[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki3\/brindavani-sarang-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki3\/brindavani-sarang-wikipedia\/","headline":"Brindavani Sarang – Wikipedia","name":"Brindavani Sarang – Wikipedia","description":"From Wikipedia, the free encyclopedia Hindustani raga Vrindavani Sarang Thaat Kafi Time of day Early afternoon, 12\u20133 Day Third Prahar","datePublished":"2015-05-28","dateModified":"2015-05-28","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki3\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki3\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki3\/brindavani-sarang-wikipedia\/","wordCount":2332,"articleBody":"From Wikipedia, the free encyclopediaHindustani ragaVrindavani SarangThaatKafiTime of dayEarly afternoon, 12\u20133                   Day Third PraharSeasonSummerPakadNi Sa Re Ma Re Pa Ma Re Ni SaVadiReSamavadiPaEquivalentBrindavani (Carnatic)SimilarMegh and Madhumad sarang (komal ni)Brindavani Sarang or Brindabani Sarang,  also known as raga Sarang, is a Hindustani classical raga. It is also called Vridavani Sarang. This raga falls under the category of Sarang ragas.Brindabani Sarang is a Kafi thaat raga. It was created by Swami Haridas. The associated mythology being that he brought Lord Krishna to earth by singing this raga who took the form of an idol which can still be seen in Mathura.One of the famous Ragas for the Sarang raagang, it is a popular raag of this family, together with Shuddha Sarang, and Madhyamad Sarang.The name Brindavani Sarang is a testament to its popularity in the region around Mathura.The notes Ga and Dha are not used in this raga.A characteristic of all Sarang is the way Rishab (Re) is sung. The Rishabh is not accorded embellishments, so it is sung without any meen\u1e0d of adjacent swaras neither with any andolan. This preeminence of Re makes the swar the vadi of this Raga as also for all other varieties of this family (raagang).Another dominant phrase is Sa – Ni – Pa, also used in many other ragas, notably the popular Kanhada family.The distinguishing factor being that the Ni in Kanhada’s S-N-P takes a ka\u1e47 of the Pa (of uttarang), with a ghasee\u1e6da effect, whereas the Ni of Sa-Ni-Pa in Sarang is rendered pure.Brindavani Sarang’s classification in thaat Kaafi is peculiar as it uses the shuddha form of “Ni” in its Aaroha, whereas the komala form of “ni” and “ga” is the main characteristic of the Kaafi thaat. So it is possible to make a mistake in identifying its thaat as Khamaj.[1]This raga evokes the sringara rasa – romantic love.[2]Aroha and Avaroha[edit]Arohana: N S R M P N S’[3]Avarohana: S’ n P M R S N S[3]Ni svara is Shuddha in Arohana and Komal in Avarohana.Vadi and Samavadi[edit]Vadi: Rishabha (re)[3]Samavadi: Panchama (pa)[3]Pakad or Chalan[edit]Ni Sa Re Ma Re Pa Ma Re Ni SaR M P n – PMR, M- R N S R-SOrganisation and relationships[edit]Thaat: Kafi Thaat[3]Samay (Time)[edit]Madhyanah (noon), Afternoon.[3]It is generally sung as Rajasthani folksongs.Seasonality[edit]It is generally regarded as a raga of summer season.Rasa[edit]Shringar Rasa: The Rasa of Romance. It creates a romantic and mystic atmosphere.Related Raga[edit]Madhumad Sarang has the Shuddha Ni dropped or Varjit (excluded).[4] It is still considered a chanchal raga.Megh malhar has same notes but it is Dhrupad anga raga and is serious in rendering, with a lot of meen\u1e0d. Another distinguishing factor is that while Rishabh is used extensively in Megh Malhar (as also in Sarang), the Rishabh there takes a very strong meen\u1e0d from Madhyam (Me), a salient in the singing of meen\u1e0d-heavy Megh.Carnatic compositions[edit]Kamalaptakula by TyagarajaSoundara raajam aashraye and Rangapura Vihara by Muthuswami DeekshitharAathma Nivedanam by ThulaseevanamEke mamathe kottu by Gopala Dasa in KannadaArige Vadhuvade By Purandara DasaRanga banda brindavanadalli by Vyasatirtha in KannadaAnanda Mayage By Vadiraja TirthaIko Node Ranganathana By SripadarajaAmburuh\u00e2nan\u00e2 by Kalyani VaradarajanKaliyuga Varadhan by Periyasami ThooranThillana in Brindavani Sarang by M. BalamuralikrishnaFilm songs[edit]Tamil language[edit]SongMovieComposerSingerPon Ondru KandenPadithal Mattum PodhumaViswanathan\u2013RamamoorthyT. M. Soundararajan, P. B. SreenivasPoo VaraiyumIdhayathil NeeP. B. SreenivasThangamagal VayatrilVaazhkai PadaguP. SusheelaEn Aasaiyum UnnoduThirudanThangachi Chinna PonnuKaruppu PanamSirkazhi Govindarajan, L. R. EswariNathaswara Osaiyile DevanPoovum PottumR. GovarthanamT. M. Soundararajan, P. SusheelaPudhiyadhor Ulagam SeivomChandhrodhayamM. S. ViswanathanSirkazhi GovindarajanNee Punniyam SeithavalPunniyam SeithavalVani JairamSonnalthane TheriyumRanuva VeeranS. P. Balasubrahmanyam, S. P. SailajaBhoomi NeranjurukuMeendum PallaviP. SusheelaManathil Ore OruEn Purushanthaan Enakku MattumthaanIlaiyaraajaP. SusheelaMethuva ThanthiThalattuMano, MinminiKallukkulle Vandha Eeram EnnaManithanin MarupakkamS. P. Balasubrahmanyam, S. JanakiMannaiyam PonnaiyumNadodi PattukkaranPoongatre ThendatheyKunguma ChimilS. JanakiMuthamma MuthammaThanthu Vitten EnnaiArunmozhi, Uma RamananOru Pokiri RaathiriIdhu Namma BhoomiMano, SwarnalathaJilla MulukkaPriyankaMano, K. S. ChithraKaveri AaruThemmangu PaattukaaranMaadethile KanniVeeraS. P. Balasubrahmanyam, SwarnalathaMaalaigal IdamDecember PookalK.J. Yesudas, K.S. ChitraRavivarmanVasanthiChandraboseIlayavaleChinna Chinna AasaigalK.S. ChitraMaragatha Vallikku ManakkolamAnbulla AppaShankar\u2013GaneshK.J. YesudasChandiranai Thottathu YaarRatchaganA. R. RahmanHariharan, Sujatha MohanKonjum MainakkaleKandukondain KandukondainSadhana SargamRadhai ManathilSnegithiyeVidyasagarK. S. Chithra, Sujatha Mohan, Sangeetha SajithKandaen KandaenMadhureyMadhu Balakrishnan, Sadhana SargamNaan Varaindhu VaithaJayamkondaanHariharan, MadhushreePachhai KaatreAbhiyum NaanumSadhana SargamPoongatre Thinamum ThedurenThangarasuDevaS. P. Balasubrahmanyam, K.S. ChitraAathangarai ThoppukullaRayilukku NeramachuS. A. RajkumarMalaysia Vasudevan, S. P. SailajaAantha AvasthaiFebruary 14BharadwajShreya GhoshalAanandha YaazhaiThanga MeenkalYuvan Shankar RajaSriram ParthasarathyThendral ThendralRaasiSirpyP. Unnikrishnan, K. S. ChithraMalligaipoo AlagilAnnai VayalS. P. Balasubrahmanyam, S. JanakiKadhalmazhai Vanthu AdikuthuNesiBalram, Sujatha MohanPillai ThamaraiAlbumKarthik RajaMadhu BalakrishnanGhoomarPadmavatiSanjay Leela BhansaliShreya Ghoshal, Divya KumarNenjorathilPichaikkaranVijay AntonyDeepak Doddera, Supriya JoshiPen Maegam PolavaeKathai Thiraikathai Vasanam IyakkamSharrethG. V. Prakash Kumar, SaindhaviTheeranadhiMaaraGhibranPadmalathaHindi language[edit]Malayalam language[edit]Telugu language[edit]Other songs[edit]References[edit]Bor, Joep (ed). Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane (co-authors) The Raga Guide: A Survey of 74 Hindustani Ragas. Zenith Media, London: 1999.External links[edit]"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki3\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki3\/brindavani-sarang-wikipedia\/#breadcrumbitem","name":"Brindavani Sarang – Wikipedia"}}]}]