[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/vesperae-solennes-de-confessore-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki24\/vesperae-solennes-de-confessore-wikipedia\/","headline":"Vesperae solennes de confessore – Wikipedia","name":"Vesperae solennes de confessore – Wikipedia","description":"before-content-x4 From Wikipedia, the free encyclopedia Vesperae solennes de confessore Catalogue K. 339 Text Language Latin Composed 1780\u00a0(1780): Salzburg Movements","datePublished":"2019-08-06","dateModified":"2019-08-06","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki24\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/8c\/Salzburger_Dom.jpg\/240px-Salzburger_Dom.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/8c\/Salzburger_Dom.jpg\/240px-Salzburger_Dom.jpg","height":"320","width":"240"},"url":"https:\/\/wiki.edu.vn\/en\/wiki24\/vesperae-solennes-de-confessore-wikipedia\/","about":["Wiki"],"wordCount":2279,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopediaVesperae solennes de confessoreCatalogueK. 339TextLanguageLatinComposed1780\u00a0(1780):  SalzburgMovements6VocalSATB choir and soloistsInstrumentalbrass and timpaniviolinscontinuo       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Vesperae solennes de confessore (Solemn Vespers for a Confessor), K. 339, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1780. It is scored for SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo (violoncello, double bass, and organ, with optional bassoon obbligato).The setting was composed for liturgical use in the Salzburg Cathedral.[1] The title “de confessore” was not Mozart’s own, and was added by a later hand to his manuscript. It suggests that the work was intended for vespers held on a specific day on the liturgical calendar of saints (“confessors”); however, the saint in question has not been conclusively established if there even was one.[2] This was Mozart’s final choral work composed for the cathedral.[3]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Structurally, it is very similar to Vesperae solennes de Dominica (K. 321), composed in 1779. The setting is divided into 6 movements; as in Dominica, a setting of the Minor Doxology (Gloria Patri) concludes all movements, each recapitulating the opening themes. The first three psalms are scored in a bold, exuberant manner, contrasting with the strict, stile antico counterpoint of the a cappella fourth psalm,[3] and the tranquility of the fifth movement. The Magnificat sees a return to the style of the opening settings.Performed by St Matthew’s Choir, 2004; Clive Cooke, directorDixit Dominus (Psalm 110) Allegro vivace, C major, 3\/4Confitebor tibi Domine (Psalm 111) Allegro, E-flat major, common timeBeatus vir qui timet Dominum (Psalm 112) Allegro vivace, G major, 3\/4Laudate pueri Dominum (Psalm 113) Allegro, D minor, cut common timeLaudate Dominum omnes gentes (Psalm 117) Andante, F major, 6\/8Mozart departs from the structure of K. 321 in this movement. The earlier setting of Laudate Dominum is a highly melismatic soprano solo, with no choral interlude. In K. 339, the soprano solo is much simpler; the choir quietly enters at the conclusion of the psalm with the Gloria Patri, and the soloist rejoins them at the Amen.This movement is well known outside the context of the larger work, and is often performed in isolation.[4]Magnificat (Canticle for Vespers) Andante, C major, common time\u2014”Et exultavit…” Allegro, C major, common timeReferences[edit]^ “About: Vesperae solemnes de confessore (Vespers), for soloists, chorus, and orchestra, K.339”. Retrieved 20 February 2013.^ In the Roman Rite, most days of the year were and are feasts of saints, extending then even to Sundays but certainly apart from them, with male confessors (women saints, as well as martyrs, have different texts) making up a large part of them. At that time not only the antiphons, but also the psalms of such feasts were identical; the situation is rather different from the one following Pope Pius X.’s reform of the Breviary. Thus, Vespers for a Confessor were pretty much Vespers for everyday use.^ a b Mark Aaron Humphrey (2006). The Stylistic and Historical Significance of Mozart’s Mass in C Major K. 337. ISBN\u00a09780542875298. Retrieved 23 February 2013.^ Michael Steinberg (2005). Choral Masterworks: A Listener’s Guide. Oxford University Press. p.\u00a0211. Retrieved 21 February 2013. vesperae solennes colloredo.External links[edit]Vesperae solennes de confessore KV 339: Score and critical report (in German) in the Neue Mozart-AusgabeFree scores of Vesperae solennes de confessore in the Choral Public Domain Library (ChoralWiki)Steiner, R., Falconer, K., Kirsch, W., & Bullivant, R.  (2001, January 1). Magnificat. Grove Music Online. Ed.   Retrieved 13 Sep. 2018, fromVesperae solennes de confessore: Scores at the International Music Score Library ProjectAria Laudate Dominum on YouTube. Arranged for cello and 5 double-basses, sung by Megan Marie Hart.Masses and RequiemG major, K. 49\/47dWaisenhausmesse C minor, K. 139\/47aD minor, K. 65\/61aDominicusmesse C major, K. 66Missa in honorem Sanctissimae Trinitatis C major, K. 167Kleine Credo Messe F major, K. 192\/186fD major, K. 194\/186hSparrow Mass C major, K. 220\/196bMissa longa C major, K. 262\/246aCredo Mass C major, K. 257Piccolomini Mass or Spaur Mass C major, K. 258Orgelsolomesse C major, K. 259B-flat major, K. 275\/272bCoronation Mass C major, K. 317Missa Solemnis C major, K. 337Great Mass C minor, K. 427\/417aRequiem, K. 626Other Mass-relatedUncertain MassSpurious MassesMotetsVespersLitaniesChoral worksSingspiel \u2022 Oratorio \u2022 CantataHandel adaptationsMasonic ceremonial music       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki24\/vesperae-solennes-de-confessore-wikipedia\/#breadcrumbitem","name":"Vesperae solennes de confessore – Wikipedia"}}]}]