[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/teatro-o-bando-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki24\/teatro-o-bando-wikipedia\/","headline":"Teatro o Bando – Wikipedia","name":"Teatro o Bando – Wikipedia","description":"before-content-x4 Teatro O Bando Headquarters at Palmela Type Theatre Company Industry Theatre, actor’s training, communitary activities Founded April 10, 1979","datePublished":"2020-06-18","dateModified":"2020-06-18","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/8d\/Sede_vista_da_estrada.jpg\/220px-Sede_vista_da_estrada.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/8d\/Sede_vista_da_estrada.jpg\/220px-Sede_vista_da_estrada.jpg","height":"135","width":"220"},"url":"https:\/\/wiki.edu.vn\/en\/wiki24\/teatro-o-bando-wikipedia\/","about":["Wiki"],"wordCount":3068,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4Teatro O BandoHeadquarters at PalmelaTypeTheatre CompanyIndustryTheatre, actor’s training, communitary activitiesFoundedApril 10, 1979FoundersJo\u00e3o BritesJaqueline TisonC\u00e2ndido FerreiraCarmen MarquesJorge BarbosaMaria JaneiroHeadquarters       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Area servedWorldwideKey people       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Directors: Jo\u00e3o Brites, Raul Atalaia and Sara de CastroProductsPlays, events and classesWebsitewww.obando.ptTeatro O Bando is a Portuguese professional traveling theatre company active since 1974. According to its official website, it is “[a] collective that elects aesthetic transfiguration has a civic and communitary participation”.Table of ContentsFounding[edit]Singularism as an aesthetic trend[edit]Dramaturgy[edit]Scenic spaces and scene machines[edit]Headquarters[edit]Cooperative’s structure (2013)[edit]General Assembly and the elected Board of Directors[edit]Board of Artistic Directors[edit]International touring[edit]Other aspects[edit]References[edit]External links[edit]Founding[edit]The Cooperativa de Produ\u00e7\u00e3o Art\u00edstica Teatro e Anima\u00e7\u00e3o “O Bando” C.R.L.[1] (Artistic Production Cooperative for Theatre and Animation o Bando), was founded on April 10, 1979,[2] headquartered in the Anjos Palace, at Alg\u00e9s[2] by the artists Jo\u00e3o Brites, Jaqueline Tison, C\u00e2ndido Ferreira, Carmen Marques, Jorge Barbosa and Maria Janeiro.[3] The name o Bando is the Portuguese expression for a flock of birds. When it was founded, the company was structured within the childhood theatre area, a free concept that fought the post-revolutionary tendency to infantilize children created by commercial children’s theatre. According to Teatro O Bando’s approach, the child should be an active part of society, able to have a political and artistic point of view and to manage the limits between concrete reality and dreams. This opposes the average commercial approach that underestimates the child’s creative potential by using disarming fairy tales and other stereotyped worlds built by grownups.[4]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Singularism as an aesthetic trend[edit]Teatro O Bando maintains its original collectivist methodology based on a long achieved experience named singularism. The singularism aesthetic methodology has the objective of achieving unexpected and singular works because they are not the result of a single illuminated individual. Those works can be recognized because the artistic leadership seeks the transpersonal dimension of its results and not by being merely based on variations of a same style that repeats itself.[5]This way, Teatro O Bando refreshes its acquired knowledge when it searches for a constant unease and defy in its unclassifiable shows. The group’s theatrical creations are fueled by cultural activities, mainly in training and audience sensitization, that interact with several types of participants and contributes to a growing impact in the community, in the artistic m\u00e9tier and in the professional actor’s training.[5]Dramaturgy[edit]The company adapts Portuguese non-theatrical texts to theater, so that novels, poems and folk stories are staged and are the basis of Teatro O Bando’s dramaturgic work. Teatro O Bando has the most shows created from masterworks of Portuguese authors.[3] Its adaptations include:Scenic spaces and scene machines[edit]  THRONE(Afonso Henriques) photo by Rui CunhaTeatro O Bando has always sought unconventional spaces to put on productions. Even when the show happens in a conventional theatre, different solutions are studied. For example, the front of the stage can advance inside and over some of the audience’s chairs in a big diagonal, creating a break from formal, frontal stage.[5]  THRONE(Afonso Henriques) photo by Rui Cunha The group also creates shows with devices called scene machines that are not static scenes merely at the service of actors; they are equivalent to characters because they create tensions and emotions even when they are stationary. Theater critic Jorge Listopadits said, “a theatre that draws a new landscape but a landscape with a wider scope then the one of nature”.[6] As a result of intense touring activity, the scene machines have become important in Teatro O Bando and in Portuguese Theatre history. Theatre professor and historian Maria Helena Ser\u00f4dio calls them “polysemic objects” that achieve a function or meaning according to the position they occupy on stage.[citation needed]One example of this is in Afonso Henriques’ show, on stage since 1983 and still working today, is called the throne, but depending on its position can be a cradle, a cart, a castle, a cathedral or a bed.[3] From this patrimony of several shows throughout the decades, Teatro O Bando has most of scene machines scattered throughout the landscape within its headquarters, in a perpetual exposition called Ao Relento.[citation needed] Various parts of Teatro O Bando’s shows can be isolated and still be of artistic value. For example, the characters usually continue in small-scale shows after the large-scale shows are discontinued, the text can be read and have literary value on its own, the musical composition with its abstract meaning is reused by others in agreement with Teatro O Bando and the composer.[7]Headquarters[edit]  View of the headquarters from top of the hillAfter having several homes in Lisbon since its foundation, in 2000 Teatro O Bando moved its headquarters to Vale dos Barris in Palmela, inside the Natural Reserve of the Arr\u00e1bida in a farm of 80\u00a0hectares. Two pavilions, constructed from old pig styes, were remodeled to have offices, workshops, warehouses, dressing rooms, interior and exterior stages.[5] This rural space is used for artistic residences and workshops, allied with Teatro O Bando’s training knowledge, actors, musicians and singers discover new approaches to the stage.[citation needed]Cooperative’s structure (2013)[edit]Teatro O Bando is organized as cultural cooperative since its foundation and is one of the first and oldest Portuguese cultural cooperatives, although in fiscal terms it is the same as a private corporation.[3]General Assembly and the elected Board of Directors[edit]The highest organ is the General Assembly of Cooperants, composed of 22 members who elect the current board of directors. These three manage Teatro O Bando’s team in its daily work. Other nominations made by this assembly are the functions within the cooperative, such as the president of the assembly, the secretary and any new members, and a Board of Artistic Directors.[7]Board of Artistic Directors[edit]The Board of Artistic Directors is the creative core that analyzes and discusses future projects. It conceives and executes the projects leading them from the concept\/idea\/draft to stage.[7]International touring[edit]Teatro O Bando tours it shows in Portugal and abroad. The company puts on more shows on the road throughout the world than it does at home. Its members traveled in Portugal’s deserted rural interior in the 1970s, undertook European tours in the 1980s and later toured worldwide to theatre festivals. Teatro O Bando builds large, heavy, scenic spaces and to take them around. It has been to five continents, taking the shows but maintaining a long-term artistic and effective relationship with the hosts in Brazil, Germany, Russia, and various African nations.[citation needed]Other aspects[edit]In 1997 Jo\u00e3o Brites was invited to direct the Street Shows Full Department at the Expo 98, the international exposition in Lisbon 1998, all Teatro O Bando’s team was involved coordinating this event.[citation needed]On June 25, 2010, the Portuguese Ministry Presidency declared the Cooperativa de Produ\u00e7\u00e3o Art\u00edstica Teatro Anima\u00e7\u00e3o O Bando, C.R.L. a National Entity of Public Utility, published in Di\u00e1rio da Rep\u00fablica.[8]Under the leadership of Jo\u00e3o Brites, Miguel Jesus and Rui Francisco, Teatro O Bando was the Portuguese representative in Prague Quadrennial 2011 with the theme “on the other side”.[citation needed]Teatro o Bando is a member of the European Theatre Network Platform 11+[citation needed]References[edit]^ “Contrato” (PDF). Portal BASE. 2016-08-10.^ a b “Quem somos: Cooperativa”. Teatro O Bando. Retrieved 2022-12-16.^ a b c d v\u00e1rios autores “O  BANDO – monografia de um grupo de teatro no seu vig\u00e9simo anivers\u00e1rio”, em: grupo de teatro o bando. (1994), Corlito\/Set\u00fabal. ISBN\u00a0972-96482-0-4^ “Trilhos”, Real. Rui Sim\u00f5es, Prod. Real Fic\u00e7\u00e3o\/teatro o Bando, Lisboa, 1994 VIDEO^ a b c d DO OUTRO LADO\/ON THE OTHER SIDE direc\u00e7\u00e3o [de] Jo\u00e3o Brites, Rui Francisco, Miguel Jesus. PQP 2011, ed.. DGARTES. 2011^ M\u00c1QUINAS DE CENA\/SCENE MACHINES direc\u00e7\u00e3o Jo\u00e3o Brites,  2005, ed. Campo de letras Porto 2005 ISBN\u00a0972-610-953-1^ a b c Teatro O Bando\u00a0: afectos e reflexos de um trajecto \/ direc\u00e7\u00e3o [de] Jo\u00e3o Brites. 1a ed.. Palmela\u00a0: Grupo de Teatro O Bando,. 2009. ISBN\u00a09789899532304.^ DI\u00c1RIO DA REPUBLICA, II S\u00e9rie, de 2010-07-08External links[edit]     (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/teatro-o-bando-wikipedia\/#breadcrumbitem","name":"Teatro o Bando – Wikipedia"}}]}]