[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/marina-apollonio-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki24\/marina-apollonio-wikipedia\/","headline":"Marina Apollonio – Wikipedia","name":"Marina Apollonio – Wikipedia","description":"From Wikipedia, the free encyclopedia Italian painter and Optical artist Marina Apollonio (born 12 November 1940) is an Italian painter","datePublished":"2016-08-12","dateModified":"2016-08-12","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/28\/Marina_Apollonio_immersa_nella_sua_opera..jpg\/220px-Marina_Apollonio_immersa_nella_sua_opera..jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/28\/Marina_Apollonio_immersa_nella_sua_opera..jpg\/220px-Marina_Apollonio_immersa_nella_sua_opera..jpg","height":"292","width":"220"},"url":"https:\/\/wiki.edu.vn\/en\/wiki24\/marina-apollonio-wikipedia\/","about":["Wiki"],"wordCount":4451,"articleBody":"From Wikipedia, the free encyclopediaItalian painter and Optical artistMarina Apollonio (born 12 November 1940) is an Italian painter and optical artist. She lives and works in Padua.[1]Apollonio was born in Trieste on 12 November 1940. She and her family moved to Venice when she was eight. In Venice she attended the Accademia di Belle Arti di Venezia.In 1963 Apollonio produced her first work, Metal Reliefs with Alternate Color Sequences. She shared with other Op-Artists the interest in a depersonalized art, as opposite to Abstract Expressionism. She used industrial material in her process, creating dynamic and fluctuating environments in the user’s perception.[2]In 1965, she became part of the international Op Art movement, meeting and exhibiting with artists such as Gruppo N Padua; Gruppo T Milan; Getulio Alviani; Dadamaino and Azimuth Milan. In the same year she was invited to Nova Tendencija 3,[3] an international group show held at the Galerija Suvremene Umjetnosti in Zagreb, to Aktuel \u201965 at the Galerie Aktuel Bern and, together with Getulio Alviani and Paolo Scheggi, the Oeuvres Plastiques et Appliqu\u00e8es at Galerie Smith in Brussels.[4]In 1975, Apollonio started making work based on the orthogonal relationship of parallel colored lines. In 1981 she expanded her practice to textiles, showing her works at the Laboratorio Artivisive Foggia and later, in 1983, at the exhibitions Morbide & Trame, at the Civica Galleria d\u2019Arte Contemporanea in Foggia and Testi Tessili, at the Il Monte Analogo Library in Rome.In 2007, she presented her work Spazio ad attivazione cinetica 1967-1971\/2007, a 10-meter rotating disc, in the Schirn Kunsthalle Frankfurt for the international show Op Art,[5] where she was invited to exhibit together with Victor Vasarely, Bridget Riley, Fran\u00e7ois Morellet, Julio Le Parc and Gianni Colombo.Her work has also been included in other Op Art shows such as Optic Nerve: Perceptual Art of the 1960s, at the Columbus Museum of Art and Bit International Nove tendencije – Computer und visuelle Forschung. Zagreb 1961-1973, at the Neue Galerie in Graz.[6]Her works have been reviewed by major news publications.[7][8][9]  Marina Apollonio immersed in her work  – September 2019Table of ContentsSelected solo exhibitions[edit]Selected group exhibitions[edit]Museums and public collections[edit]Bibliography[edit]References[edit]External links[edit]Selected solo exhibitions[edit]1966 Centro Arte Viva Feltrinelli, Trieste; Centro d\u2019Arte il Chiodo, Palermo; Galleria 1+1, Padua1967 Galleria il Cenobio, Milan; Studio 2b, Bergamo1968 Galleria Sincron, Brescia; Galleria Barozzi, Venice1969 Studio di Informazione Estetica, Turin1970 Galerie Historial, Nyon; Galerie 58, Rapperswil, Switzerland1971 Galleria la Chiocciola, Padua1972 Galleria dei Mille, Bergamo; Imeges 70, Abano, Italy; Il Segnapassi, Pesaro1973 Neue Galerie Am Landes Museum Joanneum, Graz1974 Galleria il Nome, Vigevano, Italy1975 Galleria Temi, Bari; Galleria Method, Bergamo1979 Arte Struktura, Milan1981 Centro ricerche artistiche Verifica 8+1, Venice2008 Neue Galerie, Graz[10]Selected group exhibitions[edit]1964 Il Chiodo d\u2019oro, Centro d\u2019Arte il Chiodo, Palermo1965 Aktuel 65, Galerie Aktuel, Berne; Nova Tendencija 3, Galerija Suvremene Umjetnosti, Zagreb; Oeuvres Plastiques et Appliqu\u00e9es, Galerie Smith, Brussels1966 Op-pop, Galerie D, Frankfurt; 11\u00b0 Premio Castello Svevo, Termoli; Premio S. Fedele, Galleria San Fedele, Milan; Sigma 2, Bordeaux – Il gioco degli artisti, Galleria del Naviglio, Milan1967 La nuova tendenza, Galleria il Cenobio, Milan; Premi Joan Mir\u00f2, Barcelona; Museo Sperimentale d\u2019Arte Contemporanea, Turin; Ipotesi linguistiche intersoggettive, travelling exhibition (Florence, Bologna, Naples, Turin)1968 Dodekaedr, Galerii d, Praha; 2\u00b0 Miedzynadorowe Biennale Grafiki, Krakov; Arte Internazionale Contemporanea, Studio 2 b, Bergamo; 13\u00b0 Premio Spoleto, Italy; Public Eye, Kunsthaus, Hamburg; Arte permanente, Galerija 212, Belgrade1969 Konstruktive kunst: elementen und rinzipien, Biennale 1969, N\u0171rnberg; Kunst als spiel, spiel als kunst, Kunsthalle, Recklinghausen; Nova tendencija 4, Muzej Za Umjetnosti I obrt, Zagreb; 8\u00b0 Mednarodna graficna razstava, Moderna Galerija, Ljubljana; El arte cinetico y sus origens, Ateneo de Caracas, Caracas; Nuovi materiali nuove tecniche, Caorle; Meno 31: Rapporto estetico per il 2000, Varese, Italy; Plastic Research, New Goodman Gallery, Johannesburg; Grafica italiana d\u2019oggi, Palazzo Reale, Naples1970 Achromes, Circolo la Nuova Torretta, Sesto San Giovanni, Italy; Salon des comparaisons, Paris; 3\u00b0 Miedzynarodowe biennale grafiki, Krakov; Premi Joan Mir\u00f2, Barcelona – Screen print 70, Chicago; Kunst als spiel, spiel als kunst, Kunstverein, Wolsburg e. v.; Miniaturen 70 international, Galerie 66, Hofheim; Inostrana grafika iz zbirke, Museja Savramene Umtenosti, Belgrade; Grafica rysunek collage, Muzeum Sztuki W Lodzi, Lodz; La percezione pura, Barozzi-Ricci, Milan; Proposta del piccolo formato, Galleria Vismara, Milan1971 Serigraphies duo d\u2019art Geneve, Galerie Historial, Nyon; Grafica internazionale 1971, Sincron, Brescia; Panorama di grafica, Galleria la Chiocciola, Padua; 9\u00b0 mednarodna graficna razstava, Moderna Galerija, Ljubljana; Operazioni estetiche e strutture sperimentali, Ti. Zero, Turin; Senza titolo, Rocca Sforzesca, Soncino; Luglio 1971, Galleria Ferrari, Verona1972 4\u00b0 Miedzynarodowe biennale grafiki, Krakov; Faites votre jeu, Galleria del Cavallino, Venice; Premio Burano 1972, Venice; 1\u00b0 Norske Internasjonale Grafikk, Biennale 1972, Fredrikstad; Continuit\u00e0, Studio d\u2019Arte Eremitani, Padua; 4\u00b0 Biennale d\u2019Arte Mario Pettenon, S. Martino di Lupari, Italy1973 Tendenze attuali, Galleria la Chiocciola, Padua; Xerox, Galerija Studentskog Centra, Zagreb; Grafiska italienska, Italianska Kulturinstitutet, Stockholm; 3\u00b0 Internationalen Malerwochen, Eisenstadt; Iki 1973, D\u0171sseldorf1974 Sull\u2019opera come campo, Centro Culturale Serre Ratti, Como; V miedzynadorowe Biennale Grafiki, Krak\u00f3w; Arbeiten aus den internationalen malerwochen in der orangerie, Landesgalerie Im Schloss Esterhazy, Eisenstadt; Norske Internasjonale Grafikk Biennale 1974, Fredrikstad; Accrochage, Galerie Seestrasse, Rapperswil; Grafica dei linguaggi non-verbali, Galleria Zen, Milan; Beispiel eisenstadt, Museum des 20 jahrhuderts, Vienna1975 Raccolta Nikol Art, Saletta della Grafica, Gallerie d\u2019Arte La Chiocciola, Padua; Proposte \u201975, Galleria di Arti Visive, Parma; Collezione Nikol Art, MPM Arredamenti, Milan1976 Grafica delle arti sperimentali, Galleria d\u2019Arte Libera Parini, Como; Grafica delle Arti Sperimentali, Palazzo Strozzi, Florence1977 Expo Arte 77, Bari; Il Volto Sinistro dell\u2019Arte, Galleria De Amicis, Firenze;Herbert Distel Museum of drawers, Zurich1979 Graphik in Padua Heute, Tiroler Kunstpavillon, Innsbruck; Sixth British International Print Biennale, Bradford City Art Gallery and Museums, Cartwright Hall, Bradford (Lister Park); 10 protagonisti della plasticit\u00e0 inoggettiva, Arte Struktura, Milan1981 Arazzi\u2026?, Centro Culturale Laboratorio Artivisive, Foggia1982 c.c.c.2, Arte Struktura, Milan1983 Morbide & Trame, Civica Galleria d\u2019Arte Contemporanea, Foggia; Costruttivismo, Concretismo, Cinevisualismo, Galleria Civica, Desenzano del Garda; Testi Tessili, Libreria il Monte Analogo, Rome; Libro Galleria Castello, Milan1984 Rassegna Internazionale d\u2019Arte Concreta, Cenacolo Cultura, Mestre; Nuevas Adquisiciones 1981-1984, Museo de Arte Moderna, Fundaci\u00f2n Soto, Ciudad Bol\u00ecvar1985 Arte Italiana degli anni Sessanta nelle collezioni della Galleria Civica d\u2019Arte Moderna, Castello Di Rivoli, Turin1988 8+1=10! 10 Anni alla ricerca dell\u2019arte, Verifica 8+1, Venice-Mestre1989 Black and White, Palazzo dei Diamanti, Ferrara; 51 ideatori inoggettivi della visualit\u00e0 strutturata, Arte Struktura, Milan1990 51 ideatori inoggettivi della visualit\u00e0 strutturata, Galleria la Polena, Genoa; E\u2019 ancora futuro?, Biblioteca Civica, Noventa Vicentina1991 30 anni di arte contemporanea alla Chiocciola, La Chiocciola, Padua1992 Der Kreis, Galerie Blau, Seeheim-Jugenheim1994 Crno in Belo ( Bianco e Nero), Cankariev Dom, Ljubljana1995 30 anni 1965-1995, Vismara Arte, Milan1997 Costruttivismo, concretismo, Cinevisualismo + Nuova Visualit\u00e0 Internazionale, Villa Ormond, San Remo1998 Nuova visualit\u00e0 internazionale, Centro Internazionale d\u2019arte moderna e contemporanea, Palazzo Ducale, Revere;1999 8+10= 20! Vent\u2019anni alla ricerca dell\u2019arte, Venice-Mestre2001 Nuova Visualit\u00e0 internazionale, Forum Omegna, Omegna2003 Arte Costruita: Dal Museo \u201cUmbro Apollonio\u201d, Biblioteca Comunale, Cadoneghe, Italy; Il mito della Velocit\u00e0. L\u2019Arte del Movimento. Dal Futurismo alla video-arte, Casa del Mantegna, Mantua2004 Il Centro Duchamp 1969-1973, Zucca Arte Design, Pesaro2005 L\u2019oeil Moteur. Art Optique et Cin\u00e9tique, 1959-1975, Mus\u00e9e d\u2019Art Moderne et Contemporain, Strasbourg; Prague Biennale 2, Karl\u00ecn Hall, Prague2006 Arte Cinetica, Spazio Boccioni, Milan; Die Neuen Tendenzen, Museum f\u0171r kronkrete Kunst, Ingolstadt2007 Leopold-Hoesch-Museum, D\u0171ren; Op Art, Schirn Kunsthalle, Frankfurt; Optic Nerve. Perceptual Art of the 1960s, Columbus Museum of Art, Columbus; Bit International [Nove] tendencije: Computer und visuelle Forschung. Zagreb 1961-1973, Neue Galerie, Graz; Cinetica. Dalla collezione di Getulio Alviani, Museo Cid, Torviscosa, Udine2008 Viaggio in Italia: Arte italiana 1960 al 1990, Neue Galerie Graz am Landesmuseum Joanneum, Graz2010 Donne nell\u2019Arte, Galleria Cavour, Padua; Dix dans la recherche pour l\u2019oeil a partir des ann\u00e9es soixante, Espace Meyerzafra, Paris; Women From 60\u2019s & 70\u2019s, Osart Gallery, Milan2011 Art Paris just Art, Paris Gran Palais; Pinta Artshow, New York City2012 Arte Cinetica e Programmata, Galleria Nazionale d’Arte Moderna, Rome; Ghosts in the Machine, New Museum of Contemporary Art, New York; Exposicion sobre el Gruppo Enne de Padova, Marion Gallery, Panama2013 DYNAMO, Gran Palais, Paris; Percezione e Illusione: Arte Programmata e cinetica italiana, MACBA, Buenos Aires2016 EYE ATTACK, Op Art and Kinetic Art 1950-1970, Louisiana, Denmark; The Illusive Eye, El Museo del Barrio, New York City2018 Action  Reaction. 100 Years of Kinetic Art, Kunsthal, Rotterdam2019 OBRES OBERTES. L’art en moviment, 1955-1975, La Pedrera, Barcelona; VERTIGO. op art and history of deception 1520-1970, MUMOK, Wien; Le diable au corps. Quand l\u2019Op Art \u00e9lectrise le cin\u00e9ma, MAMAC, Nice; L’ultima Dogaressa,\u00a0Peggy Guggenheim Collection, VeniceMuseums and public collections[edit]Galleria d\u2019Arte Moderna, TurinNeue Galerie, GrazFondazione Vaf \u2013 MART, RoveretoMuseo Umbro Apollonio, PaduaKunsthalle Recklinghausen Musee Nationale Poznan, LodzDas Progressive Museum, BaselMusee Cantonal Des Beaux Arts, LausanneHaus Konstruktiv, ZurichThe Museum of Drawers, ZurichMuseo de Arte Moderno, Ciudad BolivarSchirn Kunsthalle, FrankfurtGuggenheim Collection, VeniceHerm\u00e8s Collection, New York CityNew Museum, New York CityFondation Villa Datris, Provence, France.Bibliography[edit]Giancarlo Illiprandi, “La breve stagione dell\u2019Op”, Fotografia Italiana, no. 105, March 1966George Rickey, Constructivism, Origins and evolution, George Braziller, New York, 1967Franco Sossi, Luce spazio strutture, La Cornice, Taranto, 1967Marina Apollonio, “Un\u2019arte fatta di scetticismo”, Centroarte, no. 1, November, 1967Filiberto Menna, Arte Cinetica e Visuale, in “L\u2019Arte Moderna”, Fratelli Fabbri Editori, Milan, 1967Bruno Munari, Design e comunicazione visiva, Laterza Editori, Bari, 1968Guy Brett, Kinetic Art: The Language of Movement, Studio Vista, London, 1968Udo Kultermann, Nuove Forme della Pittura, Feltrinelli, Milan, 1969Frank Popper, L\u2019Arte Cinetica, l\u2019immagine del movimento nelle arti plastiche dopo il 1860, Einaudi, Turin, 1970Titus Mocanu, “Ambiguitatea sensibilit\u0103\u021bii estetice”, Arta, no. 6, 1970Italo Tomassoni, Arte dopo il 1945 in Italia, Cappelli Editore, Bologna, 1971Klaus Groh,  If I had a Mind\u2026, DuMont, Cologne, 1971Cyril Barrett, An introduction to Optical Art, Studio Vista, London, 1971Lea Vergine, Qui arte contemporanea, Rome, 1971Lea Vergine, “Arte Programmata”, Arte Contemporanea, no. 7, December 1971Ernesto L. Francalanci, “Marina Apollonio”, Art International, vol. XV\/6, June 1971Gianni Contessi, “La IX biennale della grafica di Lubiana”, Gala, no. 49, September 1971Gillo Dorfles, W. Skreiner, exhibition catalogue, Neue Galerie, Graz, 1973Lea Vergine, L\u2019Arte cinetica in Italia; Manfredo Massironi, Ricerche Visuali, Galleria Nazionale d\u2019Arte Moderna, Rome, 1973Alessandro Far\u00e9, Le Arti Figurative, Mursia, Milan, 1973Italo Tomassoni, “Lo spontaneo e il programmato”, Design, n. 2, June\u2013August 1973Michel Seuphor, “La tendenza alla ripetizione dei segni geometrici semplici nell\u2019arte contemporanea”, Arte e Societ\u00e0, no. 10, October 1973Luciano Caramel, Marina Apollonio, Galleria il Nome, Vigevano, Italy, 1974Frank Popper, Art-Action and Participation, Studio Vista, London, 1975Simona Weller, Il complesso di Michelangelo, La Nuova Foglio Editore, Pollenza-Macerata, 1976Carlo Belloli, Marina Apollonio: anticampi cromoformali ottico rotatori\/cinestensivi a radiazione progressiva, Arte Struktura, Milan, 1979Karina T\u0171rr, Op Art \u2013 Stil, Ornament oder Experiment, Gebr. Mann Verlag, Berlin, 1986Angela Vettese, Marina Apollonio, Palazzo dei Diamanti, Ferrara, 1989Lea Vergine, L\u2019Arte in trincea, Skira, Milan, 1996Arnauld Pierre, “The Kinetic Eye: Optical and Kinetic Art, 1950\u20131975”, Mus\u00e9e d\u2019Art Moderne et Contemporain, Strasbourg, 2005Tobias Hoffmann, Die Neuen Tendenzen \u2013 Eine europ\u00e4ische k\u0171nstlerbewegung 1961 \u2013 1973, Edition Braus, 2006David Rimanelli, “Beautiful Loser: Op Art Revisited”; S. K. Rich, “Allogories of Op”, Artforum, May, 2007Martina Weinhart, Max Hollein, Op Art, Schirn Kunsthalle, Frankfurt, 2007Joe Houston, Ugo Savardi, Bianca Maria Menichini, Marina Apollonio, Columbus Museum of Art, New York, 2007Christa Steinle, exhibition catalogue, Neue Galerie, Graz, 2008Margit Rosen, A Little-Known Story about a Movement, in Art: New Tendencies and Bit International, 1961-1973, ZKM, Karlsruhe, 2011Giovanni Granzotto and Mariastella Margozzi, Arte Cinetica e Programmata, Il Cigno GG Edizioni, Rome, 2012Massimiliano Gioni and Gary Carrion\u2013Murayari, Ghost in the Machine, Skira, Milan, 2012References[edit]^ “Guggenheim”. Archived from the original on 2017-07-09. Retrieved 2020-02-10.^ “Arte Programmata: Italian Kinetic Art from the 1960s \u2014 review”. ft.com. October 11, 2016. Retrieved November 9, 2016.^ “bit – Nova tendencija 3”. 2.zkm.de. 2006-05-01. Retrieved 2016-11-17.^ “Op Art Through a Latin Lens”. The New York Times. February 18, 2016. Retrieved November 9, 2016.^ “SCHIRN KUNSTHALLE FRANKFURT | Exhibition”. Archived from the original on 2014-09-02. Retrieved 2013-05-28.^ “Op and Kinetic Art Returns to New York in a Sprawling, Fresh Survey”. observer.com. February 10, 2016. Retrieved November 9, 2016.^ “Art Sales: can the Italian art market maintain momentum?”. telegraph.co.uk. October 4, 2016. Retrieved November 9, 2016.^ “Simon’s World . . . On Instagram”. artnet.comm. March 5, 2015. Retrieved November 9, 2016.^ “Dorotheum: Immer noch die Malerei”. diepresse.com. May 28, 2016. Retrieved November 9, 2016.^ Grundtvig, Brigitte; McLaughlin, Martin L.; Lene, Waage Petersen (2007). Image, Eye and Art in Calvino: Writing Visibility. MHRA. p.\u00a0206. ISBN\u00a0978-1904350590. Retrieved November 9, 2016.External links[edit]  "},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/marina-apollonio-wikipedia\/#breadcrumbitem","name":"Marina Apollonio – Wikipedia"}}]}]