’ Records and the Sixties (2nd\u00a0ed.), London: Pimlico, ISBN\u00a01844138283Matteo, Steve (2004), The Beatles’ Let It Be, London: Continuum, ISBN\u00a00826416349Miles, Barry (1998), Paul McCartney: Many Years from Now, London: Vintage, ISBN\u00a09780749386580Miles, Barry (2009), The Beatles Diary Volume 1: The Beatles Years, London: Music Sales Group, ISBN\u00a0978-0857120007Norman, Philip (1981), Shout!: The Beatles in Their Generation, New York: Simon & Schuster, ISBN\u00a00671432540NPR (2006), Songwriter, ‘Fifth Beatle’ Billy Preston Dies, National Public Radio, retrieved 25 September 2013Perone, James E (2012), The album\u00a0: a guide to pop music’s most provocative, influential, and important creations, Praeger, ISBN\u00a09780313379062Reid, Gordon (2002), “Rebirth of the Cool: Mellotron”, Sound on Sound, Cambridge, archived from the original on 27 September 2013, retrieved 25 September 2013Spizer, Bruce (2007), The Beatles Swan Song: “She Loves You” & Other Records, New Orleans: 498 Productions, ISBN\u00a0978-0966264975The Beatles Bible (2008a), The Long and Winding Road, The Beatles Bible, retrieved 29 July 2013The Beatles Bible (2008b), What’s the New Mary Jane, The Beatles Bible, retrieved 28 July 2013The Beatles Bible (2008c), 31 May 1968: Recording: Revolution 1, The Beatles Bible, retrieved 28 July 2013The Beatles Bible (2008d), Let It Be, The Beatles Bible, retrieved 29 July 2013The Beatles Online (2007a), Penny Lane, The Beatles Online, retrieved 26 July 2013The Beatles Online (2007b), Strawberry Fields Forever, The Beatles Online, retrieved 26 July 2013Winn, John C. (2008), Way Beyond Compare: The Beatles’ Recorded Legacy, 1957\u20131965, New York: Three Rivers Press, ISBN\u00a0978-0307451576Womack, Kenneth (2006), Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four, Cambridge: SUNY Press, ISBN\u00a00791481964Womack, Kenneth (2007), Long and Winding Roads: The Evolving Artistry of The Beatles, New York: Cambridge University Press, ISBN\u00a0978-0521869652Womack, Kenneth (2009), The Cambridge Companion to The Beatles, Cambridge Companions to Music, Cambridge: Cambridge University Press, ISBN\u00a0978-0521869652       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/list-of-people-who-performed-on-beatles-recordings\/#breadcrumbitem","name":"List of people who performed on Beatles recordings"}}]}]